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Kamik Joins the Pack was in my mail today. Adapted from the memories of Darryl Baker, who is Inuit, the story is the third in Inhabit Media's series featuring Jake and his pup, Kamik.

I first met Kamik in 2013, in Kamik: An Inuit Puppy Story. Jake had just gotten him. Course, Kamik has all the bountiful energy of a puppy---and Jake has all the frustration of a little boy trying to teach him this or that. Jake's grandpa helps him out, giving him perspective, and stories, too, about the importance of sled dogs. Then in 2015, Kamik's First Sled came out. In it, Jake wants Kamik to learn how to pull a sled. His grandma helps him.

This year, in Kamik Joins the Pack, Jake is visiting his uncle. That uncle has a great dog sled team and has won many races. Jake hopes that, someday, Kamik can be on a team like that. He's still a pup, and still learning.

Jake's uncle is getting ready to take his team out. He shows Kamik some of the things he does to make sure his dogs are in good shape. And he tells Jake about things dogs will do--like chewing on the harnesses and ropes. Knowing how to sew and braid so that he can repair chewed up ropes and harnesses, is important, too! There's other responsibilities, too. It seems like a lot of work to Jake, but his uncle is reassuring. Like Kamik, he'll learn, a bit at a time. As the story ends, Kamik is off, on a short run, with the pack.

As with the other Kamik books, I love the present-day setting, and the significant role extended family members play in Jake's life. In each one, Qin Leng's illustrations are vivid and lively. Endearing and accurate, the Kamik stories are terrific. If you don't have the first two, get them right away when you get Kamik Joins the Pack. As I'm writing, snow is falling outside. It is falling in a good many places in the US... it is wintertime! Perfect time for sharing stories.... about puppies and sleds.

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On the Shoulder of a Giant: An Inuit Folktale
By Neil Christopher
Illustrated by Jim Nelson
Inhabit Media
$16.95
ISBN: 978-1-77227-002-0
Ages 4-7
On shelves now

My daughter is afraid of giants. She’s three so this isn’t exactly out of the norm. However, it does cut out a portion of her potential reading material. Not all giants fall under this stricture, mind you. She doesn’t seem to have any problem with the guys in Giant Dance Party and “nice” giants in general get a pass. Still, we’ve had to put the kibosh on stories like Jack and the Beanstalk and anything else where getting devoured is a serious threat. Finding books about good giants is therefore an imperative and it walks hand in hand with my perpetual search for amazing folktales. Every year I scour the publishers for anything resembling a folktale. In the old days they were plentiful and you could have your pick of the offerings. These days, the big publishers hardly want to touch the stuff, so it’s up to the smaller guys to fill in the gaps. And no one stands as a better folktale gap filler than the Inuit owned company Inhabit Media. Producing consistently high quality books for kids, one of their latest titles is the drop dead gorgeous On the Shoulder of a Giant. Funny, attractive, and a straight up accurate folktale, this is children’s book publishing at its best. And as for the giant himself, my daughter has never run into a guy like him before.

“…if there is only one Arctic giant story you take the time to learn about, this is the one to remember.” Which giant? Why Inukpak, of course! Large (even for a giant) our story recounts Inukpak’s various deeds. He could stride across wide rivers, and fish full whales out of the sea. In his travels, there was one day when Inukpak ran across a little human hunter. Misunderstanding the man to be a small child, the giant promptly adopted him. And since the man was no fool he understood that when a giant claims you, you have little recourse but to accept. He went along with it. The giant fished their dinner and when a polar bear threatened the hunter Inukpak flicked it away like it was no more than a baby fox or lemming. In time the two became good friends and had many adventures together. Backmatter called “More About Arctic Giants” explains at length about their size, their fights, their relationship to the giant polar bears, and how they may still be around – maybe right under your feet!

