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Viewing: Blog Posts from All 1564 Blogs, since 12/27/2007 [Help]
Results 12,126 - 12,150 of 164,480
12126. Angoulême 2013 in pictures

Although the Angoulême Comics Festival is the biggest comics event outside of Japan, with 200,000 people visiting art exhibits and lining up for hours to meet cartoonists, is the the most poorly covered in the English language. No minutely updates of what vintage wine is consumed or breaking news on cover artists, Nonetheless, scouring our twitter feed revealed some pictures that give a bit of the flavor:

1 Comments on Angoulême 2013 in pictures, last added: 2/5/2013
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12127. Stan Lee is back on the scene and bringing joy to the children with his new kids comics line

Although Stan The Man Lee has been missing a few appearances of late—we're told due to the flu—he was well enough to appear at an event this weekend to mark the launch of his Stan Lee Kids Universe Line of comics. This is not only welcome proof that The Man is still alive and kicking, but a super rare coming to fruition of one of the Many Pacts of Stan Lee.

3 Comments on Stan Lee is back on the scene and bringing joy to the children with his new kids comics line, last added: 2/5/2013
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12128. “What does this book have to do with me?” Why Mirror and Window Books Are Important for All Readers

Katie CunninghamGuest blogger Katie Cunningham is an Assistant Professor at Manhattanville College. Her teaching and scholarship centers around children’s literature, critical literacy, and supporting teachers to make their classrooms joyful and purposeful. Katie has presented at numerous national conferences and is the editor of The Language and Literacy Spectrum, New York Reading Association’s literacy journal. 

When we lived in Brooklyn, I knew my sons were growing up in a diverse community. They understood that people have different skin colors. That people speak different languages. That people eat different foods. That people believe different things. That we all share a common humanity. That life is full of complexity.

Now we live in the woods and appreciate the quiet of country living but this is far from a diverse community. For my boys, there is greater diversity in the pages of a book than on the streets of their town. Multicultural children’s literature is a doorway into greater understanding that their cultural background is not the only cultural background. That their way of speaking is not the only way of speaking. That their point of view is not shared by everyone.

When we open a book and start to read a story, we use our imaginations to walk through whatever world the author has created. Children’s literature is full of stories about boys and girls that look like my children. Rudine Sims Bishop uses the terms mirror books and window books to describe how we both see ourselves and see others when we read literature. The characters my sons encounter are often mirrors and they find their life experiences reflected in the books they read. Children from dominant social groups have always found their mirrors in books, but do they have enough access to high-quality stories that represent other cultural backgrounds in a positive way?

artwork from Amazing Faces

artwork by Chris Soentpiet from Amazing Faces

My sons need more than mirror books. As I scan our reading shelves at home I know we can do better. When I walk into many classrooms, I know they too can do better. My sons and all children need books that provide windows into other life experiences to understand the diverse world we live in and to build connections to all other humans. After all, when the lighting is just right can’t a window become a mirror?

My friend, colleague, and global literacy leader Pam Allyn takes Charlotte’s Web with her when she travels to Lit Clubs in Kenya, Haiti, and South Korea. She takes Charlotte’s Web because even though the children she meets do not look like or speak like Fern, there is a shared humanity in E. B. White’s words that is unparalleled, and all children can find a mirror in Fern’s courageous spirit. Pam has created Lit Clubs and Lit Camps through her organization LitWorld that emphasize the human strengths found in stories. Imagine if all the stories we read with children were framed around human strengths? What strengths would you choose?

Baseball Saved Us cover

Of course, stories also help us understand that the world we live in is not what it should be. Stories can help young children understand that racism very much exists in this country, and that power is unequally distributed based on race, class, and gender. For children from dominant groups, window moments in stories come when the children realize they hold a powerful place in society and that there is something unjust about this. Two stories that center on human strength and offer powerful mirror/window possibilities for children are Baseball Saved Us by Ken Mochizuki and Seeds of Change: Planting a Path to Peace by Jen Cullerton Johnson. Baseball Saved Us is about an underdog believing in himself and the strength that comes from confidence, but it also tells about an ugly chapter in United States history when Japanese Americans were sent to internment camps during World War II. Seeds of Change is a story of perseverance in the face of political opposition and bias against women. It is also about respecting nature and the power of collective action to change a landscape and the sustainability of a nation. There are many more such stories. Yet, are we reading them to children at home and in our classrooms?

Seeds of Change cover

President Obama in his Second Inaugural Address emphasized the legacy of Dr. Martin Luther King Jr. when he said, “our individual freedom is inextricably bound to the freedom of every soul on Earth.” Stories can help children realize this. Isn’t a sense of social justice something we want all children to develop? Through the thoughtful selection of books we read to our children we take a step toward creating adults who desire a world that is better than the one we live in today.

So, parents and teachers, what can you do?

  • Acknowledge that every story has mirror and window possibilities
  • Emphasize that we live in a diverse society
  • Arm students with stories where their background is represented in a positive light and where their life experiences are validated
  • Discuss themes in stories to unpack mirror possibilities for all children
  • Read aloud stories that represent positive aspects of the human spirit and where characters rally together for collective action
  • Be open to discussions of inequality that you see in stories and in life; discuss with children a vision for a better world
  • Look for links to literacy standards such as the Common Core State Standards Reading Literature Standard 6 across grade levels; this is a strand of standards that emphasizes point of view

Further reading:

What’s in your classroom library? Rethinking Common Core recommended texts

A More Diverse Appendix B


Filed under: Book Lists, Curriculum Corner, guest blogger, Resources Tagged: common core standards, diversity, Educators, Power of Words, Race issues, windows and mirrors

1 Comments on “What does this book have to do with me?” Why Mirror and Window Books Are Important for All Readers, last added: 2/11/2013
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12129. Book Review: Vision of Beauty: The Story of Sarah Breedlove Walker, by Kathryn Lasky (Candlewick, 2012)

Recommended for ages 7-12.

Candlewick Press has recently reissued in paperback Kathryn Lasky's biography of Sarah Breedlove Walker, originally published in 2000.  In a brief 48 pages, Lasky chronicles the life of this remarkable woman, born into poverty to former slaves, who became a highly successful entrepreneur and philanthropist.  Orphaned at the age of seven, Sarah had a difficult childhood, and married at the age of 14 to escape living with her sister and her cruel husband.  She eventually moved to St. Louis where she worked as a laundress and diligently saved to be able to give her daughter the education she never had.

Because of poor nutrition, Sarah's hair began to fall out, and she began to work on a formula that would produce healthy hair for African-American women.  After testing her products on herself, she began selling door-to-door, and eventually expanded her products into the Madam C. J. Walker Manufacturing Company, a business empire which made her the wealthiest black woman in America.

In a brief, easy to read narrative, Lasky hits on the highlights of Walker's life, emphasizing how remarkable her success was in an era when she had two strikes against her--being female and being black.  My favorite scene in the book involves Waker attending a conference of African-American business leaders, all of whom (of course!) were men.  Lasky describes how Walker tried unsuccessfully to get the attention of Booker T. Washington, so that she could speak.  She finally sprang to her feet, relating how she came from the cotton fields of the South, promoting herself into the business of manufacturing hair goods.  "'My object in life is not simply to make money for myself, but to use part of what I make in trying to help others,' continued Madam Walker...With these words, Madam Walker proved herself more than equal to any man in that room."

