When I saw the word of the day, I thought this would make the perfect picture. I'd started the drawing back when the word of the week was Hollow-- but you'll need to Magnify this to see all the little creatures Wrapped up inside here, and away from the storm. We've got a cold dreary day today, so it was a perfect time to work on something cozy! Looks like the mousie has a cold, but fortunately, his friends are taking good care of him.
Updated to add- This print now available in my Cafepress Shop
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I am an illustrator, a children's writer, a high school writing coach, a part time prof in children's literature, a bluegrass and oldtime fiddler, a farmer, a newbie blacksmith, and a highly distractible but loving mother of three.
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I started this drawing back when the word of the week was Impatience. I've been waiting on a number of important things, and my first thought was to draw a clock... and then that idea spread to the concept of time more generally.
Time is such a frustrating thing. It speeds up when we want it most, and hangs around when all we can do is count the ticks. It comes in signatures, seasons and sunsets, all of which are present in the clock face above.
Yes, it really is a clock face-- but I made it every bit as twisty as time feels to me this month. I decided to pick out the numbers in the colors that constitute my synaesthetic worldview. I'd never drawn them in their "correct" colors before, and it was fun. They're actually a bit more saturated in my mind's eye. I was afraid they'd blend together if I made them darker!
You'd have to use plenty of caution if this were a real clock; it would make you dizzy, so forget about using it on the dashboard of your car.
Still, you could do it. Dan thought it might be fun to build and program a real model. We might have to give that a shot-- with chips and lucite and LEDs.
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Not sure what kind of modifications the kid is making here, or where that bridge is going, but it looks like it might be fun to find out.
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File this under better late than never. Did the sketch here sitting in an airport terminal, one of life's less-than-green locations, which probably accounts for the leafiness. I'll let you work out the tango connections.
:D
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Cynthea Liu is using the launch of her book, Paris Pan Takes the Dare, as an opportunity to support Tulakes Elementary School in Oklahoma City-- an impoverished school district in her home state of OK.
Click on the image above to bid on many fine prizes in her online auction-- or just donate money to a worthy cause(and spread the news!!)
Major kudos to Cynthea for ensuring that her own joy at seeing her words in print will spread to some kids in dire need of sunshine in their lives! Add a Comment
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Life craziness has prevented my drawing lately, but this topic reminded me of a drawing I did a couple months back, so I scanned and played with it a bit.
This is an image from a dream I had-- someone held a small doll's house out for me to see, in the kitchen of my childhood home. I peered inside, and suddenly was there, in a room with someone playing on a piano, and dark blue thunderclouds and a brilliant white horizon over a plain outside the windows. Within the dream, every time I walked in or out of a door, I was somewhere completely different-- and a hundred years had passed.
I still mull that one-- makes me think about all the layers of the world, large and small, that spin along around us, unseen. It would be so interesting to be able to walk through them at will...
and then come home.
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We're assembling the course schedule this week... and then I'm going to be spending some serious quality time at the library.
I have a feeling that there will be books on our list from all the various responders on my last post-- great suggestions!
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Coming up with a reading list for an intro to YA lit class this fall.
There are sooo many good options to choose from, I know-- maybe you can help?
Let's say you've got a kid who isn't familiar with the genre, and about ten books to assign.
One slot is already taken up by Twilight(yeah, I know. But we're succumbing to pressure from the kids). Other definites are Speak (LHA), I am the Messenger(Zusak), and Persepolis (Satrapi).
That leaves 6 other books to show this kid the best of the genre...
What would you choose?
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Christine Monroe is a Minnesota cartoonist, painter, and children's author. She graduated from the Minneapolis College of Art and Design in 1984. Since that time, she's exhibited her oil pastel work, maintained an award winning comic strip in two papers, and written and illustrated a number of children's books.
I discovered Chris's work last year, when I received a review copy of her picture book, Monkey with a Tool Belt from Lerner.
I loved it, and so did my kids-- especially my youngest, who's obsessed with tools. (this is the kid who, at two, snitched a screwdriver after watching me repair a CD player and quietly started taking apart the furniture)
The visuals are hilarious, and I suspect there are many kids who wish they had a tool belt as well stocked as Chico's. (banana hammer, anyone?)
I thought it might be interesting to interview her about her work ... and then I got busy, and never got the review up! The good news is that since then, Lerner has published a sequel to Chico's first story, called Monkey with a Tool Belt and the Noisy Problem.
Our family thought this one was even more fun than the first. I won't tell you the whole story and spoil the suspense, but my tool-happy son was tickled that Chico made his visitor a toolbelt of his own at the end!
This week, I finally got a chance to ask Chris about her work:
Can you tell us a little about the creation of Chico Bon Bon and his stories?
Chico Bon Bon was an idea my son, Mickey and I came up with. We talked about what kind of character we personally liked in comics and stories, and instantly agreed that a McGuyver-like monkey was right up there. I think we brainstormed the rough outline of the first story instantly, particularily the escape scene. I think it was several months after we talked about it, that I finally wrote something down on paper, which incidentally was on the back of my paystub, while I was driving on Interstate 35. Not very safe.
How did you come to be an writer and illustrator?
