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As you can see, I work quite quickly. Any given piece usually takes about 30 seconds. From "Lucy's Lovey" by Betsey Devany. From Henry Holt this September.

Hypnotize a Tiger: Poems About Just About Everything
By Calef Brown
Christy Ottaviano Books, Henry Holt (an imprint of Macmillan)
$17.99
ISBN: 978-0-8050-9928-7
For ages 9-12

Why do I do this to myself? Let me tell you something about how I review. Board books? Pshaw. I can take one and write a nine-paragraph review parsing precisely why it is that Bizzy Bear’s preferred companions are dogs and bunnies. Nonfiction? Lay it on me. I’ll take infinite pleasure in discussing the difference between informational texts when I was a child (long story short, they sucked) and our current golden age. But there is one book genre that lays me flat. Stops me short. Makes it exceedingly difficult for me to get my head in order. Truly, children’s poetry books are the hardest to review. I don’t know exactly why this is. They are the most unloved of the books for kids. No American Library Association accredited awards are made specifically for them. They get checked out of libraries one month a year (April = National Poetry Month) and then lie forgotten. Yet so many of them are bite-sized wallops of greatness. Hypnotize a Tiger by Calef Brown is one of these chosen few. Not many poetry books for kids sport blurbs from Daniel Pinkwater (who found a soul mate in Brown’s art) to Jack Gantos to The Book of Life director Jorge R. Gutierrez. And few author/illustrators are allowed to go as positively wacky and wild as Brown does here. From tomato ultimatums and loofah tortes to velocipede odes and dodgebull (rather than dodgeball) you honestly never know where the book is going next. And you’re grateful for it.

So if it’s so great (and it is) why is reviewing a book of this sort the devil to do? There are any number of reasons. When reviewing a book with, say, a plot, it’s awfully easy for me to merely recap the plot, dish on the characters, bring up some single strange or scintillating point, then close it all down with a conclusion. Easy peasy. But poetry’s not really like that. There’s no plot to Hypnotize a Tiger. There’s not even a running gag that keeps cropping up throughout the pages. Each poem is its own little world. As a result, I’m stuck generalizing about the poems as a whole. And because we are dealing with 84-85 (depending on how you count) of them in total, I’m probably going to end up saying something about how some of the poems work and others don’t. This is kind of a cheat when you’re reviewing a collection of this sort because almost no children’s poetry book is absolutely perfect (Example A: The fact that Shel Silverstein wrote “Hug-a-War” . . . I rest my case). They will always consist of some verses that work and others that do not. In the end, the best I can hope for when reviewing poetry is to try to find something that makes it different from all the other poetry books published in a given year. Fortunately for me, Mr. Brown is consistently interesting. As Pinkwater said in his blurb, “He is a bulwark against mediocrity.”

I’m very interested in the question of how to get kids around to reading poetry. My own daughter is four at this time and we’ve found that Shel Silverstein’s poetry books make for good bedtime reading (though she’s still thrown off by the occasional grotesquerie). For many children, Silverstein is the gateway drug. But Calef Brown, though he swims in Shel’s surrealism soaked seas, is a different breed entirely from his predecessor. Where Shel went for the easy silly ideas, Brown layers his ridiculousness with a bit of sophistication. Anyone could write a poem about waking up to find a beehive attached to the underside of their chin. It takes a Calef Brown to go one step further and have the unfortunate soul consider the monetary implications. Or to consider the verbal capabilities of Hoboken-based gnomes. So Hypnotize a Tiger becomes a book meant for the kid with a bit of prior poetry knowledge under their belt. You wouldn’t hand this title to a reluctant reader. You’d give it to the kid who’d already devoured all the Silverstein and Prelutsky and came to you asking, “What else you got?” That kid might be ready.

It is useful to note that you need to read this book aloud as well. There should be a warning sticker on the cover that says as much. Not that Brown makes it easy for you. Take the poem “Hugh”, for example. Short and simple it reads, “Meet my Belgian friend / He lives near Bruges, on a farm. / His name is Hugh Jarm.” Then at the bottom one of the tiny interstitial poems reads, “I once had a dream I was visiting Bruges – / snacking on chocolates while riding a luge.” Now the correct pronunciation of “Bruges” isn’t really necessary in the first poem, though it helps. The little tiny poem, however, is interesting because while it works especially well when you pronounce it correctly, you could probably mangle the wordplay easy peasy and still end up with a successful poem. SLJ probably said it best when they mentioned in their review of the book that, “Though there is more than one line that does not roll easily off the tongue and awkward rhymes abound, it is easy to see this clumsiness as part of the spirit of the collection.”

The subtitle of the collection is “Poems About Just About Everything” and that’s a fairly accurate representation. It does not mean, however, that there isn’t an internal logic to what’s being included here. There’s a chapter of animal poems, of people, insects, vehicles, schools, food, and then more esoteric descriptions like “Facts Poetic”, “Word Crashes”, and “Miscellaneous Silliness.” No poem directly applies to another, but they still manage to work together in tandem fairly well.

