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Viewing: Blog Posts Tagged with: Literary Fiction Agents, Most Recent at Top [Help]
Results 1 - 25 of 26
1. New Literary Agent Alert: Sarah Nagel of Writers House

Reminder: New literary agents (with this spotlight featuring Sarah Nagel of Writers House) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

sarah-nagel-literary-agent

 

About Sarah: Sarah Nagel joined Writers House in 2011 to work with Senior Vice President, Merrilee Heifetz and is now actively building her own client list. Previously, Sarah was a media lawyer in London and graduated with two separate degrees in English Language and Literature, and Law. Follow Sarah on Twitter: @SarahNagel14.

(How can writers compose an exciting Chapter 1?)

She is seeking: Sarah is looking for psychological thrillers (those that mess with your head rather than high speed cross-country chases), horror, mystery, suspense and literary fiction. Sarah is especially interested in strong character-driven fiction and stories that explore the dynamics of a dysfunctional family unit / relationships. Sarah also represents realistic Young Adult and Middle Grade with a hint of magical realism. On the nonfiction side, Sarah is interested in medical ethics, true crime, humor books and memoir with a distinctive narrative voice with a universal resonance. Sarah is not looking for straight sci-fi, high fantasy, romance or picture books.

How to submit: “I accept e-mail queries and will usually respond within 4-6 weeks. Please submit your query, including the first ten (10) pages of your manuscript pasted into the body of the e-mail (no attachments please!), to snagel [at] writershouse.com with “QUERY FOR SARAH NAGEL: [TITLE OF MANUSCRIPT]” in the subject line. Please do not query multiple Writers House agents simultaneously.”

(Can you re-query an agent after she’s rejected you in the past?)

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Screen Shot 2014-12-17 at 3.39.23 PM

Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you’ll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.

Add a Comment
2. New Literary Agent Alert: Caitie Flum of Liza Dawson Associates

Reminder: New literary agents (with this spotlight featuring Caitie Flum of Liza Dawson Associates) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

Screen Shot 2015-01-17 at 12.08.21 AM

 

About Caitie: Caitie Flum joined Liza Dawson Associates in July 2014 as assistant and audio rights manager. She graduated from Hofstra University in 2009 with a BA in English with a concentration in publishing studies. Caitie interned at Hachette Book Group and Writers House. She was an Editorial Assistant then Coordinator for Bookspan, where she worked on several clubs including the Book-of-the-Month Club, The Good Cook, and the Children’s Book-of-the-Month Club. She is taking on her own clients in 2015. Caitie grew up in Ohio where she developed her love of reading everything she could get her hands on. She lives in New Jersey with her husband where, in her free time, she can be found cooking, reading, going to the theater, or intensely playing board games.

(Hear a dozen agents explain exactly what they want to see the slush pile. See if your work is a match.)

Caitie is seeking: Commercial and upmarket fiction with great characters and superb writing, especially historical fiction, mysteries/thrillers of all kinds, magical realism, and book club fiction.

“In historical fiction, I would love to see unusual perspectives and stories told in a unique way. I am eager for police procedurals, cozy mysteries, psychological thrillers, and amateur sleuths, especially those with series potential. I love book club/women’s fiction that shows characters that have made the hard or unpredictable choice or are funny yet poignant stories. Please send me books of all these genres that have diversity!

“I am looking for Young Adult and New Adult projects, particularly romance, historical fiction, mysteries and thrillers, and contemporary books with diverse characters.

“In nonfiction, I am looking for memoirs that make people look at the world differently, narrative nonfiction that’s impossible to put down, books on pop culture, theater, current events, women’s issues, and humor.

“I am not looking for science fiction, fantasy, westerns, military fiction, self-help, science, middle grade, or picture books.”


How to submit to Caitie: Email your query in the body of the e-mail to querycaitie [at] lizadawsonassociates.com.

(How can writers compose an exciting Chapter 1?)

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Screen Shot 2014-12-17 at 3.39.23 PM

Your new complete and updated instructional guide
to finding an agent is finally here: The 2015 book
GET A LITERARY AGENT shares advice from more
than 110 literary agents who share advice on querying,
craft, the submission process, researching agents, and
much more. Filled with all the advice you’ll ever need to
find an agent, this resource makes a great partner book to
the agent database, Guide to Literary Agents.

Add a Comment
3. New Literary Agent Alert: Kirsten Carleton of Waxman Leavell Literary Agency

Reminder: New literary agents (with this spotlight featuring Kirsten Carleton of Waxman Leavell Literary Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

kirsten-carleton-literary-agent

 

About Kirsten: Before joining Waxman Leavell in 2014, Kirsten worked at Sobel Weber Associates. She holds a B.A. in English with a Creative Writing concentration from Amherst College, and a Graduate Certificate in Publishing from the Columbia Publishing Course. Follow her on Twitter: @kirstencarleton

(The skinny on why to sign with a new/newer literary agent.)

Kirsten is seeking: Upmarket young adult, speculative, and literary fiction with strong characters and storytelling. She’s particularly interested in novels that bend and blur genres; literary takes on high concept worldbuilding; diverse characters in stories that are not just about diversity; antiheroes she find herself rooting for; characters with drive and passion; girls and women in STEM fields; settings outside the US/Europe; well-researched historical settings; YA noir/thriller/mystery; stories that introduces her to a new subculture and makes her feel like a native. She is not interested in horror, romance, erotica, poetry, or picture books.

How to submit: Send a query letter with the first five to ten pages of your manuscript in the body of the email only to kirstensubmit [at] waxmanleavell.com.

(Is it best to query all your target agents at once? — or just a few to start?)

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
4. New Literary Agent Alert: Rebecca Scherer of Jane Rotrosen Agency

Reminder: New literary agents (with this spotlight featuring Rebecca Scherer of Jane Rotrosen Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

rebecca-scherer-literary-agent

 

About Rebecca: Unable to narrow her focus to just one subject, Rebecca Scherer earned her BA from the Macaulay Honors College at Hunter College in Political Science, English Lit, and German language. After several years at the agency, Rebecca now has daily opportunities to put her wide range of interests to use as she actively builds her client list. Find her on Twitter: @RebeccaLScherer.

She is seeking: women’s fiction, mystery, suspense/thriller, romance, upmarket fiction at the cross between commercial and literary

How to contact: Contact her via e-mail: rscherer [at] janerotrosen.com. Put “Query: [Title]” in the subject line. Send a query letter, brief synopsis (1-2) pages, and the first three chapters. Please paste the letter and synopsis in the body of the email, though the chapters can either be pasted or attached.

