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So, he's like a mage. But with bones.
Hey all, its been a while! Here's a new cover I did for Dungeons and Dragons. I've been eager to show this one, thanks for looking!
Recently at school we wrapped up our concept design project with
Kemp Remillard. The project was to update the 80's action/sci-fi classic The Running Man for a new generation. It was a balance of keeping the spirit of the original movie while updating the futuristic aspects and squeezing in some pop-culture references.
The first task was to figure out the look of the protagonists, as all subsequent characters would have to visually relate to our heroes.
After designing the heroes, we had a great line-up of baddies to design. It was important to make sure they were "cool", yet had the over-the-top look you'd expect of a game-show personality.
I had a few different ideas for Fireball, ranging from Serious Business to comical. Comical was a hit with the instructors, so my take on Fireball ended up looking like a certain popular rapper.
Buzzsaw was a great challenge because his motorcycle was such a big part of his persona. I had a blast designing his ride, and Kemp's techspertise was invaluable during the process.
And lastly Dynamo, I had fun with this one. It was so hard to take this guy seriously, as he was probably the most ridiculous of the bad guys in the movie. I hope I preserved that aspect.
2 Comments on Running Man redesign project, last added: 3/19/2012
One time I turned in a piece to a client with a strong hit of the color pink in it, and they asked me to change it because it wasn't appropriate for their audience. A very reasonable request, though with the unexpected side-effect of me wanting to use the color pink wherever I can in personal work now!
This is a revisit of an
old idea. Who says I don't have a sense of humor?
Every Tuesday night we have portrait-painting class with Coro. Its a single 3-hour session with oil paint. What follows are most of the paintings I did in 2011.
I did some oil painting back in college, but when I started these paintings I literally hadn't touched a brush in years.
Cast drawing had an impact on these paintings early on, I kept trying to make them about form instead of just abstract arrangements of color and value... which runs counter to what I was taught through most of art school.
Its amazing how you can stare at a painting for hours and not see your mistakes. I've got a bad habit of exaggerating foreheads, as we can see in some of these.
Somewhere in here I started to occasionally get something I wasn't outright ashamed of. Definitely a step in the right direction, I think.
Its painful to have some of these online, but I feel like I've come a long way this year and thought that was worth sharing. Thanks for looking, can't wait for the next time I can post a year's worth of paintings all at once.
I did these covers for Capstone Press last year. I only just noticed them on Capstone's site, I have no idea how long they've been public.
Below are some larger versions without the type.
Being children's books I definitely was pushing the cartoon aesthetic a little more than usual.
In the end I felt like I got some fun images, though like with any work under NDA, by the time I finally get to post it all I can do is think of what I would have done differently if I were doing the job right now. Thanks for looking, all!
You guys like monsters, right?
I was thinking of these as card illustrations, I wanted to have some fun with simple straightforward images.
Please excuse my compositional redundancy, I'll try harder to prove I'm not a one-trick-pony next time! I did these images at the
Safehouse Atelier.
To be honest, I didn't know what to think about cast drawing before I started.
I soon found that a main goal of cast drawing is not just to render something immaculately, but to internalize the relationship between form and light. It's obvious in theory, but can be elusive in practice.
The impact on my personal work has been solid. Light and form are becoming more of a reflex. When I'm working from imagination I make confident decisions where a year ago I would have been confused.
I know many artists haven't given this a shot and don't see the point, but there are many artists who HAVE given this a shot and DO see the point. Don't knock it til ya try it, it could make a world of difference. ;)
I did these drawings at the
Safehouse Atelier.
Represent.
So I've been hanging out at the
Safehouse Atelier in San Francisco since January 2011, and now I've got a couple of things to share.
I came into the school while this project was already underway, it was headed up by
Kemp Remillard and
El Coro. We were to design assets and flesh out the world for a movie set 50 years in the future. We had to make it seem futuristic without going overboard (like I did on the robot sketches below!). This assignment is coming to a close, and soon we'll begin work on the next project!
I am building up art-momentum, and should soon be posting more frequently with freelance jobs and classwork. Thank you all for looking!
Long time no post! I'm still super busy, but I thought I'd share some studies from the last few months. You may have already seen these if you've got me on facebook, so for that I apologize. Thanks for looking!
A day late, but whatever!
Ah, finally done. Taking a break to work on those other pieces really helped me come back to this one and wrap it up. In my defense, I have been working on this piece for maybe an hour or two at a time, intermittently. Glad to be done with it though, it would bug me so much if I never finished it.
Tune in next time for "Don't Cover Everything in Pattern, You Idiot!"
Thanks for looking!
Here's another piece in my effort to round out my Middle Grade portfolio component. This image is based on the
Garth Nix book
Mister Monday.
I proceeded on this one a bit more cautiously than the Canopy piece. That one practically fell together, as though I wasn't trying. This time around the image was a little more complicated. Two characters instead of one, distorted perspective, fantastical architecture, and blue jeans! A formidable foe indeed. I'm happy with the result, though. Turns out blue jeans aren't so tough.
