By: Gigi Little,
on 12/7/2014
No, I'm sorry, it's impossible. The best kids' books of 2014? The best? Can't do it. There have been entirely too many exceptional examples of the smart, the hilarious, the exciting, the heartfelt, and the downright weird. To think we could pick just a handful and call them the absolute best for the whole 12 [...]
By: Catherine Nichols,
on 7/24/2014
By: Kenneth Kit Lamug,
on 4/7/2014
From forty-five talented and prolific DreamWorks Studio Art Directors, Character Designers, Production Designers and Visual Development Artists comes the first title of its kind in which an Animation studio creates a book showcasing the art work that its artists create for the sake of creation.
Moonshine features artwork that is made during the precious little time of day when the contributors are not working on stunning upcoming movies such as Puss in Boots, The Croods, Kung Fu Panda: The Kaboom of Doom, Megamind, Guardians, Scared Shrekless and Kung Fu Panda Holiday; these artists amaze us with their individualistically styled images that they create after dark at DreamWorks Studios.
Get it on Amazon:
MOONSHINE: DREAMWORKS ARTISTS…AFTER DARK!
Happy Perfect Picture Book Friday, Everyone!
It's been a couple weeks!
What with the March Madness Writing Contest and all the long posts for the finalists and the winners, etc., I think we could all use a break. So today I'm going to do my best to be brief :)
I hope you all enjoy this picture book as much as I do :)
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| Here the girl plays with Sparky and introduces us to Mary Potts |
By: Gigi Little,
on 3/10/2014
Sparky the sloth can play dead! He can also do countless other tricks! Like play dead! And sleep! With lovely, quirky illustrations, Sparky! is a sweet, quiet, funny story about coming to love someone even when they don’t turn out to be who you expected. Books mentioned in this post Portland Noir (Akashic Noir) Kevin [...]
By: Betsy Bird,
on 3/8/2014
Sparky!
By Jenny Offill
Illustrated by Chris Appelhans
Schwartz & Wade (an imprint of Random House)
$16.99
ISBN: 978-0-375-87023-1
Ages 4-8
On shelves March 11th
The sloth is not a noble animal. Few people spend time contemplating their heroic qualities and distinguished countenances. Had I an Oxford English Dictionary on hand I’d be mighty interested to learn whether or not the term “sloth” as in “a habitual disinclination to exertion” was inspired by the tropical, slow-moving animal or if it was the other way around. Perhaps it is because of this that we don’t see them starring in too many picture books for kids. Sure you’ll get the occasional Lost Sloth by J. Otto Seibold, A Little Book of Sloth by Lucy Cooke, or even Slowly Slowly Slowly, Said the Sloth by Eric Carle, but unlike other animals there is no great slothian icon. When you say “sloth” to the average person on the street, they don’t instantly think of a famous one. Sparky! may come close to changing that. Tongue planted firmly in cheek, the sublime and subversive Jenny Offill pairs with first timer Chris Appelhans to give us a subdued but strangely content little tale about that most classic of all friendships: a girl and her sloth.
“You can have any pet you want as long as it doesn’t need to be walked or bathed or fed.” Our heroine’s mom probably regrets telling this to her daughter but it’s too late now. The minute she said it the girl headed straight to the library and there, in the S volume of the Animal Encyclopedia, she learned about sloths. In no time at all one appears via Express Mail and she names him Sparky (thereby giving away the fact that she harbors impossible sloth-related dreams). Her know-it-all neighbor Mary Potts is not impressed, so our heroine determines to show off her pet in a “Trained Sloth Extravaganza”. Naturally, this does not go as planned, but even after everyone has left and it’s just her and Sparky, she can’t help but love the little guy. With a quick tag to his claw she makes it clear that he is it. “And for a long, long time he was.”
