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Viewing: Blog Posts Tagged with: All the World, Most Recent at Top [Help]
Results 1 - 9 of 9
1. PiBoIdMo Day 25: Liz Garton Scanlon Loafes (and offers GOOD PIES as prizes!)

LizPortait2013_0001-(ZF-0850-58463-1-006)by Liz Garton Scanlon

Recently, while discussing poetry with a bunch of 5th graders, I discovered a word that’s pretty much left our daily vernacular: loafe.

Whitman used it in SONG OF MYSELF…

I loafe and invite my soul
I lean and loafe at my ease observing a spear of summer grass

…but not a single student knew what the word meant. There were jokes about loaves of bread, and one girl thought she had it, but it turns out she’d gotten it mixed up with loathe. Which, you’ll agree, is another thing entirely.

Image via http://becuo.com

Image via becuo.com

Once I defined the word for them, they loved it. I said, “Pretty great, right? To be given permission–even encouragement–to loafe about?!” and everybody laughed with relief. (Except for one boy who said, “I try to loafe about a LOT, but my mom won’t let me.” :-) )

So I stepped away from the session with kind of a two-part reminder to myself, and since it’s fresh on my mind, I’ll remind you, too:

  1. Loafe about. Seriously. Creativity can’t be rushed. You need to absorb before you can express. You need to walk and garden and bathe and dream and breathe. These things are the stuff that art is made of, the places ideas come from, the source of a sustained head and heart. Really, loafing about isn’t just important when making picture books–it’s important when living life. Professor Omid Safi asked, in a recent column called The Disease of Being Busy, “When did we forget that we are human beings, not human doings?” We know this, right? Right. This is just a reminder.
    .
  2. And here’s the other one. Let’s not let really great words like loafe go by the by. Let’s use them. I snuck the word kin into my book ALL THE WORLD, and strut into NOODLE & LOU. I used crimp in THE GOOD-PIE PARTY and hue in THINK BIG. These words are evocative and specific and rich and onomatopoeic–they’re too good to let go! And, as writers, it’s our duty to make sure that we’re not just left with a bunch of OMGs and LOLs on judgment day.

How about you make a list of words you used to hear and use, but never do anymore? What if you wrote down all the phrases your granddad used to say? And what if one of them gave you an idea? Picture books aren’t designed to dumb down; they’re meant to open up and out.  clicktotweet They’re meant to expand the words and the world that a child has at hand. Lucky us to be a part of all that.

So go ahead, make that list.

And then, what the heck, loafe about for a bit.

guestbloggerbio2014

Liz Garton Scanlon is the author of the highly-acclaimed Caldecott-honored children’s book All the World, illustrated by Marla Frazee, as well as this year’s The Good-Pie Party, illustrated by Kady McDonald Denton. Other books include Happy Birthday, Bunny; Think Big, A Sock is a Pocket for Your Toes, and more. Her next picture book (called In The Canyon) and her first novel for young readers, The Great Good Summer, are both due in 2015. Ms. Scanlon is also a poet, teacher and a frequent and popular presenter at schools, libraries and conferences. To learn more, visit her web site at LizGartonScanlon.com.

prizedetails2014

Liz is giving away two copies of her latest picture book, THE GOOD-PIE PARTY! (YUMMY!)

good-pie-party

These prizes will be given away at the conclusion of PiBoIdMo. You are eligible for these prizes if:

  1. You have registered for PiBoIdMo.
  2. You have commented ONCE ONLY on today’s post.
  3. You have completed the PiBoIdMo challenge. (You will have to sign the PiBoIdMo Pledge at the end of the event.)

Good luck, everyone!


10 Comments on PiBoIdMo Day 25: Liz Garton Scanlon Loafes (and offers GOOD PIES as prizes!), last added: 11/25/2014
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2. Read & Romp Roundup -- July 2012

It's that time again. Time to pull together all the great blog posts that were submitted for last month's Read & Romp Roundup. Thanks so much to everyone who contributed. I think we have another really great roundup!

Maria from Maria's Movers introduces readers to Prima the Ballerina in Her Backyard -- an interactive book by professional dancers Nikki and Ethan White. The book can be used as a lesson plan for teaching movement to children and is the first in a planned series!


