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This isn't actually Halloween related but there is plenty that is spooky or ethereal in the massive trove of images that the British Library has uploaded to it's Flickr account. Some 1 million of them in fact. There's a page with various albums, including maps, children's book illustrations, historical events and so on. And yes comics, mostly broadsheet cartoons. The images have been cataloged and tagged by online volunteers from images that were automatically uploaded.

So many Halloween comics are coming out this season. Here’s one that’s available as part of Halloween Comic Fest: BIRTH OF KITARO by Shigeru Mizuki, the origin story for Mizuki’s most popular character. Kitaro is a one eyed boy with strange powers—because he’s actually a 350-year-old yokai (spirit monster). While you may know Mizkui from […]

If there is one person who loves Halloween it was Charles Schultz…or at least he loved comic strips about Halloween. His creation of The Great Pumpkin created some classic comic strips and an indelible animated special. Over at the Peanuts Studio Blog, curator Denis St. John has been collecting vintage Peanuts Halloween images and here […]

She just won a big comics award and now you can see what the fuss is about: Katie Skelly's MY PRETTY VAMPIRE #1 is available in print at Gumroad in the ink...but you can also have a sneak peek here (NSFW). It's a sexy comic about Clover, a young woman unwillingly turned into a vampire and includes the drama and melodrama required of the genre. And perfect for the season! Kelley started it on her tumblr a while ago but has recolored it for the print version.

Inktober isn’t part of Halloween, per se, but it is part of the season. The purpose of Inktober is to get artists drawing, with the goal one inked drawing a day. Jake Parker has a primer, with tools and suggestions here. And his own wonderful drawings. Here’s some Halloween appropriate drawings from Days 1-4 — […]

  YES! Right on schedule the weather cooled down and it’s time for the best month of the year! Fire up your pumpkin flavored snacks and glow in the dark nail art! Halloween has now become a comic book holiday with the Halloween ComicFest for participating comics retailers. This year there will be costume contest and […]

We’ve been engaged in a rewatching of The X-Files here at Stately Beat Manor for the last few months and wow, does it hold up. Not only does it hold up, but it totally points the way forward to today’s golden age of television with superior acting, writing and production that strove to look different and not homogeneous. As great as a show like The Rockford Files or Cheers was, they were based on a template of how a TV show should act and move. The X-Files made its own template and changed the way everything would be done afterwards. Although Twin Peaks may have been the first show that truly broke the mold, it was also a victim of its own success. Chris Carter—and his crew of future show runners including Vince Gilligan—was able to stand out while keeping an audience on the always panicky fledgling Fox Network.

Aside from a few shoulder pads here and there and the lack of cel phones, The X-Files is as fresh and immediate as the day it aired. Many of the real life dangers it wove into conspiracies are just as  threatening now; many of the mysteries just as unsolved. The writing is brilliant (okay we’re only up to season three) and the characters of Fox Mulder and Dana Scully are new archetypes of the internet world to come. Dialed in, sometimes detached by the sheer flood of information, armed with information along with a gun.

The X-Files grew up with the internet, with rabid fan groups on usenet, and the birth of serious “shipping” that not only matched the obvious ones—Scully and Mudler— but alternates like Krycek and Mulder. The Lone Gunmen—three oddballs who knew how to surf on UNIX— were the first internet nerds, and the show adopted as its signature color the acid green of the flashing cursors of the first home computer screen.

As for Scully and Mulder, while it was obvious that someday they would hook up, they also stood for the most egalitarian duo in pop culture since…The African Queen? Each with quirks and backstory, Mulder revelled in his weirdness and Scully, instead of running away from her giant trenchcoat and perfect red lipstick, made it the sign of a competent, inquisitive FBI agent who could take care of herself and those around her in scores of crazy situations.

The X-Files is truly in the Halloween and the TV hall of fame.

As they did last year, the Study Group cartoonist have rolled out a whole week of seasonal comics including:

The Gemini Three – Part 1 – by T Edward Bak

Flash Forward – by Sean T. Collins and Jonny Negron

October 31st – by Will Dinski

Final Meal – by Christopher Sebela and Zack Soto

Internet Girlfriend – by Ross Jackson

River of Tears – by Julia Gfrörer

A Dance With Death – Part 1 – by Greg Khmara and Jason Fischer

Tales of Inconvenience – by Steve Aylett

King Blood – Part 2 – by Rich Tommaso

Guts Nice – by Chris Cilla

…and many more. Enjoy!

