This week a friend in the Philippines introducted me to the poetry of the Chilean poet Pablo Neruda (how cosmopolitan is the WWW?!) - whose poetry I'd not previously encountered. I particularly like this poem. For some reason the line "I love you as certain dark things are to be loved" makes me think of Shakespeare:


XVII (I do not love you...)

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.

Translated by Stephen Tapscott


This week the Poetry Friday round-up really IS with Kelly Fineman (I mistook the date last week, so I apologise if I caused any confusion...)

I came across this poem by Ogden Nash during the week, and it lodged itself quite firmly in my brain, so I thought I would share it with you.

Listen...

There is a knocking in the skull,
An endless silent shout
Of something beating on a wall,
And crying, "Let me out!"

That solitary prisoner
Will never hear reply.
No comrade in eternity
Can hear the frantic cry.

No heart can share the terror
That haunts his monstrous dark.
The light that filters through the chinks
No other eye can mark.

When flesh is linked with eager flesh,
And words run warm and full,
I think that he is loneliest then,
The captive in the skull.

Caught in a mesh of living veins,
In cell of padded bone,
He loneliest is when he pretends
That he is not alone.

We’d free the incarcerate race of man
That such a doom endures
Could only you unlock my skull,
Or I creep into yours.


The Poetry Friday round-up is over at Writing and Ruminating this week.

It's a lovely summer's day here - bright sunshine, but not too hot yet. I'm enjoying re-reading Garth Nix's Mister Monday as I work towards reading Superior Saturday (which I bought last week - oh the joy of having a little spare cash!), and I'm in a generally good mood (ie. I'm not thinking about what's going to happen in tomorrow's Doctor Who season finale!). Therefore, I thought I'd share this poem by Wordsworth, as it seems to suit my mood:


Upon Westminster Bridge

EARTH has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth like a garment wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!


Just gorgeous!

The Poetry Friday round up is over at In Search of Giants.

And to those enjoying a holiday weekend - Happy July 4th!

Yesterday saw the birthday of the late Laurie Lee, one of the few people ever to become a legend in his own lifetime - and one of the few people to make my hometown of Stroud famous. He's probably best known for his autobiographical Cider With Rosie, but he also wrote poetry such as this:

April Rise

If ever I saw blessing in the air
I see it now in this still early day
Where lemon-green the vaporous morning drips
Wet sunlight on the powder of my eye.

[...]

Pure in the haze the emerald sun dilates,
The lips of sparrows milk the mossy stones,
While white as water by the lake a girl
Swims her green hand among the gathered swans.

Now, as the almond burns its smoking wick,
Dropping small flames to light the candled grass;
Now, as my low blood scales its second chance,
If ever world were blessed, now it is.

You can find the whole poem here.


This week's Poetry Friday round-up is over at Biblio File.

Last year Doctor Who gave me references to Shakespeare and Eliot (in "The Shakespeare Code" and "The Lazarus Experiment" respectively), this year (last week) it's given me Christina Rossetti, specifically the last four lines of this extract:

Goblin Market

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries-
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries--
All ripe together
In summer weather--
Morns that pass by,
Fair eves that fly;
Come buy, come buy;
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye,
Come buy, come buy."
Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"

"Midnight" was a brilliantly acted story: I consider David Tennant a genius (and I don't use that word lightly) but Lesley Sharp matched him in this episode. The plot was a bit meh, but the acting was fantastic, and the use of the lines from Rossetti was spot on.

Anyway, the poem can be read in its entirety here.

And this week's Poetry Friday round-up is at Semicolon.

It's been a slightly chaotic couple of weeks as I've recently started a second (part time) job (I need the cash, and this one let's me get out of the house !), so Poetry Friday slipped out of my schedule. However, I'm back this week to celebrate the birthday of one of Ireland's greatest poets, W B Yeats in 1865.

