When I originally wanted to do this blog, I had intended to just post sketches, but I got wrapped up in the process and tried to be too clever at times... Soooo I'm going back to the basics and just posting sketches... nothing fancy and no purpose, no erasing (kinda sorta). Artists / Cartoonists and told over and over to sketch every day, and we should... it's the artist's equivalent of lifting weights. So for the time being, the posts will be just that... sketches, NOT finished pcs of art. One, this will allow for more frequent posts, TWO it allow me to keep my "art" muscles fit.
Please comment, critique and comment to your hearts content. I'll try to post what was going on in my head as I sketched what ever appears here. Your participation is greatly appreciated. So here's sketch no. 1....
The reaction to my last post was very posititve for what I felt was a throw away pc of art, so I tried to work with the character again. I don't like him as much as the last post, and comparing the two I can see why... but that's for me to decide. It highlights for me a question that was posted on a LinkedIn forum in regards to the "difficulty" of drawing the same character over and over.... so for your enjoyment or mockery.. I give you The Boys of Summer, Pt. 2
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Sketches, Character Designs and the occasional Mental Cartoon Meanderings of yours truly
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It's been way too long for an update, and I apologize. Some welcome assignments have kept me busy. A while ago, I gathered some old illustrations together, stuck them in folder and marked it as sketches to digitize / further develop. I was flipping through the folder the other night, and the original sketch of this just caught my eye. I don't usually draw people for one reason or another, I'm an animal type of cartoonist, but this "kid" just really pleased my eye, so for all you baseball fans who remember playing in the neighborhood lot, or your friend's backyard during the summer.... here's the baseball kid....

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I heard a John Lennon song on the radio the other day and it got me thinking. Hard to believe that he's been dead for over twenty years now. What's harder for me now though is the fact that he was only forty when he was killed. At the time, forty seemed like a lifetime away from where I was then, but now.... ? John Lennon was always this mythic figure from my childhood. When I was kid, he was a pop star... when I was a teen, he was a Rock icon, and when I was in my 20's, he was this legendary figure, always much older than me.... and then poof... he was gone, frozen in time as the 40 year old John Lennon, and what really makes me go "Wow...." is the fact that I am now older than John Lennon was when he died... I don't know why that does what it does to me... maybe because he did all the things he did, experienced all the things he did, and became who he was, all before the age of 40. Or maybe because he'll always be that much older guy in my mind. Age and the passage of time are such relative concepts, it's funny how what at one time seemed so far into the future can quickly change to a memory. Hmmmm... so for what it's worth.... GooGooGaJoob

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I'm sure everyone has become aware of the issue of certain team mascots offending particular ethnic groups. I never really paid much attention to the issue until it was put in front of me, but once it was, I could absolutely see the point of one group in particular. We all belong to one group or another, Italian, African American, Jewish, Catholic, the list is endless, but think about this... what if a team or two or three, used a common reference, or even what could be considered an ethnic slur to whatever group you belong to, as their team name. Now... add the merchandise that you would inevitably see, particularly in the team's home town, plastered with said name/slur, all over the place. I'm betting a lot of you would be offended.
So, for any minority, majority, religious group, organization and club that has been offended by a sports team's name and logo... I give you this.... (with apologies to a particular Northeastern Bball team).

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There was a time when I really enjoyed listening to FM radio, but honestly, it 's been several years at least when I could stomach it any more. Back in the day, DJ's had total freedom in regards to what they could play, as long as it was sticking to the station's genre. It was very common to hear "non hits" played off of albums. Yes, I said albums, as in vinyl, not CD's... but that's a subject for another blog....
Some of an artist's best songs were tracks that weren't hits... that was my whole reason for NOT buying Greatest Hits records... but again, a subject for another blog.
Today... if it were up to most "Classic Rock" stations, you would only need one or two songs by particular artists, and you wouldn't even need a large majority of artists at that... for those who only listen to Classic Rock radio for their rock diet... I got news for you... Lynyrd Skynyrd has recorded more songs that FreeBird and Sweet Home Alabama.... AND Zeppelin has more songs that Stairway to Heaven... check it out.
And what about the bands that don't get played at all anymore... Foghat, Procul Harem, Humble Pie, Ten Years After, Johnny Winter, please I can on and on... so before my blog turns into a rant, (if it hasn't already), I give you my take on the state of Classic Rock Radio... enjoy...