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
5. New Literary Agent Alert: Monika Woods of InkWell Management

Reminder: New literary agents (with this spotlight featuring Monika Woods of InkWell Management) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

Screen Shot 2014-10-27 at 11.09.07 AM

 

About Monika: Monika Woods began her publishing career working for Ellen Levine at Trident Media Group after graduating from the Columbia Publishing Course, where she worked with authors such as Marilynne Robinson, Ayana Mathis, Russell Banks, and Paul Harding. She joined InkWell Management in the Spring of 2013 to work with Kimberly Witherspoon and start building her own client list. She lives in Brooklyn with her husband and two cats and can be found writing about the book she just finished at www.booksijustread.com or on Twitter at @booksijustread.

(Before you send out your query, look over a submission checklist.)

Monika is seeking: Her interests include literary and commercial fiction, memoir, and compelling non-fiction in food, popular culture, science, and current affairs. Some of her dream projects include historical fiction about feminists, the Roma, and Maxim Lieber, darkly suspenseful stories (both true and made-up) with unreliable narrators, anything about Poland and its history, nonfiction that is creatively critical, and above all, novels written in a singular voice.

How to submit: Query Monika at monika [at] inkwellmanagement.com. Please send both a query letter along with a short writing sample (1-2 chapters) in the body of your email, and she’ll be in touch if she would like to read more!

(If an agent rejects you, are they open to reviewing your revised submission?)

Are you open to representing all writers? (please specify if US/UK only): Yes, Monika is very interested in representing writers from all over the world.

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
6. New Literary Agent Alert: Alec Shane of Writers House

Reminder: New literary agents (with this spotlight featuring Alec Shane of Writers House) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

alec-shane-literary-agent

 

About Alec: Alec majored in English at Brown University, a degree he put to immediate use by moving to Los Angeles after graduation to become a professional stunt man. Realizing that he prefers books to breakaway glass, he moved to New York City in 2008 to pursue a career in publishing. Alec quickly found a home at Writers House Literary Agency, where he worked under Jodi Reamer and Amy Berkower on a large number of YA and Adult titles. Twitter handle: @alecdshane.

(Writing a synopsis for your novel? Here are 5 tips.)

He is seeking: Alec is now aggressively building his own list. On the nonfiction side, Alec would love to see humor, biography, history (particularly military history), true crime, “guy” reads, and all things sports. “What I’m looking for in fiction: mystery, thriller, suspense, horror, historical fiction, literary fiction, and books geared toward young male readers (both YA and MG). What I’m not looking for: Romance (paranormal or otherwise), straight sci-fi, high fantasy, picture books, self-help, women’s fiction, food, travel memoir.”

Submission guidelines:  I accept e-mail and snail-mail queries (although email is preferable), and will usually respond within 4-5 weeks. Please send the first 10 pages of your manuscript, along with your query letter, to ashane [at] writershouse.com with “Query for Alec Shane: TITLE” as your subject heading – no attachments please! If sending via regular mail, please include a SASE with proper postage.

(When building your writer platform and online media, how much growth is enough?)

 

2015-GLA-smallThe biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

 

Add a Comment
7. New Literary Agent Alert: Julie Gwinn of The Seymour Agency

Reminder: New literary agents (with this spotlight featuring Julie Gwinn of The Seymour Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

Screen shot 2014-09-27 at 12.19.22 AM

About Julie: Before joining The Seymour Agency, Julie Gwinn most recently served as Marketing Manager for the Christian Living line at Abingdon Press and before that served as Trade Book Marketing Manager and then Fiction Publisher for the Pure Enjoyment line at B&H Publishing Group, a Division of LifeWay Christian Resources. Last year she was awarded Editor of the Year from the American Christian Fiction Writers and won B&H’s first Christy award for Ginny Yttrup’s debut novel Words. She has more than 25 years public relations and marketing experience and has also worked in marketing for several Nashville non-profit organizations including the TN Assoc. for the Education of Young Children, the Nashville Area Red Cross and the YWCA. She is married and has two children.

(Query letter FAQs answered.)

She is seeking: Christian and Inspirational Fiction and Nonfiction, Women’s fiction (contemporary and historical), New Adult, Southern Fiction, Literary Fiction and Young Adult.

How to submit: E-query julie [at] theseymouragency.com. Be sure to include: genre/target audience, word count, contact information, references (conference, recommendation, etc.). No attachments, please. All of The Seymour Agency agents ask that you paste the first five pages of your manuscript into the bottom of your email. “Simultaneous submissions are acceptable for queries and partials. However, we only review complete manuscripts on an exclusive basis.”

(How many blog page views are enough to impress an agent?)

2015-GLA-small

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
8. Literary Agent Spotlight: Mark Gottlieb of Trident Media Group

Today’s literary agent spotlight is with Mark Gottlieb of Trident Media Group. Mark is actively building his client list at the moment, and is definitely worth getting to know better. Learn more about him below:

 

mark-gottlieb-literary-agent

 

About Mark: From an early age, Mark showed a passionate interest in his father’s work, his founding of Trident with Dan Strone, and the growth of the company. And his father Robert took great pleasure in being “grilled” regularly by Mark.  This focus on publishing continued at Emerson College, where Mark was a founding member of the Publishing Club, then its President, subsequently overseeing its first publication under the Wilde Press imprint. After graduating Emerson with a degree in writing, literature and publishing, Mark began his career as an assistant to the Vice President of the Berkley imprint at Penguin, working with leading editors at the firm.

(Headed to a conference? Learn how to approach an agent.)

Mark’s first position at Trident was in the foreign rights department, assisting the department’s agents in selling the books of clients around the world. Mark continued to follow the customary Trident development process by next assuming the position of audio rights agent. Since Mark has managed the audio rights business, the annual sales volume has doubled (for more information on audio books, please see the Audio Books page under our Services tab). Now while continuing to head up audio rights, Mark is building his own client list of writers.  Follow Trident Media Group on Twitter or on Facebook.

He is seeking: In fiction, he seeks Science Fiction, Fantasy, Young Adult, Comics, Graphic novels, Historical, History, Horror, Literary, Middle Grade, Mystery, Thrillers and New adult.

In nonfiction, he seeks Arts, Cinema, Photography, Biography, Memoir, Self-help, Sports, Travel, World cultures, True crime, Mind/Body/Spirit, Narrative Nonfiction, Politics, Current affairs, Pop culture, Entertainment, Relationships, Family, Science, Technology.

How to submit: Use the online submission form here. Make sure you direct your inquiry to Mark.

(Can your query be longer than one page?)

