Tales of wonder usually have happy endings. They may have danger and darkness, forbidden places and strange creatures, witches and cruel magic...but wonder tales -- fairy tales -- do have happy endings...with very few exceptions. The journey may be fearsome, but salvation and awakenings occur in the end...and these stories endure forever.

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Beauty, Horror, and Ignition Power...

Enchanted Hunters, The Power of Stories in Childhood by Maria Tatar, takes the reader on a wonderful journey through children's literature.

In the chapter entitled, Beauty , Horror and Ignition Power, she writes about the effect of wonder tales on the imagination of children, including the balance between the dark side and positive endings. Here are excerpts..."We rarely worry about the effects of beauty, but horror is another matter...with an allure all its own, horror has the power to frighten as well as to fascinate...how much do we want children to find in their stories and how soon?..." 

Tatar then illustrates the idea of too much horror with "Hans Christian Anderson's 'The Girl Who Trod On The Loaf', a tale that revels in torturing Inger, the 'girl' in the title." Tatar then writes, by contrast. of three classic tales  where all ends well. 

 "By contrast,'Little Red Riding Hood', 'Hansel and Gretel', and 'Snow White' begin with the child as victim, but they end with the triumph of the underdog and the punishment of the villain. 'Children know something they can't tell; they like Red Riding Hood and the wolf in bed' Djuna Barnes once declared. Fairy tales and fantasy enact perils and display horrors, but they always show a way out, allowing children to explore great existential mysteries that are far more disturbing when they remain abstract and uncharted rather than take the concrete form of the story."

The illustration of Little Red Riding Hood is by Hermann Vogel.

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The Defining Dynamic of the Fairytale      

Amanda Craig,is an acclaimed British novelist,  journalist, and  children's book reviewer. The following excerpt is from her insightful review of Marina Warner's "Once Upon A Time, A Short History of the Fairy Tale", in the Guardian   

"One of the most interesting aspects of reworking fairytales is that it tends to be practised by idealists and reformers, whether devout Christians, such as CS Lewis, or socialists, such as JK Rowling. The defining dynamic of the fairy tale is optimism (as opposed to the tragic tendencies of the myth), but this has encouraged bowdlerisations from the dark and gruesome aspects of many originals – Dickens hated the way the illustrator George Cruikshank softened stories, the brothers Grimm tinkered to “excuse the men and blame the women”, and the ambiguity of the fairytale led to them being twisted into Nazi propaganda, with Little Red Riding Hood being saved from a Semitic wolf.

Happily, they have also been transmuted by modern feminism: Neil Gaiman’s striking novella, The Sleeper and the Spindle... conflates and subverts Snow White and Sleeping Beauty into a tale of female courage and choice..." Read it all in the Guardian   

The illustration from Tom Thumb is by Warwick Goble.

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Where the Light is Golden...

“October knew, of course, that the action of turning a page, of ending a chapter or of shutting a book, did not end a tale. Having admitted that, he would also avow that happy endings were never difficult to find: "It is simply a matter," he explained to April, "of finding a sunny place in a garden, where the light is golden and the grass is soft; somewhere to rest, to stop reading, and to be content.” ― Neil Gaiman, The Sandman, Vol. 4: Season of Mists

Illustration by Mike Dringenberg or Kelly Jones .

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 Humane Society of Missouri

The Humane Society of Missouri helps more than 85,000 homeless, abused and unwanted animals each year. Here is their mission statement:

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 "Perfect for Me"

"Wulff`s heartwarming stories about a household of misfit dogs, reminds me that family can include the four-legged variety, as well as the two-legged. Her simple affirmation that "My dogs are not perfect.... but they are perfect for me," guides the telling of these gentle stories. For dog lovers everywhere."

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Dr. Seuss’ ‘What Pet Should I Get?’

"First, though, the book itself: It features a round-faced brother and sister — his close-
cropped hair is bristly on top, she has a long, wispy ponytail — who enter a pet store excited about the prospect of taking a new animal home. 'Dad said we could get one./ Dad said he would pay,' the boy exclaims. Inside, they confront a head-­spinning lineup of choices. Also, they don’t have much time — their mother has told them to be home by noon. A few pages into their predicament and again toward the end, the words MAKE UP YOUR MIND charge across the top of a two-page spread, each held aloft by a different invented Seussian creature — ­floppy-limbed, scruffy-coated, oddly proportioned, jubilantly weird. On one of those pages, the boy sums up the book’s central point in a deceptively innocent lament: 'Oh, boy! It is something to make a mind up!' ” 

Here is a link to read all of Russo's article: SUNDAY BOOK REVIEW

Here's a link to a delightful and informative Dr.Seuss Today Show  report on the new book, Theodore Geisel, his widow, his personal assistant, and his publisher.  

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Winnie-the-Pooh

"To the uneducated, an A is just three sticks."

“People say nothing is impossible, but I do nothing every day.” 

“We'll be Friends Forever, won't we, Pooh?' asked Piglet.
Even longer,' Pooh answered.” 

“I think we dream so we don’t have to be apart for so long. If we’re in each other’s dreams, we can be together all the time.” 

A.A. Milne, Winnie-the-Pooh

The illustration is by Earnest Shepard.
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Rescuing Wonderful Shivery Tales

This is the title of Marina Warner's excellent and inclusive article in the NY Review of Books . Warner writes about contributions to the world of wonder tales and children's literature by Jack Zipes, Philip Pullman, Peter Wortman, and Maria Tatar. In the case of Tatar, she concentrates on her work in introducing, translating, and annotating the Turnip Princess, the tales collected by Franz Xaver von Schonwerth.