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A couple months ago it was announced that Disney would be buying Marvel, the giant comic book/ movie studio, famously known for it's Super Hero properties, SpiderMan, IronMan, Captain America, The X-Men, and you know the rest. Many fans of Marvel fretted that Disney would "tinker" with the Marvel properties to make them more appealing to Disney fans, but I disagreed, believing Disney as a large and successful conglomerate had the wisdom to know when they had something good and that it should be left alone. The recent announcement that two of the stars of the High School Musical franchise would be starring in the "re-boot" of the SpiderMan movies has me thinking I was very wrong, but that's not what this is about.
Regular readers of this blog know that I really like the concept of Mash Ups... basically taking two different genres or library of characters and bringing them together as one. As soon as the Disney / Marvel merger was announced, I thought the "mashup possibilites" were endless. This was so cool... I had to put something together and get it out to Disney right away... they would be blown away by my creativity, surely they hadn't thought of doing something like this inhouse, this idea was mine... duh!! mine and about a thousand other artists. Within days, the internet was flooded with a gazillion different Disney/Marvel mashup sketches, some lame, some incredibly cool and brilliant. Man, that took the wind out of my sails. So.... instead of keeping these to myself, I share them with you.
As always, I welcome your comments. Enjoy, and let me know what you think.

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I'm pretty sure I can say that Superman, in one way or another, has been the template that most, if not all, super heroes are based on. I remember numerous cartoons even "parodying" Superman, (is that a word ?). I remember a Bugs Bunny cartoon where he donned blue tights and a red cape to become Super Bunny.
One cartoon in particular stands out in my mind as being a cool parody of Superman and that is/was Underdog. I loved Underdog as a kid, and especially loved the villians, Riff Raff, Simon Barsinister....
While trying to think of a new blog post and still keep the theme of Character Tribute going, I thought of Underdog, and wondered, what could I do to make Underdog different ? They already did that terrible movie, so making him a real dog was out.... and it hit me. What if Superman WASN'T the template for all heroes to be based on ?

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I'm really liking the cartoon character tribute / re-imagining theme I have going, so I'm going to stick with it for this entry. As before, I'm re-imagining a character from the Hanna Barbera cartoon library AND my youth. It's a bit of a struggle to re-imagine what I consider to be classic cartoon characters without ruining them. I want to retain some of their essence while adding a twist.
An online friend of mine, and fantastic artist in his own right, Chris Oatley, recently asked several artists to do a "mash up" for an online character design contest he was running. I loved the idea, and borrowed it for this entry. So what happens when two classic western characters come together ?

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I'm a little late with this, sorry about that. I was going to continue with my "homage" art theme and make it a series, but a follower of mine on Twitter asked if I could do a blog on my work process. It sounded like an interesting idea, so I decided to mix the two... "homage art" and my work process, so here it is.
I always start everything as a pencil sketch, and then go over the line work with a Sharpie or a disposable technical pen of choice. Right now I'm using Micron pens by Picma, but I'm not picky. I'll buy whatever I can find at the local Michael's Craft Store. I just like to have a set of pens/markers with varying width so I can have varying line quality. I like to use different point sizes to add shading or hatching while still in the sketch stage.
Here is the scan of my current "homage art" pc. I'd say who it is, but I'd like to think the majority of people can figure it out. Again, I'm a huge fan of the Hanna Barbera cartoons I grew up on during the 60's. That said, one of my FaceBook friends (Hi George), gave me a hard (but fun) time about recognizing about knowing who this is supposed to be.
From this point, I'll do clean up in Photoshop. I'll crop the binding out of the picture as well as finish off the left shoe with the pencil tool. Obviously I need a larger sketchbook.
You can see that I've also colored in the pupils of his eyes at this stage. Usually for my blog posts I won't redraw the scan in Illustrator, for two reasons. One is for time. Recreating the art into vector will be lengthy. Too lengthy if I'm going to try and do this on a weekly basis and still work on my freelance art. Second, working in Photoshop on a regular basis like this will only help my Photoshop skills grow, something every digital artist should want to be doing in my opinion.
Okay, from here, I add layers in Photoshop. The original scan will be a layer I call LineWork. That's all this will be, just the black lines of the scan. All other layers will be under this one.
The next step for me is to select a white portion of this, select similar, so all the white is selected and then hit delete. This will make the LineWork layer look transparent with only the black lines showing. I then add a background layer under this and fill it with white. Why ? It just makes it easier for me to color, personal preference. All other layers will between this and the LineWork layer.
Next step is to add a layer I call Color. This is where I obviously add the color. I don't just select the area I want to colorize and fill it with the paintbucket tool though. While on the Line Work layer, I select the area I want to color, and then expand the selection via the Modify action under SELECT. I expand it by only 2 0r 3 pixels. While this is selected, I go to the COLOR layer and fill the selected area. This eliminates a kind of "ghost" outline that will appear around the selection. In effect, I'm actually coloring under the Black outline as well as within it.
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My cartooning influences were instilled in me during my preteen years, watching cartoons on Saturday mornings. I can't name all the cartoons I used to watch, but I know when I see an image from one I used to watch, especially one I've forgotten completely about, I will stop, stare, and mentally go "WOW" for, what seems to me to be, a real long time. One of the biggest animation houses for television back then, and one of the biggest influences on my style, was/is Hanna Barbera. Hanna Barbera ruled Saturday morning t.v. for years, if not decades.
I've noticed that some artists & cartoonists create "homage" art, or "reimagined" versions of exisiting characters. I remember reading Disney Adventures with my kids when they were younger, and there was comic strip inside featuring a very grungy version of Mickey, Donald and Goofy. I wish I could remember the cartoonist's name. It totally blew me away. First of all, I was shocked Disney let someone "reimagine" their iconic characters, and second... it was like Disney characters from an alternate dimension and I've seen Flintstone caricatures by John Kricfalusi. I'm sure cartoonists everywhere have a drawer or sketchbook crammed with their version of famous characters... so I thought, why don't I do that. How could I pay tribute to the characters I enjoyed as a youth, yet hopefully make them a little different, a little fresher as well ?
Hopefully, I've done that here. Let me know what you think.