 

2015-GLA-small

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

 

Add a Comment
9. New Literary Agent Alert: Soumeya Bendimerad of the Susan Golomb Literary Agency

Reminder: New literary agents (with this spotlight featuring Soumeya Bendimerad of the Susan Golomb Literary Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

soumeya-bendimerad-literary-agent

 

About Soumeya: Soumeya Bendimerad joined the Susan Golomb Literary Agency in 2012, where she is an agent and the director of foreign rights. Prior to that, she was a literary scout at Sanford Greenburger Associates and an associate editor at MacAdam/Cage Publishing. She is from the San Francisco Bay Area. Find her on Twitter.

(How many Twitter followers will impress an agent?)

She is seeking: She is actively seeking to represent literary fiction, upmarket/book club fiction, and select young-adult and middle grade. She is drawn to intelligent literary fiction with a fresh voice, coming of age stories, novels with elements of travel or stories set in other countries, family sagas, experiments with form, and complex but sympathetic characters. In non-fiction, she is seeking topics in popular culture, music and art history, unconventional business, politics, narrative non-fiction, sociology, cooking, travel, and memoir.

How to contact: Queries can be sent to soumeya [at] sgolombagency.com. Please include a query letter with bio, publication history, and synopsis, and the first three chapters or fifty pages. Only electronic submissions accepted. Please include the word “Query” in the subject of your email.

(How long should you wait before following up with an agent?)

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

 

 

Add a Comment
10. Successful Queries: Agent Katie Shea Boutillier and “THE ART OF FALLING”

This series is called “Successful Queries” and I’m posting actual query letter examples that succeeded in getting writers signed with agents. In addition to posting these query letter samples, we will also get to hear thoughts from the writer’s literary agent as to why the letter worked.

The 69th installment in this series is with agent Katie Shea Boutillier (Donald Maass Literary) for Kathryn Craft’s novel, THE ART OF FALLING (2014, Sourcebooks Landmark). Kirkus said of the book, “Craft’s debut novel lovingly traces the aesthetics of movement and gently explores the shattering pain of despair. A sensitive study of a woman choreographing her own recovery.”

Kathryn Craft is the author of two novels from Sourcebooks Landmark: The Art of Falling, and While the Leaves Stood Still (Spring 2015). She works as a developmental editor at Writing-Partner.com and serves on the board of the Philadelphia Writers Conference, as book club liaison for the Women’s Fiction Writers Association, hosts writing retreats for women, and speaks often about writing. Find her on Twitter.

GIVEAWAY: Kathryn is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Please note that comments may take a little while to appear; this is normal).

 

the-art-of-falling-novel-cover

 

Dear Katie Shea:

She had the talent, she had the drive, and she had the opportunity. Only one thing stood between Penelope Sparrow and the dance career of her dreams: her imperfect body. When she wakes up in a Philadelphia hospital after what should have been a deadly fourteen-story fall, Penelope pushes through the pain to move again. That’s what dancers do. Harder to surmount is the dark possibility of what happened out on that ledge, hinted at by each muscle memory she triggers. She can no longer dance around her body issues: the same “sturdy thighs” and “mambo hips” that derailed her have now saved her life, and whether she can use them to create a more meaningful career becomes a fight to save her soul.

THE ART OF FALLING draws on aspects of my past: as both dancer and dance critic, as the wife of a suicide victim, and as a modern woman bombarded by advice about how to achieve the perfect body. Dance is a hot pop culture phenomenon in top-rated television (Dancing with the Stars, So You Think You Can Dance), award-winning film (Black Swan), and bestselling nonfiction (Apollo’s Angels by Jennifer Homans). Body image issues continue to make headlines and inform advertising choices (Dove’s “Campaign for Beauty”). The story will offer hope to readers with displaced careers who are now trying to reconnect with their passions. In style, it will resonate with the readers of Ann Patchett, Anne Tyler, and Elizabeth Berg.

I’ve had short pieces published, both fiction and creative nonfiction, and I’m a contributing editor at The Blood-Red Pencil blog. The Sewanee Writers’ Conference accepted my work; I studied there with Pulitzer Prize nominee Diane Johnson and National Book Award winner Alice McDermott. I serve on the boards of the Philadelphia Writers Conference and the Greater Lehigh Valley Writers Group, and speak often on a variety of writing topics.

I’m seeking an agent who shares my enthusiasm for upmarket fiction driven by women’s issues. Emily Rapoport, Associate Editor at Berkley Publishing Group, is currently reviewing the full manuscript, which is complete at 99,700 words and ready to send. Congratulations on your new position at the Maass agency. My newly revised manuscript benefited from my three-day interaction with Don and his wife Lisa at The Write Stuff conference last March. Thanks so much, in advance, for your consideration. The synopsis and first five pages follow my signature block.

Sincerely,

Kathryn Craft
Katie’s breakdown:

Paragraph 1: This is an awesome first sentence. It connects me to the main character immediately. By the second sentence I’m hooked. A conflict has been presented. Then she gives me the setting and a tragic event that happened to the main character. Something quite unusual! Kathryn does such a lovely job incorporating Penny’s struggle for movement to her personal struggle to connect with her passion and to herself. She leaves this paragraph with me wondering what will happen to Penelope Sparrow?

Paragraph 2: Kathryn makes a personal connection to her novel with her background and her life experiences. I always love seeing this! Kathryn connects her novel with the universe by using her dance and body image hook. She then narrows her writing style as similar to best-selling authors.

Paragraph 3: Kathryn has a strong platform, has worked with highly respected published authors, and has a great following among other writers.

Paragraph 4: Mentioning that an editor is already looking at it is always a plus to agents. We love to know that others in our industry are interested in reading this novel. Then congratulations—how sweet! This is a smart move by Kathryn. It shows that she has researched me and knows my most recent career move. Kathryn makes another smart connection to my boss, Donald Maass, and shows that she used his teachings of how to write a novel to get where she is today.

GIVEAWAY: Kathryn is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Please note that comments may take a little while to appear; this is normal).

 

Hook agents, editors and readers immediately.
Check out Les Edgerton’s guide, HOOKED, to
learn about how your fiction can pull readers in.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
11. New Literary Agent Alert: Stacy Testa of Writers House

Reminder: New literary agents (with this spotlight featuring Stacy Testa of Writers House) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

agent-satcy-testa

About Stacy: Stacy joined Writers House in 2011 as an assistant to senior agent Susan Ginsburg and has been actively building her own client list since 2013. Previously, she interned at Farrar, Straus & Giroux and Whimsy Literary. Stacy graduated cum laude with a BA in English from Princeton University. Follow her on Twitter: @stacy_testa.

(If an agent rejects you, are they open to reviewing your revised submission?)

She is seeking: Stacy is looking for literary fiction and upmarket commercial women’s fiction, particularly character-driven stories with an international setting, historical bent, or focus on a unique subculture. She also represents realistic young adult (no dystopian or paranormal, please!). For nonfiction, she is particularly interested in young “millennial” voices with a great sense of humor and a strong platform, startling and unique memoirs, and voice-driven narratives about little-known historical moments.