Yeats was Anglo-Irish, which means that his family belonged to the ruling minority class in Ireland, a Protestant upper class that still had strong ties to England, unlike the largely Catholic, and frequently disenfranchised, lower classes. But Yeats himself always felt a strong connection to Ireland and was particularly captivated by the landscape of County Sligo in NW Ireland, where his mother's relatives lived.

His father, John B Yeats, was a painter, and he moved the family to London when William was three. Yeats hated London and didn't do very well at school; he was half-blind in one eye and was generally far more interested in daydreaming than in learning to read. He always felt spiritually at home in Sligo and fortunately his family moved back to Ireland, to Howth on Dublin Bay, in 1880. In 1885 the Dublin University Review published Yeats' first two poems.

Yeats' first published volume of poetry, The Wanderings of Oisin and Other Poems (1889), brought to his door a young woman named Maud Gonne. His yearning for Maud and his inability to attain her haunted him for almost all his life. He proposed in 1891 and again in 1916, but was refused by Gonne on both occasions.

Yeats founded the National Literary Society and what would go on to become the Abbey Theatre in Dublin. J M Synge and Ezra Pound were close friends of Yeats, who received the Nobel Prize in Literature in 1923.

Here are three of his poems that I love:


He wishes for the Cloths of Heaven

Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.


I first fell in love with this poem when Anthony Hopkins' character recited it in the film version of 84 Charing Cross Road.


A Drinking Song

Wine comes in at the mouth
And love comes in at the eye;
That's all we shall know for truth
Before we grow old and die.
I lift the glass to my mouth,
I look at you, and I sigh.


Never give all the heart

Never give all the heart, for love
Will hardly seem worth thinking of
To passionate women if it seem
Certain, and they never dream
That it fades out from kiss to kiss;
For everything that's lovely is
But a brief, dreamy, kind delight.
O never give the heart outright,
For they, for all smooth lips can say,
Have given their hearts up to the play.
And who could play it well enough
If deaf and dumb and blind with love?
He that made this knows all the cost,
For he gave all his heart and lost.


Is it me, or are the last two lines just a little bit heart-breaking?


This week's Poetry Friday round-up is over at A Wrung Sponge

I've decided I hate Fridays! I got paid again today - and for the third fortnight in a row, my wages were incorrect (I'm nearly £200 short). I wouldn't have believed it was possible for someone to be so consistently incompetent if I hadn't experienced it first hand.

And not even the arrival of my ticket for the Doctor Who Prom (paid for by friends as a treat) has really cheered me up... (At least my bruises from that fall I took a couple of weeks ago have finally faded !)


* * * * * *

Putting that aside (otherwise the air'll be blue around here), I have the following poem from Henry Wadsworth Longfellow as my Poetry Friday contribution this week.

Night

Into the darkness and the hush of night
Slowly the landscape sinks, and fades away,
And with it fade the phantoms of the day,
The ghosts of men and things, that haunt the
light.
The crowd, the clamor, the pursuit, the flight,
The unprofitable splendor and display,
The agitations, and the cares that prey
Upon our hearts, all vanish out of sight.
The better life begins; the world no more
Molests us; all its records we erase
From the dull common-place book of our lives,
That like a palimpsest is written o'er
With trivial incidents of time and place,
And lo! the ideal, hidden beneath, revives.


This week's Poetry Friday round-up is over at Becky's Book Reviews... Read the rest of this post

We had our summer last weekend, now we're back to having Spring (by which I mean rain interspersed with sunshine), so this poem by Gerard Manley Hopkins sprang (ho, ho !) to mind:

Spring

Nothing is so beautiful as spring—
When weeds, in wheels, shoot long and lovely and lush;
Thrush's eggs look little low heavens, and thrush
Through the echoing timber does so rinse and wring
The ear, it strikes like lightings to hear him sing;
The glassy peartree leaves and blooms, they brush
The descending blue; that blue is all in a rush
With richness; the racing lambs too have fair their fling.

What is all this juice and all this joy?
A strain of the earth's sweet being in the beginning
In Eden garden.-Have, get, before it cloy,
Before it cloud, Christ, lord, and sour with sinning,
Innocent mind and Mayday in girl and boy,
Most, O maid's child, thy choice and worthy the winning.


