How to use this Page

This blog has spoiled me beyond all hope or recognition.  Over the years I’ve used it to find nannies, to get books re-published, and now it has solved a mystery that lay dormant for years.  Back in November of 2009 I decided I wanted to track down a book from my childhood.  Writing stumpers into the internet ether is usually rather pointless and the post Thanksgiving: The Ernestine Mystery was no exception.  So imagine my surprise when reader Desiree Preston wrote me the following note this week:

“Speaking of happy childhood memories, I was able to track down what is for sure the book I was looking for when I read you article at http://blogs.slj.com/afuse8production/2009/11/26/thanksgiving-the-ernestine-mystery/#comment-4765. I don’t know if it is really the one you were looking for, but I thought I’d let you know. It is called Good Old Ernie by Jerry Mallett. Shout out to my second grade teacher, Judy Gomoluch, who is still good friends with my fourth grade teacher Mary Kain, and saw and answered my Facebook post.”

Could this be true?  Jerry Mallett?  So I tracked down the cover and lo and behold  . . .

That’s it, people.  I can’t believe it.  After seven years the mystery is solved.  Let that be a lesson to you, kids.  DON’T STOP BELIEVING! HOLD ONTO THAT FEEEEEEEELING . . . .

---

 

So what else is going on in the wild and wonderful world of children’s literature?  Well, since I’m already talking about Thanksgiving, it’s not much of a stretch to mention Christmas as well.  Now has anyone else noticed that there are a LOT of Nutcracker books out in 2016?  I honestly think I’ve seen five different picture book versions of the story, all from different publishers.  Now I’ve heard something that may interest my Chicago readers.  Brian Selznick has recently been working on some fun new projects, including a Chicago related ballet.  According to him . . .

“I’m writing the story for the new version of The Nutcracker (to be set during the 1893 Chicago World’s Fair) at the Joffrey choreographed by Christopher Wheeldon. It premieres this December! I think it’s going to be good…http://joffrey.org/nutcrackerbios.”

One glimpse at the folks behind it (Basil Twist! Christopher Wheeldon!) and I don’t merely “think” it’s going to be good.  I know it’s going to be good.  Sendak (the only other children’s book illustrator I know who had a hand in a reinterpretation of The Nutcracker) would be proud.  Hat tip to Brian for the tip.

---

 

Now let’s double back to NYC, since I’m sure there are folks in that neck of the woods that would like a little children’s literature-related fun.  Interested in a book festival that’ll get you out of the city?  Why not try The Warwick Children’s Book Festival?  As it was sold to me . . .

“Apple- and pumpkin-picking, farm markets, lovely shops, galleries and restaurants downtown…lots to enjoy for families looking for a fun afternoon on a holiday weekend.  And among other illustrious authors and illustrators such as Wendell Minor, Jane Yolen, Ame Dyckman, Brian Karas, Roxane Orgill, one of your Boston Globe/Horn Book 2016 award winners, will be there with Jazz Day!  And…the Festival is presented by Albert Wisner Public Library, winner of the Best Small Library in America 2016 award conferred by Library Journal!  We’re excited to invite everyone from the NY Metro Area to discover our festival, our library and our town.”

Go in my stead, gentle readers.  Go in my stead.

---

 

I’ll linger just a tad longer in the NYC area since to my infinite delight I found that the irascible, entirely delightful Brooklyn librarian Rita Meade has just been named a “Celebrity Librarian” and one of The Brooklyn 100.  Go, Rita, Go!

---

 

Now I’ll hike back over to the Midwest again.  Maybe I’ll stop in Detroit on the way.  Why?  Because in a bit of absolutely fascinating news we’ve learned the the newest American Girl is Melody Ellison, a child of early ’60s Detroit.  Mental Floss also had this to say about the gal:

A six-member advisory board worked to craft her portrayal and included prominent members of the NAACP, history professors, and the President and CEO of the Charles H. Wright Museum of African American History in Detroit. Along with author Denise Lewis Patrick, they worked together to ensure Melody’s story was as true to life as possible—including her hair. The texture of the doll’s locks was changed multiple times to reflect the era.

“In the late ’60s, the majority of African-Americans did have straight hair,” Juanita Moore, President and CEO of the Wright Museum, said to the Detroit Free Press. “It may not have been bone straight, but it was straightened.”

Thanks to PW Children’s Bookshelf for the news.

---

 

No doubt you’ve heard it elsewhere by now, but the saddest information of the week was that Llama Llama’s mama, Anna Dewdney, died recently.  I don’t think my family owns any full runs of picture book series . . . with the exception of the Llama Llama books.  There’s a lovely obit for her in PW worth looking on.  She will be missed.

