Complicit by Stephanie Kuehn. St. Martin's Griffin. 2014. Reviewed from ARC from publishers.
Rumors have always swirled around Cate: she was that type of personality, that attracted and repelled and fascinated. And now... now she's been released.
Jamie is afraid, to be honest. He's put that all behind him, what happened with Cate. What she did. He's been seeing someone to help. He lost his best friend but he's rebuilt his life, flirting with a cute girl at school, continuing to get good grades.
What will Cate do, now that's back?
The Good: This is the type of book that is so hard to write about!
Jamie tells the story. He tells what he knows and what he remembers. And that is the sticking point. Jamie is an unreliable narrator.
The story as he knows it, the story as he tells it: Cate and Jamie were the children of a teen mother, struggling to make ends meet. When they were little, about six and eight, she was murdered. Jamie has little memories of his mother, or her death -- just hazy details, of their small basement apartment, of her living on the edge, the type of life that led to her death.
And then the miracle: after months in the foster system, Cate and Jamie were adopted, kept together, by a rich couple who were looking for older children to replace the ones they had lost. At first, young Cate is the one who seems to adjust easily, being happy, taking riding lessons. It's Jamie who is lost and sullen and doesn't quite connect, until he's sent to a therapist and things get better and Jamie gets better. Like the lost son, he takes piano, He calls his adoptive mother "Mom."
When Cate enters her teen years, things change. Jamie, the younger brother, looking on, doesn't understand why but suddenly Cate is the trouble maker, pushing boundaries, drinking, smoking, boys, and then, of course, the barn fire. And now she's back, reaching out to Jamie, and acting as if there's more to the story. That there's more that Jamie knows.
Jamie wants to know what she knows.
That's the story Jamie is telling us. Between the lines, though, the reader sees another story. Of a lost child. Of someone who has learned to act the right way, to give the right responses. Of the growing concern that part of Jamie's acting the right way includes what he is, or is not, telling the reader. Of trying to figure out how much of what he is saying about Cate is real. And of trying to understand Jamie, and who he is, and what he's done.
This is a suspenseful, psychological drama about a mentally ill teen. Who that teen is, and what they do, is a question that will leave the reader guessing.
A bit of a disclaimer: this is the type of book that I only like when done well. Unreliable narrator, unlikable characters, questions left for the reader to answer -- I am so picky about these things that usually my short-form response is that I don't like these things when the truth is that I do like them, I'm just very particular about how such books are crafted and written. And Kuehn in Complicit? Does it so well it's a Favorite Book of 2014.
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© Elizabeth Burns of A Chair, A Fireplace & A Tea Cozy
Fantastic post! I’m going to have to start listening to that podcast!
Your last paragraph hits so close to home. It’s a struggle to remember that publication is a goal and not the end all be all to writing. Thanks for the reminder, and stay strong with your revisions! I have no doubt that you’ll figure it out and work through whatever it is that’s stumping you. <3
I agree with this and have reached the same conclusion. My favorite novels were ones where story came first, not the rules of how to get published. Honestly, that’s what I strive for. Yes, we should write for our audience, but we more need to write for ourselves some time, without thinking about the after.
I think you would love listening to this podcast. Sara Zarr is so real when it comes to the creative craft and she does excellent interviews. As for my revisions, I’ll keep at it until it clicks for me. It’s probably all up in there in my subconscious.
Yeah, it’s easy to get caught up in what the market wants but we spend so much time with our stories, it’s a much better experience when you write the story you want.
I hope that you’re enjoying the warm weather after such a yucky winter. :)
I’m trying to follow this advice for my current WIP. It’s a quiet book (like my first) and there’s a chance it won’t be “big” enough to sell, but I really love it and want to see it through. Good luck with your novel!
I love Sara Zarr’s podcast and I’m looking forward to hearing her interview with Stephanie Kuehn.