I was talking with some folks about picture books earlier today and in the course of our conversation I discovered something interesting about the way I judge them. While art is definitely something I take into account when I decide to love or loathe an illustrated work for kids, it’s the writing that always tips the balance. I’d read some of Offill’s picture books before and while I liked them fine they did not inspire in me the kind of rabid fan response I’ve seen other librarians profess thanks to 17 Things I’m Not Allowed to Do Anymore. Sparky! is different. Here, the book cuts to the chase right at the start. Our heroine (who remains unnamed throughout) makes it clear that her raison d’être is to have a pet. When Sparky arrives she pours herself into his care, never mind that he’s about as needy as a houseplant in this regard. There was something so enticing about her cheery demeanor, even in the face of cold hard facts. Her mother right from the get-go also has this world-weary air that suggests more than it tells. As for the repeated lines of “a promise is a promise”, it’s a line that clearly reflects our heroine’s worldview. The combination of wordplay and story definitely made this one of the more interesting picture books I’d seen in a while.
Illustrator Chris Appelhans comes to us from the world of animation, having worked on such films as Coraline and The Fantastic Mr. Fox. Comparisons to Jon Klassen, another animation escapee, are not entirely out of left field either. Like Klassen, Appelhans prefers a subdued style with a limited palette. He knows how to get a great deal of humor out of a character’s lack of movement and emotion. The sequence where the girl plays everything from King of the Mountain to Hide-and-Seek with Sparky would not work particularly well unless Appelhans utilized this technique. Add in the funny little story and I’m sure you’ll hear a lot of folks comparing this to Extra Yarn or something equally wry. That said, Appelhans is his own man. Emotion, for example, is something he alludes to beautifully. Note the bags of worry under Sparky’s eyes. I’ve never quite known what to call these, but they show up periodically in books and comics for kids. They’re great character reference points. The kind of bags that Charlie Brown would sport. Here, they suggest more about Sparky’s state of mind than anything else.
Note that Publishers Weekly was not charmed by Sparky! In fact, Publishers Weekly was pretty much bummed out by the whole experience of reading the book at all. Talking about it, they dowsed their review with words like “glum”, “lonely”, “miserable”, and (my personal favorite) “burdened with pathos”. A reading of this sort happens when you walk into the book expecting it to cater to your already existing expectations about what “pet” books should do. Where PW found the book depressing, I found it smart and serious. Yep, Sparky looks mildly perturbed for most of the book, but that’s only when he’s taken out of his natural environment. The very last image in the book of him finally getting to lie in his tree next to his girl is the only time we ever see him smile. As for the girl herself, she knows perfectly well what she got herself into and why her dream of getting him to perform fell through. And she’s a happier person than the seemingly self-assured Mary Potts, that’s for sure, having a fair amount in common with Calvin from Calvin & Hobbes. As such, this isn’t the downer fare you’d necessarily expect.
The School Library Journal review, for that matter, did a small bit of hand wringing over whether or not children would come away from this book with the clearly misbegotten understanding that having a sloth for a pet would be fun. Since this is a work of fiction (and the underground sloth procurement market remaining, for the most part, elusive to their needs) I hardly think we need fret about whether or not kids will take the wrong message away from Sparky! After all, it makes sloth ownership look just about as appealing as whale ownership in Billy Twitters and His Blue Whale Problem. Sparky is awfully cute but as our heroine is quick to learn, he’s not about to do much of anything he doesn’t want to do. The only time he does something the heroine suggests, it’s when he munches slowly on a cookie she’s offered him (and then proceeds to take back when it’s clear he’s going to take all day with it).
It’s a much quieter picture book than those full of glam and glitz, cluttering up our shelves. Like its color scheme Sparky! suggests that pet ownership is not a predictable path. Or maybe it’s saying that imposing your will on others, particularly the barely sentient, isn’t the way to go. Or maybe it’s just a funny book about a funny sloth. That works too. However you look at it, there’s no denying that though it’s a silly idea (telegraphed by the silly contrast between the title and explanation mark and the cover image) with a slow, steady feel and delightful premise. You read into the book what you want to read into it. For me, that means reading into it a great story with beautiful art (that final sunset is a doozy), and likable characters. What more need you in life?