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I love Rock. My wife calls me a Rock snob. I take my rock music seriously and the older I get, the more annoyed I become regarding faux rock bands. I seriously don't understand how half the recent Rock n Roll Hall of Fame inductees got inducted especially when you consider who hasn't been inducted yet... (Justin Timberlake inducting Madonna ? What the #@**!! is that ?), but that's for another blog.
A real annoying trend ( that I think can be traced to the late 60's /early '70's ) is for cartoon shows to require their cast members be in a rock band, ASIDE from whatever it is they normally do, as if being in a rock band is some frivolous endeavor any twit can do. I can remember a cartoon version of the Hardy Boys breaking into song whenever a mystery was solved, The Archies had a rock band and actually had hit records too, they gave birth to Josie and the Pussycats, who solved mysteries in whatever town their cartoon tour took them, before they were shot up in space, Archie's third cousin twice removed on his Uncle's side, Sabrina, would later give birth to the Groovy Ghoulies. Jabberjaw was a cartoon shark, that also played drums while his cartoon human sidekicks jammed away. The Banna Splits, The Bugaloos, it's a long and endless list... (Does Hanna Montana count ?).
My point is, Rock, in it's purest and most entertaining form is passion. You can hear true passion in both the lyrics and the playing. If you ever get a chance to see a video of some of the greats, Hendrix, Alvin Lee, Jeff Beck, Clapton, look at their faces when their soloing.... they feel every note. Listen to the words to Springsteen's Born to Run or Backstreets, or any of Pete Townsend's lyrics off of Who's Next... those songs were lived, not concocted by some soul-less, money making corporate giant looking to capitalize on some perceived trend until it's been dried up like some milkless cow's udder. If you need to rely on background dancers and stupid funky costumes to carry your stage shows, because your music can't do it alone, call yourself an entertainer, but don't call yourself a rockstar Britney, Christina and GaGa. I leave you now to go listen to Carlos Santana play anything... THAT man has soul.

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Halloween has come and gone. The kids have rented horror movies, decorations are still up in the neighborhood, and I still have monsters on my mind. I happened to look at the cover of the latest issue of Rolling Stone and to the left of Shakira’s head, in bold type is the blurb VAMPIRE ROCK. What the hell is that and what the hell has happened to Vampires ?
This was an obvious reference to a review for the soundtrack of the latest Twilight movie, which again causes me to ask, WHAT THE HELL HAS HAPPENED TO VAMPIRES ?
Vampires are perhaps one of the most dangerous of all monsters. They trick you, they make you think they’re something they’re not. They lure you in and kill you, or if they like you, they’ll make you one of them. They have no compassion, they are cold, ruthless, focused killing machines. But not according to Hollywood.
The first Hollywood Vampires that made me scratch my head were the vampires from Lost Boys ( the first one ). They could turn you into a vampire if you ate their food ? What was that about ? No one bit Jason Patric’s character, or did I miss something. He shared a drink and some Beef Lo Mein with Keifer Sutherland and the boys and that’s about it. Towards the end of the movie, there he was, eyes glowing and fangs bared, AND he returned to normal by killing Keifer Sutherland... not how I remember Vampire lore, but I liked the movie so I let it go. I then became a fan of Buffy and Angel. Not too many complaints, but what happened to sleeping in a coffin ? What happened to needed soil from their homeland ? Again, nothing major, so I let it go....
Now ? Anyone remember a recent show called Moonlight ? A detective who is an unwilling vampire, wants to be human again and can walk around in the daylight if he wears sunglasses ? What ??? And now Twilight ? Not only can vampires walk around in daylight, but they fight werewolves for the affection of a human girl ? Don’t even make me bring up the Vampires Diaries... where is Bela Lugosi and Christopher Lee when you need them ?

