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In his acceptance speech at the 1981 Oscars (best original screenplay, Chariots of Fire), Colin Welland offered the now famous prediction that ‘The British are coming!’ There have since been some notable British Oscar successes: Jessica Tandy for Driving Miss Daisy (1989); director Anthony Minghella for The English Patient (1996); Helen Mirren (in The Queen, 2006); and — maintaining the royal theme — awards for best director, actor, and film for The King’s Speech in 2011.

But looking at all British Oscar winners — since the first Academy Awards in 1929 — presents a different story. Less the ‘British are coming!’, more the ‘British have been!’ A full list of Oscar winners with entries in the Oxford Dictionary of National Biography (currently 79 individuals) lists 70 recipients between 1929 (Charlie Chaplin, The Circus) and 1980 (Alec Guinness, honorary award), and just 9 winners since Colin Welland’s rousing prediction. The Oxford DNB’s selection criteria — that all people included are deceased in or before 2009 — means this imbalance isn’t really a revelation, nor should it come as a surprise. Quite simply, and happily, most post-1981 British winners remain in good, creative health.

But the ODNB’s Oscar list is nonetheless an interesting reminder of outstanding talent, and outstanding films, from the history of British cinema. Here, of course, you’ll find the great names: Vivien Leigh (twice best actress for Gone with the Wind, 1940, and A Street Car Named Desire, 1952), Laurence Olivier (special award for Henry V, 1947 and best actor, Hamlet, 1949), or the lovely Audrey Hepburn (best actress, Roman Holiday, 1954). Also notable is that some of the most successful figures in British cinema have worked behind the camera, including the directors Carol Reed and David Lean who were both double winners.

The Oxford DNB’s list also reminds us of the perhaps forgotten successes: Jack Clayton whose The Bespoke Overcoat won ‘best short (two-reel) film’ in 1957 or Elizabeth Haffenden, winner, in 1960, of the best costume (colour) Oscar for the often scantily-clad Ben-Hur. Then there are the surprises: did you know that George Bernard Shaw won a statuette in 1939 for his adapted screenplay of Pygmalion, or that the dramatist John Osborne collected the same award for Tom Jones in 1964?

Finally, there are the ones who almost got away. It seems extraordinary that Stanley Kubrick (he lived in Britain, so he’s in the ODNB) won only once — and this for ‘best special effects’ in 2001: A Space Odyssey. Or that Cary Grant (born in Bristol) had to make do with an ‘honorary award’ in 1970. Perhaps most surprising is that the giant of twentieth-century film, both in the UK and US, only reached the stage once, to receive the Irving G. Thalberg memorial award in 1968. He, of course, is Alfred Hitchcock whose life is recreated in an eponymous film out this month — and possibly on next year’s Oscar shortlist.

In addition to the Oxford DNB biographies above, the life stories of Audrey Hepburn and Cary Grant are also available as episodes in the ODNB’s free biography podcast.

Now, from podcast to a pop quiz from Who’s Who, we’ll test you not only on what you know about the BAFTAs and Oscars, but who you know.

The Oxford Dictionary of National Biography  is the national record of men and women who have shaped British history and culture, worldwide, from the Romans to the 21st century. In addition to 58,500 life stories, the ODNB offers a free, twice monthly biography podcastwith over 175 life stories now available. You can also sign up for Life of the Day, a topical biography delivered to your inbox, or follow @odnb on Twitter for people in the news. The Oxford DNB is freely available via public libraries across the UK. Libraries offer ‘remote access’ allowing members to log-on to the complete dictionary, for free, from home (or any other computer) twenty-four hours a day.

Who’s Who is the essential directory of the noteworthy and influential in every area of public life, published worldwide, and written by the entrants themselves. Who’s Who 2013  includes autobiographical information on over 33,000 influential people from all walks of life. The 165th edition includes a foreword by Arianna Huffington on ways technology is rapidly transforming the media.

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Image credit: CHICAGO – JANUARY 23: Oscar statuettes are displayed during an unveiling of the 50 Oscar statuettes to be awarded at the 76th Academy Awards ceremony January 23, 2004 at the Museum of Science and Industry in Chicago, Illinois. The statuettes are made in Chicago by R.S. Owens and Company. (Photo by Tim Boyle) EdStock via iStockphoto.

The post ‘And the Oscar went to …’ appeared first on OUPblog.

Thanksgiving isn’t the only thing to look forward to this fall–Hollywood has lots of new literary movies scheduled. Here is a round-up of five upcoming literary movies.

1. Harry Potter and the Deathly Hallows: Part 1 will show chapters 1-24 of the original J.K. Rowling book on November 19th.

2. Tangled is based on the Grimm Brothers‘ fairy tale, Rapunzel. It arrives in theaters on November 24th. The trailer is embedded above.

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New Career Opportunities Daily: The best jobs in media.

I get obsessed with weird things sometimes. Like an actor or actress, usually someone a little older who I've just seen in something yummy, so I start wondering how old they are and if they're married and what else they've done and how they got started, so I google them, and read up.

I found this really fun site with "what they looked like then" pictures of all sorts of entertainers . This is a treasure chest of pictures of people who you might know now from PBS shows or "regular" television or movies, who seem strangely familiar but you're not sure who they are. You know how you see some older movie and about half way through go "oh my god, that's THAT GUY" who is now 35 or 40 years older, and maybe you know his name or you don't, and if you don't you have to wait for the credits.

My Mom does this to me a lot. She comes over and watches Turner Classic Movies, and especially loves anything from the 1930s or 40s. Last week there was something on with Lucy and Ricky from way before they were Lucy and Ricky Ricardo of I Love Lucy fame. They were so young, it was weird.

Anyway, just thought I'd share what I've spent the last hour doing when I should be doing something else.

And in case you haven't guessed, that's Sir Derek Jacobi circa 1973.
Here's one more I couldn't resist.



Give up?
Helen Mirren, from the same year.

(and I'm hoping Sir Derek and Ms. Mirren won't mind me infringing a copyright of these pictures, if there is one, since I'm linking to the site they're on.)

While I find that using my computer for more of my communication and cultural creations works for me, it’s more of a concern when we think of this as the model for large-scale cultural products. The National Library of Australia tells us/warns us that cultural production in Australia is predominantly in digital form. They’ve made a bold statement about the role of the library in maintaining and preserving these cultural products. It’s a strong but hopeful almost-manifesto ending with Investing in Australia’s digital heritage is an investment for the future. Well done. With that said, here’s a poem I’ve always liked from Richard Brautigan. [thanks gwyn]

All Watched Over by Machines of Loving Grace

I like to think (and
the sooner the better!)
of a cybernetic meadow
where mammals and computers
live together in mutually
programming harmony
like pure water
touching clear sky.

I like to think
(right now, please!)
of a cybernetic forest
filled with pines and electronics
where deer stroll peacefully
past computers
as if they were flowers
with spinning blossoms.

I like to think
(it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving grace.