No one is better than Charles Burns, and his unnamed trilogy—X’ed Out, The Hive and the new Sugar Skull—may be an even greater achievement in horror than his masterful Black Hole. The horror is on the page—talking maggots, ruined faces, a grim grey land of cannibals and humanoid insects—but the true terror is the most fearful thing of all: learning to love and understand another human being.

Tim Hodler interviews Burns at the Comics Journal in a piece called “I’m Not on This Planet Forever”: that talks about the autobiographical roots of his work—although experienced first hand, Burn’s imagination transforms them into the universal.

That particular character, that was a conversation with my girlfriend’s roommates. I just never heard — we knew a lot of bands and I just remember her saying like, “Huh, we could do a band, but everybody’s doing a band.” It was like, “Everyone’s doing that. I’m going to do something different.” So it really was from that. When I went to school, I studied fine arts. I didn’t go to comics school or learn graphics or anything like that. Anything useful.

But I really did have a chance to kind of explore a lot of different mediums. I did painting, and sculpture, and I did a lot of photography. That part comes out in the book a little bit — that aspect of being a photographer. I felt like I was able to kind of allow different things into my work. But also it did come down to me just liking the accessibility of comics and wanting to tell stories. I think early on I never really kind of settled down enough to tell real stories. There were little fragments of things, or a page of something, or it might be some kind of more visual narrative. But I hadn’t really sat down and worked through the whole storytelling part of it. Which is a hard thing. Something I had to teach myself.

This extraordinary book—surely one of the most beautiful picture books of the year— has a complicated history. It began with Mattotti’s phenomenal illustrations, originally commissioned for the Metropolitan Opera’s 2007 production of Engelbert Humperdink’s opera Hansel and Gretel. Later French publisher Gallimand commissioned Jean-Claude Mourlevat to write text to go with it. And now Neil Gaiman has done an all new adaptation of the story. I was lucky enough to hear Gaiman read this at Carnegie Hall earlier in the year and it’s a stunning version of the tale…but it’s Mattotti’s claustrophobic, world building art that makes this one of the books of the year. In his world. the unlucky children are mere black blobs with a thin armor of white space protecting them from a tangled web of darkness.

This book is the center of several events this weekend. Neil Gaiman is speaking at the NYPL this evening, and it’s being live streamed.

And Mattotti himself appears tomorrow morning at McNAlly Jackson Books in Soho. He will have books re-signed by Gaiman on hand but Gaiman will not be appearing…however, if you are very lucky maybe the great Mattotti will doodle something in your copy of this masterpiece.

WHEN:
November 1, 2014 at 11:30AM

WHERE:
McNally Jackson Books
52 Prince Street
(between Lafayette & Mulberry)
New York City, NY 10012

WHAT:
Come hear Lorenzo talk about his art and share more about the making of Hansel & Gretel.  After the event, copies of Hansel & Gretel, presigned by Neil Gaiman, can be signed and personalized by Lorenzo.

The long running The Last Halloween is an engrossing tale about a girl and some monsters.

The Last Halloween is the story of Mona and her unusual friends, who must work together to defend humanity from countless horrific monstrosities! Perhaps they will succeed, and humanity will prevail as it always has. Or perhaps this will be… The Last Halloween

It’s all in the execution!

Howard came up with the idea after participating on Strip Search.

Monsterverse is having a sale!

And so is Humanoids with a 25% sale off on Pandemonium, Loving Dead, I Am Legion, Sanctum, Dominion, Whispers in the Walls, Crusades, Zombies That Ate The World (Book 1 and 2) both digital and physical. Just enter the word Halloween at check out. Runs through tomorrow and again some great books there.

Alex Schubert’s Blobby Boys go on a rampage of referencing Ben Jones and Charles Burns in this episode. And check out the rest of Vice’s comics—many Halloween themed ones this week!

F YEAH!!!!!! If there is one Halloween tradition in comics that must be kept is a new digital comic by Emily Caroll! Her previous uses of the digital palette to create horror has made her one of the few true autuers of “future comics”—and the print iteration, Through the Woods is one of the best graphic novels of the year. Her previous horror comics like His Face All Red, Margot’s Room, Out of Skin and The Hole the Fox Did Make are all classics of terror and digital storytelling.

