I wonder in how many homes outside of New York City a book like Laura Godwin's Central Park Serenade finds itself? Do libraries in Phoenix or Dallas order a copy for their collections? By now this is a moot point, as the book is out of print. It must still find its way into the hands of many children around NYC, though, since I see the Brooklyn Library has 18 copies, several of which are currently checked out.

But, I babble.

Central Park Serenade is a serene book. Needless to say, it is a survey of the parks many features, from the horse-drawn carriages to the zoo to the sailing of toy boats. Barry Root's sunshine-filled illustrations (they made me want to start singing, "All in a golden afternoon...") follow a boy carrying his boat through the park as he passes many notable sites and activities, some grand, like the zoo, others small, like the ice cream carts. The text And the pigeons coo/And the big dogs bark/And the noises echo through the park is repeated throughout the rhyming text. There is a focus on the people and sounds of the park, rather than the inanimate sights: parents, drummers, baseball players, etc., which I appreciated -- after all the city park is what it is because of the people who bring it to life.

The end pages contain a map of the park. Maps are always a big hit with my boys. There are also many pictures with buses and taxis, also an important feature for my little guys. Personally, I was immediately struck by the fact that the protagonist of the narrative lives in an apartment in which his bedroom overlooks Central Park. That is some serious real estate. I wonder how many other New York parents notice the real estate in picture books. My own sons are still blissfully aware that their own view is not exactly going to bring in the big money.

I hope Central Park Serenade finds an audience outside of New York City as many of the experiences depicted are not limited to Central Park. Plus, I imagine kids in the country would enjoy seeing what a city park is like.

Want More?
Try the picture book The Pirate in Central Park.
Early Chapter Books about Pee-Wee and his squirrel friends having adventures in Central Park are quite delightful. I reviewed the series here.
Read a book about Pale Male in Central Park. I reviewed three of them.

Little Kid says: Read the bus page, again.

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Before I go any further, I must confess that I recently found several typos in recent posts in which I accidentally used "your" instead of "you're". This is so embarrassing! So if you noticed that error and said to yourself, "I can't believe she did that. Tsk, tsk, tsk," rest assured I do know the difference between "your" and "you're." Sometimes when typing we all make mistakes, but that does not diminish my embarrassment! Argh! I hope I have corrected them all now, but if you ever see such an error, by all means, point it out to me!

Betty Lou Blue has gigantic feet and although her mother assures her that beauty comes from within, it's hard to get past the teasing she must endure from bullies like Jimmy Jack Jones. One day, during a sudden snow storm, Betty Lou must decide whether or not to use the power of her snowshoe-like feet for good or leave her tormentors to their fate. This is a children's book so you can guess her choice.

I'm not a very good judge of poetry, but Nancy Crocker's rhyming text seems adequate. However,  it is Boris Kulikov's vibrant and appealing illustrations which make checking out this book worthwhile. There is something so magical about watching the snow fall over the city -- everything looks instantly clean and fresh. The kids in this book do what all city kids do as soon as the snow starts to come down: they head to the park. There isn't anything in the text that necessarily sets the story in the city, but the choice to do so works very well. The image of Betty Lou gazing out the upper story window at the swiftly falling snow collecting on rooftops and window grates is one every city dweller can relate to.

I thought Betty Lou Blue conveyed a useful message in an imaginative way and if your library has it on the shelves, it would be a cozy winter read. Not that NYC is experiencing winter this year, we just skipped right to an endless early spring.

Want More?
Read an interview with the author at Seven Impossible Things.
Visit the illustrator's website or the author's website.
Read a review with some of the poetry at Big A little a.
I also enjoyed the Kulikov-illustrated book, The Castle on Hester Street.

Little Kid says: They are stuck in the snow.

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Before I go any further, I must confess that I recently found several typos in recent posts in which I accidentally used "your" instead of "you're". This is so embarrassing! So if you noticed that error and said to yourself, "I can't believe she did that. Tsk, tsk, tsk," rest assured I do know the difference between "your" and "you're." Sometimes when typing we all make mistakes, but that does not diminish my embarrassment! Argh! I hope I have corrected them all now, but if you ever see such an error, by all means, point it out to me!