---

 

Turn now to happy news.  They’ve announced the speakers for the upcoming ALSC Mini Institute, which will occur before the ALA Midwinter Conference in January.  Behold the speakers for yourself, then sign up.

---

 

Me stuff.  The very kind Suzanne Slade interviewed me about my picture book Giant Dance Party at the blog Picture Book Builders.  Woohoo!  Still in print, baby!

---

 

Pop Goes the Page at Princeton is still up to their usual tricks.  Today they’re wowing us with their tribute to Alice in Wonderland.  Try not to keen too mournfully when you realize you missed a chance to hear Leonard Marcus talk about the book’s relationship to surrealism.

---

 

Daily Image:

Not much on the roster today, so why don’t I just send you off with a picture of me reading the latest John Patrick Green graphic novel Hippotomister to my kids?  They adore it, by the way.  So two thumbs up from 2-year-olds and 5-year-olds equally over here.

Display Comments Add a Comment

At age eighty-three, ex-prima ballerina Alla Osipenko is more renowned than ever. Video and youtube allow us to sample a talent that the West would experience live only infrequently during the existence of the Soviet Union. Blunt, courageous, uncompromising Osipenko’s brushes with Communistic and artistic authorities ultimately kept her largely quarantined in Russia.

The post Legend of love: the life of Alla Osipenko in images appeared first on OUPblog.

Add a Comment

The extraordinary memoir of Michaela DePrince, a young dancer who escaped war-torn Sierra Leone for the rarefied heights of American ballet.

Add a Comment

Enter to win a Ballet Cat collection prize pack! Giveaway begins February 8, 2016, at 12:01 A.M. PST and ends March 7, 2016, at 11:59 P.M. PST.

Add a Comment

Sermon doodles on Keeping our Focus on Jesus.....

Add a Comment

I Can Dance & I Can Play Written and Illustrated by Betsy Snyder Chronicle Books       9/01/2015 978-1-4521-2929-7 and 978-1-4521-2905-1 14 pages     7” X 7”     Age infant—2 “Readers make dancers disco, tap, or pirouette and athletes splash, sprint, or score just by wiggling their fingers. But wait! There’s even more …

Add a Comment

Boy, oh boy, oh boy, oh boy.  So MUCH very very good stuff to show you today.  Honestly, I don’t even know where to start.  Hrm. Howzabout we begin with one of my favorite tropes: things that parody other things that you’ve never seen. It was Dana Sheridan who directed my attention to this video about The Queen of Hearts from an Alice ballet. A lot of time is spent explaining how one of her dances parodies a very specific dance from Sleeping Beauty. All I know is that we need more funny ballets in this world. Preferably based on children’s books in some manner.

Thanks to Dana Sheridan for the link.

In the book trailer world I came across this little trailer for Hilo.  I liked Hilo quite a bit and the animated portions of this video simple sweeten the pot.

And well . . . come on. It’s the viral video of the week. You don’t think I’d let this one go, do you? It’s practically the whole reason I’m doing a Video Sunday today. What I like to do is look at the book covers the kid’s being read. Lots of Margaret Wise Brown in there, but a nice shot of Global Babies and other beloved contemporary favs as well. Bravo, parents!

Me stuff and it’s audio, not video, but eh. Life’s short.  I was asked to speak with Chicago’s radio station WGN on Friday evening, so I did so about pretty much all things children’s literature.  Now I’ll admit right now that I should have made a better point about how picture books have a higher reading level than easy books and that reading them as an older kid is totally legitimate.  That’s the problem with live radio.  It just goes too fast.  But Justin Kaufmann was an awesome host and we had a great time with the yakkety yak.  In case you’re curious, the link is here.

So full credit where credit is due to Travis Jonker for locating this remarkable Wall Street Journal interview with Brian Selznick about how his drawings become a book like The Marvels.  Brief it may be, but worth your time and attention.

Thanks to 100 Scope Notes for the link.

Okay.  The off-topic video.  I want to pay tribute to my new town.  And what better way to do so than to show you this truly dated and WONDERFUL history of Evanston, IL.  For fun, just skip to the section on “Evanston Today” at 12:10, sit back, and just soak it in.  Soak. It. In.