And here she is this year with When The Darkness Presses, which …..Oh I’m not going to say a word. JUST CLICK IT. When I saw she had a new horror comic out I just about yelled for joy. And that was before I even opened the door. Drop whatever you are doing and do the same.

David Hine’s Strange Embrace has quietly become a classic horror comic. The eerie tale of a delivery whose weekly trip to a house full of dysfunctional shut ins reveals secret after secret and descends into madness, sexual obssession and death, it’s been published in various editions from Tundra, Image, Active Images and more since it first came out in 1993. And now you can get the ULTIMATE version of the story via Sequential, the graphic novel app for iPads. This version is in the original black and white (at one point it was colored and though it looked great B&W fits the mood better). It also includes an intro by Paul Gravett, back matter and even AN AUDIO COMMENTARY FOR EACH PAGE. YOU heard that right. Sequential is aiming to make the “criterion collection” of digital graphic novels and they are doing a fine job of it. Extras include:

Sequential is making 666 copies of the book available for free this Halloween. Just head over to the store and get ready to download. .

Boom! Studios is turning 10 in 2015, as we mentioned the other day. And Publisher Ross Richie has every right to make a victory lap—he;s stayed lean and smart, put out some good yarns, picked up some game-changing licenses such as Adventure Time, and even made a pretty good movie (Two Guns.) The 10th anniversary hoopla will be marked by special variant covers. Every new launch will have a special variant “10 Years” cover … but perhaps it’s best if I quote the press release to explain what is going on, because it’s a little complicated. But I’m sure the covers will look very nice.

Every launching issue in 2015 will include a uniquely designed “10 Years” incentive variant cover featuring work by one of 16 of the industry’s best cover artists. Each artist (or artist team) will provide all the covers to all of the newest titles coming out from BOOM! or one of its imprints (KaBOOM!, Archaia, and BOOM! Box), with the roster rotating each quarter. The special “10 Years” covers will be retailer incentives available to order for retailers for every 10 copies they order of the title’s main cover.
 
For the first quarter of 2015 (January-March), the artists are:
 
• All launching BOOM! Studios titles: Trevor Hairsine (Captain America, Eternal Warrior)
• All launching KaBOOM! titles: Joe Quinones (Harley Quinn, Big Trouble in Little China)
• All launching Archaia titles: Ramón Pérez (Amazing Spider-Man, Jim Henson’s Tale of Sand)
• All launching BOOM! Box titles: Shelli Paroline & Braden Lamb (Adventure Time, The Midas Flesh)
 
Cover artists for the remaining quarters of 2015 will be announced at a later date.
 
In January, new launching titles to receive the “10 Years” Cover treatment include:
 
• Burning Fields #1 (BOOM! Studios)
• Adventure Time: Marceline Gone Adrift #1 (KaBOOM!)
• Feathers #1 (Archaia)
• Munchkin #1 (BOOM! Box)
 
The cover images will be revealed closer to each title’s order deadline.
 
In addition, BOOM! will select one launching title each month and slip one, rare exclusive cover intermixed into every 100 copies of the main cover printed. Dubbed the Jackpot Variant, these special covers will show up randomly at any comic shop that orders at least one copy of the title. For January, that title is Munchkin #1, a new ongoing series from BOOM! Box based on the hit adventure card game. The Jackpot Variant cover for Munchkin #1 is illustrated by Evan Palmer (Cooking with Food).
 
Finally, should any of its new titles in 2015 launch with a final combined initial order of over 10,000 copies, BOOM! will unlock an additional 1-in-10 intermixed special variant that will ship with the main cover.
 
To help mark its 10th anniversary, BOOM! will include a new “10 Years” trade dress logo that will be featured on the covers of all its single-issue releases in 2015.

“We’re very proud to reach our 10th anniversary here at BOOM! Studios, so to celebrate, we wanted to make sure we included the people that helped us get where we are today: comics retailers and fans,” said BOOM! Studios Editor-in-Chief Matt Gagnon. “This yearlong program brings in some of the best artists in the industry and is designed to celebrate this milestone with all of our supporters. I can speak for our entire team when I say we’re looking forward to the next 10 years of publishing great comics!”