Sarah Breedlove Walker
An epilogue describes Walker's commitment to philanthropy and to civil rights; her dying words were "I want to live to help my race."  Back matter also includes an illustrator's note an index, and selected sources.

Abundantly illustrated with beautiful full color watercolor paintings by Nneka Bennett, Lasky's book is an inspirational tale that could be read aloud or read independently by children in elementary school.

3 Comments on Book Review: Vision of Beauty: The Story of Sarah Breedlove Walker, by Kathryn Lasky (Candlewick, 2012), last added: 2/5/2013
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12130. Paperman (Or: Why Silence Can Be Awesome)

Apologies for the blog silence--I've been a bit under the weather. On the upside, I'm all caught up on Justified, and I started writing the third book in the Double Vision series. Exciting!

Oddly, I gained a ton of Twitter followers while I was away, so perhaps I should shut up more often.

On the topic of silence, I thought I'd share this short silent film by the Disney people called Paperman. When I first saw it as a preview to some other movie I was about to see, I loved it, and you could hear a pin drop in the theater. I think it's up for an Oscar, so fingers crossed.

 

4 Comments on Paperman (Or: Why Silence Can Be Awesome), last added: 2/5/2013
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12131. Some thoughts for a new week…

Have you had that moment when you realize that no one else has it all together, either? To quote  Niecy Nash… We are all one big “hot mess”. But Isn’t it freeing to know we aren’t in this messy life alone? It frees us up to keep hoping… Keep trying… Keep on keeping on. And [...]

8 Comments on Some thoughts for a new week…, last added: 2/11/2013
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12132. Farsighted & Open Heart by Emlyn Chand Spotlight


Farsighted 
Alex Kosmitoras's life has never been easy. The only other student who will talk to him is the school bully, his parents are dead broke and insanely overprotective, and... oh yeah, he's blind.

Just when he thinks he'll never have a shot at a normal life, an enticing new girl comes to their small Midwest town all the way from India. Simmi is smart, nice, and actually wants to be friends with Alex. Plus she smells like an Almond Joy bar. Sophomore year might not be so bad after all.

Alex is in store for another new arrival—an unexpected and often embarrassing ability to "see" the future. Try as he may, Alex is unable to ignore his visions, especially when they suggest Simmi is in mortal danger.

With the help of the mysterious psychic next door and friends who come bearing gifts of their own, Alex embarks on his journey to change the future.





Open Heart 
Simmi Shergill's life is a mess. Her powers of psychic feeling are on the fritz, and Grandon Township's sudden population boom has brought quite a few unsavory characters to town. She also looks like an over-blown balloon in her size 14 pants, but not even starving herself seems to be helping.

At least she has Alex, the boyfriend who loves her so much he'd do anything for her. Last summer, he even risked his life to protect her from the mysterious boy everyone was convinced wanted to kill her.

Just one problem: she's not so sure she feels the same way. Is Alex really the man of her dreams? Why can't she stop fixating on her would-be killer, Dax? Part of her wants to run screaming in the other direction whenever Dax is around, while the other part longs to run into his embrace, no matter whom she'd hurt or what she'd risk.

Simmi's loyalty is on the line. Whom will she choose—the blind seer who loves her, or the charming telekinetic with "bad idea" written all over him? Emotions run high in the tension-packed book two of the Farsighted series.



Other books in the series...





About The Author...

From an early age, Emlyn Chand has counted books among her best friends. She loves to hear and tell stories and emerged from the womb with a fountain pen grasped firmly in her left hand (true story). Her affinity for the written word extends to absolutely every area of her life: she has published three novels and three children’s books with plans for many more of each, leads a classics book group with almost five-hundred members, and, of course, runs the whole shebang at Novel Publicity.

The book that changed Emlyn’s life is Harold and the Purple Crayon by Crocket Johnson. It opened her eyes to the world that could exist if only she was willing to create it—a lesson she has never forgotten. While she enjoys all types of novels, her greatest loves are literary fiction and YA. She’s best known for her Farsighted series and is developing a slow but steady following for the Bird Brain Books. She’s eager to see how her women’s fiction novel, Torn Together, will be received by the reading masses.


Website FacebookGoodReadsTwitterBlog




Make sure to check out the FARSIGHTED & OPEN HEART blog tour kicking off Monday, February 4th! 


GRAND PRIZE: Kindle or Nook -- Winners choice!



a Rafflecopter giveaway

12 Comments on Farsighted & Open Heart by Emlyn Chand Spotlight, last added: 2/5/2013
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12133. Doomed by Tracy Deebs - Interview & Giveaway


Welcome back to author Tracy Deebs

Tracy Deebs collects books, English degrees, and lipsticks. She has been known to forget where-and sometimes who-she is when immersed in a great novel. She is a writing and literature professor at Austin Community College.








Interview

If you could travel in a Time Machine would you go back to the past or into the future?
I like the uncertainty of the future, the chance that anything is possible, so I’d go back to all my favorite times in history, just to see if they were as cool as I’ve always thought they would be. 

If you could invite any 5 people to dinner who would you choose?
Matt Damon, Albert Einstein, Edgar Allan Poe, Allen Ginsberg and J.D. Salinger

If you were stranded on a desert island what 3 things would you want with you?
My Nook (and a solar charger), my laptop and sunscreen.  Lots and lots of sunscreen.

What is one book everyone should read?
The Catcher in the Rye by J.D. Salinger

If you were a superhero what would your name be?
The Extraordinary Enigma

If you could have any superpower what would you choose?
I would love to fly.  I’ve been skydiving a few times and absolutely loved it.  I can’t imagine how awesome it would be to be able to fly any time I wanted.




Doomed by Tracy Deebs

Beat the game. Save the world.

Pandora’s just your average teen, glued to her cell phone and laptop, surfing Facebook and e-mailing with her friends, until the day her long-lost father sends her a link to a mysterious site featuring twelve photos of her as a child. Unable to contain her curiosity, Pandora enters the site, where she is prompted to play her favorite virtual-reality game, Zero Day. This unleashes a global computer virus that plunges the whole world into panic: suddenly, there is no Internet. No cell phones. No utilities, traffic lights, hospitals, law enforcement. Pandora teams up with handsome stepbrothers Eli and Theo to enter the virtual world of Zero Day. Simultaneously, she continues to follow the photographs from her childhood in an attempt to beat the game and track down her father, her one key to saving the world as we know it. Part The Matrix, part retelling of the Pandora myth, Doomed has something for gaming fans, dystopian fans, and romance fans alike.