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With Halloween just around the corner, images of monsters are everywhere. I've always been a fan of the classic monsters, Dracula, The Wolfman, The Mummy, and of course, Frankenstein's Monster.
Something that always bugged me though, was how Frankenstein's Monster has always been referred to as just Frankenstein. As most people realize, Frankenstein was the name of the doctor that created the monster, but over time the monster came to be referred as Frankenstein as well. Alot of cartoon parodies of the Frankenstein Monster have come and gone over the years, alot twisting the name in some fashion. A few years ago there was cartoon called Tutenstein, there's a series of kids books called Franny K. Stein, many years ago, there was a show called the Groovy Ghoulies, and the huge green monster character was named as Frankie. Years ago, in one of my sketch books I did a cartoon monster and called him Francis Nathaniel Stein. (Frank N. Stein- get it ?), ... you get my point ?
So I started to think, if the monster's name WAS Frank Enstein, what were his relatives names ? So I give to you... Frankenstein's other cousin... Normenstein.

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A very influential part of my youth was spent during the late 60's and 70's. I believe one of the reasons I choose to become a graphic artist, particularly a cartoonist, was due to all the fond memories I have of cartoon characters from that time period. My childhood was pretty average, but I really enjoyed it, especially the summers. One of my favorite memories was the weekly trip to the grocery store with my mom, my sister and brother, and our next door neighbors. Remember, this was the 60's, and the June Cleaver household was still a relevant image back then.
Anyway... I do remember I used to love looking at the different items in the grocery store that used cartoon characters on their packages, or hanging out at the bubble gum machines ( remember those ?) looking at the cards and goofy toys that were in them while our mothers were at the check out.
Recently I picked up a couple of books that released a floodgate of memories from that time period... KRAZY KID'S FOOD (Vintage Food Graphics) by Steve Roden and Dan Goodsen, who also have a fanastic website for anyone sharing these memories... http://theimaginaryworld.com.
MEET MR PRODUCT (The Art of the Advertising Character) by Warren Dodtz & Masud Husain, and AD BOY, also by Warren Dodtz & Masud Husain. Really cool books, I recommend them highly. But I digress... after going over these books, I started thinking about some of my favorite advertising cartoon characters that no longer exist... so I present to you now...
MartyToons Top 10 Forgotten Advertising Cartoon Characters...
1) The Frito Bandito - I know he was found offensive by a large portion of the Latin community, but my fondness for him has more to do with the time of my childhood than what he was or what some people feel he represented.
2) Fruite Brute - I always had a thing for monsters when I was a kid. When Count Chocula and Frankenberry Cereals were introduced, I thought they were so cool. When Fruit Brute Cereal followed...I couldn't believe it. Werewolves were far cooler than vampires or man made monsters.
3) Funny Face Drinks: These guys were very cool. Who wanted Kool Aide when you could drink Funny Face ? Goofy Grape... Jolly Olly Orange, and Choo Choo Cherry ? Their names alone screamed fun !
4) Quisp and Quake: I believe these were the first battling cartoon characters that had thier own cereals but each commercial advertised both. We always wanted Quisp to win (which I believe is still in production in parts of the world) but I couldn't help feeling sorry for Quake everytime he lost (what's that about ?)

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It always bothered me when the success of something unique led to a plethora of copycats and cheap imitations. Rarely, if ever, has a copy of something, been as successful or good as the original. Why ?, you may ask...
In my opinion (and hopefully everyone else's)... the copies are only created to cash in on the success of the original, not with any desire to just create something new because they have a need to "get it out", or because they feel it's a great idea.... it happens in movies and TV all the time. It happens with cartoons and design as well, and it drives me nuts. How many designs have you seen lately that consist of dots, or circles or swirls of some type ?
The anime boom started to emerge a few years ago, ( I know anime has been around for decades, but the number of anime influenced shows has increased dramatically of late), and one of the most horrendous results of this, was the total bastardization of a favorite comic book of mine ( actually, more of my youth). There is/was a show starring a group of teen superheros (who shall remain nameless) that could have been so much better, especially considering who the characters were. Unfortunately, due to what I can only assume was a desire to cash in on the anime craze at the time, the characters were drawn in an anime style, their reactions were overblown and goofy like characters on many anime shows are, and what could have been a really good animated superhero show, was nothing but a lame, knock off of a great comic book.
But it probably sold alot of toys and I'm guessing that's what counted most.
So why does this bug me ? As a freelance artist/humorous illustrator, I am constantly being told by my peers, ( and I believe this), you have to create what pleases you. You can't force creativity. Unfortunately, when you're trying to market to businesses, whose goal is to make money, they want to see what is hot now. The end result of THAT is that everything being submitted is a copy of a thousand things that are already out there.
I would love to find a directory or mailing list of companies that only want "fresh" art submitted. I know there are some companies that do want , but they do seem to be in the minority.