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While it is obvious that Shakespeare drew a tremendous amount of inspiration from Christopher Marlowe (note the effect of The Jew of Malta, Hero and Leander, and Tamburlaine on The Merchant of Venice, As You Like It, and Shakespeare's history plays, respectively), this kind of borrowing and [...]
The post Shakespeare’s contemporaries and collaborators [infographic] appeared first on OUPblog.
In the sixteenth and early seventeenth centuries, Shakespeare's plays were performed at professional playhouses such as the Globe and the Rose, as well as at the Inns of Court, the houses of noblemen, and at the Queen's palace. In fact, the playing company The Queen's Men was formed at the express command of Elizabeth I to [...]
The post Shakespeare and performance: the 16th century to today [infographic] appeared first on OUPblog.
Fools, or jesters, would have been known by many of those in Shakespeare's contemporary audience, as they were often kept by the royal court, and some rich households, to act as entertainers. They were male, as were the actors, and would wear flamboyant clothing and carry a ‘bauble’ or carved stick, to use in their jokes.
The post Shakespeare’s clowns and fools [infographic] appeared first on OUPblog.
We’ve heard a lot lately about what Shakespeare would do. He’d be kind to migrants, for instance, because of this passage from the unpublished collaborative play ‘Sir Thomas More’ often attributed to him: 'Imagine that you see the wretched stranger / Their babies at their backs, with their poor luggage / Plodding to th’ports and coasts for transportation (Scene 6: 84-6).
The post What would Shakespeare do? appeared first on OUPblog.
