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It's just that sort of day. A couple more in this series here.
Trying to work out the look of an alien character. And not have it look too creepy...
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Still painting wildflowers, this time for a garden blog banner update.
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I keep forgetting to take my phone when I walk the dog and miss capturing photos of the wildflowers along the trail (poppies backlit by the morning sun and shady masses of dayflowers). So, the past couple of days I've tried to fix in my mind how I would paint them in watercolor, Frederick style.
A day in the life with a spicy kitty who knows how to inspire action. Below is the back door trim where she hangs from.
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Finally brought my portfolio site up to date! Feels so good to get that off the list. And here are a few scenes from today, getting ready for the SCBWI-Houston conference.Painting some graphics for the info page of my site.
Trying to get the right order on the portfolio.
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Using my ink accident as a starting point for an illustration.
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Walked away from my work table this afternoon without capping a small container of Higgins black ink (barely diluted). Add a windy day and open window, and I've got permanent art on my table where it pooled up under a piece of plexiglass. There's a flash flood warning for tonight; maybe it's a sign. And I will have to start a new practice of reading the ink spills.
Sketching some of my usual tools with my new favorite medium.
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Gouache is a medium that I've always wanted to try out but have never quite known how to begin. I mean, even spelling it is an adventure. But I feel comfortable using watercolor, and I figured that gouache was like watercolor with the ability to go opaque. Yesterday afternoon I got to play with some colors (thanks, Marsha!), and it was a little weird. I kept expecting it to do watercolor-y things like create nice color bleeds when put on damp areas (it mostly stayed where I put it, and I had to drag a wet brush through to mix the color on the page), or dry lighter (it dries darker). It's also very easy to start out super thick, and get loads of opaque texture, which can be cool if you're expecting it. One really nice thing is how easy it is the thin out/lift dried color on the page (much easier than traditional watercolor). I'm just realizing how watercolor-geek this is sounding...Below are some close-ups from my sketchbook (actually just a 10"X7" piece of hot press paper, on which I crammed way too much). The primary blue/marigold orange are looking a little harsh this morning, but they seemed like a good combo at the time.
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So, the air plant & dinosaur holder were a birthday gift (and so awesome). My kitty took it as a challenge, but at least it got her off my paints. Happy weekend!***No plastic dinosaurs or epiphytes were harmed in the filming of this.
Just nice to start out 2012 with a fresh, clean banner at the top of my blog. I've got so many unfocused pictures of whooping cranes and other waterbirds from our Christmas outing. They may not be great for sharing, but they're excellent sketching material.
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You may think my cat looks like the tough one, all pirate-eyed in the morning light; but, in fact, this black and white, ink-lipped kitty has got several pounds on her and a lot more territorial prowess. In the past month, I've had to break up several fights/chases, always with B&W chasing my Lena. The 'bad kitty's markings are great, though, and more fun to paint than all-black. Don't tell Lena!
My cat is the bossy one inside the house, regardless of size. Poor 80-lb Lloyd!
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The jewel tones of winter citrus and persimmons and pomegranates always make me want to break out my paints. I've been going back in my watercolor sketches with pencil to add some darks; still working that out. I actually like the photograph of the persimmon better than the scan because it shows those different textures. The etrog is something I've never seen or bought before, but the description at the grocery mentioned that it was used in a Jewish holiday and could perfume a room for weeks...very intriguing. It smells like citrus meets rose.
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A watercolor sketch from this afternoon and another "painting" project this week, one of the furniture sealant variety (two more coats to go!). Funny how they've both got the same colors.
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Okay, another watercolor sketch for my goal this month (painting a day for the rest of November). Soaked heirloom beans (these were for veggie chili) just lend themselves to watercolor, so many beautiful shades...
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Just getting the feel for painting again after a hiatus. The dill and radish were leftover from today's lunch. Quinacridone Rose, which I almost never use, went into both the rose and radish sketches.