How to submit: Please submit your query, including the first five pages of your manuscript pasted into the body of the email (no attachments), to stesta [at] writershouse.com. Please do not query multiple Writers House agents simultaneously.

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
12. New Literary Agent Alert: Siobhan McBride of Serendipity Literary Agency

Reminder: New literary agents (with this spotlight featuring Siobhan McBride of Serendipity Literary Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

siobhan-mcbride-literary-agent

 

About Siobhan: Siobhan McBride joined Serendipity Literary Agency in 2014. Raised in New York’s Hudson Valley region she studied painting, drawing, and ceramics before receiving her Bachelor of Arts in English and Creative Writing from SUNY New Paltz. She began her career in Publishing as an intern for the literary agency Objective Entertainment, and from there went on to work as a writer in the Editorial departments of various magazines including MovieMaker and Chronogram. Her passion for music and film led her to becoming the Music Editor of CriticalMob, eventually moving on to do freelance work with their parent company, Company Cue. Recently she has been tutoring young adults as a volunteer with 826NYC. Siobhan looks forward to creating lasting relationships with her clients and wants to work closely with them to give life to the vision of their work. Holding positions on both sides of the editorial field gives her a strong grasp of what an audience is looking for and the knack to balance that with a writers’ artistic drive.

(If an agent rejects you, are they open to reviewing your revised submission?)

She is seeking: Siobhan is actively seeking voice driven narratives whether Fiction, Memoir, or Non-Fiction. She holds a strong interest in Literary and Gothic Fiction, Horror, Paranormal, Adult Dystopian, Mystery/Crime, Thrillers (bonus points if they’re psychological), Historical, daring Young Adult, and narratives with philosophical undertones. For Memoir and Nonfiction titles, she seeks Investigative, True Crime, and dark/bizarre History. Siobhan enjoys the dark, macabre aspects of life where paranormal fiction and horror are viewed an under appreciated art forms deeply rooted in psychology, and looks for authors unafraid to delve into these inner workings of the human psyche.

(Should You Sign With a New Literary Agent? Know the Pros and Cons.)

How to submit: Visit the submissions page on Serendipity’s website: serendipitylit.com. You can direct your submission directly to Siobhan by requesting her in the body of the submission form. The average response time is 4-6 weeks.

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

 

Add a Comment
13. New Literary Agent Alert: Paul Lamb of Howard Morhaim Literary

Reminder: New literary agents (with this spotlight featuring Paul Lamb of Howard Morhaim Literary Agency) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

Screen Shot 2014-04-24 at 12.43.25 PM

 

About Paul: Paul Lamb of Howard Morhaim Literary Agency is a graduate of DePauw University in Greencastle, Indiana, and was a recipient of a POSSE Scholarship. Paul joins the agency after nearly a decade in Marketing at both Penguin and Random House, with various imprints. Owing to his professional experience in trade publishing, Paul has a strong sense of publishers’ needs, and a unique insight into the representation of authors.

(11 ways to assist a friend in promoting their new book.)

He is seeking: His tastes lie strongly with nonfiction in a wide variety of genres and subjects, notably business, political science, sociology, memoir, travel writing, sports, pop culture, and music. He is also interested in crime, mystery, and literary fiction.

How to submit: To submit, e-mail your query letter along with three sample chapters (for fiction) or full proposal (for non-fiction) to one of the agents listed below. Average response time is 6 to 8 weeks. Please paste materials [no attachments]. Query paul [at] morhaimliterary.com

(What should you do after rejection?)

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

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14. How I Got My Literary Agent: Natalia Sylvester

“How I Got My Agent” is a recurring feature on the Guide to Literary Agents Blog, with this installment featuring Natalia Sylvester, author of CHASING THE SUN. These columns are great ways for you to learn how to find a literary agent. Some tales are of long roads and many setbacks, while others are of good luck and quick signings. If you have a literary agent and would be interested in writing a short guest column for this GLA blog, e-mail me at [email protected] and we’ll talk specifics.

GIVEAWAY: Natalia is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Please note that comments may take a little while to appear; this is normal).

 

natalia-sylvester-author-writer        chasing-the-sun-nove-cover

Natalia Sylvester is the author of CHASING THE SUN (New Harvest/Amazon
Publishing, June 2014). Born in Lima, Peru, she came to the U.S. at age four
and grew up in South Florida, where she received a B.A. in Creative Writing
from the University of Miami. A former magazine editor, Natalia now works
as a freelance journalist and copywriter. Her articles have appeared in Latina,
NBCLatino.com, Writer’s Digest, and The Writer magazines.
Find her on Twitter: @NataliaSylv.

 

There’s a long version and a short version of this story.

THE SHORT VERSION

I went to a writers’ conference in 2010 and ended up getting offers of representation from two of the agents I met there.

THE LONG VERSION: ATTENDING A CONFERENCE

I attended the Writers’ League of Texas Agents & Editors Conference in June 2010. I was just a light polish away from completing a final draft of my novel after having worked on it for nearly four years. I felt ready enough to start pitching agents.

What I wasn’t ready for was pitching it verbally. Though I’d practiced a short pitch in front of my mirror, my husband, and my dogs, I arrived at the conference a nervous wreck. It was a Friday night, and my 10-minute consultation with Brandi Bowles of Foundry Literary + Media was on Sunday. I resigned myself to practicing my pitch by my lonesome in the corner of the room when a fellow conference attendee approached me.

“So what’s your book about?” she asked. Within minutes, I realized this conference wasn’t just about networking with agents, it was about networking with other writers. Together with about four others, my new friend and I helped each other practice and hone our pitch. We worked out the kinks and the nerves. By the time Sunday rolled around I was feeling pretty confident. I sat down with Brandi and told her about my book.

And guess what? She didn’t offer me representation right then and there. What she did offer was feedback. Really great, spot-on suggestions for how I could make my work stronger before sending it out to agents.

I took it all in. Later that afternoon, when I had the chance to pitch another agent who requested I send him a full, I asked if he’d rather I send him the manuscript right away, or if it’d be okay if I took a couple of months to really polish it. “Always send the best work you can, even if it takes a little longer,” he said. It took this in, too.

Essentially, I left the conference with an important To-Do List:

1. Keep revising, taking into account the agents feedback I’d received.
2. Meet with my new writers’ group that I’d met at the conference to get even more feedback.
3. Don’t rush. Query only when the book is ready.

Four months passed before I got through all these steps. I started querying in late October and within a few months had received offers from both Brandi and the other agent I’d met at the WLT Conference.