Betty Lou Blue has gigantic feet and although her mother assures her that beauty comes from within, it's hard to get past the teasing she must endure from bullies like Jimmy Jack Jones. One day, during a sudden snow storm, Betty Lou must decide whether or not to use the power of her snowshoe-like feet for good or leave her tormentors to their fate. This is a children's book so you can guess her choice.

I'm not a very good judge of poetry, but Nancy Crocker's rhyming text seems adequate. However,  it is Boris Kulikov's vibrant and appealing illustrations which make checking out this book worthwhile. There is something so magical about watching the snow fall over the city -- everything looks instantly clean and fresh. The kids in this book do what all city kids do as soon as the snow starts to come down: they head to the park. There isn't anything in the text that necessarily sets the story in the city, but the choice to do so works very well. The image of Betty Lou gazing out the upper story window at the swiftly falling snow collecting on rooftops and window grates is one every city dweller can relate to.

I thought Betty Lou Blue conveyed a useful message in an imaginative way and if your library has it on the shelves, it would be a cozy winter read. Not that NYC is experiencing winter this year, we just skipped right to an endless early spring.

Want More?
Read an interview with the author at Seven Impossible Things.
Visit the illustrator's website or the author's website.
Read a review with some of the poetry at Big A little a.
I also enjoyed the Kulikov-illustrated book, The Castle on Hester Street.

Little Kid says: They are stuck in the snow.

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My kids have some sort of superhuman radar when it comes to locating books about trains. One of the books they insisted on bringing home from the library a while back was Friday's Journey. It just happened to be set in the city, too.

In Ken Rush's Friday's Journey, Chris' parents are divorced and his dad has come to pick him up for their Friday journey, which is a subway ride to Dad's place, where he spends the weekend. During the train ride, Chris imagines the places the train could take him: places he used to go with both his parents. In the end, he realizes he can still enjoy those places just with Dad.

The story fell a little short for me, but I imagine it has a place among the targeted audience. However, there are a number of specific subway experiences that my young listeners grabbed on to, which is why I'm including a review on this blog. For example: the distant lights of the subway in the tunnel, the experience of watching the tracks out the front window, the screeching noise of the train stopping in the station. The city is obviously New York City, but it is never mentioned by name and because of the book's theme of living with divorced parents this book will find an audience outside the local one.

Want More?
My favorite book about a dad and his sons riding the subway is the ingenious Subway by Christopher Niemann.

Little Kid says: Where is that train going?

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My kids have some sort of superhuman radar when it comes to locating books about trains. One of the books they insisted on bringing home from the library a while back was Friday's Journey. It just happened to be set in the city, too.

In Ken Rush's Friday's Journey, Chris' parents are divorced and his dad has come to pick him up for their Friday journey, which is a subway ride to Dad's place, where he spends the weekend. During the train ride, Chris imagines the places the train could take him: places he used to go with both his parents. In the end, he realizes he can still enjoy those places just with Dad.

The story fell a little short for me, but I imagine it has a place among the targeted audience. However, there are a number of specific subway experiences that my young listeners grabbed on to, which is why I'm including a review on this blog. For example: the distant lights of the subway in the tunnel, the experience of watching the tracks out the front window, the screeching noise of the train stopping in the station. The city is obviously New York City, but it is never mentioned by name and because of the book's theme of living with divorced parents this book will find an audience outside the local one.

Want More?
My favorite book about a dad and his sons riding the subway is the ingenious Subway by Christopher Niemann.

Little Kid says: Where is that train going?

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In Katie Van Camp's CookieBot!: A Harry and Horsie Adventure a not-so innocent attempt to sneak a cookie from the cookie jar unleashes the fearsome, gigantic, uncontrollable cookie-loving robot, CookieBot! With CookieBot out of control and heading toward the Empire Sweets Cafe, Harry's only hope is his best friend and soft, cuddly companion, Horsie. Will they save the city? Will they get a glass of milk? Read and find out!

