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One of the things authors are frequently asked is if they’ve always wanted to be a writer. I feel a little guilty when I see people affirm that yes, as soon as they were able to hold a crayon, they were scribbling the toddler equivalent of Dostoyevsky. What I really wanted to be was either a nun or an NFL quarterback. For a host of reasons, those professions were sadly never in the cards for me, so my parents thought a lawyer would be the perfect career fit for me—it might have had something to do with my ability to argue my way out of being grounded. Yet that profession never resonated with me, and then several things happened within a couple years time.

I read the book Go Ask Alice about a troubled teen’s spiral through drug use and eventual (spoiler alert) death. I remember thinking that maybe she would have chosen a different path if she’d had some better help. I’d always been fascinated by why people make the choices they make and why they act in certain ways. When I got to high school and took an advanced psychology course, I was hooked. I went to college and majored in Psychology, followed by graduate school and a Ph.D. in Clinical Psychology. One of my first jobs was as a therapist then manager of a locked adolescent girls’ unit, many of whom were committed there by youth corrections. I loved that job and knew that psychology was a perfect fit for me.

However, all that isn’t to say that I didn’t dabble in writing thought my life. My mom says I wrote my first picture book in Kindergarten and once hauled it out of storage to prove it. I began my first “novel” around age 9 on a cursive typewriter, yet instead of Dostoyevsky, it was Nancy Drew fan fiction. I started a school newspaper in elementary school and was “chief editor,” which primarily involved discussing whether pizza or chicken nuggets was the better lunch option. Then, aside from some angsty teenage poetry, I didn’t write much until a creative writing class in college. When my teacher asked if she could keep my short story and make copies to hand out to future classes, I was flattered but still never thought of writing as more than “fun.”

So I grew up became a psychologist and wrote hundreds of evaluations, reports, and papers over the years, but nothing creative. It wasn’t until I had children that the urge to write fiction hit, and hit hard. I found a critique group, joined SCBWI and had my first few picture books written within weeks. My group said my “voice” sounded older and suggested I try YA. I thought “sure, why not?” and wrote my first YA novel within a few months. It was so hard yet so much fun. I’m sure people don’t believe me when I say that writing a publishable novel was harder than getting my Ph.D. but it’s true. When my agent in New York called to say that Egmont bought my novel, along with an unwritten sequel (which is obviously written now since it releases in April), I had to pinch myself. I know I’ll never stop writing, and my psychology background helps inform the characterization and motivations in my novels. It’s been a great marriage of careers and I’ve made sure to tell my own children that just because something is “fun,” doesn’t mean you can’t make it a profession.

Kristi Helvig is a Ph.D. clinical psychologist turned sci-fi/fantasy author. Her first novel, BURN OUT (Egmont USA), which Kirkus Reviews called “a scorching series opener not to be missed,” follows 17-year-old Tora Reynolds, one of Earth’s last survivors, when our sun burns out early. In the sequel, STRANGE SKIES, released 4/28/2015, Tora makes it to a new planet only to discover a whole new host of problems—and the same people who still want her dead. Order Kristi’s books through Amazon, Barnes and Noble, or your favorite local retailer. Kristi muses about Star Trek, space monkeys, and other assorted topics on her blog and Twitter . You can also find her on Facebook. Kristi resides in sunny Colorado with her hubby, two kiddos, and behaviorally-challenged dogs.

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I’m happy to be able to talk with Kristi Helvig about her writing, writing process, and her new YA sci-fi suspense Burn Out.

In Burn Out: Most people want to save the world; seventeen-year-old Tora Reynolds just wants to get the hell off of it. One of the last survivors in Earth’s final years, Tora yearns to escape the wasteland her planet has become after the sun turns “red giant,” but discovers her fellow survivors are even deadlier than the hostile environment.

How did you get your book contract for Burn Out? Did a publisher find you in the slush pile, or did you have an agent who submitted for you?

My fabulous agent, Jess Regel, submitted BURN OUT for me and I feel so incredibly grateful that I ended up with my publisher, Egmont USA. It’s been such a collaborative and wonderful learning process.

That was smart to get an agent first, to help you navigate the publishing world.

In Burn Out, Tora lives in a world where the sun is dying and the struggle to survive is hard. What made you want to write in that setting?

It wasn’t so much a want as a compulsion. I dreamt the plot of the book after watching a science documentary about our sun burning out, and I’d say the setting chose me rather than vice versa.

Wow, that sounds like an intense dream and inspiration.

Tora seems like a strong-girl character. Was that important to you?

Well, Tora was the girl in the dream I had that night so I watched her living in extreme conditions (it was one of those dreams that felt like it lasted the whole night), and woke up in complete awe of how she survived in a world like that. She kept talking to me that entire next day and refused to leave me alone until I started telling her story.

What character or part of the book has the most of you in it?