Display Comments Add a Comment

A mere 12 years, 6 months, and 23 days after I saved my first file on the topic of Utah-born Willam, Harold, and Lew Christensen, today marks the launch of my newest book, ‘The Nutcracker’ Comes to America: How Three Ballet-Loving Brothers Created a Holiday Tradition. It’s published by Lerner Books/Millbrook Press and gorgeously illustrated […]

Add a Comment

This month, one subscriber to my Bartography Express newsletter will win a copy of Evidence of Things Not Seen (Farrar, Straus and Giroux) by Lindsey Lane. If you’re not already receiving Bartography Express, click the image below for a look. If you like what you see, click “Join” in the bottom right corner, and you’ll […]

Add a Comment

Those of us who write for kids don’t write only for kids. We want our books to be shared and enjoyed widely. That’s why it’s so gratifying to me when one of my books for young readers gets acknowledged and appreciated by folks outside of the children’s literature world. It doesn’t happen all that often, […]

Add a Comment

Sometimes my dog will be sitting in my lap, being hugged and petted on, and he will begin to whine and whimper as if there’s still not enough affection getting expressed, as if it’s impossible that there could ever be any demonstration that would measure up to the love he feels.

It has long seemed absurd to me, but I think I finally get it. I do.

Because, y’all, I just can’t love this enough:

This is what the front of my upcoming book with Millbrook Press, ‘The Nutcracker’ Comes to America: How Three Ballet-Loving Brothers Created a Holiday Tradition, will look like. It’s illustrator Cathy Gendron‘s first picture book, and I think she’s done just an astounding job.

I love how Willam, Harold, and Lew Christensen pop right off the page even amid the terrific onstage action. I love the shade of blue that the scene is bathed in. I love the swords. I love everything about this cover.

The book will be out this coming fall, and I hope to be able to share with you some of the interior illustrations soon. (If you’re at the Texas Library Association conference in April, maybe you can even see an advance copy in person.)

But in the meantime, here’s what the entire jacket — front, back, and flaps — looks like:

Whine. Whimper.

Add a Comment

For a decade now, I’ve had a book in the works about Willam, Harold, and Lew Christensen, the Utah-born brothers who had a huge influence in the development of ballet in the United States. Among their many contributions are the first full-length production of The Nutcracker in the US, in 1944.

And for pretty much all that time, this project — which will be published by Millbrook in fall 2015, with illustrations by Cathy Gendron — has gone by the name Pioneers & Pirouettes.

But no more.

As of this week, my Christensen brothers book is called…

The Nutcracker Comes to America: How Three Ballet-Loving Brothers Created a Holiday Tradition

You would think that, after knowing the book by one title for so long, it would be hard to switch to a new moniker. But in this case, nope.

I love this new title — the book itself has changed over the years, the story it tells has shifted, and this new title fits perfectly what this book has become.

RIP, Pioneers & Pirouettes. And long live The Nutcracker Comes to America: How Three Ballet-Loving Brothers Created a Holiday Tradition!

*As opposed to my next book, which is still called The Amazing Age of John Roy Lynch, the picture book biography of a young man who in ten years transformed from teenage field slave to US congressman. The Amazing Age of John Roy Lynch will be published this coming April by Eerdmans Books for Young Readers, with illustrations by Don Tate.

Add a Comment

Is it possible for a guy who has won three BGHB Honors, four Coretta Scott King Honors, and one Caldecott Honor (in 1998, for Harlem) to be underrated? Why yes, yes it is. Christopher Myers continues to fly under the radar every year when it comes to Caldecott buzz, but I’m guessing the real committee will take a good look at this one.

Julie Danielson interviewed illustrator Myers and author/ballet dancer Misty Copeland at Kirkus a while back; it’s a great piece that is definitely worth a look. In it, Myers talks about how he decided on collage because it allowed him to “choreograph across the page,” using color and texture to reflect the juxtaposition of the “riotous energy” and “careful attention to detail” that constitutes the essence of dance. Keeping this in mind when reading Firebird, I would contend that Myers nailed the “appropriateness of style” criterion…but I would argue that he scores nearly as well with the other criteria, too.

Myers’s illustrations are like intricate puzzles for the reader to take apart and put back together, over and over again. For instance, look at the first full-page spread: the young, unnamed dancer gazes up from the bottom left corner as adult ballerina Misty leaps across a night skyline. In the background, buildings twinkle above a frothy-looking river spanned by a bridge. Misty’s white outfit makes a striking contrast against the lovely midnight blues and deep purples of the sky and river. But don’t stop there: look closer. Note first the texture of the collage, the overlapping pieces of cut paper used to make the night sky, the white-washed blues and blacks of the river below. Now zero in on that skyline. The building above Misty’s outstretched right calf…is that a picture of someone’s hand resting on a gray table, cut into a building shape? And the building above her right knee looks to be a shadowed photo of a brick wall… or is that a fence? All of this is barely noticeable when viewing the spread as a whole, but the bizarre (yet lovely) details become apparent when you lean in for a better look.