The story does not reveal if Harry and Horsie's real life home is in the city, but that information is really not very important. Although there are nods to New York City, the city in CookieBot! is pure imagination. After all, any good futuristic science fiction tale with an over sized villain takes place in the city, right? Think Godzilla! Think... okay, I can't think of any more, but my point is that in our popular imagination, giant robots do not crash through the woods or the flower garden. They terrorize innocent urban populations!

How can one not enjoy the ultra-cool modern retro style of Lincoln Agnew's illustrations? The restrained yet bold color palette in no way feels limiting, instead reminding one of awesome B movies, pop art and old school comic books. The city, though a result of a young boy's imagination is still rich with details like scrolled iron work, mish-mashed brick work and flashing light bulbs. The humorous text on the street signs and billboards adds further dimension to the story.

CookieBot!: A Harry and Horsie Adventure is so much fun and a great read aloud for parents like me who love to ham it up and great for kids like mine who are into mayhem. Enjoy!

Want More?
Read the first adventure, Harry and Horsie.
Visit the author's website.
Visit the illustrator's website.
This book reminded me of another retro-robot-in-the-city (should that be a genre?) book I reviewed: Oh No!
Watch the trailer.
Big Kid says: Awesome!Little Kid says: Read it, again! Again!

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In Katie Van Camp's CookieBot!: A Harry and Horsie Adventure a not-so innocent attempt to sneak a cookie from the cookie jar unleashes the fearsome, gigantic, uncontrollable cookie-loving robot, CookieBot! With CookieBot out of control and heading toward the Empire Sweets Cafe, Harry's only hope is his best friend and soft, cuddly companion, Horsie. Will they save the city? Will they get a glass of milk? Read and find out!

The story does not reveal if Harry and Horsie's real life home is in the city, but that information is really not very important. Although there are nods to New York City, the city in CookieBot! is pure imagination. After all, any good futuristic science fiction tale with an over sized villain takes place in the city, right? Think Godzilla! Think... okay, I can't think of any more, but my point is that in our popular imagination, giant robots do not crash through the woods or the flower garden. They terrorize innocent urban populations who run down streets flanked by skyscrapers!

How can one not enjoy the ultra-cool modern retro style of Lincoln Agnew's illustrations? The restrained yet bold color palette in no way feels limiting, instead reminding one of awesome B movies, pop art and old school comic books. The city, though a result of a young boy's imagination, is rich with details like scrolled iron work, mish-mashed bricks and flashing light bulbs. The humorous text on the street signs and billboards adds further dimension to the story.

CookieBot!: A Harry and Horsie Adventure is so much fun. It's a great read aloud for parents like me who love to ham it up and great for kids like mine who are into mayhem. Enjoy!

Want More?
Read the first adventure, Harry and Horsie (in which we see, yes, Harry lives in the city).
Visit the author's website.
Visit the illustrator's website.
This book reminded me of another retro-robot-in-the-city (I smell a new picture book genre in the making!) book I reviewed: Oh No!
Watch the trailer.
Big Kid says: Awesome! Little Kid says: Read it, again! Again!

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Yesterday I had the very great pleasure of being on a panel at the New York Public Library in which the discussion centered on the different ways book professionals (authors, illustrators, librarians, booksellers, etc.) communicate about books.

"Hold it right there!" you are thinking, "Why were you included in panel of book professionals?"

Okay, you got me.  It's true that in no way do I consider myself a book professional. I was there as the "parent blogger" representative. And as a parent blogger, I communicate to others -- presumably other parents -- about books.

I enjoyed the experience and as usually happens when book lovers gather to discuss books, there was not enough time to discuss... um, well... books. One of the topics which fell victim to the clock was how exactly parent bloggers tell the public about books. 

Fortunately I have a blog where I can engage in the very self-indulgent act of talking about whatever I wish (fortunately you are able, at this point, to click away from this site if I'm too boring). So here's a few thoughts I had rolling around in my head:

1. One of the terms that kept getting tossed around was that that book professionals are "gatekeepers." While I agree that this is true for librarians and others, I don't consider myself, as a parent blogger, a gatekeeper to the world of books. When trying to decided on a catchy phrase that would describe how I feel about the parent blogger position, I decided I liked the term, "signpost."

