Still making progress with "Seeds" but there are signs of a slow down, which is par for the course. It's the point where that distressing word, "blocked" begins to seep through the conscious writing areas of my brain and plant doubts like, "maybe the story line isn't strong enough" or plant questions that include "do you know where you're going with this?"
Rather than plug away and continue to write as is suggested in writing manuals and advocated by writing professionals, I use this as a time for reflection. Translation: time to take a rest and think about stuff. Important stuff like an analysis of the characters names and whether they match their personalities. The issue of "Hal" the latest character addition, is on the analysis block. Initially, Hal was "Chuck" and before that he assumed the temporary name of "Steve." Not that there's anything wrong with any of the above-mentioned names but the names had to have a certain mental image to match the dialogue.
The female characters are also under scrutiny including "Sylvia" who was one of the two players in the original short version of "Seeds" Assessing her character strength and longevity involved walks around the neighborhood repeating her name to decide if the name suited her personality. Did receive some suspicious looks from passer-bys but that's goes with the play writing territory. Somehow, "Julie", was never in question and seemed right - so far.
At present I'm thinking as to whether should there be a head pigeon leading the park pigeons into a rebellion and if so, whether she/he should have a name. Further thoughts require a deep study into a strong pigeon name. Perhaps "Mac" or "Xena"..."Sunny" and whether the pigeons should have the ability to communicate to their humans in English or stick strictly to their well-known, "brrpps."
It's always a good thing to have one's writing priorities in the right place.
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Blog: A. PLAYWRIGHT'S RAMBLINGS (Login to Add to MyJacketFlap)
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Blog: A. PLAYWRIGHT'S RAMBLINGS (Login to Add to MyJacketFlap)
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In honor of Remembrance Day or Memorial Day or whatever and however its remembered, the first eight pages of yet anther rewrite of "Old Soldiers." I'm adapting parts of it from other versions to make it into what I hope to be, a new play. As always, comments always welcome - and appreciated.
ROOM AND JOINS HIM AT THE TABLE
MIKE
Blog: A. PLAYWRIGHT'S RAMBLINGS (Login to Add to MyJacketFlap)
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Whereas the playwright has a conversation with the main character of "Old Soldiers", JOE MCKENNA
PLAYWRIGHT
Joe! You old son-of-a-...gun. How are things going with you?
JOE MCKENNA
Cut the crap, Eleanor. You know very well I'm looking for direction
PLAYWRIGHT
You mean, you're lost? How so?
JOE MCKENNA
You keep changing my focus so often, I'm getting dizzy. When are you gonna make up your mind once and for all?
PLAYWRIGHT
It's not for lack of trying. I start out in one direction and then suddenly realize that I'm sending you on a wild goose chase
JOE MCKENNA
How well I know that! Now what are you gonna do with my army buddies? They're obviously important since you put them in the first scene
PLAYWRIGHT
That's the dilemma right now. I love their characters and I love the dialogue that flows out of their mouths, but they have to have something to offer in the way of justification
JOE MCKENNA
They're my friends. That's all they need
PLAYWRIGHT
True...but I want their input to be meaningful. To have an impact on the story. Do you like where they're at now?
JOE MCKENNA
Can't really say for sure - yet. It could work and then again the whole damn thing could fall apart
PLAYWRIGHT
What about the new characters?
JOE MCKENNA
Potential...they could be interesting.
PLAYWRIGHT
Well, if all goes according to plan, they will all have impact on each other
JOE MCKENNA
Sorry - I don't get it
PLAYWRIGHT
Hopefully, as time goes on, you will
JOE MCKENNA
Promises...promises...
PLAYWRIGHT
Trust me
JOE MCKENNA
Do I have a choice? Gotta leave. I have a feeling the guys are meeting up at the pub. 'I'm comin' fellas...I'm comin'! We are, right?
Blog: A. PLAYWRIGHT'S RAMBLINGS (Login to Add to MyJacketFlap)
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The end is near for Joe McKenna, in more ways than one. My short play, "Old Soldiers" is reaching a finale, I'm thrilled to report.
"So when did this all occur, Eleanor?"
For whatever reason - desperation to make a deadline springs to mind - I've been adding material/dialogue over the past two weeks. Periodically, there have been re-checks and tweaking to ensure that the flow of words "sounds" natural and things make sense. Overall, things are progressing at a good speed.
"Do you think you can make the deadline?"
I'm aiming for this but one never knows. There is still one existing problem as I view it.
"And that would be...?"
A very serious issue, actually, which is insufficient sound effects. Rather than angst over this issue, I'm focusing on the story and dialogue and then re-examine and add after (she wrote hopefully).
"How many more pages left to write?"
Approximately twenty pages, which will focus on Joe's stand to make a point, his meeting with a young boy and Joe's three friends. In other words, the wind up to the story. Still not sure whether all the above-mentioned aspects will be included, It depends on the amount of space.
Did I mention I'm pleased with myself?
Blog: A. PLAYWRIGHT'S RAMBLINGS (Login to Add to MyJacketFlap)
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Still more progress on "OLD SOLDIERS" - be still my beating heart!
Can't believe I'm writing this but still more progress today.
"So what's happening with "the" play, Eleanor?"
Well...I'm now up to scene 4 or as I number it, Scene IV and even sharing this reality is quite unnerving. I'm always afraid that my writing "roll" will come to an abrupt end.
"Did you amend the time line that concerned you the other day?"
Managed to make some necessary changes to dialogue that fixed this problem.
"So where are you now?"
I"m at the point where Joe is re-visiting the park before the ceremonies take place. Following close behind in the true sense of the word, are his pub pals who have decided to tag along.
"What is it about this play that has such a hold on you?"
The original short story was based on an interview I did with a veteran for a newspaper column. Thinking about his experiences as I wrote the article, the story formed in my mind. Joe McKenna could be any old soldier who has lived a long - maybe too long - life. He feels embittered by his current existence and wants to make a symbolic gesture of his feelings.
More updates to follow - hopefully she wrote.