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Viewing: Blog Posts Tagged with: charlesbridge publishing, Most Recent at Top [Help]
Results 1 - 22 of 22
1. 2016 South Asia Book Award

SABA - South Asia Book Award - banner

South Asian Book Award 2016 winnersCongratulations to Mitali Perkins whose wonderful Tiger Boy (Charlesbridge, 2015 / Duckbill Books, 2015) has garnered another award (well, I said it should win plenty in … Continue reading ...

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2. Bunnies

 Joanne Friar

naughty bunnies on the tree farm
from O Christmas Tree

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3. #800 – The Inventor’s Secret by Suzanne Slade & Jennifer Black Reinhardt

The Inventor’s Secret: What Thomas Edison Told Henry Ford Written by Suzanne Slade Illustrated by Jennifer Black Reinhardt Charlesbridge Publishing    9/08/2015 978-01-58089-667-2 32 pages   Ages 7—12 “Thomas was curious about electricity—invisible energy that flowed and stopped, sizzled and popped. “Henry was curious about engines—machines that chugged and purred, hiccupped and whirred. “When Thomas …

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4. Winter Season's Greetings!


from Butterfly Counting 

written by Jerry Pallotta and illustrated by Shennen Bersani

Sorry penguin, there are zero butterflies in Antarctica.  Wishing everyone magical season's greetings!


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5. and the “groundhog’s dilemma” giveaway winner is . . . [ahem cue drum roll please].

839

Congratulations to Buffy Silverman! You’ve won your very own copy of Kris Remenar’s debut picture book GROUNDHOG’S DILEMMA. I’m so happy for you! This adorable book will be available in early December, so I’ll pre-order your copy and have it sent your way quick as a bunny on Red Bull.

Bushels of thanks to everyone who visited Frog on a Dime and offered such kind, encouraging comments for Kris. You’re the best! Honest. Cross my heart, hope to die, stick my finger in my nose, I mean, pie.

P.S. Pssst. Buffy, please send me your mailing address and I’ll whisk your prize to you as soon as its available.

groundhogsdilemma (2)

By Kris Remenar, Illustrated by Matt Faulkner, Charlesbridge Publishing

                                                                       

Though the groundhog and crocus creep into their holes
It’s Spring, and the almanac shows it;
Though a polar wave over the continent rolls
It’s Spring! And we don’t care who knows it!
~ Robert J. Burdette, “March,” c.1888


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6. Air to Sea Orange

Flying orange in the sky….


5 Julia butterflies
from Butterfly Counting
written by Jerry Pallotta, illustrated by me, Charlesbridge, 2015.

Swimming orange in the sea….


clownfish
from Sea Slime: It's Eeuwy, Gooey, and Under the Sea
written by Ellen Prager, illustrated by me, Arbordale Publishing, 2014.

AND a special October Halloween bonus, how could I not include:



The Vampire Squid From Hell
Vampyroteuthis infernalis

from Sea Slime: It's Eeuwy, Gooey, and Under the Sea
written by Ellen Prager, illustrated by me, Arbordale Publishing, 2014.

Happy October everyone!!

Visit my blog @ www.shennenbersani.com 

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7. WaterBridge Outreach Books Selection 2015

 

Logo: WaterBridge Outreach: Books + Water

WaterBridge Outreach: Books + Water recently announced the books in English they have selected this year for donation to the different schools and libraries they support around the world.  WaterBridge Outreach is a non-profit that seeks … Continue reading ...

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8. Review: Lulu Loves Flowers by Anna McQuinn and Rosalind Beardshaw

'Lulu Loves Flowers' written by Anna McQuinn, illustrated by Rosalind Beardshaw (Alanna Books, 2015) - pub'd in US as 'Lola Plants a Garden' (Charlesbridge, 2014)

 

Lulu Loves Flowers
written by Anna McQuinn, illustrated by Rosalind BeardshawContinue reading ...

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9. The Life of Trees and the Tree of Life: An Annotated List of Multicultural Non-Fiction Picture Books About Trees

The Life of Trees and the Tree of Life: An MWD Annotated List of Multicultural Non-Fiction Picture Books About Trees

Tree of Life: The Incredible Biodiversity of Life on Earth, written by Rochelle  … <a class=Continue reading ...

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10. Interview: Author Mitali Perkins

MWD Interview - Mitali PerkinsMitali Perkins is the acclaimed author of such books as the middle-grade Jane Addam’s Award Honor Book Rickshaw Girl, which was included in New York Public Library’s 2013 list of ‘100 Great Children’s Books‘, and YA novel … Continue reading ...