Giveaway Details
1 copy of Doomed
Open to US only
Ends 2/24/13

a Rafflecopter giveaway

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12134. Bits and Pieces--and Good News

There is never a bad time for good news, and if we can start the week off with good news on a Monday morning, so much the better.I heard via Colleen @ Chasing Ray that our very own TANITA, of THIS BLOG RIGHT HERE, is on the ALA's 2013 Rainbow List... Read the rest of this post

1 Comments on Bits and Pieces--and Good News, last added: 2/4/2013
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12135. The Mystery of the Missing Crossover – DC’s Flashpoint Revisited

TweetNot too long ago, I saw the hardcover of Flashpoint on the library shelf.  I didn’t pick up Flashpoint when it came out, given how overused the alternate reality theme was at the time, so I figured I should give it a look and see if the concept had improved with age and reacquaint myself with the Crossover Event [...]

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12136. The 5th Sort-of-Annual Stupendously Ultimate First Paragraph Challenge!

It's the grandaddy of them all. The big kahuna. The 32 oz porterhouse with a side of awesome.

It's our FIFTH Sort-of-Annual um don't point out that the last one was two years ago oops too late Stupendously First Paragraph Challenge!!!

Do you have the best paragraph of them all? Will you make Charles Dickens wish he ditched "It was the best of times, it was the worst of times" for your paragraph when he wrote A Tale of Two Cities?

Let's see.

First and most importantly: ALL THE PRIZES.

The ultimate grand prize winner of the SUFPC will win:

1) The opportunity to have a partial manuscript considered by my wildly awesome agent Catherine Drayton of InkWell. Who does Catherine represent, you might ask? Why, only authors such as Markus Zusak (The Book Thief), John Flanagan (The Ranger's Apprentice series), Becca Fitzpatrick (Hush Hush), and many more amazing writers. This is a rather excellent prize. You don't even have to write a query letter!

2) All the finalists will win a query critique from me trust me I've still got my query-revising skillz. Said critique is redeemable at any time.

3) All the finalists in the USA (sorry non-USAers, international postage is bananas) will win a signed copy of my new novel, last in the Jacob Wonderbar trilogy, in stores and available online on Thursday, Jacob Wonderbar and the Interstellar Time Warp!! Please check this bad boy out I swear you'll love it and you won't even get eaten by a dinosaur:


The Jacob Wonderbar trilogy:

Jacob Wonderbar and the Cosmic Space Kapow
Jacob Wonderbar for President of the Universe
Jacob Wonderbar and the Interstellar Time Warp

4) All finalists and winners win the pride of knowing that you are in some truly fantastic company. Let's review the now-published authors who were finalists in writing contests on this blog before they became famous and fancy published authors:

Stuart Neville! Victoria Schwab! Terry DeHart! Michelle Hodkin! Michelle Davidson Argyle! Joshua McCune! Natalie Whipple! Josin L. McQuein! Jeanne Ryan! Peter Cooper!

Are we missing anyone? I sometimes forget THERE ARE SO MANY.

There may also be honorable mentions. You may win the lottery during the time you are entering this contest. Who can say really?

So! Here's how this works. Please read these rules very carefully:

a) This is a for-fun contest. Rules may be adjusted without notice, as I see fit, but this one will always be here: Please don't take this contest overly seriously. This is for fun. Yes, the grand prize is awesome and I would have willingly picked a fight with Mike Tyson to have had my manuscript considered by Catherine Drayton without ever having to write a query, but please don't let that detract from the fact that this contest is for-fun.

b) Please post the first paragraph of any work-in-progress in the comments section of THIS POST. If you are reading this post via e-mail you must click through to enter. Please do not e-mail me your submission it will not count.

c) The deadline for entry is this THURSDAY 7pm Eastern time, at which point entries will be closed. Finalists will be announced... sometime between Friday and the year 2078. When the finalists are announced this suddenly becomes a democracy and you get to vote on the stupendously ultimate winner.

d) Please please check and double-check your entry before posting. If you spot an error in your post after entering: please do not re-post your entry. I go through the entries sequentially and the repeated deja vu repeated deja vu of reading the same entry over and over again makes my head spin. I'm not worried about typos. You shouldn't be either.

e) You may enter once, once you may enter, and enter once you may. If you post anonymously please be sure and leave your name (no cheating on this one).

f) Spreading the word about the contest is very much encouraged. The more the merrier, and the greater your pride when you crush them all.

g) I will be the sole judge of the finalists. You the people will be the sole judge of the ultimate winner.

h) There is no word count limit on the paragraphs. However, a paragraph that is overly long or feels like more than a paragraph may lose points. It should be a paragraph, not multiple paragraphs masquerading as one paragraph. Use your own discretion.

i) You must be at least 14 years old and less than 178 years old to enter. No exceptions.

j) I'm on the Twitter! And the Facebook! And the Google+! And the Instagram! It is there I will be posting contest updates. Okay maybe not Instagram but pretty pictures!

That is all.

GOOD LUCK. May the best paragraph win and let us all have a grand old time.

823 Comments on The 5th Sort-of-Annual Stupendously Ultimate First Paragraph Challenge!, last added: 2/7/2013
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12137. Uppity

We like to ring in Groundhog Day
with high style over here.

He sees his shadow, he doesn't see his shadow,
either way we get balloons

because Sugar Snack is four!
Bring on the sweets and sprinkles.
  
Sugar high!
 
I'm thinking of changing his name to "Cheeks."
 
Everyone likes a party.

Even small sewn friends.
 
 




Happy day, Cheeks.

And speaking of happy days,
Happy book birthday to Margaret Bloom of We Bloom Here.
"Making Peg Dolls" is a gorgeous book.
I can't wait to rave all about it.
And I will!
I get to be part of Margaret's blog tour, which starts today.

Margaret will be giving away a copy of "Making Peg Dolls"
to one of my lucky readers this month.
Stay tuned for giveaway details.

You can also visit Margaret as she tours the blog-globe.
Giveaways and surprises, oh my!


February 4th:  The Crafty Crow
February 5th:  The Magic Onions
February 6th:  The Toymaker
February 7th:  Clean
February 8th:  Anna Branford
February 11th:  Red Bird Crafts
February 12th:  Art is a Way
February 13th:  Softearth's World
February 14th:  Chocolate Eyes
February 15th:  Rhythm and Rhyme
February 18th:  Wild Faerie Caps
February 19th:  Sacred Dirt

I'm the caboose! 
It's going to be brilliant.

Hooray, Margaret!

and in other news, goodbye Pip's tonsils...
That's our next adventure.
I'll let you know how we do.

Sugar Snack's birthday books:
I, Crocodile
Little Tug
Alphabet City
Shortcut 
In the Town All Year 'Round

I, Crocodile, by Fred Marcellino
Little Tug, by Stephen Savage
Alphabet City, by Stephen T. Johnson
Shortcut, by David Macaulay
In the Town All Year Round by Rotraut Susanne Berner








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12138. Nonfiction Monday: The Long List: Face Book

I return to Nonfiction Monday!

As you may remember, I was a member of the YALSA Award for Excellence in Nonfiction this year. In December we announced our short list and last week we announced our winner (Bomb: The Race to Build--and Steal--the World's Most Dangerous Weapon by Steve Sheinkin.

