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Two years ago, in Appleton, WI, I had what will always remain one of the happiest few days in my writing life.  I'd been invited to the Appleton Book Festival, and I had nine official events in two-and-half days—teaching memoir in libraries, talking about the future with high school students, standing on big stages in middle school auditoriums to address entire student bodies, taking over a lovely green-rugged library, working one-on-one with rising poets, talking to the darling editors of school newspapers, consulting with a boy who wanted me to write his personal story.  Everywhere I went I was received with such open-hearted goodness, and one morning, in the elevator, I met Ted Kooser, that laureate poet, and told him how I had read his poems to my mother during her final days.  I loved Appleton with a passion. I walked her river in the few hours when I wasn't teaching and ate alone at night in a restaurant that soon felt like my own.  These were, in so many ways, perfect days.

Yesterday, my friend Serena Agusto-Cox wrote to tell me that an Appleton librarian named Tasha (of Waking Brain Cells) had read Small Damages and had very kind things to say.  (Serena sends word of kind reviews from time to time, and because of her, I get to thank the reviewers.)  Tasha's beautiful words are deeply moving; they epitomize the graciousness of her city.

Late last night, meanwhile, I received an email from Tamara Smith, who had interviewed me so graciously about the role of landscape in my work (and mind) a few weeks ago.  Tamara's BookBrowse review of Small Damages had gone live, and she was writing to let me know.  The review is breathtaking—and it, too, says as much about the person behind the review as it does about the story I tried to tell.  Perhaps even more.

A morning hug, to you all.

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Could there be anything more thrilling (for a reader-rocker) than reading the beautifully researched, impeccably written David Remnick profile of Bruce Springsteen in the July 30 issue of The New Yorker?  The story is called "We Are Alive," and most everyone read it before I did, because my issue didn't arrive until late yesterday afternoon.  I'd read pieces online.  I'd read the raves.  But yesterday, after a very long day of corporate work and minor agitations, I found a breeze and read the profile through.  I didn't have to fall in love again with Bruce Springsteen; I've been in love since I was a kid.  But I loved, loved, loved every word of this story.  I would like to frame it.

(For those who haven't seen my Devon Horse Show photos and video of Jessica Springsteen, who is as sensational in her way as Bruce is, I share them here.)

Perhaps my favorite part of Remnick's article was discovering the way that Springsteen reads, how he thinks about books.  You don't get to be sixty-two and still magnetic, necessary, pulsingly, yes, alive if you don't know something, and if you don't commit yourself to endless learning.  Reading is one of the many ways Springsteen stays so connected to us, and so relevant.  From The New Yorker:

Lately, he has been consumed with Russian fiction.  "It's compensatory—what you missed the first time around," he said.  "I'm sixty-some, and I think, There are a lot of these Russian guys!  What's all the fuss about?  So I was just curious.  That was an incredible book: 'The Brothers Karamazov.' Then I read 'The Gambler.'  The social play in the first half was less interesting to me, but the second half, about obsession, was fun.  That could speak to me. I was a big John Cheever fan, and so when I got into Chekhov I could see where Cheever was coming from.  And I was a big Philip Roth fan, so I got into Saul Bellow, 'Augie March.' These are all new connections for me.  It'd be like finding out now that the Stones covered Chuck Berry."

Next week, I'll begin to write my paper for Glory Days: The Bruce Springsteen Symposium, which is being held in mid-September at Monmouth University, and where I'll be joining April Lindner, Ann Michael, Jane Satterfield, and Ned Balbo on a panel called "Sitting Round Here Trying to Write This Book: Bruce Springsteen and Literary Inspiration." I don't know if I've ever been so intimidated, or (at the same time) excited.  I don't know what I have in me, if I can write smart and well enough.

But this morning I take my energy, my inspiration, from the friends and good souls who have written over the past few days to tell me about their experience with Small Damages.  We writers write a long time, and sometimes our work resonates, and when it does, we are so grateful.  When others reach out to us, we don't know what to say.  We hope that thank you is enough.  And so, this morning, thank you, Alyson Hagy and Robb Forman Dew.  Thank you, Tamara Smith.  Thank you, Elizabeth Ator and Katherine Wilson.  Thank you, Jessica Ferro.  Thank you, Hilary Hanes.  And thank you, Miss Rosella Eleanor LaFevre, who interviewed me a few years ago about Dangerous Neighbors, and who has stayed in touch ever since.  I don't even know how to say thank you for 3 Comments on Bruce Springsteen, Glory Days Symposium, and Thanks, last added: 7/30/2012