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11. Review: Tiger Boy by Mitali Perkins, illustrated by Jamie Hogan

 

Tiger Boy, by Mitali Perkins, illustrated by Jamie Hogan (Charlesbridge, 2015)

 

Tiger Boy
written by Mitali Perkins, illustrated by Jamie Hogan
(Charlesbridge, 2015)

 

Mitali Perkins‘ latest novel Tiger Boy is beautifully crafted, the perfect blend … Continue reading ...

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12. Seeds of Inspiration: Books for Children and Young Adults about Wangari Maathai

'Seeds of Inspiration: Books for Children and Young Adults about Wangari Maathai' - Mirrors Windows Doors article

Wangari Maathai - photo credit: Martin RoweWhat better way to introduce MWD’s new theme, ‘Branching Across the … Continue reading ...

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13. Review – After Ghandi: One Hundred Years of Nonviolent Resistance by Anne Sibley O’Brien and Perry Edmund O’Brien

After Gandhi: One Hundred Years of Nonviolent Resistance, by Anne Sibley O’Brien and Perry Edmond O’Brien (Charlesbridge, 2009)

After Gandhi: One Hundred Years of Nonviolent Resistance
by Anne Sibley O’Brien and Perry Edmond O’Brien
(Charlesbridge, 2009)

 
An extraordinarily powerful and … Continue reading ...

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14. Working with traditional and digital illustration methods - Imani's Moon

In my new book 'Imani's Moon', by JaNay Brown-Wood, I utilized traditional and digital illustration methods, much more so than in my previous books. This part-folk-part-fantastical story cried out for much more texture and depth of colour to reflect the diverse culture and life of the Maasai people.

Here's a look at how I worked up one of the illustrations ...


First thoughts on the layout for this spread. Mama is telling Imani about the legend of Moon Goddess, Olapa, I felt a great way to show the story would be in the swirling stars  in the sky. 
The sketch is letter size. 


The finished graphite drawing, which is a little bigger than the finished book size. 
I work on Archers 300lb cold press and with 2B-8B pencils.


I tape the paper and work over it with a wash of prussian blue (grumbacher) watercolour 
to add value and texture, using salt, splattering, scraping and blowing techniques.  
The hair dryer is a requirement to aid drying time! I try to keep the painting as loose as I can.


Here's the finished under-painting.

Next, I scan the image at 400dpi (not too high a quality as I want to keep some muzziness 
and not have the art too 'sharp') and start to overpaint in photoshop, particularly paying attention 
to getting the right levels in the sky tones.


I work with colour in photoshop 'descriptively'. The layers are light, mostly using 'multiply' mode so the pencil and watercolour textures show through. (I'm not into dense digital colour paintings, it doesn't work for me. And this is how I work in watercolour also ... lightly, letting the ground show through, so it is just the same way as I think, on screen). I don't use many brushes. I don't like to complicate things! Sometimes I will make notes on what I used and colour paletted. But mostly, I wing it. Usually I'm using a soft edged brush in different sizes, at 50% opacity or less. Sometimes a brush with a little texture, usually when I am burning or lightening. I use the dodge and burn tools  a lot, with the same principles. I do use several layers, but I also mix colours on the same layers. For example in the skin tones and the landscape. I work in CMYK (and try and get a printer colour setup driver from the design department, to colour proof on screen, if I can).  The actual colouring in photoshop takes me much longer than the drawing and underpainting. Probably 2 -3 times as long, depending on detail and size. (To those people who say painting digitally is cheating ... ok, you try it!) I love digital 'finishing', because it gives me immediate options to change and correct -er - mistakes. And I can also do things with colour much more easily than on one flat painting. AND it's fun! I've been using photoshop for over 20 years now. It's a major tool in my studio. But I'm also enjoying the fact that I can incorporate my fine art training and get the best of both worlds.

You may also notice a couple of changes in the finished painting. (That photoshop thing is handy again!) I wasn't happy with the profile of Imani, so I redrew and scanned and pasted over the first drawing. I also made the moon smaller, so it doesn't overpower the stars.


  I added the stars last, and I did do them digitally. I tried them by hand first, but because the image was quite complicated, they were too lumpy and didn't look right to me. So I DID use the star brush in photoshop, then I added 'glow' around them and around the moon. I read a review that said that the watercolour images were 'enhanced' digitally (ie the stars and glowing bits). It made me chuckle as they failed to understand the extent of work I did digitally. So it quite pleased me! But digital or traditional, is the end effect pleasing? Does it serve the story? I do get tired of people trying to 'spot the digital'. So misguided in these days when so many top illustrators work with both digital and traditional methods.


Here's where the text went in the final image. Another changes along the way that worked well.
Thanks to my art director at Charlesbridge. Susan Sherman, who had so many great suggestions in the making of this book.


Imani's Moon is available at all good bookstores online and on the high street.