I call this the longer, more honest version of this story because the truth is this: You may not always walk away from a conference with an offer of representation. But if you keep your mind and ears open, you’ll definitely walk away with the tools necessary to get there.

GIVEAWAY: Natalia is excited to give away a free copy of her novel to a random commenter. Comment within 2 weeks; winners must live in Canada/US to receive the book by mail. You can win a blog contest even if you’ve won before. (Please note that comments may take a little while to appear; this is normal).

W7013

If you’re think in the middle of writing your novel, WD’s
Story Building Collection Kit is 6 items rolled into one
bundle at 69% off. The kit’s books & webinars focus on
plot, structure, character, showing & telling, world building
first pages, and more. Available while supplies last.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

 

 

 

Add a Comment
15. New Literary Agent Alert: Mary Krienke of Sterling Lord Literistic

Reminder: New literary agents (with this spotlight featuring Mary Krienke of Sterling Lord Literistic) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

mary-krienke-literary-agent

 

About Mary: Mary Krienke joined Sterling Lord Literistic in 2006 after receiving her MFA in Fiction from Columbia University. Born and raised in Nebraska, Mary received her BA in Psychology and English from the University of Nebraska, Lincoln. She now lives in Brooklyn. Find her on Twitter: @MaryKrienke.

She is seeking: Mary represents literary fiction, creative nonfiction, and realistic YA that pays close attention to craft and voice. She is especially drawn to new and emerging writers who seek to push boundaries of form and content, and she responds most strongly to writing that reaches great emotional and psychological depths. She is equally interested in work that illuminates through humor or by playing with genre. Her other interests include psychology, art, and design.

(Writing a synopsis for your novel? Here are 5 tips.)

How to submit: Mary is happy to receive submissions via email. If submitting fiction, please send a synopsis and the first three chapters or a 50 page sample. If submitting non-fiction, send a detailed proposal.  The queries should be sent to info [at] sll.com with “Attn: Mary Krienke” in the email subject line. Cover letters should be in the body of the email but send the actual submission as a Word document attachment.

(Find out why agents stop reading your first chapter.)

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
16. 7 Things I’ve Learned So Far, by Craig Lancaster

This is a recurring column I’m calling “7 Things I’ve Learned So Far,” where writers (this installment written by Craig Lancaster, author of 600 HOURS OF EDWARD) at any stage of their career can talk about writing advice and instruction as well as how they possibly got their book agent — by sharing seven things they’ve learned along their writing journey that they wish they knew at the beginning.

(See a list of fiction literary agents.)

 

 

600-hours-of-edward    craig-lancaster-author-writer

Craig Lancaster is the author of the novel 600 HOURS OF EDWARD (2012,
Lake Union), a novel about 600 tumultuous hours in the life of a 39-year-old
man with Asperger’s syndrome and obsessive-compulsive disorder. Lancaster
lives in Billings, Montana, with his wife and two dachshunds. His other novels
include THE SUMMER SON and EDWARD ADRIFT. His work has received a
Montana Honor Book designation, a High Plains Book Award and an
Independent Publisher Book Awards gold medal. His new novel,
THE FALLOW SEASON OF HUGO HUNTER, is set for a late-
September 2014 release by Lake Union Publishing. Find him
on Twitter.

 

1. It starts with a good book: Self-evident, right? Perhaps. But there are a lot of bad books out there, and a considerable number of them will sell better than your good book. Nonetheless, writing a good book is how you keep the faith with readers and with yourself, and that requires the proverbial village: critique partners, beta readers, people you trust to tell you the truth about your manuscript, and your own willingness to keep revising until it’s right.

The market can be unforgiving with a good book, but you’ll never have to apologize for it. Further, if you want to build a career, writing good books—not just sensations—is how you do it. In my experience, writing a good book means finding a deep well of empathy inside myself and letting it flow onto the page.

2. There are many ways through the door: My first novel, 600 HOURS OF EDWARD, was self-published before self-publishing was cool. It got picked up by a small regional publisher, won some nice awards, built a small following, got picked up by Lake Union Publishing and sold more copies than I ever allowed myself to imagine. It’s still going, still finding new readers, still connecting, every single day. What a fabulous ambassador it has been.

(Writer’s Digest asked literary agents for their best pieces of advice. Here are their responses.)

3. Patience is a virtue: You’ve finished with your book, but your editor has nine manuscripts he’s reading before he’ll get to yours. Negotiations on a book contract can take weeks. Your book has been acquired but is still months away from actually coming out. I’m not a patient guy by nature, but the writing life has taught me to deal with the slow-turning wheels of publishing. It’s why I fill my life with other projects and other interests. I design a quarterly magazine. I lead writing workshops. I have a long-running backgammon battle with my father. I have manuscripts in various levels of production—one actively being written, one being edited, one being marketed, at all times.

4. It comes around again: Before she started repping me, my agent, Mollie Glick of Foundry Literary, turned down 600 Hours of Edward with a bit of regret: She loved the story but wasn’t sure she could sell it. She wished me luck, and I trudged off, wondering if I’d ever find an agent. Three books later, I was trying to get representation for the second Edward book, Edward Adrift, and an author friend hooked us up. I reminded her of our previous interaction, and she said, “I always wondered what happened with that book!” Now we’re on the same team. That’s pretty cool.

5. Don’t quit the day job…yet: After one book, I thought it impossible to see a day when writing would pay my bills. After two books, the same thing. But then came books No. 3 and No. 4. A couple of foreign translations added to the revenue stream. A strong foothold in the United Kingdom and Germany expanded my readership. And, finally, in August 2013, I was able to give notice at the newspaper where I worked as a copy editor. Every month since then, I’ve stayed on track with my financial plan.

(When can you refer to yourself as “a writer”? The answer is NOW, and here’s why.)

6. The publishing world has changed, but…: It’s easy to get caught up in the tales of woe or the conventional wisdom. Publishers don’t nurture talent the way they used to. Advances are smaller. Midlisters are increasingly marginalized. And maybe that’s all true. But the technological changes afoot in publishing also represent great opportunities. There are fewer links in the chain between authors and readers than ever before. There are more ways to make your work available. Amid all the transformation, though, one really cool thing has remained stable: Nothing moves a book like word of mouth. Blockbusters may be conceived at the marketing table, but individual readers decide what they like and what they recommend to their friends. Remember what I said about writing a good book? This is where it pays off.

7. Generosity never fails: I remain ever thankful for a lot of people who helped me early in my career when they had nothing to gain from doing so. Whether it was reading my manuscript or letting me talk to a writing class or giving me advice about the business, these people were generous with their knowledge and their resources. I resolved to do the same when aspiring authors sought me out. No, you can’t help everybody, and yes, you need to protect your own time for your own projects. But being kind and being generous are always good choices. (On the flip side, you’ll no doubt run into some people in this business who delight in hurtful behavior. Be generous in your sympathy toward them, too. It must be a miserable way to go through life.)