BUT. In addition to the winner and the finalists, the committee also publishes a "long list" of vetted nominations. This year's long list is shorter than previous years-- that's because previously, the long list was official nominations, this year it's vetted, so the committee voted to see if we wanted to say a book was excellent or not. While this change makes for a shorter list, I'm personally very happy about it because I think it makes for a much STRONGER list. Before the list was "here are the books the committee seriously looked at." Now the list is "here are the books the committee seriously looked at that didn't make the top 5, but were still damn good."

So, for the next weeks, I'll be highlighting the titles on the long list, because while they didn't make the top 5 books of the year, they are still damn good.

Chuck Close: Face Book Chuck Close.

At first glance, this book looks a little young for an award geared 12+, but once you delve into it, you'll see that there's a lot here for older readers, too.

Close is a painter who only does portraits and self-portraits. While his style has changed over the years, he's mostly known for his works that are made up of small geometric shapes and colors that, when you step back, make a face. He said he got the idea from crochet, and how you can crochet up all these little motifs and then when you sew them together, BAM! blanket! Even more amazing for a guy who only does portraits, is that he suffers from a condition called face-blindness.

In addition to face blindness, he's in a wheelchair and can't hold a paint brush, due to a collapsed artery in his late 40s. He paints with a brush strapped to his arm and has giant canvases on a system that lifts and lowers them so he can reach.

The book itself is a series of questions and answers from a class visit to his studio (and this is where it skews young-- the class was in elementary school.) BUT, despite this, Close's journey and struggles with dyslexia as a child and a close examination of his many techniques and how he overcomes his current physical limitations so they don't limit him, will hold interest for a large age range.

Also, it's crammed full of images of Close's work with close-up details so readers can really see how the techniques are done and how they fit together. A super-fun part is a series of self-portraits cut into thirds, so readers can flip between and create new combinations (like those books where you get different strips for the heads, middles, and feet and can make crazy combos).

Today's Nonfiction Monday roundup is over at Apples with Many Seeds.

Book Provided by... the publisher, for award consideration.

Links to Amazon are an affiliate link. You can help support Biblio File by purchasing any item (not just the one linked to!) through these links. Read my full disclosure statement.

3 Comments on Nonfiction Monday: The Long List: Face Book, last added: 2/5/2013
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12139. "You might as well be a mensch": Messages from My Father/Calvin Trillin


Yesterday was a celebration of my father on his birthday—a surprise cake among his many friends at his church, a lunch at his favorite, cafe, a somewhat disorderly assemblage of preferred foods from the Farmers' Market, organized into sub-specialty themes (here we have our cheeses and crackers, here our apple fritters, here our quiche, here our pecan pie), tickets to an upcoming high school production of Grease.

None of it being close to enough to honor the man who has always done so much for his wife (whose grave he still visits daily, even in blasts of winter cold), his three children and his three children's children. Kep Kephart has been a stealth benefactor, a man who has given without the slightest expectation a quid pro quo. Where there has been need, he has stepped in. Where there was college to pay for, he did. Where there were little TVs or kitchen pots that might have helped ease the lonesomeness of first studio apartments on Camac Street, say, little TVs and kitchen pots materialized. Where a trip away was precisely the cure for the tedium of too much stuck in a rut, a check arrived in the mail."Your father is a very good man," I was told, time and again, as I planned his surprise moment at the church. "We don't know what we'd do without him."

I was thinking about Kep Kephart, a Penn grad, devoted Presbyterian, retired businessman, and active consultant, while I was reading about Abe Trillin, the Jewish grocer of Kansas City, in Calvin Trillin's memoir Messages from My Father. Trillin's slender memoir never pronounces its guiding questions, its framing themes. Rather, it begins with a declaration—"The man was stubborn."�and proceeds to limn the life of a father who may not have made a strong first impression, with his "unprepossessing name," his "prominent nose," and his "negligible chin," but whose manners, values, and behaviors were of presidential caliber and consequence.

The contempt Abe feels "for people who felt the need to pump up their own importance" was encapsulated in a term; "that sort of person was "big k'nocker" (a phrase that would have fit nicely in with the recent New York Times story about parental boasting "A Truce in the Bragging Wars"). The fun he had with simple things—silly phrases, songs, marching tunes—seemed more important, looking back, than anything money might buy. His tenderness in letting an employee go, his admirable work ethic, his decision to be remembered, most of all, by his choice of yellow-tinted ties—all this gentleness, all this manliness, all this fatherliness. Calvin Trillin may have inherited his father's stubbornness, but he noticed, and absorbed, the bigger lessons his father taught.

Perhaps for Abe, and therefore Calvin, it all came down to a single phrase: "You might as well be a mensch." I hadn't seen the phrase before (the word, of course, but not the phrase), but I think I'd like to make use of it now—to seed my thoughts with its power. Here's Calvin in his trademark simply meaningful prose, parsing the line for the rest of us:

Even the words to live by that I have always associated most strongly with him—"You might as well be a mensch."�lack grandiosity. The German word Mensch, which means person or human being, can take on in Yiddish the meaning of a real human being—a person who always does the right thing in matters large or small, a person who would not only put himself at serious risk for a friend but also leave a borrowed apartment in better shape than he found it. My father clearly meant for me to be a mensch. It has always interested me, though, that he did not say, "You must always be a mensch," or "The honor of this family demands that you be a mensch" but "You might as well be a mensch," as if he had given some consideration to the alternatives.

I take mensch to mean a sweep of things, and also these essential things: Remember others. Acknowledge others. Be happy for what they achieve. Listen more than you talk, if you can. Don't make too much of your own glory.

For more thoughts on memoirs, memoir making, and prompt exercises, please visit my dedicated Handling the Truth page.

3 Comments on "You might as well be a mensch": Messages from My Father/Calvin Trillin, last added: 2/14/2013
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12140. Personal transportation


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12141. How a Novelist Learned to Write Picture Books by Anna Staniszewski

My friend and agency mate, Anna Staniszewski's publishing success sounds a little like a fairy tale -- hugely popular novels, sequels, prequels. WOW! Then, just like Jenny, the main character in her latest novel My Epic Fairy Tale Fail, Anna took on what seemed an impossible task ... she wrote a picture book.

So how did she make the transition? Brilliantly ... with a few lessons she learned from novel writing ... that all picture book writers need to know.

Now, take it away, Anna!

How a Novelist Learned to Write Picture Books
by Anna Staniszewsk

For years, I considered myself to be strictly a novel writer. I thought I was far too wordy to write picture books, and besides, I never had any good picture book ideas. I mean I had ideas, but they were TERRIBLE.

But over the years, something strange happened. In writing novels, I learned to:

-Focus focus focus and cut cut cut!
-Choose active verbs and interesting nouns. (My thesaurus and I are now best friends.)
-Make each scene active and give the story forward momentum.
-Make the ending tie into the beginning.




Why look at that. In my efforts to improve my novels, I’d trained myself to do many of the things that are required when writing picture books.

Okay, so now I knew how to write a picture book, but I still didn’t have any good ideas. Then one day, as I was getting ready to walk the dog and she was squeaking her furry head off to try to hurry me along, I said: “Calm down, dogosaurus. We’re going.” And there it was. An idea.