In Jules’s piece, Myers talks about how he focused mostly on color and texture to show emotion, and to my mind he succeeded completely. To give just one example, the endpapers are a fiery mix of reds, golds, and oranges, extending that Firebird motif from the front cover. This is some abstract stuff, but young readers will no doubt respond to the hot colors (forget that they are normally referred to as “warm”; these hues are habanero-smoking hot) and texture. To be sure, reading Firebird is an extremely tactile visual experience. Looking closer at the endpapers, I see feathers, the bumps of a diamond-studded (I think) strawberry, a fabric of some sort, and either a shag carpet close-up or a sea anemone. And here, as throughout the book, the reader can clearly see where each piece of cut paper ends and the next begins.

I hate to bring up the typography because I find the book to be practically perfect in every way, but the two fonts are not perfectly chosen. The text is a dialogue between the two characters, with the young girl’s words appearing in a bold italic font and Misty’s words appearing in a bold Roman font. I wish there was more differentiation between the two type styles, because I had to look twice on many occasions to see who was talking. It’s a lovely text, though, and Myers does a fabulous job with his interpretation.

Speaking of interpretation, my own interpretive skills aren’t terribly great, so I’m always curious to hear what others think. What do you all think is going on in some of those spreads? Especially intriguing to me is the final spread, where Misty and the young girl dance together wearing matching white tutus. Silhouetted dancers leap and twirl in front of multi-colored backgrounds, including what I believe is a male dancer to the extreme right. The spread itself is a stunner — it’s absolutely gorgeous — but I don’t completely understand it. Thoughts? And in more general terms, what does everyone think? Are you all high on Firebird, too?

The post Firebird: A Guest Post by Sam Bloom appeared first on The Horn Book.

Add a Comment

My family often wonders about my propensity to jump from one seemingly unrelated topic to another, often within seconds.  What they usually don't realize is that in my mind, the topics are connected; I've merely forgotten to fill them in on the links.

With that in mind, I offer you three new books on Russia that in my mind, are dramatically different and yet completely complementary.  A young adult nonfiction book, a young adult fantasy, and a children's picture book —a microcosm of Russia in history, magic and dance.

I recently had the pleasure of reviewing Candace Fleming's, The Family Romanov: Murder, Rebellion, and the Fall of the Imperial Russia (Random House Audio, 2014).  My review and an audio excerpt are linked here.

You can read my review or any number of stellar reviews, but I will sum up  by saying that whether you listen to the audio book or read the print copy, The Family Romanov is a fully immersive experience into the final years of tsarist Russia - the time, the place, and  the tragically doomed family.

I was happily mulling over this excellent book when I immediately received an opportunity to  review Egg & Spoon by Gregory Maguire (Brilliance Audio, 2014).  I had received a galley copy of Egg & Spoon in the spring.  I thought it looked intriguing, but hadn't had time to read it.  I was pleasantly surprised to find that it is a folklore fantasy that takes place - of all places - in tsarist Russia.  I couldn't believe my good fortune.  The book was enhanced by my recent reading of The Family Romanov.  With the history of modern tsarist Russia fresh in my mind, the location and historical setting was vivid, leaving me more time to ponder the story's underpinning of Russian folklore, of which I was mostly ignorant.  I knew little of the witch, Baba Yaga and her peculiar house that walks on chicken legs, and I knew nothing of the magical Russian firebird.

My reviews are linked here and here.  Again, you can read my review or any other, but I will sum up by saying that Egg & Spoon is grand and magical - a metaphoric epic for readers from twelve to adult.

I was so happy to have read these excellent books in tandem and was recommending them at every turn, when I happened to hear an interview with Misty Copeland on the radio speaking about her experience dancing in the Russian ballet, The Firebird. What a coincidence, I thought - the firebird flies again in my milieu. A greater coincidence ocurred at work when I received my new copy of Misty Copeland's, Firebird. (Putnam, 2014)  Reading Egg & Spoon gave me an historical context for The Firebird ballet, and Misty Copeland tied it all together - a modern and immediate manifestation of history's struggles and stories - all rising like the mystical firebird.

So there you have it, my serendipitous encounter with Russian history, folklore and culture.  As our two countries struggle with our relationship, may we always remember that there is more to a country than its leaders and politicians.  There is always us, the common people. And as Egg & Spoon and Firebird will show you, there is always hope.

Add a Comment

x
Flora and the Penguin

Written and illustrated by Molly Idle
Published by Chronicle Books 2014
978-1-4521-2891-7
Age 4 to 8 (+) 32 pages
x
x

“Flora is back and this time she partners with a penguin. Twirling, leaping, and gliding on skates and flippers, the duo mirror each other in an exuberant ice dance. But when Flora gives the penguin the cold shoulder, the pair must figure out a way to work together for uplifting results.”

Opening

As Flora ties her right skate, she notices something poke out of a hole in the ice. What could it be?