GMH's poetry always seems to soothe my ear as well as my mind - the rhythms and the word choices focus my mind beautifully...


This week's Poetry Friday round-up is over at Two Writing Teachers.

*sigh*

I'm beginning to wonder if my Fridays are jinxed ! I got paid today although it appears that my boss still didn't sort out the screw up of my wages from two weeks ago (waiting for my pay slip to arrive so I can cross check it with my pay claims and find out for sure). But since I had money - and an unexpected afternoon off (after working flat out all last weekend, despite it being a public holiday weekend), I went out to do some errands earlier, and I managed to twist my ankle on one of our dodgy local pavements. Trouble was, I didn't just twist my ankle, I lost my balance as well...

So now I have one bruised and swollen left knee, one bruised and swollen left wrist, and one bruised and swollen right arm from inside wrist to outer elbow...

Oh AND a sore right ankle.

The only thing I didn't HIT was my head - and that's probably only because everything else had already come into contact with the ground or the nearby bench (that my right arm hit) before my head could get there !

And of course, my dignity is bruised, but at least no one can see THAT !!

I was picked up by two lovely chaps who were sitting outside the cafe opposite which I took my tumble and one, the cafe owner, fetched me a large cup of cold water after checking I hadn't hit my head and didn't need an ambulance.

Life - why do you hate me so much?


Anyway, I've been meaning to share this poem by John Betjeman for a few weeks now, so here it is without further ado:


Diary of a Church Mouse

Here among long-discarded cassocks,
Damp stools, and half-split open hassocks,
Here where the Vicar never looks
I nibble through old service books.
Lean and alone I spend my days
Behind this Church of England baize.
I share my dark forgotten room
With two oil-lamps and half a broom.
The cleaner never bothers me,
So here I eat my frugal tea.
My bread is sawdust mixed with straw;
My jam is polish for the floor.
Christmas and Easter may be feasts
For congregations and for priests,
And so may Whitsun. All the same,
They do not fill my meagre frame. For me the only feast at all
Is Autumn's Harvest Festival,
When I can satisfy my want
With ears of corn around the font.
I climb the eagle's brazen head
To burrow through a loaf of bread.
I scramble up the pulpit stair
And gnaw the marrows hanging there.
It is enjoyable to taste
These items ere they go to waste,
But how annoying when one finds
That other mice with pagan minds
Come into church my food to share
Who have no proper business there.
Two field mice who have no desire
To be baptized, invade the choir.
A large and most unfriendly rat
Comes in to see what we are at.
He says he thinks there is no God
And yet he comes... it's rather odd.
This year he stole a sheaf of wheat
(It screened our special preacher's seat),
And prosperous mice from fields away
Come in to hear the organ play,
And under cover of its notes
Ate through the altar's sheaf of oats.
A Low Church mouse, who thinks that I
Am too papistical, and High,
Yet somehow doesn't think it wrong
To munch through Harvest Evensong,
While I, who starve the whole year through,
Must share my food with rodents who
Except at this time of the year
Not once inside the church appear.
Within the human world I know
Such goings-on could not be so,
For human beings only do
What their religion tells them to.
They read the Bible every day
And always, night and morning, pray,
And just like me, the good church mouse,
Worship each week in God's own house,
But all the same it's strange to me
How very full the church can be
With people I don't' see at all
Except at Harvest Festival.

This week's poetry round-up is over at Writer2be.

The past week has mostly left me cranky (mostly thanks to my boss screwing up my wages last week and then HR refusing to sort the matter out before I get paid next week), so I've been wallowing in some of my poetry "old favourites" to cheer myself up and I thought I'd share one of them with you for my Poetry Friday contribution:


To The Virgins, To Make Much Of Time

Gather ye Rose-buds while ye may,
Old Time is still a flying:
And this same flower that smiles today,
Tomorrow will be dying.