How to Blog a Book by Nina Amir discusses
how to slowly release a novel online to generate
interest in your writing and work.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
17. New Literary Agent Alert: Madeleine Clark of Sterling Lord Literistic

Reminder: New literary agents (with this spotlight featuring Madeleine Clark of Sterling Lord Literistic) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

Madeleine_clark_literary_agent

 

About Madeleine: Madeleine Clark joined Sterling Lord Literistic in 2011 after working for several years in the editorial department at Algonquin Books of Chapel Hill. Born in London, raised in Virginia, and a graduate of the University of North Carolina at Chapel Hill, Madeleine is an unabashed anglophile and an avid runner. She now lives in Brooklyn. Find her on Twitter. She will be taking pitches at the 2014 Writer’s Digest Conference in NYC (Aug 1-3).

(Read tips on writing a query letter.)

She is seeking: Madeleine is interested in commercial and literary fiction as well as narrative nonfiction. She is particularly drawn to realistic YA, literary thrillers, novels that can believably introduce a bit of fantasy/sci-fi, and books that draw heavily from their environment whether that is geographical or cultural.

How to submit: Madeleine is happy to receive submissions via email. If submitting fiction, please send a synopsis and the first three chapters or a 50 page sample. If submitting nonfiction, send a detailed proposal.  The queries should be sent to info [at] sll.com with “Attn: Madeleine Clark” in the e-mail subject line. Cover letters should be in the body of the email but send the actual submission as a Word document attachment.

(Will an agent be interested in your degrees or where you went to school?)

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

 

 

 

Add a Comment
18. New Literary Agent Alert: Andy Kifer of The Gernert Company

Reminder: New literary agents (with this spotlight featuring Andy Kifer of The Gernert Co.) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

andy-kifer-literary-agent

 

About Andy: Andy joined The Gernert Company in 2012 after two years working for Aram Fox, Inc., where he scouted books for foreign publishers. He grew up in Pittsburgh, PA, lived in North Carolina for five years, and worked briefly as a cross-country coach at a boarding school before starting his career in publishing. He lives in Brooklyn and runs in Prospect Park.

(How to be a literary agent’s dream client.)

He is seeking: “I’m looking for literary fiction, smart genre fiction (in particular, high-concept thrillers or sci-fi), and nonfiction with a strong narrative bent. I’m a sucker for love stories and inventive narrative structure.”

How to submit: Please query me by following The Gernert Company’s submission guidelines (see www.thegernertco.com): send a query letter to info [at] thegernertco.com, with “Attn: Andy Kifer ” in the e-mail’s subject line. I’d prefer to see the first few chapters pasted into the body of the e-mail. Snail mail queries to The Gernert Company’s office, addressed to me, are fine too! I promise I read everything that comes my way, though at Gernert we tend to respond only if something piques our interest.

(Should You Sign With a New Literary Agent? Know the Pros and Cons.)

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
19. New Literary Agent Alert: Michael Sterling of Folio Literary Management

Reminder: New literary agents (with this spotlight featuring Michael Sterling of Folio Literary Management) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

michael-sterling-literary-agent

 

About Michael: “I joined Folio Literary Management in 2011. Prior to that I worked at Habitus: A Diaspora Journal, a literary magazine based in Brooklyn. My work there was editorially driven and I’ve since brought that experience to Folio, where I’ve worked with many best-selling fiction and nonfiction authors across various genres, including thriller authors, cookbooks writers, and literary novelists.”

(What makes an agent more likely to sign one client vs. another?)

He is seeking: Regarding fiction: “I love literary, commercial, and upmarket fiction. Thrillers with tremendous commercial appeal and strong writing are of particular interest to me—I’m a fan of anything from Lee Child to John le Carré. As a reader, I enjoy period novels in any genre. 20th century wars provide some of my favorite temporal settings, for instance. I love novels with high concepts (think THE AGE OF MIRACLES by Karen Thompson Walker, or LIFE AFTER LIFE by Kate Atkinson) and books that can teach me about new cultures and transport me to new countries are always among my favorite.”

Regarding nonfiction: “A self-avowed foodie, I avidly devour cookbooks and am interested in working with authors who share this passion of mine. My tastes veer towards books with a strong narrative element—I’m seeking political books, memoirs, investigative and journalistic works, or titles that place a specific region, historical event, person or thing under a microscope. For instance, I’d love to read more about the Middle East, especially works in which contemporary issues are explored in new ways.”

(In the middle of querying? Here are some helpful tips.)

How to submit: “Please submit queries to msterling (@) foliolit.com [be sure to remove the parentheses], and include ‘QUERY’ in the subject line. Please include the query letter and first ten pages of your manuscript or proposal in the body of the e-mail.”

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
20. New Literary Agent Alert: Michelle Richter of Foreword Literary

Reminder: New literary agents (with this spotlight featuring Michelle Richter of Foreword Literary) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

michelle-richter-literary-agent

 

About Michelle: Michelle Richter was formerly an editor at St. Martin’s Press. Michelle has a degree in Economics with a minor in Russian from the University of Massachusetts at Boston and left a career in finance for publishing. She joined St. Martin’s Press’ editorial department in 2006 after obtaining a Masters in Publishing from Pace University. Richter says: “What I’ve most loved as an editor is discovering new authors, helping them make their writing stronger, and finding just the right audience for them. Now I’m excited to bring the skills I developed over eight years at St. Martin’s Press to my new role at Foreword Literary. I’ve been impressed by how the Foreword Literary team capitalizes on the myriad opportunities to find writers and reach readers, whether through traditional publishing channels or in the evolving digital landscape, and I’m thrilled to be joining this dynamic, energetic agency.” Find her on Twitter at @michrichter1.

(Can you re-query an agent after she’s rejected you in the past?)

She is seeking: Michelle is primarily seeking fiction, specifically book club reads, literary fiction, well-crafted women’s commercial fiction, thrillers, and mysteries. For nonfiction, she’s interested in fashion, film, television, science, medicine, sociology/social trends, and economics for trade audiences.

How to submit: To query Michelle, please send your query letter, a 1-2 page plot synopsis, and the first twenty pages of your manuscript to querymichelle [at] forewordliterary.com as an attached Word document. Please allow up to eight weeks response time.

(Are you writing middle grade, edgy paranormal, women’s fiction or sci-fi? Read about agents seeking your query.)

 

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount.