I'm imagining one of those large hands with the pointer finger like this:

Or maybe a signpost that leads you different ways, when I write posts about different kinds of books (just to confuse you):



A signpost points you in a specific direction(s), but you, as the traveler can choose to go one way or another: pick up one book or another. Unlike a gatekeeper, I don't decided which books are available for you to choose (e.g. at the library or in a bookstore). 

2. I don't write, what I consider to be reviews, on my parent blog. Over here at Storied Cities, that's another matter, but on my parent blog when I recommend a book a write a soundbite for it. This is for a several reasons: a) because I don't really want to write lengthy reviews covering plot points and other details; b) others have already written reviews, which are easy to find if someone wants more info on a particular book (ah, the magic of Google); c) checking out a book from the library is risk-free. I don't encourage people to spend $20 on a book they haven't read yet, good review or not; d) parents coming to my blog are not (for the most part) coming specifically for book recommendations (more on this in Point 3); and finally e) surfers of the internet and many parents with small children about to spill a cup of milk all over the new couch like brevity (a description which does not apply to this post!).

3.) Even though parents are not generally coming to my parent blog fo

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Yesterday I had the very great pleasure of being on a panel at the New York Public Library in which the discussion centered on the different ways book professionals (authors, illustrators, librarians, booksellers, etc.) communicate about books.

"Hold it right there!" you are thinking, "Why were you included in panel of book professionals?"

Okay, you got me.  It's true that in no way do I consider myself a book professional. I was there as the "parent blogger" representative. And as a parent blogger, I communicate to others -- presumably other parents -- about books.

I enjoyed the experience and as usually happens when book lovers gather to discuss books, there was not enough time to discuss... um, well... books. One of the topics which fell victim to the clock was how exactly parent bloggers tell the public about books. 

Fortunately I have a blog where I can engage in the very self-indulgent act of talking about whatever I wish (fortunately you are able, at this point, to click away from this site if I'm too boring). So here's a few thoughts I had rolling around in my head:

1. One of the terms that kept getting tossed around was that that book professionals are "gatekeepers." While I agree that this is true for librarians and others, I don't consider myself, as a parent blogger, a gatekeeper to the world of books. When trying to decided on a catchy phrase that would describe how I feel about the parent blogger position, I decided I liked the term, "signpost."

I'm imagining one of those large hands with the pointer finger like this:

Or maybe a signpost that leads you different ways, when I write posts about different kinds of books (just to confuse you):



A signpost points you in a specific direction(s), but you, as the traveler can choose to go one way or another: pick up one book or another. Unlike a gatekeeper, I don't decided which books are available for you to choose (e.g. at the library or in a bookstore). 

2. I don't write, what I consider to be reviews, on my parent blog. Over here at Storied Cities, that's another matter, but on my parent blog when I recommend a book a write a soundbite for it. This is for a several reasons: a) because I don't really want to write lengthy reviews covering plot points and other details; b) others have already written reviews, which are easy to find if someone wants more info on a particular book (ah, the magic of Google); c) checking out a book from the library is risk-free. I don't encourage people to spend $20 on a book they haven't read yet, good review or not; d) parents coming to my blog are not (for the most part) coming specifically for book recommendations (more on this in Point 3); and finally e) surfers of the internet and many parents with small children about to spill a cup of milk all over the new couch like brevity (a description which does not apply to this post!).

3.) Even though parents are not generally coming to my parent blog for book recommendations, parent blogs are an important way of communicating about books and here's why:

• Parents (as opposed to children) are the ones who check out and buy picture books, early readers and - to a certain extent - middle grade fiction. I don't pretend to know anything about the publishing industry, but I imagine it is the parents' wallets that put kids books on best sellers list. If I'm wrong, please tell me in the comment section, I love to be corrected and learn new things!
• Parents who come to a blog such as mine are coming for things to do with their kids. My site traffic tells me that my Indoor and Educational Activities are what bring readers to my blog, yet guess what? My book posts are the most commented upon (on?) posts! My recent post, on how to find children's book has quickly become one of my most popular posts, receiving more hits in a week than some posts receive in a year!  I am incredibly flattered that so many readers referred to the post on Facebook, Twitter and Pinterest. All of this means:
• Parents are interested in finding books other than Dr. Seuss, Goodnight Moon, etc. but they don't necessarily go to book blogs to do so. Book blogs aren't necessarily read by a large parent audience (this is a generalization, obviously there are parents, like me. who read blogs dedicated to books), but blogs about a variety of parent-related issues are aimed solely at the children's book buyer: PARENTS.