I think I, like most kids, started out writing and drawing stories in elementary school. I did a lot of cartoons then. I always loved art and wanted to be an artist. I didn't actually set out to become a cartoonist. I really wanted to be an illustrator, but the cartoon basically kept growing on its own. Now, I have been doing a comic strip for almost 18 years. I think the children's books have evolved out of the comic. I definitely followed a similar system of story-telling when I started writing the book.
Were you like Chico as a kid-- always building and creating?
Yes, and No. I was constantly crafting things out of paper. I built 3D dollhouses out of file cards, manila paper, and cardboard. I really never worked with tools and wood, and things of that nature. I also made miniature cakes for dollhouses and tiny monopoly boards that I tried to sell at a local craft store. I was not as handy as Chico.
I would love to see those dollhouses!
What were the biggest influences on your illustration style?
That's a wonderful collection... I esp. love Garth Williams, though I suspect his name isn't as familiar to many readers as others on your list.
What kind of themes do you try to address in your work?
I think the theme is usually one of self-reliance. Beyond that, I just want it to be fun.
What is your favorite published project?
My favorite published project is maybe my comic collection "Ultra Violet, Ten Years Of Violet Days." I like it because it's a culmination of so many years. It's cool to see it all together, and realize how many I have done. I need to put out a new collection, since that one is now 5 years old.
I am working on a new book for Lerner, a different story than Chico's. It's been really fun so far. I will be doing another Chico Bon Bon story though, there's more of his story to be told.
That's great news for all the Chico fans out there! I wonder what he'll do next...
What's your favorite medium?
I love several mediums- oil pastel, gouache,watercolor, pen and ink. I guess if I had to choose one I'd say ink. It's cleaner and way easier to control than gouache and watercolor. I do love the things gouache decides to do on it's own though, it's just that harnessing that fluidity can be scary at times.
Anything you'd like to tell your readers?
Sounds like good advice to me! I strongly encourage anyone with young children to make Chico part of that fun!
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I guess it's a bit of a stretch, combining these two topics...
But I think you could say that this lizard has an instinct for celebration.
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The Graphic novel Winners were:
Midgrade:'
Rapunzel's Revenge-- a delightful reworking of the fairy tale by Shannon,Dean and Nathan Hale
and YA:
Emiko Superstar-- a tale of art, and love and finding oneself from Mariko Tamaki and Steve Ralston-- on of the last of the Minx publications.
I loved both of these stories, and am very happy that they won-- will be posting about the others we reviewed this week. We had so many good stories-- I'm really excited about the new developments in this genre!
Click on the Cybils image above to see the other winners on this year's list.
Congratulations to everyone!
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This is a detail from a picture I did some years back when Dan and I did a lot more climbing-- he'd requested that I do a cliff. Of course, I felt compelled to add a little more story to the picture than just the story in the layers of stone-- though that's a pretty huge story all by itself.
When I saw that today's prompt was "time", I got to thinking about this image... and then about last week's "flaw" prompt as well.
Time batters us, like ocean batters the shore. The weakest structures are the first to rejoin the sea, while the strongest remain, twisting interesting shapes into our faces.
Are we shaped more by our weaknesses, or our strengths?
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It's been a crazy month, and I have really missed having time to do illo friday. This one was kind of cathartic for me-- one of those times when I connected with the word and an image popped into my head immediately.
Maybe it's the economic crisis, maybe war, maybe something closer to home-- but I bet you've been where this guy is. The walls hold a lot of shadows, some nights...
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We're all hoping that rumors of livejournal's demise are premature.
Just in case they aren't, and if you like this journal-- in the event that lj goes belly up, I will be switching to my back up space over at blogger:
http://lizjonesbooks.blogspot.com
I really like lj, so unless it disappears, this will remain my blog. I would really miss the friends page on the other platforms... I like facebook well enough, but it's no replacement. Here's hoping none of this is necessary!
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I'm linking directly to the graphic novel finalists, since this was the panel I worked on. We read some really wonderful stories this year, and came across very different issues in the process than we did in last year's reading. I will be blogging about these stories later in the week-- congratulations to the finalists in all the genres!
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I wish everyone a year full of good news crowding out bad news, love, friendship, and good health.
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Harry and Thelma were so similar.
Both loved dancing barefoot in the moonlight, for instance.
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And the last of my black friday images--
I always think that milkweed seeds look like tiny balloons, floating in late autumn winds.
Hope everyone has a wonderful weekend!
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Here's an owl composed of the things that owls like to eat. If you click in for a closer view, you'll see a lot of birds, and mice, and bats, and the occasional weasel...
Wise old owl? Or just a hungry one...
Image now available on My Cafepress Shop
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It is this sheep's considered opinion that berries always taste better after a hard frost.
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In honor of Black Friday, I'm going to post a bunch of images I've done over the past few weeks and had no time to post for Illustration Friday.
(the black is for the black ink of the originals)
I doubt I'll post these in order, but I think I've got one for each of the prompts.
Four of these five are postcards I did for an online exchange.(the owl is the exception)
Why "Pretend" for a still life?
When I think of still life, I think about how we're pretending that we can hold on to the ripeness and beauty of things at their peak. Stillness is a lie, in a world of perpetual transformation.
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I am thankful for friends and family near and far, time to spend, and stories to share. Hope you all had a wonderful day!
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