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2007 Alan Merriam Prize presented by the Society for Ethnomusicology 2007 PEN Beyond Margins Book Award Finalist When we think of African American popular music, our first thought is probably not of double dutch: girls bouncing between two twirling ropes, keeping time to the tick tat under their toes. But this book argues that the games black girls play 8212;handclapping songs, cheers, and dou... More

2007 Alan Merriam Prize presented by the Society for Ethnomusicology 2007 PEN Beyond Margins Book Award Finalist When we think of African American popular music, our first thought is probably not of double dutch: girls bouncing between two twirling ropes, keeping time to the tick tat under their toes. But this book argues that the games black girls play 8212;handclapping songs, cheers, and double dutch jump rope 8212;both reflect and inspire the principles of black popular musicmaking.The Games Black Girls Play illustrates how black musical styles are incorporated into the earliest games African American girls learn 8212;how, in effect, these games contain the DNA of black music. Drawing on interviews, recordings of handclapping games and cheers, and her own observation and memories of gameplaying, Kyra D. Gaunt argues that black girls' games are connected to long traditions of African and African American musicmaking, and that they teach vital musical and social lessons that are carried into adulthood. In this celebration of playground poetry and childhood choreography, she uncovers the surprisingly rich contributions of girls 8217; play to black popular culture.