Here are excerpts from this informed and insightful article:  

"Jack Zipes has long been a staunch advocate of fairy tales and their proper study since his
book Breaking the Magic Spell (1979) issued a devastating blast against the wishful thinking of mass entertainment and shook the staid and soporific scene of folklore studies. To interpret the tales he has combined Marxism, feminism, cultural materialism, and even—for a short period—evolutionary biology. He has stirred readers with a similar passion for his material, while attacking the use of literary fantasy in movies and television to camouflage moral manipulation. Writers whom he admires—Jane Yolen, Terri Windling, and above all Angela Carter—and the films informed by their work have supplied countermodels to the sins of the dream factory. 

In the epilogue of the new critical collection, Grimm Legacies, Zipes, drawing on the work of the philosopher Ernst Bloch, once again argues that fairy tales are best understood as utopian thought experiments. When the peasant crushes the ogre, the poor lad finds justice; persecuted by malicious relatives, the kind sister gets her due, the courageous girl saves her beloved siblings or lover... 

Zipes is on a lifelong mission, as ardent as the Grimms’, to bring fairy tales into circulation for the general increase of pleasure, mutual and ethical understanding..."

The illustrations for the Grimm's Hansel and Gretel and King Thrushbeard are by Arthur Rackham.

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 FOR YOUNG FANTASY AND ANIMAL LOVERS EVERYWHERE

By Don Blankenship, educator and reviewer for Good Books for Kids . This is an excerpt from his review of Castle In The Mist... 

"This is the second book in the Planet of the Dogs series and I must say I enjoyed it, cover to cover. This work can be read as a sequel to Planet of the Dogs, an ideal situation, but can also be read as a stand-alone with no loss to the flow of the story. This read is suitable for children of approximately eight years and up as a reader, or can well be read to children much younger. Adults will love this one also; I know I did, but then I have my fare share of kid still in me...

The art work by Stella Mustanoja McCarty is of the same high quality that we found in the first book in this series (and we find in the sequel to this book also), and is a delight to the eye. These are a series of black and white drawing, probably enhanced by the use of charcoal, which fit the text perfectly. When you bring a skilled artist and writer together that know children and know their dogs, then you know you are in for a treat."

Read sample chapters of Castle In The Mist at our website: Planet Of The Dogs.

The photo, above, of the boy, Chase, and Rose, the therapy dog, are by Susan Purser. Susan and Rose bring hope and caring to many people, of all ages, from young readers to the ill and the aged.

We have free reader copies of the Planet of The Dogs book series for therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at [email protected] and we will send you the books. 

Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more...Librarians, teachers, bookstores...You can also order Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes, A Christmas Tale, through Ingram with a full professional discount.

The  illustration and book cover are by Stella Mustanoja-McCarty. 

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Pan In The Garden

"In many ways , modern children's literature remains an Edwardian phenomenon. This period defined the ways in which we still think of children's books and of
the child's imagination. During it's few years, this age produced a canon of authors and works that are still powerfully influential in the field...Our default mode of childhood, if you like, remains that decade or so before the first World War; the time between the death of Queen Victoria in 1901, and the assassination at Sarajevo in 1914, the time when writers looked back over loss and could only barely anticipate the end of the old order"

In the chapter "Pan In the Garden", Seth Lerer, in his book, Children's Literature, A Reader's History from Aesop to Harry Potter, writes of the impact of the Edwardian era on children's literature..."the years before the First World War in Britain and America were also years that socially and politically redefined childhood." 

Children's books written in the Edwardian era are known, even today, by many children:   The Secret Garden (Frances Hodgson Burnett), Peter Pan (JM Barrie), The Wind In the Willows (Kenneth Grahame) and more.

The cover illustration is by Inga Moore.

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"Logic will get you from A to B. Imagination will take you everywhere." Albert Einstein

The illustration is from Miyazaki's Castle In The Sky.

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Disney Got It Right in 2011-- After Previous Stumbles

According to Rotten Tomatoes, 90% of the critics (out of 127) liked the 2011 Disney production of Winnie the Pooh. Here is excerpt from the review by Michael DeQuina in Movie Report. 

..."the writing team and directors Stephen J. Anderson and Don Hall make it work by never losing sight of the spirit of the characters, world, and Milne: imagination, innocence, and heaps of heart--best encapsulated by the bear's simple, moving gesture of friendship that so eloquently ties up the story, characters, themes and the enduring legacy that is Pooh."

Here's a link to the trailer: Winnie-the-Pooh

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Maine has an organization - EmBrace A Vet -  that provides healing support with therapy service dogs. They also provide retreats for groups of vets and their families. This is from their site:

"Embrace A Vet is a nonprofit organization dedicated to providing direct and supportive services to these Maine Veterans and their families living with PTSD and/or TBI. Besides helping to save the lives of our veterans by providing love and hope through a new canine 'best friend', we also save the lives of many of the dogs who we adopt from shelters."

Embrace A Vet is the recipient of a $5,000 grant for their Paws for Peace Program. This funding, from the Planet Dog Foundation (PDF) will aid in the placement of 12 dogs with veterans in need,

Learn more about Embrace A Vet here. 

Here's a link to their new video: 

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Reading Is Fundemental

Jessica Lahey, in the Motherlode section of the New York Times, wrote an excellent article on reading,literacy, and RIF. Here is an excerpt...

"Fortunately, Reading Is Fundemental (RIF), has been enriching children’s childhoods through the distribution of free books since 1966, when the founder Margaret McNamara resolved to give books to the children of Washington, D.C., children who may not
otherwise have the chance to own books. RIF delivered books into the hands of these children by way of their iconic Bookmobiles; magic vehicles of wonder that pulled right up to the schoolhouse door and invited children to select, and take home, books of their very own. In its first year, RIF gave 200,000 books to 41,000 Washington children, and by the time I stepped into my first Bookmobile in 1977, I was just one of 1.1 million children RIF served that year.