Review

Flora is back at the ice rink, getting ready to glide and twirl when she sees something odd in the hole across from where she sits lacing her skate. Flora extends her hand, offering it to Penguin. He accepts (I am assuming Penguin is a he, I really do not know). Flipper in hand, the pair glide in perfect harmony. Left foot glide to the right; turn and right foot glide to the left. In absolute harmony, Flora and Penguin take off and then LEAP into a perfect twirl.

Oh, NO! Penguin misses his landing, falling onto his rotund rear. Flora glides away . . . laughing. Penguin belly slides to her with a twinkle in his eye. This is not Flora and the Flamingo. The grace and style are present. The harmonious duet is there. The serious business of skating is not. Penguin brings the smiles and laughs out of Flora. He also spoils his partner, or, rather, he tries. Flora rejects Penguin’s gift. Sure, it is a small fish he has brought her; a snack Penguin chased below the ice—in synchronicity with Flora’s skating. Flora flips the fish over her head. Penguin looks mortified as his gift somehow lands into the hole in the ice and swims away.

The beautiful illustrations once again capture the elegant characters gliding, twirling, and leaping. At quick glance, one might believe this is the Caldecott Honor Book Flora and the Flamingo, only with a penguin. That person would be wrong, terribly wrong. In Flora and the Flamingo, Flora is the student learning from Flamingo, the teacher. In Flora and the Penguin, Flora is no longer the student, nor is she the teacher. She and Penguin are friends skating together and having fun. When Penguin misses his landing, no one turns away in admonition. No, Flora happily laughs and Penguin giggles as they join back together. These two are playmates.

 

Playmates have fights, as you are sure to remember. Flora turns away in a pout, checking on Penguin when he looks away. Penguin is also pouting in anger and keeping an eye on Flora. These two friends need to find their way back and Ms. Idle does this in grand style. A four-page grand spread. Flora and the Penguin is a gorgeous, wordless picture book that will wow anyone lucky enough to turn the pages. Some pages contain flip-up, -down, or –sideways, always changing the scene and promoting a smile.

Flora and the Penguin is an easy choice for anyone who loves ballet. Yet this gorgeous, should-win-lots-of-awards picture book will attract a wider audience. Like her throngs of admirers, I cannot wait for her next release, though I am secretly hoping for new characters in a new story. Whatever direction she takes, parents and young children will love the finished product. Ms. Idle has perfected the art of wordless storytelling.

FLORA AND THE PENGUIN. Text and illustrations copyright © 2014 by Molly Idle. Reproduced by permission of the publisher, Chronicle Books, San Francisco, CA.

x

Buy Flora and the Penguin at Amazon—iTunes—B&N—Book Depository—Chronicle Books—your favorite bookstore.

Learn more about Flora and the Penguin HERE

Meet the author/illustrator, Molly Idle, at her website:  http://idleillustration.com/

Find more picture books at the Chronicle Books’ website:   http://www.chroniclebooks.com/

x

Also by Molly Idle

x

x

x

x

x

x

x

Copyright © 2014 by Sue Morris/Kid Lit Reviews

Filed under: 6 Stars TOP BOOK, Children's Books, Favorites, Library Donated Books, Picture Book, Series, Top 10 of 2014 Tagged: ballet, children's book reviews, Chronicle Books, Flora and the Penguin, gorgeous illustrations, ice skating, Molly Idle, penguins, picture books, wordless stories

Add a Comment

x

Flora and the Flamingo

by Molly Idle
Chronicle Books        2013
978-1-4521-1006-6                             CALDECOTT HONOR BOOK
Age 4 to 8       32 pages
x
x

“Friendship is a beautiful dance. In this innovative wordless book, a tentative partnership blooms into an unlikely friendship between a girl named Flora and a graceful flamingo. With a twist, a turn, and even a flop, these unlikely friends learn at last how to dance together in perfect harmony. Artist Molly Idle has created a story full of humor and heart, with emotions that leap off the page, and memorable characters who are worthy of countless standing ovations.”

Opening

A flamingo, peacefully standing one-legged in the water, turns its head to look behind it and eyes one little girl, named Flora, standing one-legged in the water, imitating the flamingo, who then turns her head to look behind her.

Review

Do you remember repeating everything your older sibling said or mimicking every movement, just because you could? Flora mimics the flamingo, but not to get the flamingo’s goat. The little girl, in her pink one-piece swimsuit and pink flowered swim cap, takes on the flamingo’s graceful movements and the two begin a beautiful duet.