The glorious Lamp of Heaven, the Sun,
The higher he's a getting;
The sooner will his Race be run,
And nearer he's to Setting.

That Age is best, which is the first,
When Youth and Blood are warmer;
But being spent, the worse, and worst
Times, still succeed the former.

Then be not coy, but use your time;
And while ye may, goe marry:
For having lost but once your prime,
You may for ever tarry.

- Robert Herrick


This week's PF round-up is over at Big A, little a so hop on over and see what the Bloggers are sharing this week.

To celebrate Shakespeare's birthday again (because I can if I want to), I offer you

Sonnet 104

To me, fair friend, you never can be old,
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers' pride,
Three beauteous springs to yellow autumn turned
In process of the seasons have I seen,
Three April pérfumes in three hot Junes burned,
Since first I saw you fresh, which yet are green.
Ah yet doth beauty, like a dial hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:
For fear of which, hear this, thou age unbred,
Ere you were born was beauty's summer dead.

This week's Poetry Friday round-up is over at The Miss Rumphius Effect

In order to celebrate Shakespeare's birthday, I give you one of my favourite speeches from the first Shakespeare play I saw live:

This royal throne of kings, this scepter'd isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall,
Or as a moat defensive to a house,
Against the envy of less happier lands,
This blessed plot, this earth, this realm, this England,
This nurse, this teeming womb of royal kings,
Fear'd by their breed and famous by their birth,
Renowned for their deeds as far from home,
For Christian service and true chivalry,
As is the sepulchre in stubborn Jewry,
Of the world's ransom, blessed Mary's Son,
This land of such dear souls, this dear dear land,
Dear for her reputation through the world,
Is now leased out, I die pronouncing it,
Like to a tenement or pelting farm:
England, bound in with the triumphant sea
Whose rocky shore beats back the envious siege
Of watery Neptune, is now bound in with shame,
With inky blots and rotten parchment bonds:
That England, that was wont to conquer others,
Hath made a shameful conquest of itself.
Ah, would the scandal vanish with my life,
How happy then were my ensuing death!


(Richard II Act II, scene 1, Lines 40-68)

Canadian poet Mark Strand said, "Poetry is about slowing down. You sit and you read something, you read it again, and it reveals a little bit more, and things come to light you never could have predicted." This poem by Sarah Williams had that effect on me this week - not only slowing me down, but stopping me dead in my tracks, to read and re-read it:

The Old Astronomer to his Pupil

Reach me down my Tycho Brahe, I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then to now.

Pray remember that I leave you all my theory complete,
Lacking only certain data for your adding, as is meet,
And remember men will scorn it, 'tis original and true,
And the obliquy of newness may fall bitterly on you.

But, my pupil, as my pupil you have learned the worth of scorn,
You have laughed with me at pity, we have joyed to be forlorn,
What for us are all distractions of men's fellowship and smiles;
What for us the Goddess Pleasure with her meretricious smiles.

You may tell that German College that their honor comes too late,
But they must not waste repentance on the grizzly savant's fate.
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.

What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You "have none but me," you murmur, and I "leave you quite alone"?

Well then, kiss me, -- since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, -- that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.

I "have never failed in kindness"? No, we lived too high for strife, --
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!

There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, "Patience, Patience," is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.

I have sworn, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, 'twill disturb me in my sleep.
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.

I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars, --
God will mercifully guide me on my way amongst the stars.

You can hear the first four verses of the poem read aloud here.

This week's Poetry Friday round-up is at A Wrung Sponge.

(Don't everyone die of shock at the fact I'm posting a second time today, OK?)

I've just seen that the new Skulduggery Pleasant book (about the eponymous walking and talking skeleton) by Derek Landy: Skulduggery Pleasant: Playing with Fire is now out - and I'm a happy camper ! I loved the first book (Skulduggery Pleasant), which I first read last summer and then re-read for this year's Cybils (review here) - as it was full of humour, wit and a good plot.