 

Other writing/publishing articles & links for you:

 

Want to build your visibility and sell more books?
Create Your Writer Platform shows you how to
promote yourself and your books through social
media, public speaking, article writing, branding,
and more.
Order the book from WD at a discount.

Add a Comment
21. New Literary Agent Alert: Rebecca Podos of Rees Literary

Reminder: New literary agents

(with this spotlight featuring Rebecca Podos of Rees Literary) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.

 

rebecca-podos-literary-agent

 

About Rebecca: Rebecca Podos (Rees Literary Agency

) is a graduate of the MFA Writing, Literature and Publishing program at Emerson College, whose own fiction has appeared in Glimmer Train, Glyph, CAJE, Bellows American Review, Paper Darts, and SmokeLong Quarterly. She represents YA books by talented clients such as Rin Chupeco, Jen Anckorn, Ryan Bradford, Sarah Nicolas, Jen Estes, Kenny Logan, and more.

(What are the best practices for using social-media to sell books?)

Genre Preferences: Rebecca is primarily interested in Young Adult fiction of all kinds, including contemporary, emotionally driven stories, mystery, romance, urban and historical fantasy, horror, and sci-fi. Occasionally, she also considers literary and commercial adult fiction, New Adult, and narrative nonfiction.

(The skinny on why to sign with a new/newer literary agent.)

Submission instructions: Submit a query letter and the first few chapters (pasted in the email) to Rebecca [at] reesagency.com.

2014-guide-to-literary-agents

The biggest literary agent database anywhere
is the Guide to Literary Agents. Pick up the
most recent updated edition online at a discount

Other writing/publishing articles & links for you:It’s Not a Bad Thing to Write Your Ending First
  • Romance vs. Women’s Fiction: The Differences.
  • Agent Suzie Townsend Is Seeking Adult Fiction Clients.
  • Sell More Books by Building Your Writer Platform.
  • If You’re a Debut Author, Word Count Matters.
  • Follow Chuck Sambuchino on Twitter
  • or find him on Facebook. Learn all about his writing guides on how to get published, how to find a literary agent, and how to write a query letter.

     

    Want to build your visibility and sell more books?
    Create Your Writer Platform

    Order the book from WD at a discount

    .

    Add a Comment
    22. Literary Agent Spotlight: Allison Hunter of Inkwell Management

    Reminder: Agent Spotlights (with this spotlight featuring Allison Hunter of Inkwell Management) are golden opportunities for new writers because each one is a literary agent

    who is likely building his or her client list.

     

    allison-hunter-literary-agent

    About Allison:  Allison Hunter, a native of the San Francisco Bay Area, began her publishing career in 2005 working for the Los Angeles-based literary publicity firm, Kim-from-L.A. She joined the InkWell Management

    team in New York City in 2010. She has a B.A. in American Studies and Creative Writing from Stanford University and a J.D. from the University of Chicago Law School.

    (What does it mean when an agent says “This isn’t right for me”?)

    She is seeking: She is actively acquiring literary and commercial fiction (including romance), memoir, narrative nonfiction, cultural studies, pop culture and prescriptive titles, including cookbooks. She is always looking for funny female authors, great love stories and family epics, and for nonfiction projects that speak to the current cultural climate.

    How to submit: Queries should be e-mailed to: [email protected]. Put “Query for Allison: (Title)” in the subject line. In the body of your email, please include a query letter and a short writing sample (1-2 chapters). Due to the volume of queries we receive, response times may take up to two months. By submitting you are acknowledging these terms

    .

    (Do you need multiple literary agents if you write different genres?)

     

     

    2014-guide-to-literary-agents

    The biggest literary agent database anywhere
    is the Guide to Literary Agents. Pick up the
    most recent updated edition online at a discount

    Other writing/publishing articles & links for you:What does it mean when an agent says “This isn’t right for me”? 
  • Create a Better Novel: Writing with Emotion to Draw Readers In. 
  • New literary agent Beth Phelan is looking for clients.
  • 8 Rules For Writing in Bed.
  • The Writer’s Promise: How to Craft a Book’s Pitch.
  • Follow Chuck Sambuchino on Twitter
  • or find him on Facebook. Learn all about his writing guides on how to get published, how to find a literary agent, and writing a query letter.

     

    Want to build your visibility and sell more books?
    Create Your Writer Platform

    Order the book from WD at a discount

    .

    Add a Comment
    23. New Literary Agent Alert: Holly Lorincz of MacGregor Literary

    Reminder: New literary agents

    (with this spotlight featuring Holly Lorincz of MacGregor Literary) are golden opportunities for new writers because each one is a literary agent who is likely building his or her client list.




    holly-lorincz-literary-agent

     

    About Holly: Agent Holly Lorincz spent her youth mainlining salmon, venison and books while sitting, shivering, on a dock on the Columbia River. She’s never recovered from her book addiction, moving instead to making and distributing her literary drug of choice. Holly has a degree in Journalism as well as a MAT focused in writing and literature. She was the editor of the literary magazine Perceptions, and then became a high school and college instructor. During that fifteen year run, she was named Teacher of the Year in Oregon, won two national awards from the National Federation of Schools, coached her high school speech team to two State Championships and nine individual Champions, began an editing service, and published various short works.

    (How much money can you expect from selling your first book?)

    After an extended illness, Holly has redefined herself, now living the dream of every college graduate with an English degree: she’s published a novel, her editing service is thriving, and she is a full time MacGregor Literary

    agent. Residing on the Oregon coast with her son, Holly works out of the MacGregor Literary office one block from the Pacific, huddled next to the heater and coffee pot. She is well aware of the shifting role of a literary agent. While seeking traditional publishers for her authors, she also closely works with clients on alternative publishing options, career development, marketing plans, and media training.

    She is seeking: “I am currently only accepting general market submissions in these areas: historical romance, literary or classic westerns, political or conspiracy thrillers, women’s fiction, or literary fiction.”

    (Hate writing synopses? Here are nuts & bolts pointers for you.)

    How to contact: Please note that while MacGregor Literary, as a whole, is closed to submissions (as per their website), Holly confirmed to me personally that she is open to new queries & clients. In order to submit, authors can email queries to holly [at] macgregorliterary.com. Please include the genre in the subject line.

     

    2014-guide-to-literary-agents

    The biggest literary agent database anywhere
    is the Guide to Literary Agents. Pick up the
    most recent updated edition online at a discount

    Other writing/publishing articles & links for you:Interview With Agent Laura Dail, Who Reps Fiction and Nonfiction.
  • 5 Tips For Writing a First Draft.
  • How Debut Author James Markert Found Agent Dan Lazar.
  • Advice via Author Elisa Lorello. First tip: Ask “What Would Aaron Sorkin Do?” 
  • Sell More Books by Building Your Writer Platform.
  • Why You Should Reach Out to Successful Authors For Advice.
  • Follow Chuck Sambuchino on Twitter
  • or find him on Facebook. Learn all about his writing guides on how to get published, how to find a literary agent, and how to write a query letter.