Words would undeniably be a distraction in the story of Flora and the Flamingo. Movement flows from a variety of flip pages attached atop Flora or the flamingo on several of the pages. For example, Flora imitates the flamingo’s stance:  standing on one leg, head tucked under a wing. Flip down the flaps and the stances change. Both dancers remain on one leg, but now each twists her head toward the other, possibly checking to ensure the other is still there.

The flamingo is Flora’s mirror, or maybe Flora is the flamingo’s mirror. Each bend, each stretch, each turn, and each look magically appear on both characters at the same time. Flora and the Flamingo will make you giggle and grin. Young girls will love the mystical dance between these two unlikeliest of friends. Before a friendship can be established, the flamingo LETS Flora have it! The shock of flamingo’s sharp bleat flips Flora over and up, landing her on her rear, unhappy. Flora turns her back, refusing to play any longer, but the flamingo finds this worse than being shadowed. It offers Flora a wing, which Flora thinks about before allowing flamingo to help her to her feet.  (Are these two friends or siblings?)

At the moment of friendship, when Flora and the flamingo become dancing partners instead of solo acts, the spread takes on a drastic change. The two begin together on one page. They had begun their awkward dance with the flamingo firmly staying on the left page and Flora on the opposing right page of the spread. Now both are on the right page, figuratively and physically. Their movements become wider, and joyous. The two fly across the spread, smiling as they float, as if on ice. Then there is a big finale, as all great ballets should have. The finale is a wonderful dance only Flora and her flamingo can perform, together in the same spotlight, four pages in length. BRAVO!

Girls will love this graceful dance between friends, especially those little girls starting their first ballet lessons, wearing their pink tutus, and pink leotards, and some with pink ballet shoes, while others still will have pink ribbons in their hair. Flora is at her first class and flamingo is the instructor. This makes a wonderful baby-shower gift, when the parents-to-be know they have a girl on the way.  Flora and the Flamingo is a beautiful book, with brilliant illustrations that float across the pages. It is no surprise Flora and the Flamingo became a Caldecott Honor Book. The medal winner must have been an amazingly illustrated picture book to beat out these two graceful dancers.

FLORA AND THE FLAMINGO. Story and Illustrations copyright © 2013 by Molly Idle. Reproduced by permission of the publisher, Chronicle Books, San Francisco, CA.

Purchase  Flora and the Flamingo at Amazon—B&N—Book Depository—iTunes—Chronicle Books—your favorite bookstore.

x

Learn more about Flora and the Flamingo HERE.

Meet the author / illustrator, Molly Idle, at her website:      http://idleillustration.com/

Find more books that are luscious at the Chronicle Books website:    http://www.chroniclebooks.com/

x

Also by Molly Idle

FLORA AND THE PENGUIN     2014

 

x

 

 

 

 

 

 

x

 

Filed under: 6 Stars TOP BOOK, Children's Books, Favorites, Library Donated Books, Picture Book, Top 10 of 2014 Tagged: ballet, birds, Caldecott Honnor Book, children's book reviews, Chronicle Books, dance, flamingo, girl's picture book, Molly Idle, penguins, picture book, poetry in motion

Add a Comment

Inspired by Greg Leitich Smith’s annual list of books from our Austin writing community, I thought I’d start compiling the picture book biographies scheduled for publication in 2015 (including a pair of mine).

I know there are lots more picture book biographies on their way from publishers recognized by SCBWI, so if you’re interested in helping keep this list reasonably complete and up to date, please let me know in the comments which ones ought to be added. I’ll update and republish this post on a regular basis.

The Amazing Age of John Roy Lynch (Eerdmans), written by Chris Barton and illustrated by Don Tate

Drum Dream Girl: How One Girl’s Courage Changed Music (Houghton Mifflin Harcourt), written by Margarita Engle and illustrated by Rafael Lopez

Earmuffs for Everyone!: How Chester Greenwood Became Known as the Inventor of Earmuffs (Simon & Schuster/Paula Wiseman Books), written and illustrated by Meghan McCarthy

Elvis: The Story of the Rock and Roll King (Henry Holt), written and illustrated by Bonnie Christensen

Emmanuel’s Dream (Schwartz & Wade), written by Laurie Ann Thompson and illustrated by Sean Qualls

Fab Four Friends: The Boys Who Became the Beatles (Christy Ottaviano Books/Henry Holt), written by Susanna Reich and illustrated by Adam Gustavson

The Founding Fathers! Those Horse-Ridin’, Fiddle-Playin’, Book-Readin’, Gun-Totin’ Gentlemen Who Started America (Atheneum), written by Jonah Winter and illustrated by: Barry Blitt

The Hole Story of the Doughnut (Houghton Mifflin Harcourt), written by Pat Miller

The House that Jane Built: A Story about Jane Addams (Henry Holt/Christy Ottaviano Books), written by Tanya Lee Stone and illustrated by Kathryn Brown

