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One of the most challenging things about my doll-making business is taking accurate photos. Photos have improved since I invested in a photo light tent last autumn (the two homemade version I tried didn't work). Still, there are some felt shades that simply don't show up accurately and require Photoshop skills I do not have. When I presented to the NaturalKids Team my challenge regarding a recent doll I made, Daria of LaLa! Shoes revealed that she had extensive Photoshop skills and offered to help. She said that the human eye can register more color shades than a camera, and that it's even harder to reproduce those colors in prints. Daria is working on a tutorial for me so that I can learn to do the work myself, but in the meantime, she changed my lavender doll from this:
The doll is dressed in a pleasing shade of mauve; however the felt itself is not actually this color.
To this:
This orchid color is the true shade of the felt.
It is an odd construct that one has to edit a photo to make it an honest representation. Photography is both art and science.
I just realized that it's Crafty Thursday! For the most part, I've been working on small dolls for the class auction project, but I recently completed two larger dolls for a custom order, and was able to list some dolls in the shop as part of my Heralds of Spring 2010 Collection. The Spring equinox doesn't officially begin until March 20, but I am ready to be done with winter. Bulb flowers are peeping through the soil, the forsythia has bumps on its branches, and the flowering white currant bush has survived another year. (Unfortunately, the flowering red currant bush died in the heat wave last summer despite my hope that it had simply fainted.) I am bringing forth my spring collection in anticipation of the end of chills.
The Pussy Willow and Forsythia dolls have already sold, but as of today, the Daffodil is still in the shop, pictured with a thimble for size comparison:
Daffodil Doll With Basket
If you go to the listing, you'll see that the daffodil comes out of its ball of felt "dirt."
Here is the Forsythia Doll with Blossom Child:
And here is the Pussy Willow:
What are your favorite early spring flowers?
It's not "Crafty Thursday" anymore, but I was sick with strep throat all yesterday and missed out on most of the day. I'm recovering! So, here's my post:I'll admit that I didn't have anything particular planned to feature for Valentine's Day (over a month away, too), but when the team leader of NaturalKids announced a "Valentine's Day challenge" it occured to me that I could make little
Happy October! In a few days, Fire, the companion novel to Graceling by Kristin Cashore will finally be released. That's reason enough to celebrate. I'm also grateful for my regular bookstore gigs. As far as birthday parties go, the year 2009 has been sparse for me. I don't know how other local performers have fared, but in terms of library performances, I've noticed that the majority of
It's Crafty Thursday! I have four dolls to share with you today.I imagine the "Goth Waldorf Roses" as a group of creatively-inclined high school girls. Black Rose loves to make music, Blue Rose loves to write plays, and Purple Rose loves to paint pictures and tie-dye clothes. (They are nothing like that book series by what's-her-name. If you don't know what I'm talking about, you've made me happy
Here at last are the dolls I've been working on. The Royal Math Gnomes have been a project long in the making (and briefly halted when I wasn't able to sew), but are now finally listed in the shop. The hypertext links below the photos will take you directly to the shop listing:Royal Math GnomesI'm thinking of the Royal Math Gnomes as a showcase project. As promised, I've made a singular
I know, it's Friday. Between having my daughter with me all day long until French camp begins next week and preparing songs for French camp, I've had a full schedule. I've also started getting up early in the morning to exercise. That means going to bed early. Here and there, I've had some time to sew, and thus I finally created a set of royal "math gnomes" inspired by the Waldorf tradition of
Just so you know, Poor Robin, Blogapotamus Rex's joyful, colorful shop of button bracelets and other adornments is having a "Yart Sale" (yard+art) in which she is offering free shipping until Sunday, June 14. Blogapotamus is shipping from England. Even though I hardly wear jewelry these days, I gave into temptation and bought her Panic Under the Big Top bracelet with some of my shop earnings:I
I wonder if my shop will be able to exist past August 14, 2009. According to the Consumer Product Safety Improvement Act, by August 14, all items intended for children will need to have permanent tracking labels attached that indicate the source of the products, the dates of manufacture, and batch or run numbers. According to this article by Ron Chamrin, on May 13, the Consumer Product Safety
Goodness! That is quite a change...and it's rather nice that the doll's face is no longer greenish!
WOW. Wow, wow, wow.
I watch D. manipulate photographs taken in something called Raw -- and adjust the colors to match up to true white -- and it's always astounding how the color corrects. We don't use PhotoShop at all, but just that color balancing thing from the camera.... Sorry that I can't actually explain it; he'll have to tell you if it's something that might work for you.
Oh, yes - "raw" is a photo format (like jpg., tiff., psd., ...) - if you have a good camera and the program you can do the most difficult changes in that (mostly used in "high" photography - because it doesn't "ruin" the digital photo data as photoshop sometimes does raw format contains more photo data - very important if you scale a photo to a big poster format), and if the photo (colours, shades, contrasts) doesn't still look good enough you switch to Photoshop for further and most accurate corrections.
I didn't mention this at all because I'm not an expert in raw corrections (spoiled by my prepress colleagues who did this for me, I barely used it), and for what we need PS is good enough.
