The producers of "The Simpsons" called on Adobe to help them bring Homer to life in real-time.
The post How ‘The Simpsons’ Used Adobe Character Animator To Create A Live Episode appeared first on Cartoon Brew.
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The producers of "The Simpsons" called on Adobe to help them bring Homer to life in real-time.
The post How ‘The Simpsons’ Used Adobe Character Animator To Create A Live Episode appeared first on Cartoon Brew.
Add a CommentColleagues and admirers are remembering the creative genius of the man who helped create "The Simpsons."
Add a CommentNext week, the Cinefamily in Los Angeles will present its Animation Breakdown festival comprised of nineteen events over six days.
Add a CommentComic-Con International: San Diego is almost upon us, and the organizers have released the event's mammoth program schedule. The madness, taking place from July 24-27, includes hundreds of panels, discussions, art demos, and screenings, with everyone from Buzz Aldrin to Betty White getting their moment to shine.
Add a CommentSimpsons Movie director (and longtime Simpsons producer) David Silverman is developing a CGI/live-action Pink Panther film for MGM, reports Deadline. Unlike the other Pink Panther features, which focused on Inspector Clouseau, a role made famous by Peter Sellers, this film would focus on the Pink Panther character himself. The iconic pink cartoon cat made his debut in the title sequence of the 1963 Blake Edwards comedy The Pink Panther, and was later developed by the team of Friz Freleng, John Dunn and Hawley Pratt for a long-running series of theatrical shorts. Producers of this new film would include Walter Mirisch, who exec produced the original live-action Pink Panther features, and actress Julie Andrews, the widow of Panther film director Edwards. (CG Pink Panther by 3DSud)
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If you were unable to attend the SIGGRAPH Keynote panel on Monday, featuring nine distinguished animation directors, you’re in luck because the 92-minute discussion is posted below.
The panel, entitled “Giants’ First Steps,” focused on the early careers of the following artists: Pete Docter (Monsters, Inc., Up), Eric Goldberg (Pocahontas, Fantasia/2000), Kevin Lima (Tarzan), Mike Mitchell (Shrek Forever After, Alvin and the Chipmunks: Chipwrecked), Chris Sanders (Lilo & Stitch, How to Train Your Dragon), Henry Selick (Nightmare Before Christmas, Coraline), David Silverman (The Simpsons Movie), Kirk Wise (Beauty and the Beast, Atlantis: The Lost Empire) and Ron Clements (The Little Mermaid, Aladdin).
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SIGGRAPH attendees, mark your calendars for Monday, July 22. 11:30am. The SIGGRAPH 2013 Keynote Session is titled “Giants’ First Steps” and the ‘giants’ are all animation directors. The panel, which is co-presented with the Academy of Motion Picture Arts & Sciences, will feature eight animation directors—all male, by the way—who will “share their experiences along complex paths to filmmaking success.”
A ninety-minute session hardly seems long enough to contain the stories and thoughts of the distinguished group of filmmakers who will participate: Pete Docter (Monsters, Inc., Up), Eric Goldberg (Pocahontas, Fantasia/2000), Kevin Lima (Tarzan), Mike Mitchell (Shrek Forever After, Alvin and the Chipmunks: Chipwrecked), Chris Sanders (Lilo & Stitch, How to Train Your Dragon), Henry Selick (Nightmare Before Christmas, Coraline), David Silverman (The Simpsons Movie), and Kirk Wise (Beauty and the Beast, Atlantis: The Lost Empire).
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Just spoke with the great David Silverman, and he informed me of an impressive milestone: today marks the 24th anniversary of production of The Simpsons. (The series of David’s drawings above are from the early Tracey Ullman Show episodes.) As he tweeted earlier:
24 years ago, we first started drawing The Simpsons on March 23, 1987. Wes Archer, Bill Kopp, and myself. Happy Anniversary!
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Post tags: David Silverman, The Simpsons