In Mary’s Garden (Houghton Mifflin Harcourt), written and illustrated by Tina and Carson Kugler

One Plastic Bag (Millbrook), written by Miranda Paul and illustrated by Elizabeth Zunon

Pioneers & Pirouettes: The Story of the First American Nutcracker

(Millbrook), written by Chris Barton and illustrated by Cathy Gendron

Poet: The Remarkable Story of George Moses Horton (Peachtree), written and illustrated by Don Tate

Step Right Up: The Story of Beautiful Jim Key (Lee & Low), written by Donna Bowman Bratton and illustrated by Daniel Minter

Trombone Shorty (Abrams), written by Troy Andrews and illustrated by Bryan Collier

Vivien Thomas – The Man Who Saved the Blue Babies (Lee & Low), written by Gwendolyn Hooks

Add a Comment

Pointe Brandy Colbert

Theo is a ballet dancer, one with a real shot at going pro. She’s startled the day a guy from school--who she mainly knows as a pot dealer-- shows up as the new pianist at her studio. Then she goes home and sees that her best friend--the one who was kidnapped 4 years ago and presumed dead--has been found.

There’s a lot going on here--when Donovan comes home, Theo has to deal a lot with what was going on in her life when he disappeared. Then she sees a picture of the man who’s been arrested for kidnapping Donovan. Chris Fenner is 30, but when Theo knew him, he said he was 18 and his name was Trent. She was 13 and he was her boyfriend and they were in love.

As Theo gears up for her summer intensive auditions, the things that can lead her pro, she must confront some very large demons. Does she tell what she knows about the man who took Donovan? Does she risk being branded “That Girl” forever, knowing that any ballet company in their right mind will pass on her because of it?

After Donovan and Trent left, Theo stopped eating. Now they’re back, she’s stopped again.

How does she navigate the town gossip and other student’s reactions and theories when Donovan returns?

Donovan and Trent were friends--did Donovan want to go?

There’s a lot going on here, but it works really, really well. I love that ballet is Theo’s life, but it’s not the focus of this novel. I appreciated that her eating issues weren’t about ballet. She uses ballet as way to keep herself “in check” with her dieting, but it’s obviously really about controlling something when she can’t control the other things in her life. It’s not the “you’re too fat and have to lose weight” thing that we so often see in ballet novels.

There is sex and drug use and sometimes there are consequences and sometimes there aren’t. It was all realistically done.

There are heavy things going on, but Colbert keeps all the issues and plot lines balanced and you know that Theo should just tell what she knows, but you believe her reasons for not wanting to. The back and forth narrative as Theo tries to piece together Donovan’s disappearance with his reappearance and how Theo reveals information is so well crafted. I don’t want to say Theo’s unreliable, but there are (major) pieces she holds back for awhile. It adds new layers to the stories and avoids there “this is what happened then” massive info-dump.

ALSO. Can I just say how much I love that there are really good adults in this novel? With the obvious exception of the Chris/Trent aside, most of the adults in Theo’s life--her parents, her teachers, etc, are really good adults. They’re there for Theo and also hold her accountable for her actions without being horrible. And as an adult reader, I knew she could trust them, but I also totally understood why Theo wasn’t sure and I didn’t want to grab her shoulders and shake some sense into her.

You guys… so good and powerful. I’m going to be thinking on this one for a long, long, long time.

Book Provided by... my local library

Links to Amazon are an affiliate link. You can help support Biblio File by purchasing any item (not just the one linked to!) through these links. Read my full disclosure statement.

Add a Comment

Pointe by Brandy Colbert. G.P. Putnam's Sons, an Imprint of Penguin Group (USA). 2014. Reviewed from ARC.

The Plot: Theo's life is in a good place. Some would say a very good place. She's one of the top ballet dancers in her class. She has good friends and a boy who is interested in her. The heartache and problems of the past -- the breakup with her first love, her best friend disappearing and feared dead, her parents' overreaction to Theo's resulting depression and eating issues -- are in the past.

The past comes back, fast and furious.

Donovan is found. Alive. It's been four years and Donovan is alive and coming home. Relief and joy and tinged with something else: fear.

Because Theo recognizes the face of Donovan's kidnapper. She knew him by a different name, but she knew him.

He was the boy she loved, the person who broke her heart when he left her. It's the same man.

Everything Theo thought she knew, about Donovan, about her old boyfriend, about herself, is about to be turned inside out. At least she still has ballet, but how long will that last, when people find out?

The Good: The Good? Everything. Everything is good.

Theo is such a complex, amazing, interesting young woman.