If there’s one person who loves Halloween and scary monsters more than us it’s artist Francesco Francavilla who has been running his own 31 Days of Horror event on his twitter feed with daily art and process posts. You can more or less follow along at the hashtag #fffear but here’s a sample:

312 d

By Matthew Jent

Hellboy and the BPRD #1

Writers: Mike Mignola & John Arcudi

Artist: Alex Maleev

Colorist: Dave Stewart

Cover Artist: Alex Maleev

Genre: Horror, Fantasy, Action/Adventure

Publisher: Dark Horse Comics

“You’re taking Hellboy with you.”

In the mid-1990s I was in high school and looking for rebellion. Something to get pretentious about. It was a search for some kind of pre-hipster deep knowledge. Oh, you like superhero comics? Meh. I’m more of a Vertigo fan.

Then I found the comic book rebellion I was looking for. A group of comics creators, writers and artists of some renown, banded together and abandoned the Big Two publishers in order to make creator-owned work, following their passion and making the comics they wanted to make, unrestricted by corporate mandates, editorial oversight, and comics code authorities.

No, not the one you might be thinking of. I’m talking about Dark Horse’s Legend imprint. Founded by John Byrne and Frank Miller, it encompassed their extant Next Men and Sin City books, Paul Chadwick’s Concrete, and new series from creators like Art Adams, Geoff Darrow, and others. I was fifteen and looking for a bandwagon to jump on. So I decided Legend was going to be that bandwagon. Every creator, every book, the complete imprint: I was going to read them all.

Which leads us to Hellboy: Seed of Destruction. Growing up with superheroes, I wasn’t a big Mike Mignola fan. I knew him from covers and annuals and the occasional mini-series, and his art had always been too blocky, too weird, to squiggly for my tastes. But Hellboy, whatever that meant, was a Legend book, and more than that, it was tied in, however lightly, to the “Torch of Liberty” backup that was going to run with Byrne’s Danger Unlimited miniseries, so I was willing to buy it, skim it, and board it.

That was 20 years ago. If you’re reading this Hellboy review and wondering what a Torch of Liberty or a Danger Unlimited is, or even — yikes! — whatever happened to Concrete, that’s partly a testament to Mike Mignola and Hellboy, one of the few enduring comic book creations of the modern era. Inspired by mythology, pulp fiction, weird horror, and action-adventure stories, Hellboy was the book Mignola was made for, and it’s been published pretty continuously ever since that first issue of Seed of Destruction. There have been toys, cartoons, and a couple major motion pictures, but there’s never been a reboot or a relaunch. The universe has expanded to include solo series or one-shots for Abe Sapien, Lobster Johnson, and the whole Bureau for Paranormal Research and Defense. They’re not always written and drawn by Mignola anymore, but hey — the guy created a world around the idea that the (possible) Anti-Christ is a superhero/paranormal investigator. That’s fertile ground for a shared universe.

This December sees the release of Hellboy and the BPRD. In the year that Hellboy turns 20 for real, this series flashes back to 1952 to tell the tale of Hellboy’s first mission with the Bureau. This issue — like most Hellboy comics — is dripping with dread and foreboding. Professor Bruttenholm, the Director of the BPRD and Hellboy’s Earthly father figure, sends a team of soldiers and investigators to Brazil to look into a series of murders supposedly committed by a “superhuman creature,” the descriptions of which vary. They have a small plane, a contact in a Brazilian village, and orders to bring along the untested Hellboy, who is otherwise sitting on his bed, tossing playing cards, chilling with a pet dog. There are some visions of the future and worries (spoken and unspoken) as to whether Hellboy will be a force for good or evil, but any longtime fan of the character knows that the red guy has a heart o’ gold.

The art from Alex Maleev and Dave Stewart is a great fit for Mignola & Arcudi’s story, and for the world of Hellboy. The shadows are dark (though not as oppressive as in Mignola’s own art), and the architecture is appropriately doom-laden. There are very few examples of characters free-floating in space — when that does happen, there’s always evidence elsewhere on the page of where these characters are. Objects, walls, backgrounds — ceilings! — painting a full picture of the space these characters inhabit. It might seem like a small thing, but with very little action in the first issue, Maleev and Stewart do a great job of establishing tone and tension through their use of setting and space.

