How do you choose the right word? Some just don’t fit what you’re trying to convey, either in the labor of love prose for your creative writing class, or the rogue auto-correct function on your phone.
Can you shed lacerations instead of tears? How is the word barren an attack on women? How do writers such as Joshua Ferris, Francine Prose, David Foster Wallace, Zadie Smith, and Simon Winchester weigh and inveigh against words?
We sat down with Katherine Martin and Allison Wright, editors of the Oxford American Writer’s Thesaurus, to discuss what makes a word distinctive from others and what writers can teach you about language.
Writing Today, the Choice of Words, and the Oxford American Writer’s Thesaurus
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Reflections in the Oxford American Writer’s Thesaurus
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The Use and Abuse of a Thesaurus
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Katherine Martin is Head of US Dictionaries at Oxford University Press. Allison Wright is Editor, US Dictionaries at Oxford University Press.
Much more than a word list, the Oxford American Writer’s Thesaurus is a browsable source of inspiration as well as an authoritative guide to selecting and using vocabulary. This essential guide for writers provides real-life example sentences and a careful selection of the most relevant synonyms, as well as new usage notes, hints for choosing between similar words, a Word Finder section organized by subject, and a comprehensive language guide. The third edition revises and updates this innovative reference, adding hundreds of new words, senses, and phrases to its more than 300,000 synonyms and 10,000 antonyms. New features in this edition include over 200 literary and humorous quotations highlighting notable usages of words, and a revised graphical word toolkit feature showing common word combinations based on evidence in the Oxford Corpus. There is also a new introduction by noted language commentator Ben Zimmer.
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