Of course, an idea is not a story. It took me about a year and many revisions (with help from my agent and my critique partners) to get the manuscript to where it needed to be. And amazingly, Dogosaurus Rex found a home at Henry Holt and is scheduled to be published in 2014. Finally, my years of inadvertently training myself as a picture book writer had paid off!

These days, while I still think myself primarily as a novelist, I’m getting more comfortable with my picture book identity. And I have to say, I love working on picture books. They’re a challenge that I really enjoy. Who knew there was hope for a former rambling writer with terrible ideas?

About Anna:
Born in Poland and raised in the United States, Anna Staniszewski grew up loving stories in both Polish and English. She was named the 2006-2007 Writer-in-Residence at the Boston Public Library and a winner of the 2009 PEN New England Susan P. Bloom Discovery Award. Currently, Anna lives outside of Boston with her husband and their adopted black Labrador, Emma.
 

When she’s not writing, Anna spends her time teaching, reading, and challenging unicorns to games of hopscotch. Her first novel, My Very UnFairy Tale Life, was released by Sourcebooks Jabberwocky in November 2011. The sequel, My Epic Fairy Tale Fail, is coming on March 1, 2013. Visit her at www.annastan.com.

About her latest book:  
Jenny has finally accepted her life of magic and mayhem as savior of fairy tale kingdoms, but that doesn't mean the job's any easier. Her new mission is to travel to the Land of Tales to defeat an evil witch and complete three Impossible Tasks. Throw in some school friends, a bumbling knight, a rhyming troll, and a giant bird, and happily ever after starts looking far far away. But with her parents' fate on the line, this is one happy ending Jenny is determined to deliver.

Watch the book trailer for more FAIL fun! 


Now it's your turn to chime in. What lessons have you learned from one genre of your writing that inform or inspire your others?






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12142. 26 Fairmount Avenue: The War Years by Tomie dePaola

Last year, Tomie dePaola won The Society of Illustrators Lifetime Achievement Award and his extensive interview with Lee Wind on the SCBWI blog reminded me that I still haven't read Tomie's books about his home front experiences during World War II.  He wrote about them in the last four of the eight books that make up his 26 Fairmount Avenue series, subtitled The War Years.

This post probably contains spoilers


In Book 5, Things Will Never Be the Same, begins in January 1941, first-grader Tomie had just received his two best Christmas presents - a Junior Flexible Flyer sled and a diary with a lock and key, and so Book 5 begins with his very first diary entry.  With all the charm, honesty and bluntness of a very precocious and artistic 6 year old, Tomie takes us through the year 1941, diary entry by diary entry.  Each chapter begins with a short diary entry and the rest of the chapter goes into more depth everything that was going on at the time.  And 1941 is an exciting year for Tomie.  Through his diary, Tomie presents a wonderful picture of what life was life in that year preceding America's entry into the war.  Things he writes about include the day to day family life of the dePaola family, and the world of a first grader, for example, learning about President Roosevelt and the March of Dimes, and not being able to swim in the summer because of a Polio scare; the excitement over seeing Disney's Fantasia in the theater, his disappointment over who is second grade teacher is, about his tap dancing lessons which he loves, and of course all the holidays over the course of the year.  But all this changes on December 7, 1941.  Tomie writes in his diary:


As the dePaola's listen, along with the whole country, to the radio announcer talking about the attack on Pearl Harbor, Tomie's mother says to her family, "Things will never be the same."

Unlike Things Will Never Be the Same, which covers a whole yearBook 6, I'm Still Scared, diary entries only cover one month, December 7, 1941 to December 31, 1941, but is is a powerful month for second grader Tomie.  Not quite understanding what has happened and the implications of war, Tomie is a scared little boy and to make matters worse, no one really wants to explain what's going on to him.  Luckily for him, after listening to Roosevelt's speech on the radio, the family go to visit Tomie's grandparents and his grandfather, Tom, takes some time he talk to him about his fears.  But life had indeed changed.  At school, there were air raid drills, and at home, an air raid shelter had to be created in the basement just in case.  And Tomie had to contend with being called the ENEMY because of his Italian heritage.  War was everywhere.  Even at the movies showing a children's feature, the newsreels showed London in the Blitz, and Tomie realized it was the first time he had seen what war was like.  At the end of December, young Tomie is still scared.

Book 7, Why?, begins on January 1, 1942 and runs until April 29, 1942.  In his new diary, Tomie gives more details of his day to day life.  He writes about his excitement about being able to stay up late for New Year's Eve, of going to help in his grandfather's grocery store, and of his first surprise air raid drill at school.  But his real trouble comes when his teacher starts teaching the kids to write in cursive and refused to allow Tomie, a lefty, to hold the pen in a way that worked for him.  And Tomie talks more about his older brother Buddy and how angry/annoyed Buddy gets with him.  But perhaps saddest of all are the entries about his cousin Anthony A/K/A Blackie.  Blackie was a favorite cousin who had joined the Army Air Corps.  Tomie seemed able to adjust to everything involving the war - like rationing and air raid drills - but the news of Blackie's death is just incomprehensible to him.  In the end, he is left asking himself Why?

Book 8, For the Duration, is the final book in the 26 Fairmount Avenue series and begins on May 1, 1942 and runs through... Well, that's hard to say.  It seems that early on, Tomie's diary key disappeared.  While there are not more diary entries, Tomie still talks about his life and in 1942, patriotism is in full swing.  At school, Tomie gets very sad and runs out of the room when the class starts singing the Army Air Corps anthem.  At dancing school. there is a lot so rehearsing for a wonderful recital, but there are also bullies in the schoolyard who take his new tap shoes and start tossing them around.  And there are victory gardens and ration books and helping again in his grandfather's grocery.  Things between Tomie and his brother Buddy get worse and in the end, it is Buddy who has taken the diary key.  But one thing Tomie learns to understand completely is that some things disappear (chewing gum, fireworks) and other thing come into being (war bonds, war stamps), all "for the duration."

The 26 Fairmount Avenue series is an extraordinary group of chapter books recalling Tomie dePaola's early life living in Meridan, Connecticut.  For the most part, they are a series of vignettes told in great detail and include whimsical illustrations by Tomie thoughout the books.   Much of what Tomie writes is funny, charming, sad and so typical of kids that age.  Though I haven't reviewed for first four books here, I would really recommend the whole series to anyone who is a Tomie dePaola fan.  My only gripe is that we are left hanging about Buddy and the diary key.

And if you are a Tomie dePaola fan, be sure to read Lee Wind's interview with him:
Part 1 can be found here
Part 2 can be found here
Part 3 can be found here

These books are recommended for readers age 7+
Things Will Never Be the Same was borrowed from the Children's Center of the NYPL
I'm Still Scared was borrowed from the Yorkville Branch of the NYPL
Why? was borrowed from the Morningside Heights Branch of the NYPL
For the Duration was borrowed from the Bank Street College of Education Library

Nonfiction Monday is hosted this week by Tammy at Apples With Many Seeds



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12143. My Writer's Bookshelf Favorite: The Small Blue Book That Says It All


My Writer’s Bookshelf consumes just about every inch of my writing room’s cleverly-extended window sill.  While I peck away at my laptop’s keyboard, wandering and wondering, each book sits there, winking and waving.