As for the story? There’s always a push and pull to serialized storytelling. Do you write for the trade? For the periodical? Do you just tell the story you want to tell, and let page counts fall where they will? Hellboy and the BPRD #1 falls into the same category as a lot of modern first issues, meaning there’s a lot of setup without any denouement. That setup is thorough, and the tension and weirdness grows with an appropriate balance of pacing and characterization — two of the four BPRD agents are interchangeable, but Archie and Xiang are interesting enough to allow for a few potential redshirts on the team — but there’s no release of that tension. It’s an issue-long intake of breath, with no exhale. If you consider this as a single issue in a 20-years-and-growing tale, that’s not a bad thing. But as the first issue of a new series, I was looking for one more 4-6 page scene or cutaway that gave a clearer sense of what this story would be about. The first issue of a Hellboy series doesn’t need to provide a clear shot of the villain or an assessment of the threat at hand, but when I get to page 22 of any comic and I find myself genuinely wondering if the ending has been cut off (and this was a review copy, so it’s possible), I consider that a storytelling misstep.

Single issues like this are hard to review out of context. The short version is, If everything comes together, this is a very good beginning. The longer version is, well, everything else you’ve read to this point.

That said, I don’t need a more complicated pitch to continue reading than “Mike Mignola tells the story of Hellboy’s first field assignment.” Hellboy and the BPRD is building on a 20-year bank of weird horror, existential dread, and tales well told. This isn’t a great jumping-on point for new readers, but it’s a promising start to an untold tale in a decades-long serialized story.

Hellboy and the BPRD #1 will be released on December 3rd, 2014.

JO Applegate is an illustrator who has appeared in The Classical, ESPN Playbook, SI Extra Mustard, Buzzfeed Sports and Dime Magazine among others and he passed along some art he did for a Halloween art show:

Monster Meet Cute

Curse of the Lover’s Tree

BTW it’s not Halloween, but if you go to his site or Tumblr there’s some really neat stuff, much of it sports themed,. We especially liked the mock pulp paperback covers done for the Classical with a basketball draft theme.

Split Lip is a long running—and critically acclaimed— horror comics anthology (ANOTHER)began online in 2006 and ventured into print in 2009. It’s the creation of writer Sam Costello, who enlisted artists including Kyle Strahm (Spread), John Bivens (Dark Engine), Sami Makkonen (Deadworld: Slaughterhouse), T.J. Kirsch (Amy Devlin Mysteries), Christine Larsen (Valentine), David Hitchcock (Springheel Jack), and Felipe Sobreiro (The Strange Talent of Luther Strode) to do the drawing. A new series of stories just relaunched on Wednesday, after having been retired  in 2012 by Costello. But “even though I tried to move on to other things,” he writes. “I kept having ideas for new short horror stories. As I wrote them, I realized that these stories—in their tone, style, and approach—were Split Lip stories and that I had to relaunch the series.”

The relaunch includes five months worth of comics already completed and an additional four stories underway.

The new stories begin with “Victims,” a story of missing memories, twisted families, and emotional trauma written by Costello and drawn by Steven Perkins. 

Upcoming stories include “Lone and Level,” a meditation of materialism and mortality, with art by Max Temescu, and “8 Days Alone,” drawn by Matthew Goik, in which a man believes that his girlfriend has come back from vacation a different person.

To celebrate the relaunch of Split Lip, all 5 Split Lip trade paperbacks are 30% off through Halloween at http://store.splitlipcomic.com.

The relaunch of the series will be followed in November by a new design for the Split Lip website. The improved design will offer a better reading experience, less clutter, and a tablet-friendly size. The new stories are also optimized for display on high-resolution screens like Apple’s Retina Display, delivering the art and lettering in super-crisp detail.

“As every horror and comics fan knows, nothing really stays dead. I’m thrilled that Split Lip, whether undead, zombified, or simply relaunched, has risen from the grave and is back among the living,” said Costello.

And yet another crowdfunded Horror anthology, this time led by Christian Sager who explains it thusly:

CANAAN CULT REVIVAL is an explicit and graphic compilation of horror, designed to distress its readers. In fact, some creators who originally participated in the magazine had to withdraw when they were exposed to its subject matter. This isn’t yet another retelling of the same witchcrafted demon possession you’ve come to know. 

Story Synopses

“The Flagellant:” (Art by Drew Rausch.) Kushiel the Wayfarer has punished Purgatory’s residents for eternity. When a coven of wealthy socialites tries to bind him, it becomes Kushiel’s turn to punish himself.

“Trial By Cauldron:” (Story & Art by EC Steiner.) Dissension in a coven of witches leads to one young woman to seek the terrible embrace of the demon Andras.

“Beestings:” (Art by Anthony Hightower.) Two young men are seduced and punished after they beat up a witch’s son. 