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Met up with some fellow illustrators to sketch today at the amazing Barton Springs pool (so cold and refreshing!). Threw together the above scrappy-looking sketchbook this morning. Below is a close-up of some pool folks.
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It's with great excitement that I return to this blog after a summer hiatus to share a recent interview with illustrator Audrey Lopata. I met Audrey a year and a half ago at a local SCBWI conference and was immediately impressed by her personal style (she was sporting an uber-cool layering of woven garments and illustrated galoshes!). And this interest in textiles and layering is woven right into her art, along with some amazing linework and sense of fairy tale. Not to mention that she's equally comfortable creating her characters on paper or with fabric. You can check out her work on her site and blog. So, without further rambling on my part, here is Audrey in her own words (and images):

1. How would you describe your illustration style in one sentence?
Whimsical children’s book style art…I think that’s a fragment….
2. Where did you go to art school and what was the most important thing you learned there with respect to your illustration career?
I got my Illustration degree from Northern Illinois University. And I’m sure this isn’t what you meant, but I feel like pointing out that it wasn’t an “art school” per say, just a plain ol’ state school. It was an important distinction for me when I was picking out where to attend college. I wanted to go somewhere that had a good illustration program, but also somewhere that I could take some other subjects as well. I loved studying anthropology, linguistics, film, astronomy, and racket ball. I also learned how to be less antisocial, which was actually good for my art as well. I love to draw people, and it seems much easier to be inspired by people and their stories when I could actually talk to them. As far as my illustration career, I probably learned something but it didn’t seem so much about “career” in those days as just a crazy passion for drawing and trying to do my best and actually get good grades.
3. What do you feel is the most important thing you've learned actually working as an artist/illustrator?
As you might have guessed from my last answer and the “not really thinking about my career in those days” the transition from college to the real world was a bit of a doozy. I had to learn, and am still learning all sorts of things about business and scheduling and actually making money.
Then at the end of the day I’m learning to still love the art and the craft of it all in spite of how annoying and time consuming the technicalities can be. Always remember why you loved art in the first place, and why you still care now. I may have learned that from the movie “Kiki’s delivery service,” but it feels extra true today so I’ll claim it as my post college lessonJ.
4. What does a typical day in the studio look like for you?
I normally start off with some business investigation on the computer: reading my e-mail, checking my etsy account, filling out a form for an art festival etc. Then I get organized with whatever my current project is, gather my supplies and get started. If I'm working on something a bit more "mindless" like inking in pencil drawings, I'll listen to an audio book. This helps my mind not melt from boredom, and keeps me in touch with children's
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Trying to get back in the swing of painting again, and here's a warm-up based on a photo above my desk (Butchart Gardens in Victoria). Ah, to be walking through an autumnal garden...but I'd just be just as happy weather-wise to be here.
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I have been such a neglectful blogger these past couple of months as my life has been taken over by house stuff, but now things have slowed down to a manageable level. Which means I have time to take photos and blog and draw and read my rss feed. I'm easing back into it with some photos of orange items in my house and yard, inspired by a grapefruit-scented candle I bought for the house (currently on the market). Next up: back to my studio and paintbrushes.
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More SA Zoo stuff. Top: fast-moving white cheeked gibbons don't keep still for sketches; Lower: White-faced sakis (only males have white sideburns). The zoo greeter stopped by while we were sketching to tell us the difference between apes and monkeys: tails.
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Had a lovely little illustrator field trip to the San Antonio Zoo on Wednesday.
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So, this is what I would love to be painting, with watercolors.
But in getting the house ready to sell, I'm working in latex housepaint instead, with an eggshell sheen. It's definitely satisfying to see the end result, but my illustration and blogging life are on hold for the next couple of weeks.
Before (the only dark color in the house):
The scary middle bit:
After:
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Great series! Love the movement.
I have a soft spot for Flopabelly.
Superb!