At Flowering Minds, Darshana reviews Yawning Yoga, written by children's yoga specialist Laurie Jordan with illustrations by Aaron Randy. Full of yoga poses to release energy and relaxation exercises to calm the mind, this book can help young children slow down for bed!


Angela at OMazing Kids shares one of her new favorite ABC books to incorporate into yoga classes for kids. ABC Menagerie contains an animal and rhyme for each letter of the alphabet, plus what Angela describes as "quirky felt animal structures" as illustrations. A great book to accompany animal poses!


The "OMazing" Angela also shares an updated list of 222 picture books she thinks would be good choices to use in children's yoga classes. Wow! Plus, she reports that she is working on a separate list of children's books designed specifically to teach yoga and mindfulness. Can't wait to see it!


Amy at Picture-Book-a-Day is reviewing a different picture book every day this year. Lucky for us, she reviewed two dance-related books in July! The first is Bea at Ballet by Rachel Isadora. "If your child is starting ballet class soon, this is the perfect book to introduce them to the format and conventions of class," says Amy.


The second book Amy reviews is This Jazz Man by Karen Ehrhardt and R.G. Roth. Written to the tune of the classic children's song "This Old Man," the book celebrates the lives and music of 10 jazz legends. One of those legends -- who made music with his feet! -- is tap dancer Bill "Bojangles" Robinson. In her post, Amy also recommends some activities and other books to go along with this fun and jazzy book!


Deanna at Little Namaste Yoga posts about All the World by Liz Garton Scanlon and Marla Frazee. In one of her favorite lessons to teach, Deanna uses the book to find new "places" for her students to explore. As the scenes in the book change, Deanna uses yoga, songs, and other sensory activities to enhance the experiences of her young students. 

4 Comments on Read & Romp Roundup -- July 2012, last added: 9/8/2012
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3. Post-PiBoIdMo Day 8: Agent Erin Murphy on What to Do with All Those Ideas!

Erin Murphy (l.) and Liz Garton Scanlon at the 2010 Newbery-Caldecott Award Banquet, where Marla Frazee, illustrator of Liz's All the World (Beach Lane/S&S), was awarded a Caldecott Honor.

by Erin Murphy

So, you’ve got 30 picture book ideas. Now what do you do?

FILE.
Keep them. All of them. Do you have an idea file of some kind? You should. It’s obvious that you might turn to the idea file when you’re casting about for something new to write, but it also can do wonders for unlocking writers block. You never know when some seemingly unrelated idea will be just the thing to add the missing layer to another piece. Sometimes it’s less direct than that; just reading through ideas is a way of getting you out of a stuck place, much like taking a walk or strolling through a gallery can knock you out of a creative rut.

CHOOSE.
Sort through them to find the most promising ideas to spend more time with. Laura Purdie Salas had some great suggestions about how to evaluate your ideas last week.

WORK.
Budget time to work on each of those most promising ideas. Not just once, but two or three times per idea before you decide if they’re worth pursuing further. Even if you schedule 20 minutes of writing time a day, you can spend 10 on a new idea, and 10 on an idea you’ve already worked on some, and by the new year, you’ll most likely have a couple of solid ideas that are coming together into a real picture book manuscript.

GIVE SPACE.
Some ideas seem to have promise, but they resist any time and attention you give them. This is a sign that they need to sit in your subconscious for awhile. They will most likely kick and scream when they’re ready.

OBSERVE.
After a concentrated creative period like PiBoIdMo, you’ve got a great opportunity to take stock of where and when you do your most creative thinking. Did you get your best ideas in the car while waiting for your kid to come out of your piano lesson? Well then, perhaps a copy of your promising idea list needs to stay in the car so you can keep using that time for best results.

SORT AND EVALUATE.
I’m not talking about evaluating the idea; you’ve already done that. I’m talking about general trends. Try putting all 30 ideas into categories (character-driven, concept-driven, voice-driven, plot-driven; lyrical, funny, quiet; spontaneous-feeling or intellectual…). Are you heavily weighted towards one type of story? Is that your strength? (Or, conversely, are you limiting yourself unnecessarily?) What research can you do about that type of story to help you grow in your picture book writing craft?