So the main message is that book pros can communicate to parents (the gatekeepers for children!) through venues not entirely dedicated to books. Libraries, schools and bookstores will always remain the most important ways to find books, but don't forget that talking about books for children can also be done alongside talk about homemade catapults, math games and getting the kids to eat a healthful breakfast!

I would love to hear more from you about this! Do you think parent blogs or other blogs written my non-book professionals have a place in the book conversation? Maybe since I'm not trained in book reviews I should stick to sippy cups? How can librarian, schools, author/illustrators and bookstores work with bloggers to promote books?

Please add to the conversation in the comments section of this post.

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If you are in New York City, why not stop by the New York City Library tomorrow at 2 for a lively discussion about children's books, who's talking about them and how to find them. I might just be there.....

Here's the link:

Children's Literary Salon - Connect The Dots: Who's Who? Talking Books Across Literary Borders

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A few months ago I hand wrote a review for Cuckoo Feathers, and then I lost it. Argh. So I have been putting off this post in the hopes I might just come across my notes. Sadly, the time has come for me to give up my search and consequently the review that follows might not be quite as thorough as my original.

Phylis Reynolds Naylor's Cuckoo Feathers is a story that could only take place in the city. It's Chicago this time. When we meet Sarah she is bored with white: white food and the the color of her skin. She wants to be an interesting color like her friend, Peter. Sarah's mom is an artist and comes up with a clever way of showing Sarah and Peter that their respective skin colors are much more that just "white" and "brown." While the friends are painting, a few pigeons show up. Sarah and her friends come to think of the pigeons as theirs and so when the pigeons decides to roost in a neighboring windowsill, a bit of jealousy ensues. When a third, aggressive pigeon shows up, Sarah, her old and new friends work together to find a solution.

Families who live in apartment buildings will recognize the form of community portrayed in this book: friends can watch each other across air shafts and fire escapes, neighbors can hear each other in the hallways, diversity is the norm. It is also nice to have a story about watching animal life which does not take place in the park (or the country). Marcy Ramsey's line drawn illustrations are a nice addition.

Cuckoo Feathers is an entertaining book and the story reads smoothly. It is part of a series of books about Sarah, called "Simply Sarah." It makes a nice read aloud, or an early chapter book for young readers. Extra sensitive children may be a little upset at a certain egg dropping scene, but I think Naylor handles the situation well.

Want More?
Read a general review of Simply Sarah at A Year of Reading.
Try the other Simply Sarah books: Anyone Can Eat Squid!, Patches and Scratches, and Eating Enchiladas.
Read an interview with the author.

Big Kid says: Don't take that one back to the library.

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A few months ago I hand wrote a review for Cuckoo Feathers, and then I lost it. Argh. So I have been putting off this post in the hopes I might just come across my notes. Sadly, the time has come for me to give up my search and consequently the review that follows might not be quite as thorough as my original.

Phylis Reynolds Naylor's Cuckoo Feathers is a story that could only take place in the city. It's Chicago this time. When we meet Sarah she is bored with white: white food and the the color of her skin. She wants to be an interesting color like her friend, Peter. Sarah's mom is an artist and comes up with a clever way of showing Sarah and Peter that their respective skin colors are much more that just "white" and "brown." While the friends are painting, a few pigeons show up. Sarah and her friends come to think of the pigeons as theirs and so when the pigeons decides to roost in a neighboring windowsill, a bit of jealousy ensues. When a third, aggressive pigeon shows up, Sarah, her old and new friends work together to find a solution.

Families who live in apartment buildings will recognize the form of community portrayed in this book: friends can watch each other across air shafts and fire escapes, neighbors can hear each other in the hallways, diversity is the norm. It is also nice to have a story about watching animal life which does not take place in the park (or the country). Marcy Ramsey's line drawn illustrations are a nice addition.