I’ve read a lot of giant fare in my day and I have never encountered a tale quite like this. Not that the story really goes much of anywhere. The only true question you find yourself asking as you read the tale is whether or not the hunter will ever confess to the giant that he isn’t actually a child. But as I read and reread the tale, I came to love the humor of the tale. Combined with the art, it’s a lighthearted story. In fact, one of the problems is also a point in its favor. When you get to the end of the tale and are told that Inukpak and the hunter had many adventures, you want to read those immediately. One can only hope that Mr. Christopher and Mr. Nelson will join forces yet again someday to bring us more of this unique and delightful duo.

I’m no expert on Inuit culture so it doesn’t hurt that in the creation of “On the Shoulder of a Giant” author Neil Christopher has the distinction of having spent the last sixteen years of his life recording and preserving traditional Inuit stories. Having seen a fair number of books of Native American folktales where the selection of the tales is offhanded at best, the care with which Christopher chooses to imbue his book with life and vitality is notable. The book reads aloud beautifully, and would serve a librarian well if they were told to read aloud a folktale to a group. Likewise, the pictures are visible from long distances. This story begs for a big audience.

I’ve seen a lot of small presses in my day. Quality can vary considerably from place to place. Often I’ll see a small publisher bring to life a folktale but then skimp on the artist chosen to bring the story to life. It’s a sad but common occurrence. So common, in fact, that when it doesn’t happen I’m shocked out of my gourd. Inhabit Media is one of those rare few that take illustration very seriously. Each of their books looks good. Looks not just professional but like something you’d want to take home for yourself. On the Shoulder of a Giant is no exception. This time the artist tapped was freelance illustrator Jim Nelson. He’s based out of Chicago and his art has included stuff like Magic the Gathering cards and the like. He is not, at first glance, the kind of artist you’d tap for a book of this sort. After all, he works with a digital palette creating images that would seemingly be more at home in a comic book than a classic Inuit folktale. Yet what are folktales but proto-superhero stories? What are superhero comics but just modern myths? Inukpak is larger than life and, as such, he demands an artist who can bring his physicality to bear upon the narrative. When he’s fishing for whales I wanna see that sucker fighting back. When he strides across great plains I wanna be there beside him. Nelson feeds that need.

Since Nelson isn’t Inuit himself, the question of how authentic his art may be arises. I am willing to believe, however, that any book published by a company operating with the sole intent to “preserve and promote the stories, knowledge and talent of Inuit and northern Canada” is going to have put the book through a strict vetting process. It would not be ridiculous to think that Nelson’s editor informed him of where to research classic Inuit clothing and landscapes. I loved every inch of Nelson’s art on this story but it was the backmatter that really did it for me. There’s a section that is able to show the difference in size between a inukpasugjuit (“great giant”), a inugaruligasugjuk (“lesser giant”), and a regular human that does a brilliant job of showing scale. That goes for the nanurluit (giant polar bear) in one of the pictures, relentlessly tracking two tiny hunters in their boats. But it is the final shot of a sleeping giant under the mountains as people walk on to of him, oblivious that will really pique young imaginations.

I’m not saying that On the Shoulder of a Giant has the ability to single-handedly rid my daughter of her fear of giants as a whole. It does, however, stand out as a singularly fun and interesting take on the whole giant genre. There’s nothing on my library shelves that sounds or feels or looks quite like this book. It could well be the poster child for the ways in which small publishers should examine and publish classic folktales. Beautiful and strange with a flavor all its own, this is one little book that yields big rewards. Fantastico.

On shelves now.

Source: Final copy sent from publisher for review.

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• Swamp Angel by Anne Isaacs
• Big Jabe by Jerdine Nolan
• Dona Flor by Raul Colon

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By Sarah Hansen

Music today is usually categorized by the genre to which it most stylistically relates. A quick scroll through the iTunes genres sections reveals the familiar categories, among them Rock, Pop, R&B/Soul, Country, Classical, and Alternative. Songs or musical compilations today seem to have a readily apparent identity.

For the Inuit people of Alaska, this is not the case. Inuit music is distinguished according to its function rather than style, and most songs serve either a secular, social, or religious purpose. Many religious songs tend to be reserved for traditional ceremonies, while secular songs might be focused on the individual. Secular songs are sung to ease the birth of a child, to locate lost objects, or to cure illnesses.