Books on Craft, the Writing Process and Children’s Literature,
books on Elements of Narrative,
books on Storytelling.
How To’s, handbooks, manuals, Dummies Guides,
dictionaries (abridged and unabridged),
my trusty Roget’s.

Smack dab in the middle of the line-up, though, rests my very favorite writer’s book - M.B. Goffstein’s A Writer (Harper & Row, 1984).  Its sky-blue book spine short and slight brilliantly shines as my writer’s North Star.

 
I’m almost hoping you’ve never ever heard of this title, so this post can gift you the way the book first gifted me.

I came upon it at Florence Shay’s antiquarian bookstore Titles, in Highland Park,
Illinois while out and about on my Writer’s Journey sometime in the late 80’s.
I was figuratively lost, unsure of my path.
Opening this small treasure of a book, I was instantly found.
Everything was okay.
Really and truly.
Days spent daydreaming, imagining, probing my heart…
According to A Writer, that’s what writers do.

A writer
sits on her couch,
holding an idea,
until it’s time
to set words
upon paper,
to cut, prune,
plan, and shape them.

Thoughts that open
in her heart,
and weather every mood
and change of mind,
she will care for.

Back then, I was seeding and feeding my own stories as well as my writer self.
Marilyn Brooke Goffstein’s simplicity in words and lines spoke to the gardener in me.
Today I still grow my own stories but I also spend my days seeding and feeding other writers – Young Authors and authors young-at-heart.
Goffstein’s A Writer speaks even more loudly.

But, don’t take my word for it. See for yourself! 

Come to know this Minnesota-born writer, illustrator, children’s book creator, Parsons School of Design faculty member.
Visit her website.   
Read about her books, including the 1977 Caldecott Honored Fish for Supper.

Be sure to check her Tips for Picture Book Writers and Illustrators.
  • Write something you don't know but long to know.
  • It is tiresome to read a text that the author hasn't fought for, lost, and by some miracle when all hope is gone, found.
  • Do them (your readers) the honor of reaching for something far beyond you.
And, while Florence Shay and Titles, Inc. are sadly no longer with us, search other antiquarian bookstores for Goffstein’s one-of-a-kind books.

Lucky you should you come upon A Writer for sale so it can shine on your Writer’s Bookshelf!

Esther Hershenhorn

P.S.
I especially love that Goffstein dedicated A Writer to Charlotte Zolotow, beloved children’s book author and award-winning Ursula-Nordstrom-trained editor whose Admiring Declines I still treasure as much as my first edition copy of M.B. Goffstein’s A Writer

 

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12144. Who turned the lights out at the Super Bowl: Beyoncé or Bane?

When the Super Bowl at the Super Dome was plunged into darkness by a blackout last night, Twitter immediately pointed the finger at two possible suspects—halftime entertainer Beyoncé ,who doubtless needed a million hair dryers to get her 'do just so, and alight those neon Busby Berkeley tributes.

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12145. 15 Days of Giveaways: Richard Michelson

This interview originally ran in August of 2010. Since then Richard Michelson has published Lipman Pike: America's First Home Run King in 2011 and Twice as Good: The Story of William Powell and Clearview, the only golf course designed, built, and owned by an African-American. To win a copy of Busing Brewster leave a comment on this post.



 

This week author Richard Michelson is giving us a tour of his writing space. Richard Michelson is a both a poet and a children's book author. Some of his children's books include As Good As Anybody: Martin Luther King and Abraham Joshua Heschel's Amazing March Toward Freedom, illustrated by Raul Colón; Tuttle's Red Barn, illustrated by Mary Azarian; and Across the Alley, illustrated by E. B. Lewis. As Good as Anybody won the Sydney Taylor Award, and in the same year his book A is for Abraham was awarded the Silver Medal. This was the first time in the award's 41-year history that both top honors went to the same author.

His latest book is Busing Brewster, illustrated by R. G. Roth. This is a historical fiction picture book about desegregation in the 1970s. Brewster is about to start first grade when his Mama announces that he and his older brother will be taking the bus to a new school this year, the one in the white part of town. The transition to the new school isn't an easy one as Brewster and his brother aren't given a warm welcome, but Brewster finds sanctuary in the school library and kindness in the librarian. The story gives a very focused, individual perspective of this time period, with an author note at the end to expand on the history.



I'm embedding a video interview with Richard Michelson in the Rockstars of Reading series put together by JustOneMoreBook.com, which I highly recommend if you have 15 minutes to spare. In the video Richard shares some of the manuscript drafts and work that went into creating one of his picture books. He also talks about his first children's book, Did You Say Ghosts?, illustrated by Leonard Baskin, and how after that book went out of print he was approached by Harcourt who wanted to reissue the book but with new illustrations. And so an adapted version of that story lives on now with illustrations by Adam McCauley. I thought it was particularly interesting to hear what Richard had to say about seeing his words illustrated in two different ways.


In addition to being an author, Richard is also the owner of R. Michelson Galleries in Northampton, MA, and the curator of exhibitions at The National Yiddish Book Center. For more information about Richard Michelson and his writing, visit his website.

Describe your workspace.

Once upon a time, a long time ago, I had a large sunny upstairs room overlooking the woods in front of my Amherst home.

Then my daughter was born.


Next upon a time I was moved to a smaller, less sunny upstairs room overlooking the backyard of my Amherst home. 


Then my son was born.


So here is the window in the back corner of the unfinished basement where I have my study.


Come on in. Let's walk downstairs.   Watch your step. 


 Turn left at the ping pong table and left again at the boiler.


Here it is. Come on in. Look around. Leonard Baskin's bronze Sentinel sits in the window sill. Neil Waldman's cover illustration for Too Young for Yiddish is above my desk (my son posed as "the young me" in the book). 

 This bookshelf is where I keep children’s books. 

And this shelf is for poetry (top 2 rows), history (next 2) and novels (bottom 2). 
BTW: The woodcut (by Cyril Satorsky) was above my desk when the study was upstairs. When I moved out, I neglected to transfer the art, until a friend suggested that a picture of the father, Abraham about to sacrifice his son, Isaac, was an odd choice to be hanging above my son's crib for the first two years of his life.


So now that my kids have grown up and moved out--my daughter has been living in NYC for ten years, and my son, for seven, will I ever move back upstairs?

No. Their bedrooms upstairs remain empty,  but I’ve come to love it down in my cozy dark burrow, where sunny skies cannot distract me from my work.

Describe a typical workday.

I'm up at 7:30—or maybe 8:30. I drink coconut water and eat my oatmeal in bed while I read the paper and  check morning email on my computer. 

8:30 (or maybe 9:30) to 11 in my study, whether writing or just sitting. Then off to the gym (Pilates) or out on my bike.

1 to 6 (or 9 Fri/Sat) I am at R. Michelson Galleries, where I get to hang out with the work of many of our greatest illustrators and artists—(you can check out www.RMichelson.com) but yes, it is still a job, and keeps me from my writing.

List three of your most favorite things in your workspace and why they are meaningful.