     

    Want to build your visibility and sell more books?
    Create Your Writer Platform

    Order the book from WD at a discount

    .

    Add a Comment
    24. “How to Find and Keep a Literary Agent” — Agent One-on-One Boot Camp With Awesome Critique Starts March 24, 2014

    How do you hook an agent right away, keep them hooked, and make the most of your new publishing relationship? In this all-new March 2014 Boot Camp, “How to Find and Keep a Literary Agent,”

    you’ll learn how to get a literary agent’s attention through a great submission, and also how to navigate the process of working successfully with an agent. After hearing instruction from the agents at Kimberley Cameron Literary Agency, you’ll also work with an agent online to review and refine your all-important query letter and the first five pages of your novel with the agents. This Boot Camp will cover a range of important questions:
    • What keeps an agent reading? What makes writing jump off the page?
    • What are the most common Chapter 1 mistakes that make them stop reviewing your submission?
    • What are the steps you need to give your query and manuscript the best possible shot?
    • What are the turn-ons and turn-offs when it comes to queries?
    • How do agents make judgment calls?
    • And much more. Sign up for the boot camp here
    .

     

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    25. Author Interview: Karolina Waclawiak, Author of HOW TO GET INTO THE TWIN PALMS

    It’s time to meet another debut author who got their novel published. Reading debut author interviews is a great way to see a writer’s path to success, so you can learn from them. This interview is with Karolina Waclawiak, author of HOW TO GET INTO THE TWIN PALMS

    (Two Dollar Radio Books, Aug. 2012), a novel Publishers Weekly called “a taut debut” in a starred review. The New York Times Book Review said, “At its most illuminating, How to Get Into the Twin Palms movingly portrays a protagonist intent on both creating and destroying herself, on burning brightly even as she goes up in smoke.”

    Karolina Waclawiak is the essays editor of The Believer magazine. Find Karolina on Twitter

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    Karolina-Waclawiak

    twin-palms-Karolina Waclawiak

     

     

    What is the book’s genre/category?

    Literary.

    Please describe what the story/book is about in one sentence.

    How To Get Into the Twin Palms

    follows Anya, a Polish immigrant disconnected from both her heritage and adopted American culture, as she attempts to assimilate into the Russian world that surrounds her in Los Angeles.

    Where do you write from?

    I write from my apartment in Brooklyn and on my little notepad in the subways on my way to and from work.

    Briefly, what led up to this book?

    I had just gotten out of grad school and was working for The Believer. I hadn’t had any major publishing credits, and as a result, it was impossible to find an agent to take me on. I decided to look at indie publishers I admired to try my luck with them directly.

    (Can you query be longer than one page?)

    What was the time frame for writing this book?

    I wrote the book in a year and a half during grad school and it was my thesis. I was extremely lucky to be guided by the amazing writers Christine Schutt, Sam Lipsyte, and Gary Shteyngart while writing this novel. Working with them at different times made me consider the novel through different lenses and I think that was really beneficial in shaping the book. When I was shopping it around to agents, many thought I needed to make sweeping changes – force a stronger plot, make the narrator likeable – but I was confident that this was the story I wanted to tell after my experience working with Christine, Sam, and Gary.

    How did you find your agent (and who is your agent)?

    I do have an agent now – Kirby Kim at WME [William Morris Endeavor]. He’s great! However, I did not start working with him until after I sold my book. As I mentioned, I didn’t have any luck trying to find an agent and so I figured it must be just as hard to get a publishing house to respond to you. So, while I waited to hear back from agents I started querying publishing houses. I looked at publishing houses like Two Dollar Radio (who ended up picking up the book) and Akashic and wrote what I thought was a persuasive query letter.

     

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    What were your 1-2 biggest learning experience(s) or surprise(s) throughout the publishing process?

    My biggest learning experience has been realizing how important it is for you, the writer, to be an active participant in spreading the word about your book. Two Dollar Radio has done an awesome job with my book, but I think writers today really need to be comfortable and active on social media and really develop relationships with other writers, book stores, bloggers, and readers. It’s imperative to keeping your book alive well past the publication date, especially in the indie marketplace. I’ve really enjoyed getting to know people via Twitter, especially. It’s been a really fun experience.

    Looking back, what did you do right that helped you break in?

    I think not giving up was key. Because I didn’t have many publishing credits, I wasn’t really looked at as a good bet. I decided to get creative with how I approached the publishing world. I think it helped that I didn’t really know what the rules were and so I didn’t think it made sense to wait a year or two to hear back from agents. I decided to do research and try to be my own advocate.

    On that note, what would you have done differently if you could do it again?

    I think I probably would have spent more time on the road visiting bookstores and book clubs. It’s extremely important.

    Did you have a writer platform

    in place?

    I didn’t really have one, to be honest. I was on Twitter

    , but I didn’t have more than a couple hundred followers. I didn’t have a Tumblr. I didn’t have a Goodreads page. I think all these things are important and necessary. That being said, you have to strike a balance so you don’t turn into a promotion automaton. I’ve also met other writers and have put together group readings. It’s a fun way to meet new readers and really build a sense of community.

    (How successful should a blog be before agents/editors will take notice?)

    Best piece(s) of advice for writers trying to break in?

    Do not give up. If you believe in your work, find ways to work around those impenetrable doors. There isn’t only one way way to break in, so explore all avenues. And be kind to everyone.

    Something personal about you people may be surprised to know?

    I’ve been writing unproduced screenplays for nearly a decade, but this was the first book I wrote. I saw that adaptations were selling and decided to try my hand at writing a novel in the hopes of eventually adapting it.

    Favorite movie?

    Night of the Hunter.

    Website(s)?

    www.believermag.com, www.therumpus.net, http://lareviewofbooks.org/, The Treatment on KCRW, and Bookworm on KCRW.

    What’s next?

    I’m finishing up a novel about an aging trophy wife who develops a relationship with her would-be attacker in a Connecticut beachfront community. It’s called Invaders. I’m also finishing up a couple of screenplays.

     

    Other writing/publishing articles & links for you:How to Write a Book Series.

  • NEW Agent Seeking Clients: Teresa Kietlinski of Prospect Agency.
  • Literary Agent Interview: Christine Witthohn of Book Cents Literary.
  • Sell More Books by Building Your Author Platform
  • .
  • Follow Chuck Sambuchino on Twitter
  • or find him on Facebook. Learn all about his writing guides on how to get published, how to find a literary agent, and how to write a query letter.

     

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