Find out more about the author at http://www.janaybrownwood.com/
Find Imani's Moon on FB
Check out the teacher's guide! 
Check out the publisher's page.


Toodles!
Hazel

0 Comments on Working with traditional and digital illustration methods - Imani's Moon as of 12/2/2014 11:27:00 AM
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15. frog on a dime has a picture book giveaway winner!

Congratulations, Jennifer!

Congratulations, Jennifer!

Congratulations to [drum roll please] Ms. Jennifer Whistler! You’ve won your very own copy of IMANI’S MOON, the beautiful new picture book by JaNay Brown-Wood and illustrated by Hazel Mitchell.

Written by  JaNay Brown-Wood and illustrated by Hazel Mitchell/Charlesbridge Publishing/ISBN 978-1-934133-57-6, Ages 6-9

Written by JaNay Brown-Wood and illustrated by Hazel Mitchell/Charlesbridge Publishing/ISBN 978-1-934133-57-6, Ages 6-9

 

 

 

 

 

 

 

BIG thanks to everyone who entered and shared what you love about picture books–so many lovely comments. For example, here’s what Jennifer has to say:

I love picture books because of the bonding time they provided when my daughters were young. I read to them every day: at quiet time in the morning, at naptime in the afternoon, sitting on the window seat when it was raining outside, after bath time. Now that my daughters are grown, I still buy them picture books every so often, just because. 

Many thanks to Hazel for visiting Frog on a Dime this week and to Charlesbridge Publishing for your generosity!

 

A challenge is only impossible until someone accomplishes it. ~ JaNay Brown-Wood/IMANI’S MOON


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16. jump to the moon with hazel mitchell (and enter her book giveaway!)

Written by  JaNay Brown-Wood and illustrated by Hazel Mitchell/Charlesbridge Publishing/ISBN 978-1-934133-57-6, Ages 6-9

Written by JaNay Brown-Wood and illustrated by Hazel Mitchell/Charlesbridge Publishing/ISBN 978-1-934133-57-6, Ages 6-9

Who isn’t mesmerized by the moon? Little Imani’s lunar fascinations go beyond enchantment to obsession as she wills herself to touch the moon. In doing so, she would prove her worth to all of the naysayers in her Maasai village who literally look down on her. Inspired by her mother’s tales of Maasai mythology, not only does Imani accomplish the feat, she proves to herself that “a challenge is only impossible until someone accomplishes it.” Imani is quite a someone.

Frog on a Dime is pleased to host the illustrator of IMANI’S MOON–the adorable Hazel Mitchell.

Hazel Mitchell is originally from England and now lives and works in Maine. When she wasn’t riding horses as a youngster she was drawing them. After attending art college in the UK, she spent several years in the Royal Navy and then worked as a graphic designer. Now she’s doing what she always dreamed of – creating books for children. Don’t you love it when dreams come true?

Welcome, welcome, Hazel. I’m excited to talk about your new book, written by JaNay Brown-Wood. What first attracted you to IMANI’S MOON? I loved the story and the fantastical elements. I also liked the idea of the setting in Africa and drawing a Maasai child! It was quite a challenge.

And now that it’s finished, what do you love most about Imani’s story? That it’s a book! (That’s always surprising.) I do love the way the colours and textures came out. Great job by Charlesbridge Publishing!

There’s been a lot of discussion lately about the need for greater diversity in children’s books. How do you think IMANI’S MOON helps to fill that gap? I think IMANI’S MOON is a great book to add to the diversity bookshelf. Imani is in her own environment. This is not a case of forcing a child of color into a story for the sake of diversity. She’s just Imani–in her culture with her trials and tribulations–just like any other child.

Hazel and her beloved friend Toby

Hazel and her beloved friend Toby

People outside children’s publishing or those new to the industry are often surprised (even alarmed) to learn that authors and illustrators do not often collaborate on a book. Can you talk about that? When I was a newbie I didn’t realize authors and illustrators worked separately either. At first, I thought the writer might feel cheated. And some do, I think. But the more you work in the industry, the more wisdom you acquire. We have editors and art directors for a reason. Having a little distance between the author and the illustrator is good. And the input from an art director and editor can be crucial. If there’s an issue with artwork, I’ve found that they’ll refer to the author when needed. It’s a team situation. Without the freedom to create, the illustrator can feel frustrated and then the art might not be as good as it could be. You can feel boxed in. The writer has his or her vision, and the illustrator needs to be able to have their vision as well.  A picture book is a collaboration; it cannot work without each part of the whole. That’s when the magic happens!