RIF’s vision has remained constant since Ms. McNamara handed out those first books: to
create “a literate America in which all children have access to books and discover the joys and value of reading.” While RIF promotes literacy for all children, its priority is to provide books to children in underserved and impoverished communities. Since 1966, RIF has given 412 million books to more than 40 million children, and today, it hands out 15 million carefully selected tomes each year.

Literacy is a prime predictor of student success, as well as a range of economic and physical well-being. According to the National Center for Education Statistics, nearly half of the adult population, or 93 million Americans, read at or below the basic level needed to contribute successfully to society. Adults below this basic level of literacy are far more likely to be unemployed and live in poverty, while individuals who achieve higher levels of literacy are more likely to be employed, earn higher wages, and vote in state and national elections"...

Here's a link to read it all: Motherlode 

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Go Ask Alice

Anthony Lane,in an effervescent New Yorker article, wrote about Lewis Carrol, the Alice books, the world of nineteenth century Oxford,and several biographies in what Lane calls the Carrolllian maze. Here is an excerpt from this fascinating article...
"Conversations about what is real, what is possible, and how rubbery the rules that govern such distinctions turn out to abound in the tales of Alice. Yet they are sold as children's books, and rightly so. A philosopher will ask how the identity of the self can be preserved amid the ceaseless flow of experience, but a child -- especially a child who is growing so fast that she suddenly fills the room -- will ask more urgently, as Alice does, "Was I the same as when I got up this morning? I almost think I can remember feeling a little a little different" Children, viewed from one angle, are philosophy in motion."

 After I had prepared this post, I found that it was already posted by Maria Tatar on Breezes From Wonderland. Tatar has since added more about Alice including information about a new Annotated Alice by Mark Burstein and other news about 175 translations worldwide.  

Here is a link to Grace Slick singing White Rabbit at Woodstock (August 1969)

The illustration of Alice is one of ninetytwo by John Tenniel for Lewis Carrol's books.

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 A Rose Is Not a Rose...

This excerpt is from a fascinating article by Marina Warner in the Guardian

"A fairytale doesn’t exist in a fixed form; it’s something like a tune that can migrate from a symphony to a penny whistle.

Or you can compare it to a plant genus, to roses or fungi or grasses, that can seed and root and
flower here and there, changing species and colour and size and shape where they spring. But if the prevailing idea of an archetype gives too strong an impression of fixity, the picture-language of fairytale is fluid and shapeshifting: a rose is not a rose, an apple not an apple; a princess or a villain signify far more than what they seem. A dictionary of fairytale would look more like a rebus made up of icons: snow, crystal, apples, dark forests, pinnacled castles, mermaids, toads, giants, dragons, sprites, fair princesses, likely lads and crones.

The symbolism comes alive through strong contrasts and sensations, evoking simple, sensuous phenomena that glint and sparkle, pierce and flow, by these means striking recognition in the reader or listener’s body at a visceral depth (gold and silver; diamonds and rubies, thorns and knives; wells and tunnels). It’s an Esperanto of the imagination, and it’s available for any of us to use – in almost any medium..." 

The painting of Sleeping Beauty is by Edward Burne Jones. The illustration is by Jennie Harbour.

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 KIDLITOSPHERE CENTRAL

The Society of Bloggers in Children’s and Young Adult Literature 

I highly recommend Kidlitosphere as a source for anyone interested in children's literature.

There's magic, wonder, and exceptional animation here...I learned of this film, when I received this message from Joy Ward (author of exceptional dog books)..."There is an absolutely gorgeous animated movie out right now. It's Song of the Sea by an Irish team. Lovely story about o little boy and his selkie sister. Wonderful for everyone!"

No Dark Deeds Here

This excerpt of the review by Jo Williams in the St Louis Post-Dispatch, sums up the Minions, a movie for the very young.

"If you’re old enough to read a movie review in a newspaper, you’re too old to fully appreciate “Minions.” Ditto if you’re old enough to read the menu at a fast-food joint, the height requirements at an amusement park or the price tag on a shiny yellow toy. This spinoff of the “Despicable Me” cartoons is like a pre-verbal version of “Inside Out,” all coos and colors and cute facial expressions. Tiny tots will eat it up like jelly beans. But what about their bigger siblings and baby-sitters? Will they be trapped on a sugar-rush cycle with no hope of escape?

Yes, but … The mad scientists at Dreamworks have scrubbed this ’toon of anything that might scare or challenge the target audience"... 

Here is the trailer: Minions

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Long ago, when folk tales were told by people in homes, in fields, in the marketplace and taverns, there were many stories of the forests.

Two out of three of the original 1812 Grimm Folk Tales are set in or involve the forest. 

The forests held beauty and danger, the known and the unknown, light and darkness. 

The forests were places of lost and abandoned children; homes of witches, elves, and dwarfs. They were the place where wondrous events occurred. 

The forests were a threshold of wonder.

The illustration is of Harry Potter seeing the Silver Stag.

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The Forest - steeped in ancient myth and legend and infused with
spiritual meaning...

Justine Gaunt, in Woodlands.co.uk, writes of the underlying significance and symbolism of the forest found in the minds of ancient peoples and in their folk and fairy tales.

"Anyone embarking upon the journey of exploring forest symbolism finds themselves, perhaps like Little Red Riding Hood waving goodbye to her mother at the garden gate, on a vast voyage punctuated with the joys and dangers of the psyche, steeped in ancient myth and legend and infused with spiritual meaning.

