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Viewing: Blog Posts Tagged with: matthews, Most Recent at Top [Help]
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1. Psychology, veterans, war, and remembrance

By Michael D. Matthews


My daily walk to work takes me through West Point’s cemetery. Founded in 1817, the cemetery includes the graves of soldiers who fought in the American Revolution, and in all of the wars our country has fought since. I often stop and reflect on the lives of these men and women who are interred here. Many headstones are of West Point graduates who were killed in World War II, including several on D-Day. Others fell in the Civil War, the Spanish-American War, World War I, and Korea and Vietnam. One section holds special significance for me, since it contains the graves of former cadets and colleagues I have known in the past 14 years who died in Iraq or Afghanistan. No matter how preoccupied I may be with the vagaries of day to day life, a sense of peace and calm envelopes me as I stroll among the headstones. I feel I am among friends and comrades and there is a sense of connectedness with the past.

One of the soldiers interred at West Point is Lieutenant Christopher Kurkowsi. Chris graduated from West Point in 1986 with a degree in Engineering Psychology. He became an artillery officer and was killed on 26 February 1988 when the helicopter he was in crashed while on a routine training mission. At the time of the accident, Chris’s academic mentor at West Point, Lieutenant Colonel Timothy O’Neil, had initiated paperwork to send Chris to graduate school in psychology with a follow-on assignment to his old department at West Point. According to Lieutenant Colonel O’Neil, Chris would have made a tremendous psychologist and professor. Chris’s death exemplifies the loss of talent and potential of all of the soldiers buried at West Point.

Earlier this month, West Point held its annual “Inspiration to Serve” cemetery tour. All members of the West Point Class of 2016, who are finishing their second of four years of academic study and military training at West Point, participated. On this day, classmates, family, or friends of the fallen stand by a gravesite, and tell the story of the deceased to the cadet attendees. Of special interest this year, MaryEllen Picciuto, one of Chris Kurkowski’s classmates, told his story of service and sacrifice. The cadets stood respectfully and listened intently, as Ms. Picciuto brought Chris back to life through her remembrances. As she did this, other cadets stood by other graves, hearing the life story of other West Point graduates who gave their lives in the service of our country.

As a Nation, our move to an all volunteer force has distanced most Americans from direct experience and knowledge of the military and the men and women who serve. Cognitive psychologists make a distinction between semantic and episodic memory. The former is memory of generalized facts that are not part of our own personal experience. The latter, in contrast, are of events personally experienced. Think about your own memories. Those that are episodic are likely more vivid and tangible, and perhaps have more meaning in your own life story. You “know” from semantic memories, but you can “feel” in episodic memories.

Perhaps this Memorial Day, in between picnics and family activities, you can visit a veterans cemetery. Walk among the headstones, read the inscriptions, and reflect on what these men and women sacrificed for our Nation. Like Lieutenant Kurkowski, they had dreams, ambitions, life goals, and family and friends who loved them. Through such a visit, perhaps you can form an episodic memory by honoring the fallen for their service, and in doing so forge a more personal connection with these American heroes.

Note: The views expressed herein are those of the author and do not reflect the position of the United States Military Academy, the Department of the Army, or the Department of Defense.

Michael D. Matthews is Professor of Engineering Psychology at the United States Military Academy. Collectively, his research interests center on soldier performance in combat and other dangerous contexts. He has authored over 200 scientific papers and is the co-editor of the Oxford Handbook of Military Psychology (Oxford University Press, 2012). Dr. Matthews’ most recent book is Head Strong: How Psychology is Revolutionizing War (Oxford University Press, 2014).

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Photos courtesy of Michael D. Matthews. Used with permission.

The post Psychology, veterans, war, and remembrance appeared first on OUPblog.

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2. Jedi Way

Hello everyone in the land of Boys Rule Boys Read, Master Jedi Zack here once again.

I hope everyone is having a great summer. Here at the Matthews Branch Library we have been busy busy busy with lots of fun programs. Last night I had a group of Jedi Padawans here for The Jedi Way. They all created their very own lightsabers and designed space ships. They are nearly ready to go out and defend the galaxy from the sinster Darth Bill and his Sith spawn!

Here are some pictures of the super elite Padawans crafting the lightsabers.

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3. Different Like Coco by Elizabeth Matthews

Matthews, Elizabeth. Different Like Coco.  Candlewick Press, 2007. 32 pp.  ISBN 978-0-7636-2548-1. $16.99More than anything, Coco Chanel's life story is a tale about using what you've got and and building on your strengths and resou

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4. Illustration Agreements

Harvard Law School attorney Stu Rees did his thesis on comic strip syndicate contracts. Stu represented me and several other cartoonists and helped change the way syndicate contracts were written and negotiated. Here's a link to his thesis.

The Graphic Artists Guild keeps an eye on what types of contracts illustrators are having to sign. It offers a good resource for understanding contracts as well as offering some real-life contracts as examples. GAG Contract Monitor.

The Authors' Guild has Negotiating tips for nine typical contract clauses.

Famed Illustrator C. F. Payne has some strong thoughts on Work-for-Hire agreements. While hard to avoid, WFH agreements remove an illustrator's legal authorship to his or her work. You're not just selling rights, nor simply the original art, but your very claim to authorship. Not a new article but an important one, especially since Payne's career has skyrocketing (at least compared to mine!) since he wrote this article, indicating it's not necessary to sell out in order to make a living.

Our best luck is with clients who do not have a boilerplate contract. Oftentimes clients who do have a contract have "borrowed" it from someone else, rather than having an attorney draft one for them. In any case, it is better for the Illustrator to have his or her own boilerplate, often referred to as a Letter of Agreement (see GAG Contract Monitor above). This allows the Illustrator to have more control in the negotiation process, and creates a better opportunity to explain the terms for usage of rights.

It is best to grant usage rights as specifically as possible. For example, Exclusive North American print rights for one year in March 2007 issue of Passing Classical Gas magazine. After that point, all rights revert back to you.

Limit the number of unpaid revisions to one or two. Chances are this will halve your annual workload and double your income for the year! I'm only slightly exaggerating.

How do you know if you've negotiated a good deal? If afterward you don't feel like you just screwed yourself. Never be afraid to say No and ask for what you are worth.

Ted

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