On shelves March 11th
Source: Galley sent from publisher for review.
Like This? Then Try:
Professional Reviews:
By: John,
on 11/16/2009
Chris Appelhans has posted some lovely concept art for Wes Anderson’s Fantastic Mr. Fox. So great!
And if you missed it, check out my interview with Fantastic Mr. Fox storyboard artist Christian De Vita.
Posted by John Martz on Drawn! The Illustration and Cartooning Blog |
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Tags: Animation, Chris Appelhans, concept art, Fantastic Mr. Fox
By: John,
on 2/23/2009
No, it’s not the missed opportunity that’s currently being sold on the bookshelves. If you’ve had the unfortunate opportunity to thumb through that book, you would’ve surmised that the only artist that worked on pre-production for Coraline was Japanese illustrator Tadahiro Uesugi. While we know that Tadahiro’s work is brilliant, the ‘visual companion’ is a complete slap in the face to all the other artists who worked on the production. Have no fear, though. The best way to see pre-production art of Coraline is to view it online. Here, I’ve created a nice tour of sorts for you (click on each name for much more art):
First up, early character and conceptual work by Dan Krall. Ronald Searle is definitely an influence:
Next, we visit Chris Appelhans for some visual development and color studies. The artists’ were definitely using Tadahiro as a point of reference:
More visual development, color studies, & props by Jon Klassen. Beautiful work, with a great sense of space and color:
Now, check out the fantastic character designs by Shane Prigmore:
More great character development by Shannon Tindle:
Stef Choi also did some early concept sketches. Check out the cute, little garden characters. Here’s a shot of Coraline & her mom:
Finally, gorgeous sculptures of all the Coraline puppets by Damon Bard. Be sure to check out all his galleries while you’re visiting his site. Incredibly talented guy:
In fact, there was a great deal of other incredibly talented people who worked on the film, but were never mentioned in the book. Vera Brosgol, Graham Annable, and Andy Schuhler, among others. (UPDATE: Katy Wu is another vis-dev artist.) Shane Prigmore does a great job listing more of the artists responsible for the look & style of the film. Be sure and check out all their hard work.
UPDATE: Kevin Dart just informed me that Chris Turnham has started up a blog for Coraline production art. Chris did some extensive work on the Fantastic Garden sequence:
Hope you enjoyed the tour. Come back again soon.
Related:
Coraline Artist Panel at Nucleus
The Marketing of Coraline
Coraline Site Up
Oh how I love a good etymology question! The word “sloth” comes from the Old English method of turning an adjective into a noun by adding -th. (Think “strong” to “strength” or “deep” to “depth”) Thus, “sloth” is the noun version of “slow.” The animal, a central and South American native, earned the name Sloth as English speakers attempted to translate the Portugese name, “preguiça,” which means “laziness.” Considering the Portuguese is derived from Latin, and there were no sloths in Europe, I think it’s safe to say the animal earned the name rather than inspired it.
Thank you! Precisely what I was wondering. Complete with the Portugese name, no less. Wow! Much obliged.
Yes! Thank you! I think this book is completely brilliant and it paints me that reviewers would suggest otherwise. This is what I want out of a picture book: exactly what author & illustrator provide in their beautiful dance here, and exactly what you call out for deserving praise. Both the concept and the execution are brilliant and lines like “and for a long, long time he was.” are picture book perfection. In my humble opinion. Of course, I do love 17 Things I’m Not Allowed To Do Anymore, but it makes me kind of crazy when reviewers suggest that a child would draw literal conclusions from fictional works… the kids I know would no sooner write reports about beavers crossing the Delaware than beg for a sloth. But maybe, just maybe, they might indulge in a little creative writing of their own, after something like this sparked (pun intended) their imagination.
*pains me! (not “paints me”… erg!)