It is no accident that so many fairytale characters find themselves having to traverse danger-laden tracts of woodland. In a most practical sense, as the ancients dreamed up those stories and even when the oral traditions were finally written down in the middle ages and later, the lands of northern and western Europe were thick with woodland. The dangers were palpable: from rogues and bandits lying in wait for unsuspecting travellers to opportunistic wolves hungry for the kill...

As for Little Red Riding Hood, straying from the path and into the woods is similarly dangerous and filled with treachery. Symbolically, those who lose their way in the uncharted forest are losing their way in life, losing touch with their conscious selves and voyaging into the realms of the subconscious..."

 Here is a link to read all of this article about fairy tales and the forest

The illustrations of fairies and for the story of Tom Thumb are by Gustav Dore.

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Fairy Tales Speak to the Secret Self

Tim Lott, who writes a Family Column for the Guardian wrote about the resonance and connection that the dark side of fairy tales have -- especially for kids - after taking his family to an interactive total immersion theater event based on Phillip Pullman's Grimm Tales...

"But why do these particular plots have such resonance for the audience? Bruno Bettelheim in
his study, The Uses of Enchantment, suggested that folk and fairytales that endure from generation to generation, speak to something deep in the reader’s unconscious – for instance, that these older tales legitimized the murderous and violent instincts that all children experience, freeing them from the guilt that such feelings generate...

Whether or not you believe in Bettelheim’s Freudian take on storytelling, it is unquestionable that the best stories have a profound resonance of the Grimm tales transparently address our darkest fears, but in a sense, all mythic storytelling is about addressing uncertainties and anxieties...

Here is a link that will connect you to the full article, Fairy Tales Are Not Just For Fun: Guardian

Both illustrations are for the Grimm's story, the Robber Bridegroom. The top one is by John Cruikshank; the lower on is by John Gruelle.

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The Planet Dog Foundation (PDF), Planet Dog's non-profit grant-making organization, is awarding $60,000 in new grants to twelve canine service organizations throughout the country.

"A PDF grant of $5,000 to America's VetDogs will support the training and placement of dogs for veterans being trained through their
Massachusetts Prison Puppy Program. Collectively, inmates from local facilities along with local volunteer weekend puppy raisers will train 40 future service dogs per program cycle to assist our nation's veterans with disabilities. The program not only raises the quality of life for wounded veterans and keeps them active in their communities, but also has a positive impact on the inmate population involved in the training."

America's VetDogs serves veterans from all eras, and first responders who have honorably served our country and community, by providing Guide Dogs, Service Dogs for Disabilities,, Service Dogs for PTSD, Hearing Dogs, and more...Click this link and
Learn more about America's VetDogs here. 

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Save The Children

The devastating effect of war on children is seen in a brief video, Second A Day, produced by Save The Children.  Here is an excerpt from a report by Dion Dassannayake in the Express: 

"The moving clip starts with a child celebrating her birthday and follows her moment by moment as war and conflict develops in the UK. The hard hitting clip shows London being turned into a war zone where rockets are fired at buildings in broad daylight and children wear gas masks. The powerful video ends with a moving shot of the young girl celebrating her birthday once again."

In just one minute and thirty three seconds, we are reminded of what is happening to multitudes of children today. Here is a link to YouTube- Second A Day

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The Wonder of a New Fairy Tale

Pixar's Inside Out...Inside the Mind of an 11 Year Old Girl...

After a rather disappointing hiatus of wonder, the folks at Pixar -- who produced Up, Toy Story and Finding Nemo --have produced another winner, both critically and with audiences.

Rotten Tomatoes reports that 98% of 217 reviewers were enthusiastic and positive in their reviews of Inside Out. Opening weekend crowds for “Inside Out” were 56% female and 38% under the age of 12. Families comprised 71% of the audience. The film opened June 19 and has already grossed over $300 million in ticket sales.

Here's the reaction of Craig Mathieson in the Sydney Morning Herald:

"The most pleasurably complete Pixar film since 2004's The Incredibles, Inside Out delivers a witty and empathetic answer to the eternal lament of, "What is going on inside your head?"

And, here's an excerpt from an insightful review by Andrew O'hehir in Salon.com

 "... there’s an enormous conceptual gulf between Disney films of the “classic” mode, from “Snow White and the Seven Dwarfs” and “Dumbo” right through “Pocahontas” and “The Little Mermaid,” and the consistently elegiac and nostalgic childhood’s-end fables of the Pixar era. If
you’ve ever wondered why Pixar’s animators have never gotten around to adapting “The Velveteen Rabbit,” Margery Williams’ 1922 classic about the boundary between childhood imagination and adult reality, it’s because they don’t have to. Almost every Pixar film is “The Velveteen Rabbit,” transmuted into some new fictional universe but built upon the same question, perhaps the most profound and tragic ever framed in the English language: 'Of what use was it to be loved and lose one’s beauty and become Real if it all ended like this?' ..."

Here's is a link to the trailer: Inside Out

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A Dog that Meows and Sings..WENDY

This is amazing...a video for all.

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Finding Fido:A Book That Can Save Your Dog's Life

"Like Wulff's "How to Change the World in 30 Seconds", this book is another practical handbook for helping pets. Easy to follow steps, important data, and insider info. Displaced pets make up most of the animals that find themselves in pounds, and with 3-4 million animals euthanized in U.S. shelters every year, it's no place for your beloved pet! Many times the pet's people have no idea where, or how, to start looking for them. This guide spells it out with lots of helpful tips and advice. And all the sales go to charity - how great is that?...
An Amazon 5 star review by Kristina Kane 

Here's a link to read excerpts, reviews, and to purchase Finding Fido.