REVISIT.
Don’t forget to go back to that full list of ideas now and then. Who knows what discarded idea ends up turning out to have legs! Kathy Duval’s I Think I See a UFO, forthcoming from Disney-Hyperion, to be illustrated by the wonderful Adam McCauley, was a nearly discarded idea that found a home at the first publisher we sent it to!

Erin Murphy was born and raised in Arizona, and founded EMLA

10 Comments on Post-PiBoIdMo Day 8: Agent Erin Murphy on What to Do with All Those Ideas!, last added: 12/8/2011
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4. PiBoIdMo Day 15: Liz Garton Scanlon Sees Things Differently (plus a giveaway!)

by Liz Garton Scanlon

I have to be honest with you.
I think the word “idea” is a little grand.
And by grand, I mean daunting.

An idea is a huge thing, right?
It requires freshness and originality, it encompasses possibility, it is—not to get all god-like here, but—the beginning of everything!

Meanwhile, we’re always being told, “There are no new ideas!”

Poet Audre Lord said, “There are no new ideas. There are only new ways of making them felt.” And there are all those books and lectures that tell us there are only about seven plots available on the whole entire planet. And you guys. There is even a web site called “no new ideas” and it is just a blank page!

So. Phew. That’s out of the way.
No new ideas.
We can’t find what isn’t there.

But, this puts us PiBoIdMo folks in a bit of bind, doesn’t it?
What are we supposed to do for the rest of the month?

Well, personally, I think we should try for something smaller.
Not a whole new idea everyday—just a new perspective.

(And, guess what? The Greek origin of the word idea is idein, which means “to see”! Which means I’ve got support from ancient sages here, so let’s go with it.)

What if all we need is a new way of looking at things?
And what if that way is a child-like way?

A child, said author Olive Schreiner, “sees everything, looks straight at it, examines it, without any preconceived idea.”

Have you ever noticed what kids want to do when they’re riding a down escalator? They want to run up it!

Kids don’t look at things as if they’re static or rule-based or already defined. Surprise and experimentation are everyday affairs. Freshness and originality and possibility—all those things I found so daunting above? Ha. Child’s play.

And children, you’ll remember, are our audience.

So, what if we look straight at life today and examine it?
What if we let our preconceptions slip away and see things as children see things?

What if we imagine that socks are pockets (A Sock is a Pocket for Your Toes) or that the whole wide world could fit in a book (All the World) or that a worm and a bird could be best friends (Noodle & Lou)?

What if look around, each of us, at the animals in our houses and yards, the food on our tables, the books on our bedside tables, and we just plain see them in a new way? That’s all I’m going to do today, and you should join me. We’ll leave the grand and daunting to someone else…

(And now for the party favors!)

These really great photos that are all about accessing a child’s perspective.

This one is my favorite:

And then this fine bit of musing by a

15 Comments on PiBoIdMo Day 15: Liz Garton Scanlon Sees Things Differently (plus a giveaway!), last added: 11/15/2011
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5. WRITING GREAT PICTURE BOOK POETRY: All the World


Storysleuths is delighted to welcome back poet Julie Larios, to help us wind up Poetry month with a close look at the Caldecott honor book All the World. Julie previously contributed an insightful Storysleuths post focused on Red Sings from Treetops: A Year in Colors. In addition to being an award winning poet and author of four poetry books for children, Julie, like our previous guest blogger Susan Fletcher, is a fabulous teacher and is on the faculty of Vermont College of Fine Arts, teaching in their Master of Fine Arts in Writing for Children program.


All the World by Liz Garton Scanlon, wondrously illustrated by Marla Frazee, represents the kind of picture book I call irresistible – a fine-tuned, upbeat, read-aloud collaboration between author, illustrator, editor and art director. In fact, my basic question about this book is, “What’s not to love?”