Here's the synopsis for the second book:

Just when you think you've saved the world! "You will kill her?" the Torment asked. Skulduggery sagged. "Yes." He hesitated, then took his gun from his jacket. "I'm sorry, Valkyrie," he said softly. "Don't talk to me," Valkyrie said. "Just do what you have to do." Valkyrie parted her tunic, and Skulduggery pointed the gun at the vest beneath. "Please forgive me," Skulduggery said, then aimed the gun at the girl and pulled the trigger. With Serpine dead, the world is safe once more. At least, that's what Valkyrie and Skulduggery think, until the notorious Baron Vengeous makes a bloody escape from prison, and dead bodies and vampires start showing up all over Ireland. With Baron Vengeous after the deadly armour of Lord Vile, and pretty much everyone out to kill Valkyrie, the daring detective duo face their biggest challenge yet. But what if the greatest threat to Valkyrie is just a little closer to home!?

I'm in a bit of a melancholy mood today (not sure why) and this poem by Christina Rossetti seems to fit my mood.

Remember

Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go yet turning stay.
Remember me when no more day by day
You tell me of our future that you planned:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.

This week's Poetry Friday round up is over at Becky's Book Reviews.

I'm currently (belatedly) reading Audrey Niffenegger's The Time Traveler's Wife (Bandwagon? Which bandwagon?). I'm also in the midst of writing a timey-wimey (to borrow the Tenth Doctor's phrase) Doctor Who story, and two days ago it was Robert Frost's birthday, thus my offering this week is Frost's

I Could Give All To Time

To Time it never seems that he is brave
To set himself against the peaks of snow
To lay them level with the running wave,
Nor is he overjoyed when they lie low,
But only grave, contemplative and grave.

What now is inland shall be ocean isle,
Then eddies playing round a sunken reef
Like the curl at the corner of a smile;
And I could share Time's lack of joy or grief
At such a planetary change of style.

I could give all to Time except - except
What I myself have held. But why declare
The things forbidden that while the Customs slept
I have crossed to Safety with? For I am There,
And what I would not part with I have kept.


This week's round up is at Cuentesitos


(Currently I would give my right arm for a trip in the TARDIS so I can catch up on this week's missing sleep - apparently my body decided to get me ready for the clocks moving forward to BST this weekend by depriving me of sleep this week ! Bah, humbug !)

My long Easter weekend was going to be spent solely in writing a long-planned and lengthy story accompanied by Classic FM's annual "Hall of Fame" countdown, but alas work has intervened so I shall be working on another half-completed story. Nevertheless, I thought that I would share this poem by Howard Nemerov:

Writing

The cursive crawl, the squared-off characters
these by themselves delight, even without
a meaning, in a foreign language, in
Chinese, for instance, or when skaters curve
all day across the lake, scoring their white
records in ice. Being intelligible,
these winding ways with their audacities
and delicate hesitations, they become
miraculous, so intimately, out there
at the pen’s point or brush’s tip, do world
and spirit wed.


The full text of the poem is here.

When I write straight into a word processor, rather than longhand in a notebook, I find myself missing the physical act of writing and the way the words seem to flow through my hand and out of my pen. These lines of Nemerov's capture that fascination that I have with the physics of writing longhand, and I particularly like the comparison with skating.

This week's Poetry Friday round up is hosted over at Wild Rose Reader.

I've just found out, via a friend, that Terry Pratchett fans worldwide are trying to raise enough money to match his donation of $1000000 to Alzheimer's Research.

If you're interested in making a donation, however small, click on the button below.

Please note, if you're outside the UK, you have to click the "Don't have a postal code" link and then you'll get an alternate box for putting in an address - and tick the non-UK radio button as well.



Please, if you can spare a couple of dollars or pounds or whatever your local currency is to make a donation in honour of a marvellously talented man, do so. Thank you.