I was quite taken by an excellent and evocative Dog Poem on C.A. Wulff's website, Up On The Woof 

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Sight Unseen...the Threshold of Invisibility

Here are excerpts from "The Hows and Whys of Invisibility" by Kathryn Schulz in the New Yorker.

...."These questions are not so much answered as provoked by “Invisible: The Dangerous Allure of the Unseen”(Chicago), by the British science writer Philip Ball...

His book takes seriously a subject that, perhaps aptly, has heretofore been mostly
disregarded. Invisibility looms large in the kingdom of childhood—in pretend play and imaginary friends, in fairy tales and comic books and other fictions for kids—but it seldom receives sustained adult scrutiny. And yet, once you get past the cloaks and the spells, invisibility is a consummately grownup matter. As a condition, a metaphor, a fantasy, and a technology, it helps us think about the composition of nature, the structure of society, and the deep weirdness of our human situation—about what it is like to be partly visible entities in a largely inscrutable universe. As such, the story of invisibility is not really about how to vanish at all. Curiously enough, it is a story about how we see ourselves..."

The illustrations are from the Miyazaki film Spirited Away.

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Alice: 150 Years of Wonderland

The Morgan Library Museum in New York is presenting an extraordinary exhibit, both at the Museum and Online...

"This exhibition will bring to light the curious history of Wonderland, presenting an engaging account of the genesis, publication, and enduring appeal of Lewis Carroll's classic tale, Alice's Adventures in Wonderland.

For the first time in three decades, the original manuscript will travel from the British Library in London to New York, where it will be joined by original drawings and letters, rare editions, vintage photographs, and fascinating objects—many never before exhibited..."

The array of artwork by Lewis Carrol and John Tenniel is dazzling. The scope of the online exhibit is quite comprehensive and includes information and links to early Alice films.

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 Another Reality

“You know very well you’re not real.”

“I am real!” said Alice, and began to cry.

“You won’t make yourself a bit realler by crying,” Tweedledee remarked: “there’s nothing to cry about.”

“If I wasn’t real,” Alice said—half laughing through her tears, it all seemed so ridiculous—“I shouldn’t be able to cry.”

“I hope you don’t suppose those are real tears?” Tweedledum interrupted in a tone of great contempt.

Through the Looking Glass and What Alice Found There -Lewis Carrol

Illustration by John Tenniel

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 Castle In The Mist is the second book in the Planet Of The Dogs Series  -

"...Castle in the Mist is full of the same elements I enjoyed in Planet of the Dogs and Snow Valley Heroes: beautiful, detailed, soft, mood setting drawings; the fun and antics of the dogs, and the people who are discovering them for the first time; encroaching danger and suspense; the lovely fantasy of a planet of dogs who are so concerned with the people of earth; and the forgiveness, unconditional love and loyalty that the dogs are able to subtly impart."- Taken from a 5 star Amazon review by Lisa Harvey, Book Thoughts by Lisa...

For sample chapters visit our website: Planet Of The Dogs

We have free reader copies of the Planet of The Dogs book series for therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at [email protected] and we will send you the books. 

 Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more...Librarians, teachers, bookstores...You can also order Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes, A Christmas Tale, through Ingram with a full professional discount.

 The illustration by Stella Mustanoja-McCarty is from Castle In The Mist

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Rescuing Wonderful Shivery Tales

Marina Warner, in the New York Review of Books, writes an extremely informative overview  encompassing the books and lives of the brothers Grimm, the work of Franz Xaver von Schönwerth (The Turnip Princess, translated by Maria Tatar), as well as related work by Philip Pullman and the translation of Selected Tales of the Brothers Grimm by Peter Wortman. The article also contains information and insights regarding the contributions through the years by Jack Zipes, including his translation of the Original Grimm Tales and his latest book, Grimm Legacies, The Magic Spell of the Grimms' Folk and Fairy Tales.

Here is brief excerpt regarding a turning point:

The brothers had been strongly encouraged to make their scholarship a bit more family-friendly by including Ludwig’s illustrations after they learned of the huge success in England of the first English translation by Edgar Taylor (1823 and 1826), with its quirky, joyous drawings by George Cruikshank. In Grimm Legacies, Zipes relates how the tone of the English illustrations changed the tales’ reception, inspiring Dickens to write sentimentally about their innocence, and Ruskin to claim that Cruikshank’s “original etchings…[are] unrivalled in masterfulness of touch since Rembrandt.”

The illustration of the Elves and the Shoemaker is by George Cruikshank.

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"The simpler question to answer is why these tales are called "fairy tales." It is from the influence of the women writers in the French Salons who dubbed their tales "contes de fees." The term was translated into English as "fairy tales." The name became so widely used due to the popularity of the French tales, that it began to be used to describe similar tales such as those by the Grimms and Hans Christian Andersen."  Heidi Anne Heiner -- SurLaLune

The illustration of Beauty and the Beast is by Walter Crane. 

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Sunbear Squad is Anna Nirva's practical site for a wide range of information focused on the well being of dogs ( as well as cats). Here are a few excerpts from a very comprehensive article on Traveling by Car or Truck with Pets. 

...On the Road...

Once you are on the road with your pet, you will need to adhere to some basic guidelines to keep your animals and your family happy and safe. Here are some recommendations for the trip itself:

Keep the Animal Inside...Anyone who owns a dog knows how much these animals like to put their heads out the window while they are riding in a car. This is dangerous for the animal, as debris can injure it. It is best to keep the animal’s head and every other part inside the car or truck, and never let your pet ride in the bed of a pickup truck, which exposes it to many dangers.