As I mentioned earlier this is from the book Mister Monday, a middle-grade fantasy-adventure published by Scholastic. I think it's easy to write off books aimed at younger audiences as being less sophisticated, and I guess to some degree that's true. Could you imagine "Cormac McCarthy for Kids!"? Better bring a dictionary, lil' squirt. However, it might be easy to forget that these stories aimed at kids are often crafted by sharp, intelligent adults. Being a fan of several Garth Nix books, I was unsure how I would feel about this story that was so intentionally marketed toward a slightly younger audience (Middle Grade instead of Young Adult... I could be splitting hairs here). Anyway, of course the author's imagination, humor, and drum-tight action sequences were just as present here as in any of his other books. Once I have some free time I'll be checking out the rest of the series (there's a book for each day of the week)!
Oh, I'm writing this on a Friday afternoon, but I just had to set this to automatically post on Monday. Cute, right?
Hey guys, looks like Cthulhutech: Ancient Enemies came out recently, which means I'm good to share the image below. I've worked on Cthulhutech
before, and again had the pleasure of working with
Mike Vaillancourt.
I did this image almost two years ago, and after not looking at it for so long there are several things that jump out at me. For starters, I know that if I did this same image today, I would be MUCH more thorough with the architecture's design and rendering, and would have eased up on some of the photoshopped textures. I'm not so sure about the perspective either. The colors, however, I'm still pretty happy with. Cthulhutech always brings out my neon side.
I was 50/50 on whether to share this here, since I feel like I've grown substantially since this piece. I decided to share it because hey, SOMEBODY might get a kick out of it.
Keep an eye out, because I've got a new piece right around the corner. It's so close to being finished I can TASTE it!
So, this might look sorta familiar.
I got so attached to that first color sketch that I had to finish it up! And I did so pretty quickly too. I am continuing to try and cover more YA ground in my portfolio, in addition to the more standard fantasy stuff I already have.
If you've known me for a while, or at least been familiar with my work for a while, you'd know that I can't seem to go for more than 2 years or so without painting a new picture of some
girl running around in a
tree (wow those are so old and bad). Thus the "III" in the title. As always, thanks for looking!
So, this might look sorta familiar.
I got so attached to that first color sketch that I had to finish it up! And I did so pretty quickly too. I am continuing to try and cover more YA ground in my portfolio, in addition to the more standard fantasy stuff I already have.
If you've known me for a while, or at least been familiar with my work for a while, you'd know that I can't seem to go for more than 2 years or so without painting a new picture of some
girl running around in a
tree (wow those are so old and bad). Thus the "III" in the title. As always, thanks for looking!
It always seems like when I'm in the middle of a lot of work, I always get ideas for images that I don't have time to create. I always tell myself I will eventually make that image, but I rarely do. The paying jobs always seem to come first. Lately I've taken a little time out of each day to do a quick color/composition sketch and at least materialize these ideas to some degree, before they disappear into the nether-regions of my brain, never to be seen or thought of again.
It's also great practice! I intend to continue this exercise whenever possible, and maybe I'll end up finishing the "home-runs" from time to time. Thanks for looking!
Hey people, here's a new portrait. Instead of using a spotlight I used the ambient day-light from the glass doors of our patio. The result was a more gentile modelling of the forms, instead of the harsh contrast of a spotlight.
Thanks for looking!
Well, there's a new meme making the rounds in art forums and sites like Deviantart. I decided to sit down and do one too.
Most of this is either stuff that I think is apparent in my work, or stuff that I'm trying to incorporate into my work.
If you want to do your own you can download the template from
here.
I've been working on this image on and off for the last few months. I've been so slammed with work that I've not been able to give this piece much attention. Normally I wouldn't post something that's so half-baked, but its progress has just been dragging on and on, and I haven't posted anything on here in forever.
At this rate, between concepting environmental objects on a sweet upcoming video game (none of which I'll be able to share for a while) and painting up an illustration job here and there, I'll probably end up posting the final around Christmas time. I've got another smaller personal piece in the works that I will probably end up posting way sooner than that, though. At least I hope so. Til' next time, friends!
A.K.A. The game I've been working on for the past half year! This is way exciting to be able to share. The Armor is about %60 my design, and the hammer and swords are more like 70%-%80 my design. Fun times, friends.
Also, it looks like my blog is cropping the video, so you can double-click and view the full vid on Youtube.
Had a local Santa Fean come to the apartment and sit for a portrait. My roomie and I were the only ones drawing. It was the most chill figure drawing session I've done in a while (ever?).
Thanks for lookin'!
We were all kids once. When was a kid, I apparently thought that there was nothing cooler than dinosaurs playing dragons in a game of basketball. I've never even liked sports.
Here are a couple studies I did from other people's photos. You know, to make up for the silliness.
Busy as ever, doing a lot of work that I probably won't get to show for another year or two, if at all.
But I'm working, I'm drawing, and enjoying the cool evening air tonight. Life can be nice.
I just found out last night that I was selected for inclusion into Spectrum 17, and I'm pleasantly surprised. I don't know yet which piece got in, but I'll find out soon.
Congrats to all my friends who battled their way into this edition of Spectrum too!
Sam Bosma
Kali Ciesemier
Zelda Devon
Erin McGuire
Aaron Miller
Sean Murray
Winona Nelson
Chris Rahn
Adam Volker
And thanks for all the support and congratulatory words from everyone on twitter and facebook!
Sorry if I missed you in the links above - its a long list! If you want to see the full list, you can click here.
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Dynamo wins for me.
Awesome work bud.
Awesome work, man! Really cool. I hope to join the Safehouse one day.
Cya.