Probably the beginning of the book where Tora has been alone for months with only her thoughts, and books, for company. While I’ve never experienced that, I love being alone, and the idea of reading all the books I want without interruption is beyond exciting. I’m also sarcastic by nature, so Tora’s sarcasm came very easily to me.

I love being alone, too, and reading as much as I can. (smiling)

What was hardest scene for you to write in Burn Out? What was the most rewarding?

Without giving away spoilers, the hardest scene to write was when Tora realized what really happened to her sister. I felt her pain and grief in my gut as I wrote that scene. The most rewarding was the scene where she and James loaded guns out of the hidden weapons room. An unexpected intimacy occurred between them in that moment that I didn’t see coming and made me root for them.

I think that makes powerful writing, when we feel the emotion we’re writing about.

One last question–why do you write?

This sounds simplistic, but I write because it makes me happy. It allows the characters in my head the space to come out into the world and tell their story. As soon as I finish one story, new people visit my brain and insist it’s their turn for their story to be told. I feel less like a novelist and more like a conduit for these voices from other realms, and I couldn’t imagine doing anything else.

I hear you, Kristi! Writing helps me, too, and I wouldn’t feel right if I couldn’t write.



Kristi’s interview was part of a Spring Fling Tour organized by Nikki Wang at Fiction Freak. I asked all the authors one extra question: What did you do to celebrate when you found out you’d gotten your book contract?

Kristi Helvig: When I found out that BURN OUT and the sequel sold, it was a Friday morning, so we lined up a sitter for that night and went out to our fave restaurant, The White Chocolate Grill, to celebrate.

Amy Rolland: When I found out I’d gotten a contract, I didn’t quite believe it was real. I called the few people who knew I’d been secretly writing for the past few years, but I didn’t do any crazy celebrating because I’m such a cynic. If the contract fell through or if the book flopped, I’d feel silly for celebrating. (I keep waiting for the bottom to fall out.)

Anne Blankman: This will probably sound terrible, but I can’t remember what I did to celebrate–my family and I probably went out to dinner. What I remember best is the moment my agent called to tell me about the book offer. After I hung up, I told the good news to my then-three-year-old daughter. She had no idea what was going, but she could tell it was good, so she started jumping around the room, cheering, “Party for Mommy!” It was so cute.

Bethany Crandell: As soon as I regained consciousness, I took my family to Disneyland for the weekend. Nothing says celebration like standing in never-ending lines with irritable children.

Spring Fling Tour Schedule:
May 12–Bethany Crandell at Adventures of a Book Junkie
May 13–Anne Blankman at Read My Breath Away
May 14–Kristi Helvig at my blog right here
May 15–Amy Rolland at Read. Sleep.Repeat

Spring Fling Twitter Party Info:
The twitter party will be held on May 15 with the hashtag #YASpringFling. 8:30 PM EST to 9:30 PM EST. There will be prizes donated by the spotlighted YA Valentines and the four Spring Formal authors will also be attending! We’ll also be handing out virtual cookies, of course!

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Kristi Helvig will be at the Denver Comic Con June 13-15th along with William Shatner, Adam West, LaVar Burton, Johnathan Frakes, and Michael Dorn! It will be held at the Denver Convention Center.

Kristi Helvig is a Ph.D. clinical psychologist turned sci-fi/fantasy author. She muses about Star Trek, space monkeys, and other assorted topics on her blog and Twitter. Kristi resides in sunny Colorado with her hubby, two kiddos, and behaviorally-challenged dogs. Grab a copy of BURN OUT on Amazon, Indiebound, or Barnes & Noble.

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Writer Kristi Helvig makes her authorial debut with her young adult sci-fi novel “Burn Out” (Egmont USA) in spring 2014.

Helvig was born in North Carolina and grew up in Delaware. She holds a Ph.D. in clinical psychology from Nova Southeastern University in Davie, Fla. She has spent her career in Colorado as a successful clinical psychologist and life coach. She regularly gives lectures
as a professional psychologist and visits schools where she talks with students about books and publishing.

Helvig has contributed as a guest blogger at LiteraryRambles.com and keeps her own blog updated with musings about “Star Trek,” space monkeys, books and other assorted topics.

The geek-for-science-fiction lives outside of Denver, Colo., with her husband of 17 years, two children and their behaviorally challenged dogs. In her spare time, Helvig practices yoga, hikes and loves trying new wines.

Visit Kristi online at http://www.kristihelvig.com/

How did you research the true science involved in “Burn Out?”

Google is a writer’s best friend and I always start there, but it can only take you so far. I watched a lot of documentaries on NatGeo, Science Channel, etc. and then contacted an astrophysics department at a large university. Nothing beats talking to experts in the field, and I was flattered that they took time out of their busy schedules to help me.

As you were learning about these scientific concepts, was there anything that surprised you?

I learned that sending all the world’s nuclear weapons into the sun wouldn’t cause it to burn out. Who knew? Finding a plausible way for the sun to burn out early was challenging, and where I definitely relied on assistance from astrophysicists.

Tell us about the themes you explored in the book and what you hope they mean to readers.