The narrative of the book-length poem takes us through the day with one family (eventually opening out to grandparents and friends and neighbors) from beach to farmers’ market, and on to a cloud burst, a roadside diner, and an evening spent with songs, piano, harp, fiddle, babies – a “family” in the widest sense of the word. For any skeptics out there who think it might be too sweet for them, I say read this with a four-year-old and it will win you over. It is not over-sentimentalized. The rhythms are jazzy and the pictures are lively, and its read-aloud-ability is definite. I suspect quite a few parents are already into their hundredth go-around with reading this book aloud and yet not tired of it – for that reason alone, it has the potential to become a classic.


The real miracle of its read-aloud quality is that Scanlon wrote this poem in couplets, and (as anyone who has ever tried knows) it’s not easy to get away with a book full of couplets. Usually, the sing-song quality becomes irritating, predictable doggerel. But not with All the World. It starts

Rock, stone, pebble, sand
Body, shoulder, arm, hand
A moat, to dig, a shell to keep
All the world is wide and deep.


What seems to be working, for me, is the unpredictability of what comes next in each stanza. There’s no real reason that “Body, shoulder, arm, hand” should follow “Rock, stone, pebble, sand” – a lesser poet might have said something more defined about the setting of the story, making sure that the reader understood it from the text, something like “Beach shovels in our hands….” Doing that would have pushed the illustrator towards an illustration. But Scanlon resists the temptation to explain the connection (leaving it to be made by the illustrator) and that is masterful. I often tell my picture book students to trust their ill

2 Comments on WRITING GREAT PICTURE BOOK POETRY: All the World, last added: 4/29/2010
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6. Writers’ motto: Never give up


If there was a theme in what the many published writers said at the Austin SCBWI conference a couple weeks ago, it was that perseverance is an important part of their success.

Three of this year’s ALA winners were there — Jacqueline Kelly (The Evolution of Capurnia Tate), Marla Frazee and Liz Garton Scanlon (All the World illustrator and author) and Chris Barton (The Day-Glo Brothers) — and they all told tales of facing many rejections before publication and of pursuing their dreams of being published for years before making them a reality.

Kirby Larson, author of the 2007 Newbery Honor book Hattie Big Sky, said she received piles of rejection letters before her publishing career began. Finally, after many years of trying and taking a 10-day course that happened over her daughter’s birthday — what a sacrifice — she sold her first picture books. A few more followed, but then she didn’t sell anything for seven years. That’s when she tried a different type of writing and Hattie Big Sky was born.

Former editor and now full-time author Lisa Graff explained that for her last book, Umbrella Summer, she wrote 18 complete drafts.

Yesterday, this theme was reinforced in an article in the Los Angeles Times about non-fiction author Rebecca Skloot, whose The Immortal Life of Henrietta Lacks appeared on Amazon’s bestseller list immediately after the book debuted on Feb. 2. This was all after Skloot spent 10 years working on the book and went through three publishing houses, four editors and two agents.

All these writers shared something in common: They didn’t give up.

So, the motto for today: Never give up.

Write On!

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7. Advice from ALA winners


Sorry if you came here on Saturday looking for this post. I had a busy weekend and didn’t get to my computer much.

But here is day six of my reports from the Austin SCBWI conference. First, a quick recap of my other reports: agent Mark McVeigh on publishing, agent Andrea Cascardi on getting and working with an agent, editor Cheryl Klein on writing a great book, agent Nathan Bransford on finding the right agent for you and author/former editor Lisa Graff on writing and revising.

Today I’m featuring three of this year’s ALA award winners, all of whom show that success comes from perserverance.

Jacqueline Kelly, author of the 2010 Newbery Honor book The Evolution of Capurnia Tate, said the inspiration for her book came after she fell in love with a really old house that’s falling down. As she sat on its porch one day, she could hear the main character come alive in her head and recite the book’s first paragraph to her.

She first wrote about the characters in a short story, and it was her critique group members that encouraged her to expand it into a novel.

Capurnia Tate was rejected by 12 publishers before it was picked up.

If it wasn’t for Jacqueline’s critique group and her perserverance, we would not have Capurnia Tate to enjoy today.

Acclaimed illustrator Marla Frazee, whose picture book All the World is a 2010 Caldecott Honor book, has had similar perserverance during her career. She said it took 12 years to get her first book, then another five years before her second.