Cuckoo Feathers is an entertaining book and the story reads smoothly. It is part of a series of books about Sarah, called "Simply Sarah." It makes a nice read aloud, or an early chapter book for young readers. Extra sensitive children may be a little upset at a certain egg dropping scene, but I think Naylor handles the situation well.

Want More?
Read a general review of Simply Sarah at A Year of Reading.
Try the other Simply Sarah books: Anyone Can Eat Squid!, Patches and Scratches, and Eating Enchiladas.
Read an interview with the author.

Big Kid says: Don't take that one back to the library.

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Even though there is nary a female in Jeff Newman's wordless picture book, The Boys, as a relatively shy individual, boy could I could relate to the experience of the protagonist.

A boy moves the the city, finds himself too shy to join in the kids' ballgame and so instead tries to fit in with the older crowd -- the much older crowd. Fortunately, this gang, although older, is also wiser and helps lead the boy back to kids his own age.

The city here remains in the background and it's easy to forget about it. It also has a rather industrial feel.  The city park is the important location -- where groups of individuals gather to engage in common like-minded activities.  Newman frequently uses the image of the park bench to convey either loneliness or togetherness at just the right moment. After all, nothing says city park like a long green bench.

When this book came out it received a lot of buzz so check out the Want More? section below for some thorough reviews -- and then check it out from your library.  retro illustrations

Want More?
Read Fuse #8's review. She'll tell you a lot more about the book than I did.
Read an interview with the author and see more illustrations at Seven Impossible Things Before Breakfast.
Visit the author's picture blog.

Big Kid says: Why is he hanging out with the grandpas?
Little Kid says: They are playing baseball!

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Even though there is nary a female in Jeff Newman's wordless picture book, The Boys, as a relatively shy individual, boy could I could relate to the experience of the protagonist.

A boy moves the the city, finds himself too shy to join in the kids' ballgame and so instead tries to fit in with the older crowd -- the much older crowd. Fortunately, this gang, although older, is also wiser and helps lead the boy back to kids his own age.

The city here remains in the background and it's easy to forget about it. It also has a rather industrial feel.  The city park is the important location -- where groups of individuals gather to engage in common like-minded activities.  Newman frequently uses the image of the park bench to convey either loneliness or togetherness at just the right moment. After all, nothing says city park like a long green bench.

When this book came out it received a lot of buzz so check out the Want More? section below for some thorough reviews -- and then check it out from your library. 

Want More?
Read Fuse #8's review. She'll tell you a lot more about the book than I did.
Read an interview with the author and see more illustrations at Seven Impossible Things Before Breakfast.
Visit the author's picture blog.

Big Kid says: Why is he hanging out with the grandpas?
Little Kid says: They are playing baseball!

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I had meant to post more regularly during the comment challenge but first my internet, and then my computer died. But now, I am back in business and shall do my best to keep up.

It's tempting to place Jeannie Baker's Mirror into the familiar category of "country v. city" book. However, it is much more than that. First of all, there is no annoying message that "my home is best" and secondly, there are no mice.

Baker illustrates two parallel worlds: urban Sydney Australia and rural Morocco's Valley of the Roses.  She cleverly structures the book to open from the center so that we may see these worlds simultaneously. I like how this format is a means of uniting separate worlds. I could insert a lot of philosophy mumbo-jumbo here about the coming together of cultures, understanding differences, one planet=one people, etc., etc., but you get the idea.

Side by side: urban on left, rural on the right, we follow the two families through a day of, viewing the differences between commutes, market places, and meals. The purchase of a rug unites them as does the twist at the end in which the supposedly high-tech urban society gathers around a low-tech map and the supposedly low tech family enjoys connecting to the world through the Internet.

I think this is a brilliant book and Baker's cut paper 3-dimensional collages are as outstanding here as they were in Home. This is a wordless book and you need to take some time to pour over and study the details in each double page spread, comparing and contrasting the ways of life. In the end note, Baker reveals some of her collage-making secrets -- she has a lot of patience!

Highly Recommended.

Want More?
Read my review for her book, Home.
Visit the author's website.
Read about the book in the NY Times.

Big Kid says: I like the ending.
Little Kid says: I see lots of buses.

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