My Poetry Friday offering this week is by Alfred Tennyson:

Ulysses

It little profits that an idle king,
By this still hearth, among these barren crags,
Match'd with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel; I will drink
Life to the lees. All times I have enjoy'd
Greatly, have suffer'd greatly, both with those
That loved me, and alone; on shore, and when
Thro' scudding drifts the rainy Hyades
Vext the dim sea. I am become a name;
For always roaming with a hungry heart
Much have I seen and known,-- cities of men
And manners, climates, councils, governments,
Myself not least, but honor'd of them all,--
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am a part of all that I have met;
Yet all experience is an arch wherethro'
Gleams that untravell'd world whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnish'd, not to shine in use!
As tho' to breathe were life! Life piled on life
Were all too little, and of one to me
Little remains; but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.

This is my son, mine own Telemachus,
to whom I leave the sceptre and the isle,--
Well-loved of me, discerning to fulfill
This labor, by slow prudence to make mild
A rugged people, and thro' soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.

There lies the port; the vessel puffs her sail;
There gloom the dark, broad seas. My mariners,
Souls that have toil'd, and wrought, and thought with me,--
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads,-- you and I are old;
Old age hath yet his honor and his toil.
Death closes all; but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks;
The long day wanes; the slow moon climbs; the deep
Moans round with many voices. Come, my friends.
'T is not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down;
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Tho' much is taken, much abides; and tho'
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are,--
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

The poem was first published in "Poems" in 1842 and was written in the first few weeks after Tennyson learned of the death of his friend Arthur Henry Hallam. The Victorians tended to read this poem in a pretty straight forward manner but later critics have viewed it differently. One of the most commonly held critical views is that the poem is a dramatic representation of a man who has no faith in either the gods or in the necessity of preserving order in his kingdom and his own life.

However you read it, though, it possesses a certain melancholic music that lingers in the mind after you're finished.


This week's PF round up is by Jama Rattigan.

It was the birthday this week of Edward Thomas, a quitessentially English poet. This is one of the many poems he wrote in the short period of poetic creativity that came upon him before he was killed in the First World War:


Lights Out

I have come to the borders of sleep,
The unfathomable deep
Forest where all must lose
Their way, however straight,
Or winding, soon or late;
They cannot choose.

Many a road and track
That, since the dawn's first crack,
Up to the forest brink,
Deceived the travellers,
Suddenly now blurs,
And in they sink.

Here love ends,
Despair, ambition ends,
All pleasure and all trouble,
Although most sweet or bitter,
Here ends in sleep that is sweeter
Than tasks most noble.

There is not any book
Or face of dearest look
That I would not turn from now
To go into the unknown
I must enter and leave alone
I know not how.

The tall forest towers;
Its cloudy foliage lowers
Ahead, shelf above shelf;
Its silence I hear and obey
That I may lose my way
And myself.


Thomas' was the first poetry by a FWW poet that I ever read, many many years ago: I was 16 and a friend recited from memory his poem But These Things Also Are Spring's, which impressed itself upon my brain that I sought out a copy of Thomas' poems later that same morning.

Today is the anniversary of the first publication in 1923 of Robert Frost's well-loved poem:

Stopping By Woods On A Snowy Evening

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Note that both men, who were very great friends for a few years before Thomas' death, wrote of woods and sleep.

The Poetry Friday round-up this week is over at The Simple and The Ordinary.

So after an extended hiatus during which life and fiction writing overtook my brain so often that I didn't know Friday from Tuesday or up from down, I am back with Poetry Friday. I will endeavour to make a post every week, but I don't guarantee it !



This week, I've chosen W H Auden's "As I Walked Out One Evening". Here's a snippet:

As I Walked Out One Evening

"The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world."

But all the clocks in the city
Began to whirr and chime:
"O let not Time deceive you
You cannot conquer Time."

In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

In headaches and in worry
Vaguely life leaks away,
And time will have his fancy
To-morrow or to-day.

Into many a green valley
Drifts the appalling snow
Time breaks the threaded dances
And the diver's brilliant bow.

The whole poem can be found here.