Stop Frequently...Particularly if you are traveling with a dog, you will need to stop regularly to give your animal bathroom, exercise, and water breaks. Fortunately, most rest areas have ample space for you to give your pet a chance to stretch its legs. Keep your pet leashed when you stop and have a bag ready to clean up after it.

Food and Water...You will want to limit excessive feeding while you are traveling to avoid giving your pet an upset stomach. Keep feeding to a minimum and stick to the pet food. Avoid the temptation to let the animal snack on what you are eating, as that can cause some unpleasant digestive issues.

On the other hand, you want to make sure that your pet gets as much water as possible. Give it water every time you stop. You may also want to bring along some ice cubes, which are a treat for most pets and easier for them to handle than water if they get upset stomachs while you are traveling...

 There is much more to this article...here is the link: TRAVEL

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 "Wonder has no opposite; it springs up already doubled on itself, compounded of dread and desire at once, attraction and recall, producing a thrill, the shudder of pleasure and of fear...It's a useful term, it frees this kind of story from the miniaturized whimsy of fairyland to free the wilder air of the marvelous"... Maria Warner in the Introduction to her book Wonder Tales: Six Stories of Enchantment.

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The essential strangeness of fairy tales

"Over the last few months, I’ve been telling my daughter a lot of fairy tales. My approach has been largely shaped, for better or worse, by Bruno Bettelheim’s book The Uses of Enchantment: I happened to read it last year as part of an unrelated writing project, but it also contained insights that I felt compelled to put to use almost at once in my own life. Bettelheim is a controversial figure for good reason, and he’s not a writer whose ideas we need to accept at face value, but he makes several points that feel intuitively correct. When it comes to fairy tales, it seems best to tell the oldest versions of each story we have, as refined through countless retellings, rather than a more modern interpretation that hasn’t been as thoroughly tested; and, when possible, it’s preferable to tell them without a book or pictures, which gets closer to the way in which they were originally transmitted. And the results have been really striking. Stories like “Little Red Riding Hood” and “Jack and the Beanstalk” have seized my daughter’s imagination, to the point where we’ll discuss them as if they happened to her personally, and she isn’t fazed by some of their darker aspects. (In “Hansel and Gretel,” when I tell her that the parents wanted to take their children into the woods and leave them there, she’ll cheerfully add: “And kill dem dere!”)...

The above is an excerpt from Alec Nevala-Lee's blog --  Thoughts on art, creativity, and the writing life. Nevala-Lee is also an author. His books include Icon Thief, City of Exiles and Eternal Empire.

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 3AM: Magazine

Crossing the Avalanche of Time...Excerpts from Richard Marshall's in-depth article and review of Jack Zipes' current books

"...The Grimms have been appropriated by U.S. America because defying the inhuman is as urgent there as anywhere else and its unhinged power leaves behind the innocent and the beaten. What Zipes has done in these two books is remind us that there’s a need for the naked struggle of Kafka, where speech goes to extremes without strategy, without masks, without calculation. The tales of this first edition are as much a part of an old weird Americana as bluesman Howling Wolf singing ‘Going Down Slow’... 

The Grimms have become as ancient a part of this old weird America as the other folk songs and tales that ship around, and though Zipes is right to decry their banalisation and Disneyfication they still remain underneath or behind, ready to be reeled in by alert souls..." 

 Marshall was inspired by Jack Zipes' recent translation of The Original Folk and Fairy Tales of the Brothers Grimm   (1812 & 1815) and by Zipes' provocative ideas regarding the impact of the Grimms' tales, Grimm Legacies:The Magic Spell of the Grimms' Folk and Fairy Tales.   

 Here is another excerpt from this very heady article:

"From 'The Frog King' to 'The Golden Key,' wondrous worlds unfold—heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique—they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms’ later, more embellished collections of tales. Zipes’s introduction gives important historical context, and the book includes the Grimms’ prefaces and notes.

The original edition of Grimms’ tales read like once-familiar weirds, crossing the avalanche of time like hallucinatory figures, abrupt as thorns, troubling as a black hawthorn that won’t stop bleeding. They move in and out between long disconnected synapses, stirring up logics and memories that fill us up with dread and unease. Readers are Macbeth listening to the stories of the three weird women. Everything is laid out for us but we are dazzled by their dark intensity. What is needed to read them? Courage and an imminent doomsday."

Here is a link to all of Marshall's article, Curious Legacies of the Brothers Grimm: 3:AM Magazine.  

The illustration of Snow White is by Hermann Vogel. The photo is by Gregg McCarty.

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Wonder has no opposite...

Cinderella has strayed from Charles Perrault and the Brothers Grimm, but she has never left us.

In the Western World today, romantic fantasy appears to be the foundation for the popularity of this abandoned child story and sustains its huge popularity in the hearts of little girls, young girls, and many mommies.

The current worldwide box office results (as of May 31) of over $531,750,700 attest to way the story continues to resonate around the world.

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Cinderella Has Been Everywhere -- Forever. And Heidi Anne Heiner has written a book to prove it: Cinderella Tales From Around the World . Here is an excerpt from her introduction on the often overlooked dimensions of this timeless story:

" The quandary is that one version of Cinderella dominates all the others, so we assume we
know her, this fairy tale celebrity, and many of us have grown bored with her to the point of relegating her to cliche and nothing else. But when we consider the hundreds of Cinderella variants from around the world, Cinderella becomes once again mysterious and lovely, active and vibrant, for she defies definition and understanding... "

Book Overview by Barnes and Noble:
"Yeh-hsien. Cenerentola. Cendrillon. Ashenputtle. Chernuska. Cinderella. These are just a few of the names of one of the best known and most beloved fairy tale characters in the world. The tale is known in countless variations throughout Europe and Asia as well as Africa and the Americas. The tales share the familiar story of a persecuted heroine who finally triumphs over oppressed circumstances through her virtue and the assistance of a magical helper. "  

Here is a sample from Heidi Anne Heiner's collection...

