Tony DiTerlizzi designed this delightful window for his local bookstore, Essentials in Northampton, Massachusetts. Visit DiTerlizzi's website to follow the creative process behind the artwork.
I really like this video of a hardcore cartoon fan offering his opinions about various animated features. Many of us are so heavily immersed in the industry that it’s easy to forget how the average moviegoer looks at animated films. It’s refreshing to hear a fan’s perspective, even though I cringed a few times, like when he expressed affection for Once Upon a Forest. Our chubby-cheeked friend also calls Looney Tunes: Back In Action “a classic ’90s style film,” says DreamWorks’s Over the Hedge reminded him of Care Bears, and touts The Chipmunk Adventure as one of his “all-time favorite animated films.”
Add a Comment
The tortured history of the TMS feature film Little Nemo: Adventures In Slumberland (1992) could rival that of Richard Williams The Thief And The Cobbler. It was an American/Japanese joint project, with no less than Hayao Miyazaki and Isao Takahata involved in the pre-production stage (1982-83).
George Lucas, Chuck Jones, Gary Kurtz, Ray Bradbury, Chris Columbus, Moebius, John Canemaker, Leo Salkin, Paul Julian, Ken Anderson, Frank Thomas and Brad Bird (who talks about his involvement in the comments below) were attached to this film at one time or another. Bill Hurtz (George of the Jungle, Unicorn In The Garden) and Masami Hata (Sea Prince and the Fire Child) ultimately directed the final release, admittedly a mixed bag.
The idea of making a fully animated adaptation of Winsor McCay’s comic strip masterpiece somehow seems like a good idea (McCay himself authorized a musical stage play based on the strip in 1908), and the names assembled (above) to tackle such a project were certainly capable doing so.
If you’re wondering what a Miyazaki version might’ve been like, check this out. Below I’ve posted a short test film dating from December 1984. Key Miyazaki animator/director Yoshifumi Kondo (Whisper Of The Heart) directed this test sequence, supposedly filmed in 70mm. The mind boggles as to what could have been.
Oh, and who authorized this?
Add a Comment
Below is an excerpt from a new documentary Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood which aired the other night on TCM. I appear briefly (the clip below is my entire appearence) to point out a line of dialogue from one of my favorite cartoons, Bosko’s Picture Show (1933).
This mystery has been dogging me since Will Friedwald and I first pointed it out in our 1981 Scarecrow Press book, The Warner Brothers Cartoons. To this day I still can’t quite make what word Bosko is using. “The dirty Thug?” “The dirty Fox”? “The dirty F-ck”?
Thou Shalt Not is the best documentary on pre-code Hollywood films I’ve ever seen. It’s available on DVD as bonus feature on Warner Home Video’s Forbidden Hollywood Collection Vol. 2.
Add a Comment
Spring is here and with it a discreet surge in visitors coming to see Winnie-the-Pooh at Donnell. Glancing at the guestbook today, I saw that the Brits are back in Bring-the-Bear-Home force. They'd been quiet for a while, and I just assumed that meant that they'd accepted that Pooh was now an official resident of New York (he likes bagels and everything). No go. Springtime just makes them all the more insistent. The Australians, who often write defenses of Pooh in the guestbook, recently put down, "They'll send Pooh back when you return the Elgin Marbles". Ow.
It is, admittedly, a little odd that America even has the bear. I guess that's what happens when publishers go about buying literary figures before Disney can. You know what else we have? Pooh bombs. Or rather ticking Pooh-shaped structures that are sometimes mistaken for bombs. These are dangerous times to live in.
Thanks to Strollerderby for the link.
So very pretty and vintage-y! The raccoon tail sticking out of his cape... Hee hee! So fun!