1. The Poem Book my daughter wrote for me is on the window sill, blocking out what little light there is. . .


2. The ducks my son made for me. . .


3. And my family photos:


They are all meaningful for the same reason. They remind me – when work is going badly—what life is really about.
  
And  also, coming in at #4, I like my old typewriter, retired in the corner.


 Do you have any rituals in your work habits? If so, describe them.
 
I sharpen pencils before I begin typing (still do this though I write on my computer).

What do you listen to while you work? 

The silence and my imagination.

What is your drink and/or snack of choice while you’re working?

Baby carrots. Hummus and crackers. Bananas. Sounds boring but I have reached the age where I follow doctor's orders.  

What keeps you focused while you’re working?

Who’s focused? Check email, write sentence, check email, check email again, write sentence, check Facebook, answer questions about what keeps you focused for a blog entry, take pictures of workspace, check clock, write sentence.

Do you write longhand, on a computer, or another way? 
Computer. Can’t read my own handwriting.
How do you develop your story ideas? Do you use an outline, let the muse lead you, or another technique?

I would be happy to let the muse lead me, were she/he to visit. Unfortunately, my address must be unlisted. So I plow ahead word by word and line by line. It is a bit like building a road by laying bricks in front of myself as I walk. And each time a new line is added, I go back to the beginning and start reading all over again from the first word, until I forge on a little bit further.  Fortunately I write poetry and picture books. I could not imagine constructing a novel in this manner.

If you were forced to share your workspace but could share it with anyone of your choosing, who would it be?

I need total solitude. I get distracted enough as it is. But my dog Mollie is always welcome at her usual spot.

   
What is the best piece of writing advice you’ve heard or received?

I tend to overwork, not under-work, so I need to apply the brakes, and give myself perspective, more than I need a prod. Here are a few reminders I keep in my desk drawer:

“One of the symptoms of an approaching nervous breakdown is the belief that one's work is terribly important.”  --Bertrand Russell

“I have not failed. I've just found 10,000 ways that won't work. --Thomas Alva Edison

“It is harder to live one day with honor, than write a book as great as any the world has known.” --Stefa Wilczynska to Janusz Korczek


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12146. Syd Mead's design for Blade Runner


Joel Johnston of BoingBoing TV hung out with concept artist Syd Mead to talk about his design work for the 1982 science fiction movie classic Blade Runner.


(Video link) The convincing detail and atmosphere of the film is a mix of director Ridley Scott's noirish vision, Doug Trumbull's visual effects work, and Mead's thoroughness in approaching the concept art, for which he received a "visual futurist" credit. 

Mead, who created most of his gouache renderings for the steel or automotive industry, enjoyed the change of pace. “I wasn’t in the movie business," he says. "I didn’t particularly care. It was just doing a design job.” 


The "spinners" or flying cars were given a low windshield and an open gap in front to let the driver see downward.

“It was very carefully designed to be intensely mechanical,” he says.

Mead says that Blade Runner had about five proposed opening sequences, but limited time and budget ruled out the first four.

1. The first one was 'too Holocaust.' The storyboards showed them shoveling these retired replicants down into this furnace.

2. The second version showed them in the off-world situation where they killed their squad leader, but that was never shot.

3. Deckard is on the train coming across the desert, but they couldn’t afford to dress the train car and build the miniatures.

4. The fourth one showed Deckard on the freeway.

5. The fifth one was the one that appeared in the movie.



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12147. Classroom Connections: THE BALLAD OF JESSIE PEARL


THE BALLAD OF JESSIE PEARL - Shannon Hitchcock
setting: 1920's, North Carolina
age range: 12 and up
release date: February 1, 2013
study guide based on Common Core State Standards

Please tell us about your book.
It’s 1922 and Jessie has big plans for her future, but that’s before tuberculosis strikes. Though she has no talent for cooking, cleaning, or nursing, she puts her dreams on hold to help her family. She falls in love for the first time ever, and suddenly what she wants is not so simple any more.

What inspired you to write this story?
A snippet of a family story and my son’s 8th grade history project. His teacher had each student collect ten family stories. Each story had to take place during a different decade. I decided to write a novel loosely based on one of the stories Alex collected.

Could you share with readers how you conducted your research?
I read novels set in the 1920’s, North Carolina history books, memoirs written from sanatoriums, and doctors’ accounts of the disease. I also contacted a local historian in my hometown who helped me locate resources about life on a tobacco farm in the early 1900’s.

What are some special challenges associated with writing historical fiction? 
Not to tell everything you know, but just enough to add flavor to the story.

What topics does your book touch upon that would make your book a perfect fit for the classroom? 
THE BALLAD OF JESSIE PEARL could be used in a cross curricular unit by ELA and Social Studies teachers. Keely Hutton, who’s an eighth grade ELA teacher, reviewed my curriculum guide and gave this feedback:
With JESSIE you have the perfect opportunity to tie in [the following]: 


  •  non-fiction pieces about the time period
  • TB
  • women’s rights and roles in family/society
  • health care during epidemics 
  • historically what was happening during those years in the US and the world



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    12148. Stitch Fix box #2

    In January, I shared with you all how I joined Stitch Fix and had such a great reception to the post, I thought I should probably share what I had in my second box. I was even happier with this box and I can tell the stylists have definitely browsed my Pinterest boards and read up on my likes and dislikes, because I loved almost every item in the box -- definitely made for hard choosing when it came time to purchase!



    In this box, I got a great pair of skinny jeans, a gorgeous bird-print top, a belted shirt-dress, a black cowl top, and a gray star-print scarf. It was such a perfect box. Some of the items were a little out of my  comfort zone (uhhh... skinny jeans??), but that's why I love this company. They pick out items that will fit your body and are actually stylish. A person can only wear so many bootcut jeans and cardigans. And you can see up on the left there in the photo how they send small cards with outfit ideas on them. Incredibly helpful!



    The black top was really hard to photograph. It was very form-fitting and the cowl hung very low. It was a bit too clingy for me, as I still have some body work to do, but it was cute! The dress was beautiful and would look so cute with cowboy boots and a jean jacket or just some cute flats. It hit a little higher above the knee than I would prefer, but it was certainly still decent. The print was beautiful.




    I will admit I was totally afraid of the jeans. I never thought I had the body type to be able to pull off skinny jeans, so I've never even tried them on. A girl with a "full" bottom half and super-short legs couldn't possibly look cute in these jeans right? So wrong I was. I fell in love with them the minute I put them on! They were comfortable and fit perfectly. 

    I ended up keeping the bird-print top, which was both flattering and adorable, and the jeans. I OWN SKINNY JEANS. Wore them to church today with the top and had several people tell me they loved my top. Compliments are such fun!

    Since I kept 2 items this time around, I probably won't get another fix for a couple of months, but I'll be sure to share the treasure box when it comes next time. If you're interested in signing up for this amazzzzzzing style program, here's the info:
    The details: 

    -Head over to Stitch Fix and sign up for an invite. It may take awhile, but I received mine in less than a week. 