Trust is a huge theme throughout the book, as well as how to move forward after devastating losses. Weapons also play a big role in the book. New technology in my main character’s world has allowed for smarter, more lethal guns and she struggles with their impact on Earth’s remaining survivors.

Did your work as a clinical psychologist influence your writing?

Absolutely. I’ve seen hundreds of clients over the years and though everyone processes events according to their unique perspective, the experiences of love, fear, pain, and loss are common to humanity. It’s interesting to see how people interpret life events within their own personal construct.

What do you like about writing science fiction?

That’s easy. I get to make up whole new worlds and then see what happens when I let characters loose in them. It’s creative and fun, and I get paid to do it. I couldn’t imagine anything better.

What advice do you have for other aspiring writers?

Never give up. Eat lots of chocolate. Drink lots of wine. Seriously though, the most important thing is to keep writing and find some good, honest critique partners…and then listen to them. Always strive to improve your craft. Read a lot. Reading is just as important to me as writing.

If your book were turned into a movie, who would you like to see play Tora, Markus and James?

What a fun question! I think Emily Browning would make a kick-ass Tora, and Skylar Astin as Markus would be awesome. James is tougher. Either Cam Gigandet or Alexander Ludwig is close to how I pictured James as I wrote him.

Who are some of your favorite science fiction and fantasy writers?

Lois Lowry, Madeleine L’Engle, Isaac Asimov, and Ray Bradbury to name a few. Additionally, though they’re not straight sci-fi writers, Neil Gaiman and Stephen King have had a huge influence on me.

What’s the best compliment you’ve received about your book so far?

My favorite so far was when a fellow author told me how much she loved my main character, Tora, and called her “the female Han Solo.” You can’t get a cooler compliment than that.

Is there a second “Burn Out” book in the works?

Yes, I’m hard at work on the second book, and I’m having a blast with it.

Hardcover, $17.99; eBook, $13.07
ISBN: 978-1606844793
Young Adult Science Fiction, 272 pages
Egmont USA, April 8, 2014

Purchase here!

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I'm so excited to be asked to participate in The Next Big Thing Blog Hop. I've been tagged by the awesome Phil Siegel to answer a few questions about my debut novel coming in 2014. Here goes:

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Last spring some library school students asked me how to avoid burn-out. We’d been talking in class about all of the activities that librarians serving teens needed to be involved in – collection development, advocacy, programming, management, outreach, personal professional development, technology, and so on. When I was asked the question I had to stop for a little while and think about my answer. Here’s how I did answer:

• Be involved in professional organizations that help you to re-energize by talking to others outside of your personal work location. Talk with those in these organizations about library and non-library topics. When I talked about this with students it became very clear to me that this is a key piece of my involvement in YALSA. It’s through my active participation in the association that I am able to keep refreshed and excited about teens and teen library services. I am always talking with other YALSA members about new ideas, ways to overcome challenges, the positives of teens, and so on. As a result I don’t get burned-out I get excited by possibilities.  National, local, and regional organizations can all provide refreshing opportunities for those working in teen services.
• Don’t take things personally.  Some days may be really hard. The teens, administration, colleagues, community members, parents, teachers, everyone might seem like they are against YOU. But, they are not. They might have trouble understanding an idea you want to work on or provide the support you think is necessary. But, it’s about the ideas and the support not about YOU as the person initiating those ideas and looking for that support.
• Do new things. This is actually something that should be pretty easy when working with teens. Since trends and interests of the age group change regularly it’s possible to frequently update collections, programs, initiatives, and so on. I know it’s easy to get into a rut and repeat what you’ve done before. I know that by doing what’s been successful at another time you don’t have to spend as much time planning and implementing something new. However, if what you do becomes rote and old-hat then it can become boring to you and stale to teens. By doing new things as much as possible, it’s possible to get excited all over again, every day, about teens and teen services.
• Take risks that give you the opportunity to try new things and get ideas about how best to serve teens in the community.  Risks can be scary, but if you go into endeavors that seem risky with the knowledge and understanding that it’s OK to make mistakes in order to learn what will be successful with teens, then you can look at risk-taking as a way to improve service. Not all risks are worth taking, but don’t treat all risks as something that should never be done. Analyze each risky possibility and go forward with some of them.
• Don’t let history rule your library life. What this means is to be careful not to think, “Oh we tried that and it didn’t work.” Or, “The director has vetoed this kind of thing before so I’m not even going to attempt getting it going again.” The thing is, you never know. Maybe the first time you tried that program that didn’t work you and the teens didn’t have all of the pieces you needed in order to make it a success. Or, maybe since you talked with the director about an idea last time he’s had some new information or has been thinking about it and has changed his mind. You won’t know unless you give up history and try again.
• Talk to teens all the time. As you no doubt know, the excitement and energy of teens can be contagious and invigorating. Also, teens will have lots of fun, interesting, cool, exciting and possible ideas for you to work on with them. Listen to wh
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