Cinderella in Ireland: The Story of Ashey Pelt 

"WELL, my grandmother she told me that in them auld days a ewe might be your mother. It is a very lucky thing to have a black ewe. A man married again, and his daughter, Ashey Pelt, was unhappy. She cried alone, and the black ewe came to her from under the greystone in the field and said, “Don’t cry, go and find a rod behind the stone and strike it three times, and whatever you want will come.”

So she did as she was bid. She wanted to go to a party. Dress and horses and all came to her, but she was bound to be back before twelve o’clock or all the enchantment would go, all she had would vanish. The sisters they did na’ like her; she was so pretty, and the stepmother she kept her in wretchedness just.

She was most lovely. At the party the Prince fell in love with her, and she forgot to get back in time. In her speed a-running she dropped her silk slipper, and he sent and he went over all the country to find the lady it wad fit..."  The story, Ashey Pelt, continues with a fine Irish ending. 

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"Have Courage and Be Kind"

Jack Zipes has written often of the hype that distorts the meaning of folk and fairy tales. I found a disturbing example in Kenneth Branagh's comments about the film quoted in Kate Connolly's Cinderella article in the Guardian . The comments were made at a press conference following the successful launch of the film at the Berlin Film Festival. Here is an excerpt:

"Branagh said though more used to directing Shakespeare, he had been struck by many of the
similarities between those plays and the Brothers Grimm fairytale. “We have the line Cinderella is told by her mother: ‘Have courage and be kind’; some people thought it seemed trite, but I was reminding them of King Lear when Edgar says ‘Have patience and endure’ at the point he’s being put in the stocks and mocked. Patience to me equates to compassion, and endurance is a form of courage – it reminded me that these basic, human and fundamental situations get seized on by great storytellers and there are obvious resonances between all these stories.”

I find it difficult to see the "obvious resonance" that exists in Mr Branagh's sugar-coated Cinderella and the tortured story of King Lear. I do see hype. Disney is not Shakespeare.

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Never mind Branagh – my mother wrote a Cinderella story you can believe in...

Here is an excerpt from a saucy article by Ed Vulliamy in the Guardian about a retold version of the Cinderella story with a very different setting, and a totally different ending.

"It is hardly surprising that Kenneth Branagh’s saccharine Barbie-Cinderella, with her tiny waist and crinoline dress, has caused a storm in Hollywood and irked cinema-going women, let alone those wanting to see changed female role models on screen.

The actor-cum-fairy-storyteller – and his critics, to cheer them – would have done well to
heed an acclaimed retelling of Cinderella in a book of more than a decade ago, which won the Kate Greenaway medal, the highest honour in illustrated children’s books, for 2003.

It was entitled Ella’s Big Chance: A Fairy Tale Retold, by the author and illustrator Shirley Hughes, serial award-winning doyenne of children’s books, described by Philip Pullman as “a national treasure” (I should declare an interest here: Shirley Hughes is my mother). She retells the famous and primal story of the persecuted seamstress: the ball, prince (a duke in this version) and shoe – set in the roaring 1920s on what seems to be the Mediterranean coast – with two big differences..."

Read more about this award winning book where Cinderella chooses not to marry the prince -- in the Guardian.

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Reading programs with therapy dogs that support kids and open the doors to the world of reading, have been spreading throughout the US and the Western world.

READing Paws is opening the doors to reading for kids in Alabama, Florida, Georgia, Nevada and Tennessee. READing Paws is a recipient of a Planet Dog Foundation grant.

"The mission of READing Paws is to improve the literacy skills of children...READing Paws utilizes nationally registered animal-owner/handler Therapy Teams who volunteer to go to schools, libraries and many other settings as reading companions for children. The utilization of registered therapy teams is the foundation of READing Paws, in order to ensure that the animals have been trained and tested for health and safety, appropriate skills and temperament, and have been insured for liability."

READing Paws is proud to be an Affiliate of R.E.A.D.® (Reading Education Assistance Dogs®), a program of Intermountain Therapy Animals ® (ITA) of Salt Lake City, Utah" R.E.A.D. has affiliates throughout the USA and in fourteen foreign countries, from Spain to Finland, and Canada to Australia.

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The Last Echoes of Pagan Myths 

 "These were the 'last echoes of pagan myths...A world of magic is opened up before us, one which still exists among us in secret forests, in underground caves, and in the deepest sea, and it is still visible to children...(Fairy tales) have existed among the people for several centuries.' And what we find inside those secret forests, caves and seas...(are) fairy tales full of families, full of parents who bequeath a sense of self to children, full of ancestors and heirs whose lives play out, in little, the life of a nation from its childhood to maturity."

Wilheim Grimm as quoted by Seth Lerer in his book, Children's Literature, A Reader's History from Aesop to Harry Potter. 

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Entering a World of Long Ago...

Castle in the Mist

When the dogs first came down to planet Earth, great forests were found in many lands.

The Castle In The Mist was located on lake Ladok in the land of the Forest People. It is here that the Black Hawk Warriors, under Prince Ukko's command, brought the kidnapped children. And it is this act that brought the threat of war.

Forests play a major role in all of the books in the Planet of the Dogs Series. The forests frustrate invaders. What does conquest mean when people can disappear by going to places in the forest unknown to the invaders --  or beyond the forest and into the mountains.

Stories and fairy tales about the forests and the deep woods have always stimulated children's imagination. In the Castle In The Mist, the dogs love the forests and use them to frustrate the Black Hawk Warriors. The dogs follow a non-violent path until their courage, loyalty and cleverness cause Prince Ukko to free the children and bring peace to the land of the Forest People.