There are, of course, many sub-categories of songs. For example, the Inuit of St. Lawrence Island, have terms that distinguish between nighttime and daytime singing, while the Inuit of the Northwest region of Alaska categorize songs by whether they are used in games, in stories, for dance, or in traditional ceremonies.

One such traditional ceremony that is still important for Alaskan Inuit culture is the whaling ceremony. All of the stages in the whaling process are celebrated, and there are songs to reinforce the hunting materials, bring forth the whales, and control the weather. Once the captain and crew return with the captured whales, the materials of the animal are distributed at a celebration called Nalukataq, which takes place during the month of June. Nalukataq, literally meaning “to throw and toss up,” refers to the whaler’s skin toss dance, and celebrates the bounty and distribution of Quaq (whale meat) and Muktuk (whale blubber).

To celebrate Nalukataq, communities gather to sing songs, dance, and take part in the traditional whale-toss, in which men and women in the community hold a Nalukataq blanket, generally made from seal or walrus skin, and toss the captains and captains’ wives up into the air. Traditionally, the wives of captains would throw out tools and food whilst being thrown into the air to mimic the distribution of whale meat among members of the community, but the tradition has since evolved to be candy thrown out to children.

As can been seen from Nalukataq, aspects of the original ceremony live on, but traditions have changed with the times. Festivals are often associated with US holidays, such as Independence Day, or with special community events. Although music might not still be used as frequently to help cure illnesses or ease childbirth, it still plays an important role in Alaskan Inuit culture, and will certainly continue to do so.

All information from this post is taken from an article on Alaskan Inuit music from Oxford Music Online.

Sarah Hansen is a Publicity Assistant at Oxford University Press.

Oxford Music Online has made several articles available freely to the public, including its entry on Inuit Music. Oxford Music Online is the gateway offering users the ability to access and cross-search multiple music reference resources in one location. With Grove Music Online as its cornerstone, Oxford Music Online also contains The Oxford Companion to Music, The Oxford Dictionary of Music, and The Encyclopedia of Popular Music.

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The post Songs of the Alaskan Inuit appeared first on OUPblog.

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Neil Christopher, illustrated by Eva Widermann,
Arctic Giants
Inhabit Media, 2010.

Ages: 12+

Arctic Giants is part anthropology, folklore, and story-telling.  It tells of mythical beings – races of giants – long present in the Inuit world.  Drawing from research in archives, explorer accounts, and interviews with elders, author Neil Christopher has assembled a comprehensive array of stories and accounts of various kinds of giants that inhabit the Arctic regions.  The giants can generally be divided into two groups – the lesser giants and the greater giants.  The greater giants, known as Inukpasugjuit, are of massive scale in size and strength.  Giants of this size fish for whales like catfish, affect the weather, and can alter the landscape with their girth and might.  The lesser giants – the Inugaruligasugjuit – are considerably smaller in size but are still larger and mightier than humans. They are sometimes cannibalistic and prey on humans.

Arctic Giants is divided into two main sections covering stories of the lesser giants and the greater giants.  These fantastical and magical beings are illustrated in comic-book style by Eva Widermann.  She does excellent renderings of the giants in the Arctic landscape, wearing typical Inuit clothing such as the amauti (the traditional cape) and parkas made of animal skins.  It’s always fun to find the little human in some of the illustrations, either perched on a giant’s shoulder or sitting on his palm, or hiding behind a boulder.  Since some of these giants are cannibals, they are often terrifyingly depicted with human skull necklaces and pupil-less eyes, or as one grisly illustration would have it, feasting on human limbs.  So, a warning:  this is not a book for the faint-hearted!  I’m sure there’s much ink to be spilled on the psychological and spiritual implications of these beings who live side-by-side with humans in the largely inhospitable and severe terrain of the Arctic, but this book’s purpose is to introduce to the reader a certain pantheon of super-beings that have existed in the Inuit imagination for centuries.  For anyone interested in Inuit folklore and ethnography, Arctic Giants makes for an informative and entertaining study.  And for lovers of comic book heroes and villains, this is a new go-to book for inspiration!