She said picture books are a collaboration between words and pictures, with the two working together to tell the story. Sometimes the pictures will illustrate the words completely, and other times the pictures will add new meaning to the words. For example, she showed a picture from her book A Couple of Boys Have The Best Week Ever, in which the words say the character is sad to leave his parents but the picture shows him excited and happy.

Marla said

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8. ALA honors for Austin authors; SCBWI conferences and illustration classes for you


It’s been a landmark week for Austin children’s writers.  Three of our gang scored top honors -- a Caldecott Honor, a Sibert Honor and a Newbery Honor from the American Library Association.

Evolution of Calpurnia Tate by Jacqueline Kelly

Evolution of Calpurnia Tate by Jacqueline Kelly

Our Austin, Texas  chapter of the Society of Children’s Book Writers (SCBWI) is a little dazed after last weekend’s 2010 award announcements.  Austin’ s Jacqueline Kelly received a Newbery Honor for her YA novel The Evolution of Calpurnia Tate about a girl growing up at the turn of the 19th century.  The  picture book poem All the World penned by Liz Garton Scanlon of Austin and illustrated by Marla Frazee was named one of the two Caldecott Honor books. (Frazee’s second Caldecott Honor.)

All the World

"All the World" by Liz Garton Scanlon, illustrated by Marla Frazee

The Day Glo Brothers by Chris Barton and illustrated by Tony Persiani

And The Day-Glo Brothers written by Chris Barton of Austin and illustrated with retro lines and Day-Glo colors by Tony Persiani won a Sibert Honor for children’s  nonfiction.  (From the ALA – “The Robert F. Sibert Informational Book Medal is awarded annually to the author(s) and illustrator(s) of the most distinguished informational book published in English during the preceding year.”)

Our SCBWI chapter claims all three of these writers and we’ll claim Frazee, too.  So that makes four.

All four,  as it just so happens  had been scheduled to present at the Austin SCBWI regional 2010 conference “Destination Publication” next weekend (January 30) with an already honors heavy line-up of authors, editors and agents. Marla  is giving the keynote address along with Newbery Honor author Kirby Larson (Hatti Big Sky)

Another Texan, Libba Bray won the Michael L. Printz Award

1 Comments on ALA honors for Austin authors; SCBWI conferences and illustration classes for you, last added: 1/24/2010
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9. Inspiration

alltheworldcover-1-1

I was hanging out with my friend Tae a few weeks back and stumbled upon two killer books that everyone must see. First, there’s ALL THE WORLD illustrated by Marla Frazee and Liz Garton Scallion. I haven’t seen a more perfect book since Jonathan Bean’s AT NIGHT or Zetta Elliott’s BIRD (shameless, I know). See a detailed synopsis, and behind the scenes look here.

From the publisher:

All the world is here.

It is there.

It is everywhere.

All the world is right where you are.

Now.

Following a circle of family and friends through the course of a day from morning till night, this book affirms the importance of all things great and small in our world, from the tiniest shell on the beach, to warm family connections, to the widest sunset sky

Beach Lane Books, September 2009
Hardcover, 40 pages
ISBN-10: 1416985808
ISBN-13: 9781416985808
Ages: 3 - 7
41csjzqlCAL._SS500_

. . . and while you're at the bookstore check out the gorgeous linoleum prints in ONLY A WITCH CAN FLY by Tae-Eun Yoo and Allison McGhee.

From the publisher:

If you were a young witch, who had not yet flown,
And the dark night sky held a round yellow moon
and the moon shone her light on the silent broom
and the dark cat beside you crooned, Soar,
would you too begin to cry,
because of your longing to fly?
Only a witch can fly.

Only a witch can fly.

But one little girl wants to fly—more than anything. So on a special night, with the moon shining bright and her cat by her side, she gathers herself up, she grips her broom tight, and she tries. And she fails. And she’s brave. And she tries again. Until . . .
Feiwel & Friends, August 2009
Grade Range: p to 3, Age Range: 4 to 8
ISBN: 978-0-312-37503-4, ISBN10: 0-312-37503-4Picture Book,
9 x 10 inches, 32 pages, full-color illustrations

Look for these two amazing books in your bookstores
on sale now and let me know what you think!

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