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Castle In The Mist Is the second book in the Planet Of The Dogs Series 

"...the McCarty's again succeeded in bringing archetypal themes such as good vs evil, man vs nature, love, faith and faithfulness into the story without being overly teachy or preachy. We were riveted by the story and its main characters (both human and canine); we shared in their challenges and celebrated their victories. Melinda Gates, Reading Mother

Visit our website for sample chapters: http://www.planetofthedogs.net

The illustration from Castle In The Mist is by Stella Mustanoja-McCarty

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For sample chapters from all the books in the series,visit our Planet Of The Dogs website.

We have free reader copies of the Planet of The Dogs book series for therapy dog
organizations, individual therapy dog owners, librarians and teachers...simply send us an email at [email protected] and we will send you the books. 

Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more...Librarians, teachers, bookstores...You can also order Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes, A Christmas Tale, through Ingram with a full professional discount.

The illustration by Stella Mustanoja-McCarty is from Snow Valley Heroes, A Christmas Tale

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Here's another look at Cinderella from BerkeleyMews.com

KidLitoSphere is a very special website that connects kid lit bloggers to the world of readers. Librarian MotherReader (Pam Coughlin), who describes herself in this way -- "The heart of a mother. The soul of a reader. The mouth of a smartass" --  is president. Among her achievements as a passionate advocate of children's books is the founding of Bloggers Against Celebrity Authors. Here's a sample...

"As Bloggers Against Celebrity Authors founder and let’s say president, I see it as the
kid lit equivalent of the four horsemen of the apocalypse when the Children's Choice Book Awards Author of the Year is Rush Limbaugh. I'm sure that there are and will be many thoughtful articles about what happened to make the winner of a prestigious children's literature award for Rush Revere and The Brave Pilgrims: Time-Travel Adventures With Exceptional Americans. But all I can say is, "Dear God, what have we done?"

The power of the bestseller was a slippery slope for children's literature awards. Certainly the power of the celebrity author - with their top budget promotions and guaranteed WalMart shelf space - was enough for a snarky online cause like Bloggers Against Celebrity Authors. But now, we've added to this mixture the nebulous and sometimes nefarious power of the Internet, which allows anyone to vote for this now-less-prestigious award. There is no way - NO WAY! - that children voted for Rush Limbaugh over Rick Riordan or Veronica Roth... 

Read more from MotherReader-cast your vote at BACA

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Circling the Waggins

Aaron Fowler wrote a profile of C.A. Wulff for Akron Life....Here are excerpts...

..."For the last 26 years, Wulff has volunteered in animal rescue. In 2007, she released her first book, “Born Without a Tail,” which chronicles the true-life adventures of two animal rescuers living with an ever-changing house full of pets.

This past year she unveiled the sequel, “Circling the Waggins: How 5 Misfit Dogs Saved Me from Bewilderness,” which follows Wulff and her companion,  
Dalene, as they maneuver through one unexpected pet incident after another while living in 
a cabin in the Cuyahoga Valley National Park. 

Although both books are memoirs, she explains that they are very
different. “Born Without a Tail” tells the stories of 20 animals who have shared her life. While it’s chronological, each chapter stands alone and is devoted to a single animal.

 ‘Circling the Waggins’ is more of a story with a beginning and an ending. It tells the story of some 27 animals over the course of two years, who lived in our home and took root in our hearts,” she says...' 

Like her first book, “Circling the Waggins” is an incredibly personal story. Its depiction of the ups and downs of sharing your life with animals has reached out to those who have experienced the same heartache and joy... "

Nancy Segovia, Amazon reviewer and author of Dragon Tears, wrote this:

" I am not really sure what it is about these books by Wulff, but I simply love them. The story telling and commentaries are engaging, honest and sincere. And, her love of animals shouts out from every page." 

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A Fairy Tale excerpt from the Turnip Princess by Franz Xaver von Schönwerth

In lieu of actually reviewing the newly translated (by Maria Tatar) Turnip Princess, Slate published one on the stories,Tricking the Witch. It has magic, transformations, twists and turns and a princess heroine -- not a prince -- who saves the day. 

..."It looked as if the two were about to be caught, when the princess said: “I’m going to change into a rosebush, and I’ll turn you into a rose. My sister is chasing us, and she won’t be able to do a thing because she can’t stand the smell of roses.” Just when the girl was closing in on them, a fragrant rosebush sprang up right in her path with a magnificent rose in bloom. The girl had been tricked, and she had to turn back. The witch scolded her to no end. “You stupid girl,” she grumbled angrily. “If you had just plucked the rose, the bush would have followed.” And then she sent the eldest of the three to find the two fugitives.

In the meantime the couple returned to their human shapes, and they continued on their way. Reinhilda turned around at one point, and she saw that they were still being pursued. She decided to take advantage of her magic powers again, and she said to the prince: “I’m going to turn myself into a church, and you are going to climb up into the pulpit and hold a stern sermon about witches and their sinister magic...”

Read it all on SLATE

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Canine Cognitive Dysfunction

Nancy Houser has written an informed article, based on research and experience, about the effects of age on dogs and parallels with the aging experience of humans. Here are excerpts:

"The more we are around the old dogs on our rescue farm, the more we see similar characteristics between human dementia and Canine Cognitive Dysfunction.  To tell the truth, there is not a whole lot of difference. The health care field is one I have been involved with throughout most of my life – dementia and Alzheimer’s were my specialties. The very first job I had was at a care-home in Lexington, Nebraska, when I was 16-years old.''"

Read all of this insightful article at:  Way Cool Dogs