Sally Ito
May 2012

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This action-packed, real-life story of Marie Peary, the daughter of Arctic explorer Robert E. Peary, is a wonderful introduction for tweens to the family life of a great explorer. Most often, the families of famous explorers were left at home in relative safety while the explorers (usually men) were gone for months and years at a time traveling to unknown and often dangerous parts of the world.

However, the Peary family was quite different. The real star of this unusual story is Peary's wife and Marie's mother, Josephine. Breaking with the convention of the day, Josephine traveled with her husband on several of his attempts to find and claim the North Pole. In fact, Marie was born in a remote northern corner of Greenland during one of these expeditions.

Marie's earliest memories and friendships were with some of the Inuit people who populated the far north. Her family depended on these kind people for help as guides and in constructing clothing to protect them against the fierce cold. Marie spent months and years living aboard ship going to and from Greenland. In fact, she and her mother, along with the ship's crew, were locked into the ice for 10 months in 1901 while trying to reach her father's new base camp.

Marie and her family developed close relationships with some of the Inuit and considered them friends. For a good part of her early life, Marie lived and played among Inuit children and had many adventures with them. Sledding down an ice mass and finding fun on nearby icebergs with her Inuit friends was a frequent pleasure.

The Inuits gave Marie the name "The Snow Baby" when she was born with blond hair and blue eyes. The book makes clear that there was much mutual respect and affection between the various explorer parties and the Inuits, and that there personal association extended over a period of years during Peary's many expeditions to the Arctic. In fact, it took until Marie was 16 before her father successfully journeyed to the North Pole and claimed it for the United States.

The book's author, Katherine Kirkpatrick, has made good use of her source material. This remarkable story is significantly enhanced with a generous collection of photographs. Even though some are extremely grainy, most are clear images of their lives in northern Greenland. The bulk of the book concerns itself with Marie's early years as part of the expeditions. Even though she and her mother spent years moving back and forth between this adventure life and a conventional life in the states, Marie was separated from her father for long stretches of time while he remained in the Arctic to winter and prepare for the next foray to the North Pole. He and his expedition did not successfully reach and claim the North Pole until 2009. Those years in between were consumed with supplying and resupplying the expedition between forays.

For anyone interested in a non-conventional life, or intrigued by the spirit of adventure necessary to pushing out to the ends of the world, this is a delightful story. For one thing, it centers on a girl's experience and that is unusual in itself. Secondly, Marie had extraordinary, enlightened parents who saw nothing wrong with exposing their daughter to such an exceptional life. Marie grew up to spend many years of her adult life helping her father organize his notes and papers for the early National Geographic Society.

And in 1932, traveling to Greenland with her own two sons, Marie placed a monument honoring her father at the place where she was born - "the first piece of land sighted when a ship approaches Greenland from America."

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Ginny is just going into 7th grade, and she has a plan. From getting a new dad to looking good in her school photo, her list runs the gambit.

Through a series of lists, letters, IMs, report cards, post-its, detention slips, brother-drawn comics, and overdue slips, readers get a real sense of what's going on in Ginny's life.

While the format is super-cute, Jennifer Holm (yes of Babymouse and others) tackles some meaty issues. Ginny's dad was killed by a drunk-driver, and now her older somewhat delinquent brother seems to be on the same path as the teen who killed their father. Ginny is also dealing with more typical middle school issues. Mary Catherine Kelly still has Ginny's sweater, and she stillhasn't spoken to Ginny since she got the prime part at their ballet school. Ginny is also on a quest to make her nose seems smaller, and is wondering what to do about the fact that Brian Bukvic keeps bugging her.

Ginny's got a great relationship with her mom and her Fairy Grandfather, which is evident through artifacts like long-distance phone bills (Grandpa is in Florida), and the notes that her mother leaves for her. Even though readers get a sense of family distance from the sheer volume of notes to each other, the author has managed to develop the character of the family itself so that the reader really can feel the love they all have for each other.

I am going to be recommending this to reluctant readers, and also to the students looking for a super fast, yet thoughtful read.

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