It will be interesting to combine both in a tutorial.
Daria
Charlotte: Greenish! Heavens, now I wonder how the rest of my dolls look on different monitors. ;) I wish I had a professional photographer on my staff, but then, I'd have to charge more per doll, and that makes no sense.
Tanita: Ah yes, I've tried the color balancing too, though my camera is nowhere near the calibre of D.'s. It is fascinating what can be done if one knows how to do it.
Daria: I look forward to this tutorial. You've got the challenge of explaining something so that a newbie can understand it.
Oui! I can't do it without you :)
Looking forward to our tutorials!
Photography is one of those things that eludes me. I don't have a terribly good eye is part of it. I can see the difference when you put two photos next to each other like that, but it's hard for me to look at a photo and imagine how I might improve it.
And what a gorgeous mauve it is....
See, the thing is that you're shooting with a camera very much like Tanita's camera, but we end up with good pictures from that, too, because we use the Canon Digital Photo Professional software on those, as well. My usual correction is to 1) tweak the contrast until it becomes clearer (powershots tend to make things a bit ... well, hazy), and then 2) tweak the brightness until it looks as I'd like, and finally 3) saturate the photo until it looks as I'd expected.
You're already shooting with a manual colorspace, so you don't need white adjustment. The only other thing I'd say is that you're shooting ISO 400, which, if you have a light box, shouldn't be the case: you should be shooting ISO 80 or 100, to get the most out of your shot.
As to Photoshop: I don't use it, ever, and uninstalled it long ago. It's way too complicated compared to Canon's software, and wouldn't give me anything more than I can get out of Canon's software, in particular because I'm looking for things to look real, not doctored up.
Truly: Canon's software would be about a 20-second adjustment & then you could copy that recipe to all of the remaining pictures & bob's your uncle (you unfortunate soul).
David: Thank you! I was hoping you'd come in on this discussion. I'd been experimenting with the ISOs, and found that I got better colors with 80 or 100, but then discovered that the embroidery details were showing up fuzzy. Getting good color, light, detail, etc. feels like the "putting the octopus to bed" scenario.
By the way, ever since you told me about taking photos of subjects where they're looking up at the camera in order to produce the best jawline, I have been more satisfied with the few photos taken of me. I like having a good side, as it were.
Hmm. That makes me wonder whether you're mounted on a tripod when shooting these shots. The blur could be caused by camera shake (if not on a tripod) or from a very wide aperture. If that's the case, it'll be a matter of tinkering with things until you can get it to shoot with a narrow aperture, so that it gives you more depth-of-field in your pictures. Are you, by chance, shooting in "macro" mode?
So much automation in the cameras leads to difficulty in achieving what you're after. It's a paradox, really, that the "high end" cameras give you more options, because it'd be just as easy to learn how to get good shots using old-school techniques as it is to paw through the stupid manual, trying to figure out how to set the aperture to f11 (for example).
I grew so frustrated w/ Tanita's camera that I hacked the software (Canon Hack Development Kit) in order to get it to behave like a camera instead of second-guessing me all the time. Annoying things, telling you what you should be doing, grumble grumble....
Glad you're happier with your face shots!
Tell me what camera settings you're using & I'll see if I can find the manual online somewhere & figure out what you should be using.
David: To answer your questions, I am using a tripod and macro mode, and set the timer to 2 seconds so that I'm not touching the camera when it takes the photos. I wish that I could just hand the camera over to you to take a look-- however, I do have a clear manual, so I can look things up again when I get home. I wonder if I can make the aperture narrower. The camera that you used to take the video of Tanita and me several years ago in the airport is not the one I have now. The camera I have now is technically not as sophisticated as the one I passed along to my mom, but it is easier and more intuitive to use.
To sum up, here are the camera settings I've used:
Tungsten setting to get rid of the yellow tints, though recently finding out how to set the white balance has helped with that.
200-400 ISO.
Macro setting almost all the time.
Light metering goes up to +1 depending upon the background.
Two second timer.
No flash (of course).
Lighting is a bit sketchy-- I don't remember how bright the lamps I'm using are, but there are two white light lamps clamp-mounted on either side of the table and a natural light lightbulb in the lamp hanging above the table. I know one is not supposed to mix the lights, but it does seem that natural lights don't make much of a difference in the light tent.
Thank you so much.
OK, it's the macro mode which is giving you the wide aperture: macro is for taking pictures with a very narrow depth-of-field, and for blurring out the background.
If you were to shoot ISO 80, just a regular shot, you'd probably turn out just fine, as far as the sharpness of the picture goes.
If you've already set the white balance, then you're nearly all the way there. The only other thing I'd say is to set your pictures to be a bit higher in contrast & a bit more saturated with color.
As to putting it on a 2-second timer, if your camera's like Tanita's, then it has image stabilization built in, so there should be no problem with just taking the picture, particularly if you've got the picture in a light-box.
I've just left a comment on someone else's blog about comments can add so much to a blog post so it's funny to see it in action here! I love your before and after photos, and I love the comments here - all so informative.