And we can see that magic in IMANI’S MOON, Hazel. It’s so lovely. Now, since Frog on a Dime exists to offer encouragement, could you tell us about what or who encourages you? Right. Oh, so many. First, all the books that I have read along the way and learned from. You can’t read enough. My peers – those I have met so far on the journey. It can be a lonesome profession and like minds are crucial to help you along. And those I have met who are further along the path and have been kind enough to mentor me. Going to conferences and workshops has been a great source of knowledge and inspiration.

Here’s your chance to be encouraging, Hazel. What’s one thing a writer or illustrator could do today to improve their craft? Create SOMETHING!!!

Love that! And what do you do when you’re “stuck” as you’re trying to create something? Make a cup of tea. Do something mindless (chores!). Work on something else. Read a book. Have a bubble bath. Talk to another creative.

I love those ideas, Hazel. I’m a big believer in the inspirational power of tea myself. Before you go, I’m curious to know what’s on the horizon for you. I have a busy year upcoming with three books I’ve illustrated – ANIMALLY from Kane Miller, WHERE DO FAIRIES GO IN WINTER? from Down East, KENYA’S ART from Charlesbridge and in 2016 by debut as author-illustrator TOBY from Candlewick Press.

How exciting! Thank you so much for visiting Frog on a Dime, Hazel. It’s been a delight getting to know you.

You can learn more about Hazel when you visit HazelMitchell.com. You’re welcome to purchase IMANI’S MOON directly from Charlesbridge.

__________________________________________

Enter a drawing to win your very own copy of IMANI’S MOON.

All you have to do is leave a comment about why you love picture books! It’s that simple.

The drawing will take place at Noon on Friday, November 7, so don’t dilly dally!

__________________________________________

Photo by Vicky Lorencen

Photo by Vicky Lorencen

And now, we’ll close with one of Hazel’s favorite quotes . . .

We are all lying in the gutter, but some of us are looking at the stars. ~  Oscar Wilde

 

 


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17. Welcome Imani's Moon!

This week is the book birthday for my new book with Charlesbridge Publishing 
'Imani's Moon by Janay Brown-Wood. 

You can win a bundle of goodies by sharing this port online! 
Message me to let me know you did.


Toodles!
Hazel

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18.

From soon to be published: VOLCANO RISING by Elizabeth Rusch, illus by Susan Swan
Some volcanoes secretly erupt under
glaciers, hiding growing mountains
deep under thick ice.

By Susan Swan










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19. yellow house

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20. Summer NESCBWI Banner

This week I was asked to create a banner for New England's SCBWI Facebook page. This was an honour and a lot of fun to do. What better than lobster and water on a day that was over 90F .. phew, Maine!

Here is the banner.


View it on Facebook at NESCBWI page

I wanted to keep it fun and lively, so it's one of my digital drawings straight into Photoshop, no sketching. It stops me overthinking and it's a style that is appealing to younger eyes. And older ones too I hope!

Right now I am packing to go to ALA (American Library Conference) in Anaheim, CA. This is my first time at a big library conference and it's exciting. I have two book signings, so if you are going, catch me at Kane Miller (with Anastasia Suen, author of 'All Star Cheerleaders') at 11am Saturday and at Charlesbridge's booth Saturday 2-3pm signing 'Hidden New Jersey'.

I am looking forward to meeting LIBRARIANS and catching up with some industry friends. So please come and say HELLO!

There will be photos ...

Right, back to packing.

Toodles
Hazel

On the bedside table:
A slew of Emily Gravett picture books
'Picture This' and 'What it is' by Lynda Barry - recommend highly.

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21. Publication Day!

Yes, it's here .. Hidden New Jersey is out there in shelf world ... 


If you haven't heard me talking about the book by now, where have you been? Just this time last year I was starting the illustration process and here it is, all shiny and new and ripe for the plucking.

Folks in New Jersey seem very happy with it so far. Have to say, when you know you are drawing places that are well known, you hope people will go 'yes! I remember that!' I really hope that HNJ will encourage people to discover the state ... there really IS so much more to New Jersey.

I've been a bit frantic in the run up - I made the book trailer - set up a blog tour - submitted to hear, there, everywhere and today replying to all the nice congrats I received. It really IS like having a baby arrive :-)

In March I hope to have a small launch at the Children's Book Cellar in Waterville, ME, so if you local, stay tuned for details.

I hope if you get hold of a copy of the book you'll let me know what you (or your kids) think ...

Toodles!
Hazel


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22. KID'S COLOURING PAGE - THE SALAD BOWL

This colouring/activity page is for you to print out and give to children - yours, someone else's or to use in a school or library. All I ask is that it is not used for commercial purposes.
Simply click on the image and print for your children to colour.





Don't forget to follow my blog so you will receive the latest Kid's Page on a weekly basis.



Toodles!

Hazel

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