Readers of this blog may remember, I like to keep notes as I read -- I sketch family trees and timelines, jot down ages and names. As I'm sketching this out while reading Pointe, I realize what Theo does not. Oh, I also realize it because I'm old, a grown up, I'm not a teenager. When Theo was with her first love, Trent, the person she loves and believes was wonderful, Theo was thirteen. And Trent was eighteen.

Theo was crushed when Trent disappeared on her, and had few people to confide in because there were so few people who knew about Theo and Trent. Donovan was the only person, actually, who knew. Now that Donovan has been found, Theo learns not just that Donovan was with Trent, but that Trent's real name is Christopher. And that he's thirty. Which means that not only did he lie to her about his name, he also lied about his age: instead of being eighteen, he was twenty-six. And she was thirteen.

And here is one reason I just flat out adored Theo: through all this, she's thinking "what about me" and "what does this mean to me." She dances around what all this means to Donovan, wondering mostly if Donovan ran away with Christopher and voluntarily stayed with him.

Part of what I loved about Pointe was how long it takes Theo to come to the place that you, the reader, does.

What Theo had wasn't love; it never was. But her love for Trent (well, Christopher) was such a part of Theo's identity, that she just cannot look at the facts, the numbers -- she has to deal with the emotions. Her love. And because she has to believe that what she had was real, when she looks at Donovan she believes about him what she believes about herself: that the then-thirteen year old Donovan had a choice, a choice about being with and staying with Christopher.

Donovan has been silent since his return home, not leaving his house, not talking to anyone, including Theo. No one knows Theo's secret. And part of Theo is very happy -- and very relieved -- at Donovan's silence.

From the outside, Theo looks put together and strong. You'd have to be, to become such a talented dancer. Pointe is clear about the dedication it takes to reach the place that Theo is now at. The reality? Then, she was a thirteen year old girl swayed by the attentions of an older boy, wanting to be loved, wanting to make him happy. Now, it turns out, is not that much better. Hosea, the boy she likes, is her age, goes to her school, but, in addition to being the local drug dealer, is dating someone else.

Theo doesn't quite realize the parallels between the two loves of her life. Oh, the present boy is age-appropriate and also power-appropriate. They are equals. Which means that what the present relationship shows the reader is what Theo thinks is mutual affection and respect and love; what she'll put up in order to get what she thinks is love; what she'll settle for.

As you can see from all those paragraphs, what intrigues me the most about Pointe is the relationships and emotional journey of Theo. There is so much more! Hosea, for example, is a fully realized character, and may be the nicest, sweetest, drug dealer cheater in book history. I so understood why Theo likes him and wants him, even as I realized that it was much less clear cut than Theo believes.

Theo is one of the only black kids in her dance class, in her school, in her neighborhood. Donovan was only of the others. This matters, in that it shows her relationship with her peers. What it means when the topic of segregation comes up in school, and she is asked to give examples of what that meant to her family.

And of course this is a mystery: what happened to Donovan? What, if anything, should Theo say about what she knows? And it's a story about being passionate about something as all-consuming and physical as ballet.  And it's about friendship, I haven't even mentioned Theo's two best friends, Sara-Kate and Phil. Or Theo and eating, and what she eats and why, and how that is part of who Theo is rather than the only thing.

Because this is such an elegant, complex book this is one of my Favorite Books Read in 2014.

Other reviews: Stacked; Slate Breakers; Los Angeles Review of Books.

Amazon Affiliate. If you click from here to Amazon and buy something, I receive a percentage of the purchase price.

© Elizabeth Burns of A Chair, A Fireplace & A Tea Cozy

Add a Comment

The Children's Book Review's best selling picture book for this month is a lovely illustrated story for little ballerinas, Too Too Many Tutus by Suzanne Davis Marion. As per usual, we've also shared our hand selected list of the most popular picture books from the nationwide best selling picture books, as listed by The New York Times.

Add a Comment

Add a Comment

guess which one belongs with me ...

Add a Comment

Add a Comment

RECITAL Lightning strikes a chord and Autumn tap dances on a floor of encrusted gold and ruby… while Thunder claps in appreciation —                       and Winter waits in the wings. Filed under: writing for children Tagged: autumn, ballet, dancing, fall, free verse, free verse autumn poetry, free2rhymeornot, freeverse, freeverse poetry, micropoetry, poems, poetry, poets, recital, […]

Display Comments Add a Comment

hai·ku noun \ˈhī-(ˌ)kü\ plural  haiku Definition of HAIKU (from Merriam Webster) : an unrhymed verse form of Japanese origin having three lines containing usually five, seven, and five syllables respectively; also   : a poem in this form usually having a seasonal reference  — compare tanka I am not the best at haiku, but I do...
Continue reading »

Display Comments Add a Comment