I don’t think it’s a serious criticism of a book to say that it’s not for all audiences. Calef Brown is an acquired taste. A taste best suited to the cleverest of the youngsters, absolutely, but acquired just the same. Not everyone is drawn to his style, and more fool they. To my mind, there is room enough in this world for any Calef Brown collection you can name. This book doesn’t have the widely popular feel of, say, a We Go Together but nor is the author writing poems simply to hear himself speak. Hypnotize a Tiger is a book built to please fans of creative curated silliness. Don’t know if you’ll like it? There’s only one way to find out. Pick this puppy up and read it to a kid. The book may surprise you (and so might the kid!).

On shelves now.

Source: Final copy sent from publisher for review.

Like This? Then Try:

• A Pond Full of Ink by Annie M.G. Schmidt
• The Man in the Moon-Fixer’s Mask by JonArno Lawson
• Food Hates You, Too and Other Poems by Robert Weinstock

Misc:

• I think this may honestly constitute the greatest class visit of all time.

I'm so happy to share the news that LITTLE AUTHOR IN THE BIG WOODS has been included in the Children's Book Council's 2015 Notable Social Studies Trade Books for Young People list!

This arrived last week!

I'm so pleased that Little Author in the Big Woods: A Biography of Laura Ingalls Wilder  is included in @FuseEight's School Library Journal post (scroll down):


Librarian Preview: Macmillan Children's Publishing
Group (Fall 2014)

YAY! In case you missed all the screaming from Betsy Devany and all her friends, Betsy signed a contract for her first picture book, SMELLY BABY to Christy Ottaviano of Christy Ottaviano Books at Henry Holt.

Betsy’s debut book will be illustrated by Christopher Denise.

Everybody thinks Smelly Baby is gross, but she is beloved by Lucy. No one understands how amazing Smelly Baby is – or so Lucy thinks until Smelly Baby is … Publication is scheduled for spring 2016; Emily van Beek at Folio Literary Management did the deal on behalf of both Devany and Denise.

CONGRATULAIONS! BETSY, CHRISTOPHER, EMILY, and CHRISTY!

Robin Newman is celebrating, too.

She has two picture books coming out in 2014 with Creston Books.

Hildie Bitterpickles Needs Her Sleep,
illustrated by Chris Ewald (Spring 2015)
                     
         and

The Case of the Missing Carrot Cake, A Wilcox & Griswold Mystery,
illustrated by Deborah Zemke (Fall 2015)

CONGRATULATIONS, ROBIN and agent LIZA FLEISSIG!

WINNER: Rosi Hollinbeck is the winner of IT’S A FIREFLY NIGHT written by Dianne Ochiltree and illustrated by Betsy Snyder.

Congratulations!

Please send me your address, so I can pass it on to Dianne. I know you will love the book.

Now for my idea to send CHERRY MONEY BABY traveling:

I bought a copy Of John Cusick’s new book and will send it out to someone who leaves a comment saying they will read the book within a month or less and then pass it on to another person who can read it less than a month. I would like everyone who receives the book to email me with a little blurb of what they thought of the book and take a picture of yourself with Cherry holding the book and telling us about your location. It would be fun if you could mail it to someone in another state, etc. If everyone took a month that would take her off to twelve locations, but if it goes to some fast readers she could really see the world. I will post each month about Cherry’s travels. I will put up a blurb about you, too, so if you have signed a contract or have a published book, it would help show you off, too.

If you end up with the book and don’t know who to send it to, I will be glad to give you a name and address. So join in the fun and leave a comment letting me know you are willing to read and send on. You could even say the winner could send to you.

Talk tomorrow,

Kathy

KUDOS:

Author Carol Murray sent me a  note this week thanking me for advising her to submit and sign with agent Kathleen Rushall of Marsal Lyon. Kathleen sold Carol’s poetry collection, Cricket in the Thicket to Christy Ottaviano Books (her  imprint) with Henry Holt & Company. Melissa Sweet, who was featured on Illustrator Saturday has been contracted to do the illustrations.

At Knopf Books for Young Readers, Michele Burke has been promoted to senior editor and Allison Worchte moves up to editor. SO HAPPY FOR BOTH OF YOU!

Maria Ribas has been promoted to assistant editor at Harlequin Nonfiction and Harlequin Kimani.

NEWS:

Jonathan Cape Children‘s, which has been publishing new picture books and backlist titles by Roald Dahl and Joan Aiken, will now publish new fiction, led by Random House Children’s UK publisher Annie Eaton.

Penguin Australia announced it will rename its Books for Children & Young Adults as Penguin Young Readers.

Talk tomorrow,

Kathy