My publisher, Black Lawrence Press,
has announced that for every book they sell through their website from now through the end of the year, they will donate $1 to the American Civil Liberties Union.
I will match this for my own book,
Blood: Stories, meaning that every copy sold through the BLP website will also send $2 to the ACLU.
I'm an ACLU member, and pleased with this choice of an organization to support because so many of BLP's authors are among the groups targeted by harassment, civil rights violations, and hate crimes — all of which are
on the rise and likely to continue rising.
In the
Weird Fiction Review conversation I had with Eric Schaller, Eric asked me to talk a bit about designing the cover of
Blood: Stories, and in my recent
WROTE Podcast conversation, I mentioned an alternate version of the cover that starred Ronald Reagan (this was, in fact, the cover that my publisher originally thought we should use, until she couldn't get the image we ended up using out of her mind).
I thought it might be fun to share some of the mock-ups I did that we didn't use — the covers that might have been...
Front(click on images to see them larger)
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| 1a |
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| 1b |
1a & 1b. These two are variations on an early design I did, the first one that seemed to work well, after numerous attempts which all turned out to be ghastly (in a bad way). 1b for a while was a top contender for the cover.
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| 2 |
2. I always liked the idea of this cover ... and always hated the actual look of it.
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| 3 |
3. I made this one fairly early in the process, using the
Robert Cornelius portrait that is supposedly the first photographic portrait of a person ever made. It ended up being my 3rd choice for the final cover. I love the colors and the eeriness of it.
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4. This never had a chance of being the actual cover, but I love it for the advertisement alone. As far as I can tell, that was a real ad for revolvers.
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5. The inset picture is one I took in my own front yard. I like this cover quite a bit, but there's too much of a noir feel to it for the book, which isn't very noir.
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6. Here it is, the Cover That Almost Was. The image is a publicity photo from one of Ronald Reagan's movies.
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| 7b |
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| 7c |
7a, 7b, 7c. Once I found
the Joseph Maclise image, I immediately thought I'd found the perfect illustration for the book. It took a long time and innumerable tries to figure out the final version, but it was worth the effort.
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| Actual cover |
Back
Though the book designer Amy Freels ultimately did the back cover herself, I gave it a stab. As you'll see, we went back and forth on whether to use all of the blurbs or just Chris Barzak's and put the other blurbs on an inside page.
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1-7. These are a bunch of early attempts. None quite works (some
really don't work), and they would have all felt sharply separate from the front cover. We had lots of conversations about #4, though, as the publisher was quite attracted to the simplicity and boldness of it for a while.
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8-14. I love these, but they're all too complex for the back cover. As images, though, they still appeal to me deeply. I also like that they use
the Alejandro Canedo (or Cañedo) painting from Astounding (September 1947) that plays such an important role in the story "Where's the Rest of Me", though I also know we probably would have had to figure out how to get the rights to use it, and that could be a huge headache and a wild goose chase.
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| Full, final cover |
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