I've no clue who's on Poetry Friday round-up this week (haven't got that far !) but check Kelly H's Blog Big A, little a as she's usually got a list up there... Read the rest of this post

Just in case anyone out there hears the news from the UK and wonders - yes I did experience the earthquake at 1 am today, but I was only shaken not stirred. It woke me up but I assumed it was simply the wind gusting about - being in an attic room on a very windy road (it should really be called Wind Tunnel Road!), I am quite used to feeling every buffet when the wind picks up as it has been doing the last couple of days. I heard what I half thought was someone running down the roof above my head, and though I was mostly asleep I knew that was mad - it was probably some tiles falling off the roof...

Anyway I live to tell the tale - for what it's worth !

Yes I am still alive and relatively well (winter colds aside), but writing Doctor Who fanfiction is *literally* my whole life outside of work (although I'm still reading - albeit fewer books - I'm even on this year's SF&F Judging Committee for the Cybils !)

So a belated Happy New Year (I'm hoping it'll be a case of new year, new job as mine still sucks like an industrial strength hoover)...

So yes, I'm not dead yet - just up to my neck in story ideas: um, 25 and counting - including a 14 story series that's an AU version of Season 3 of New Who in which Martha Jones will meet the Eighth Doctor (because Paul McGann's Eighth Doctor is my new love! David who...? *grins*)...

The madness continues... Read the rest of this post

This week saw the 250th birthday of William Blake, who was born in London in 1757. When he was four he saw God's head appear in a window, later on he saw the prophet Ezekiel sitting in a field, and once came upon a tree full of angels. However, when he tried to tell his parents about these visions, his father threatened to beat him for lying, so he stopped mentioning such things and began drawing pictures instead. His work seemed so promising that his parents sent him to art school to become an engraver. Blake learnt how to engrave copper plates for printing illustrations in books, then went on to produce illustrations for books about botany, architecture and medicine. Since his work was so good he was commissioned to create his own illustrations for the work of Dante, Chaucer and selections from the Bible, which now are considered amongst the greatest works of engraving ever produced. Blake even invented a method of printing illustrations in colour, and art historians are still unsure how he did it.

Unfortunately, Blake's work as an illustrator grew more and more bizarre, until in the end he could only make a living by selling watercolours to a small group of private collectors.

However, Blake had also been writing poetry for most of his life, and since he had his own printing press, he decided to print it himself. He developed a process of writing his poems directly onto copper plates, then engraving illustrations around them. He would print a few dozen copies and stitch them into pamphlets, which he sold himself. His books got no attention in his lifetime and most critics dismissed him as a madman. He died in 1827, and it wasn't until 1863 that a biography about him persuaded people to read his poetry for the first time. Today, he's best known for the poems he wrote for children, Songs of Innocence (1789) and Songs of Experience (1794).

William Blake once wrote, "To see a world in a grain of sand, / And a heaven in a wild flower, / Hold infinity in the palm of your hand, / And eternity in an hour."

He also said, "Imagination is the real and eternal world of which this vegetable universe is but a faint shadow."

This is one of his poems from Songs of Experience:

London

I wander thro' each charter'd street,
Near where the charter'd Thames does flow,
And mark in every face I meet
Marks of weakness, marks of woe.

In every cry of every Man,
In every Infant's cry of fear,
In every voice, in every ban,
The mind-forg'd manacles I hear.

How the Chimney-sweeper's cry
Every blackning Church appalls,
And the hapless Soldier's sigh
Runs in blood down Palace walls.

But most thro' midnight streets I hear
How the youthful Harlot's curse
Blasts the new-born Infant's tear,
And blights with plagues the Marriage hearse.

This week's Poetry Friday round-up is over at Two Writing Teachers.

The weather's been a lot colder here in the UK this week so these lines by Shakespeare from "As You Like It" (Act II, Scene vii) seem somewhat apt !

Blow, blow, thou winter wind,
Thou art not so unkind
As man's ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly.
Then heigh-ho! the holly!
This life is most jolly.

Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remember'd not.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly.
Then heigh-ho! the holly!
This life is most jolly.

This week's Poetry Friday round-up is over at Susan Taylor Brown's Blog.