    -Schedule your Fix. It costs $20 to get a fix box sent to your house. If you decide to purchase something out of the box, the $20 is credited towards that item(s). You're basically paying for someone to hand-pick items for you and ship both ways. All of that is free if you buy an item. A pretty amazing deal, I think. 

    -If you like it all, keep it all and they'll charge you for it all (and give you 25% off the entire box). Sending stuff back? Pop it in the postage-paid envelope within 3 days and they charge you only for what you keep, minus your $20 fee. 

    -The style profile you fill out is crazy detailed. Everything from height/weight/hair color to picking from inspiration boards as to what you like and don't like. It's awesome. You can also link your Pinterest account to your Stitch Fix account and they'll check out your Style boards to get a better idea of outfits you like. 

    -You can get a Fix monthly or just once-in-awhile, which I love. If it's not in your budget to get a box every month, you don't have to. 


    3 Comments on Stitch Fix box #2, last added: 2/10/2013
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    12149. Richard III Is Found!

    It's official, as of this evening, Downunder time: those sad bones they found under a Leicester car park last year are in all probability those of Richard III, last of the Plantagenet kings, last English king to die in battle, victim of history's biggest smear campaign and a character, even if only a background character, in a lot of fiction, some of it children's or YA. That's where I have read most of my Richard stuff, though also quite a lot of non-fiction.

    The newspapers will be full of it tomorrow and in any case, I've posted about it only a few months ago, here. So for the time being I will go to bed, rejoicing that the poor man will finally be buried properly and hopefully where he wanted to be buried. And as a lover of archaeology and forensics I'm going to look it up in the appropriate online journals.

    Good night all!


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    12150. Inspired Openings: Anita Mumm of Nelson Literary Agency


    Character & Voice in your Opening Pages

    It’s safe to say I’ve seen more than my fair share of novel beginnings. Over several years ofhandling submissions for Nelson Literary Agency, I’ve read something like 3,000 partial manuscripts. And though we ask for 30 pages, the truth is I usually have a good idea of whether a story is going to work after just one or two. So what makes a beginning great? It takes a lot of ingredients—and a little alchemy—but if I had to boil it down to the two most important, I’d say character and voice. Let’s look at a couple of examples of how these two components work together to draw readers in.

    The first example caught my eye in the slush pile and became Jennifer Shaw Wolf’s debut BREAKING BEAUTIFUL, about young love, physical abuse, and forgiveness. Here’s the opening:

    The clock says 6:45, even though it’s really 6:25. If everything were normal, the alarm would ring in five minutes. I’d hit the snooze button, wrap Grandma’s quilt around me, and go back to sleep until Mom came in and forced me to get up. I used to stay in bed until the last possible minute and then dash around getting ready for school—looking for my shoes or a clean T-shirt, and finally running out the door to the sound of my boyfriend, Trip, laying on the horn of his black 1967 Chevy pickup.
                      Nothing is normal, and no one makes me go to school. 
                      Mom comes in and stands at the door to see if I’m awake. I’m always awake.

    These emotionally charged opening lines give a hint of back story and introduce the mystery on which the entire story is based: what changed Allie’s “normal” life into the nightmare she is now living? That’s a feat in itself, but what really seals the deal is that in less than half a page I already know this girl. She sets her clock ahead twenty minutes to guard against habitual lateness but still ends up in a mad scramble (ahem, I can identify with that!). She’s close to her family (wrapped in her grandmother’s quilt) but we already sense a pulling away—this, too, has changed. She’s going through something very difficult (to the point of constant insomnia), but she’s not trying to make us feel sorry for her.

    It’s the combination of a strong, unflinching voice and the information she chooses to give us that make this character instantly likeable and deserving of our concern. I had to know what happened to her and how she would overcome it. I had to read the rest of the novel.

    Here’s another example, from Sherman Alexie’s THE ABSOLUTELY TRUE DIARY OF A PART-TIME INDIAN (obviously, not from our slush pile):

    I was born with water on the brain. 
                       Okay, so that’s not exactly true. I was actually born with too much cerebral spinal fluid inside my skull. But cerebral spinal fluid is just the doctors’ fancy way of saying brain grease. And brain grease works inside the lobes like car grease works inside an engine. It keeps things running smooth and fast. But weirdo me, I was born with too much grease inside my skull, and it got all thick and muddy and disgusting, and it only mucked up the works. My thinking and breathing and living engine slowed down and flooded. 
                      My brain was drowning in grease. 
                      But that makes the whole thing sound weirdo and funny, like my brain was a giant French fry, so it seems more serious and poetic and accurate to say, “I was born with water on the brain.”

    What do we know about this character, Junior, in less than half a page? That he’s smart and quirky, even when he’s trying to tell us about his brain being messed up. That he’s down to earth (brain=car engine) but he feels out of place—a first taste of one of the themes of the novel. We suspect he’s prone to exaggeration, but it’s good-natured, and what teenage boy doesn’t like to embellish a little now and then? These are the elements that create a unique voice and an unforgettable character—the foundation for the novel’s great success.

    So what can you do to make readers fall for your characters from the very first page? Here are some ideas:

    Give your characters a quirk or two. Does he refuse to wear white because it’s a funeral color in Asia? Does she decide, for their own good, that her pet fish are vegans? By weaving in little eccentricities, you create a character that is both memorable and real. None of us have exactly the same quirks, but we all have ‘em. (I always pick the middle car on the light rail. It ought to be the safest, eh?)

    Let them see the world a bit differently than the rest of us. Had you ever heard someone compare his brain to a giant French fry? Could you possibly get bored with a guy like that? Without using heavy dialect, give a taste of speech patterns and vocabulary that let us glimpse your character’s identity. “Water on the brain,” “weirdo me.”

    Make us worry about your characters. Jennifer Shaw Wolf infuses her very first paragraph with tension: we like this girl (good), but something happened to her (bad) and we can’t sleep tonight if we don’t find out what it is. Sherman Alexie does it, too—there’s more humor, but we’re still concerned. How did this guy survive such an alarming birth defect? Were there lasting consequences? Can he fit in at school? Will he get a girlfriend?

    Whether you’re looking to hook an agent, an editor, or a large audience of readers, the same rule applies: you have to do it from the first page. Teens have little patience for wordy stage-setting. Jump right into the story by showing them who your characters are, what makes them tick, and what they’re up against.

    Best wishes for your writing!

    About Anita Mumm

    Anita Mumm joined Nelson Literary Agency in early 2010. As NLA’s talent scout, she screens all incoming submissions and presents and takes pitches at conferences across the country. Mumm has picked a number of exciting new authors for the company, including Stefan Bachmann, whose international bestseller The Peculiar (September 2012) sold in a major auction to Greenwillow/HarperCollins; Jennifer Shaw Wolf, author of the edgy YA novels Breaking Beautiful (Walker, 2012) and Shards of Glass (Walker, 2013); and Monica Trasandes, author of the debut literary novel Broken Like This (Thomas Dunne, November 2012). In addition to her role as submissions manager, Anita is NLA’s foreign rights manager for the Asian territories. She taught English and creative writing to international students in the U.S., China, and France before joining the publishing industry. She blogs at Word Café.

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