“By Proxy:” (Art by Eraklis Petmezas.) Frank Delaney decides to scare his son away from the occult by turning their home into a “hell house.” 

“The Never Event:” (Art by Henry Eudy.) As part of her initiation as a demon hunter, Luanne’s father forces her to exorcise another teenage girl… or kill her trying.

“The Bully Pulpit:” (Art by Rich Barrett.) The deacon of a small religious school warns his students that one of their peers is possessed by a demon. To further his cause, he turns to diabolism and domestic abuse.

“Snow Blind:” (Art by Rafer Roberts.) Young Alia Siskin temporarily loses her vision. But the demon Beleth has plans for her… and her new puppy.

“The Resident:” (Art by Kelly Williams.) Joe checks out the same rare books from the local library everyday. When the head archivist confronts him, she learns a dark, demonic secret.

And some art:

“Trial By Cauldron.” Written and drawn by EC Steiner.

“The Flagellant.” Art by Drew Rausch.

Kelly Williams – “The Resident”

“Beestings.” Art by Anthony Hightower.

Rafer Roberts – “Snow Blind”

“The Bully Pulpit.” Art by Rich Barrett.

“By Proxy.” Art by Eraklis Petmezas.

Henry Eudy – “The Never Event”

If you thought the post office was scary, wait until you see Night Post by Benjamin Read and Laura Trinder. It’s about a midnight postal service that delivers mail to the creatures of the night. And what happens when they find out it’s just junk mail? You don’t want to find out.

‘Night Post started from my longstanding childhood belief that midnight is a special hour, and strange things can happen as it strikes,’ Read tells us. The story of our beleaguered Postie has offered a wonderful chance for me and Laura to explore our mutual love of the spookier side of things, whilst having a great deal of fun at the same time. Building the world of the Night Post and then watching Laura bring it to life or, in some cases, death, and layer it with the most painstaking details – watch out for the Infinitesimal Animals – has been brilliant.’

The book will be released in the UK by Improper Books on November 12 via supporting independent retailers, such as Gosh! (London), Orbital Comics (London), and Page 45 (Nottingham).

Craig Engler,  co-creator/writer/co-executive producer of Syfy’sZ Nation is kickstarting a new comic based on HP Lovecraft; it’s already funded but it’s definitely in the spirit of the season.

“Halloween week is the perfect time to launch ‘Lovecraft: The Blasphemously Large First Issue,’ the start of a new series we’re working on that completely reinvents H.P. Lovecraft’s Cthulhu Mythos,” Engler said. “The story is set in the present day and recasts Lovecraft as the world’s foremost alchemist and a magician who guards a secret library of forbidden knowledge, which includes books like the Necronomicon.”

Engler (Z Nation, Zombie Apocalypse) is writing the story with pencils and inks by Daniel Govar (DC, Marvel), colors by Matheus Lopes (Image, Dark Horse, IDW) and a special limited-edition cover by red hot artist Lewis LaRosa (Valiant). The first issue will be 48 pages long, including 6 pages of Lovecraft pinups by some fantastic guest artists:

Brian Hurtt (The Sixth Gun), 
Dennis Calero (X-Men: Noir)
John Bivens (Dark Engine)
Lukas Ketner (Witch Doctor)
Richard Luong (Cthulhu Wars)
Jamie Tanner (The Dark Well)

The Kickstarter will also feature a special green foil variant cover that’s only being offered during the 28 day campaign. 

although afterlife with Archie may be his greatest horror hit, Riverdale’s finest has always celebrated the holiday, from #5 on.

Yes it’s the most magical time of the year, Halloween, which is a 24 hour tradition here at Stately Beat Manor. To get into the mood. The Beat has been listening all day to Soma Radio’s Doomed station which offers “dark industrial/ambient music” which usually means loud/urgent chanting in Latin and Fields of Nephiilm. Many creepy, eerie sounds, very relaxing.

For more variety, there’s Songza’s Something Terrible Is About To Happen, ominous drones punctuated by blasts of dread. Pandora has a Halloween radio station which offers all the old standbys from Tubular Bells on.

Of course, the favored soundtrack here at SBM is still Chilling, Thrilling Sounds of a Haunted House

Followed closely by this OOP but still available on Overstock TVT Records SF’s Greatest Hits 2: Darkside

Happy Listening!

Art from the Haunted Mansion series by Shag