How to use this Page

Moonbot is laying off employees in Louisiana, but might be growing even larger in Florida.

The post Breaking: Oscar-Winning Studio Moonbot Lays Off Employees After Possible Studio Sale appeared first on Cartoon Brew.

Cartoon Brew worked with Moonbot Studios and Radio Flyer to create an exclusive 33-page e-book loaded with artwork from the new short "Taking Flight."

The post The Art and Making of ‘Taking Flight’: Exclusive E-Book appeared first on Cartoon Brew.

This is the story of the fastest man in the world, who almost never was.

The post ‘The Boy Who Learned to Fly’ by Limbert Fabian and Jake Wyatt (Exclusive Artwork) appeared first on Cartoon Brew.

Moonbot created a short about a fridge that has been viewed millions of times.

The post Animation Can Make Anything Interesting, Even This Overpriced Samsung Fridge appeared first on Cartoon Brew.

Debuting today on Amazon Video, Moonbot's "The Numberlys" is one of six animated projects in Amazon's fall pilot lineup.

Moonbot's interactive film introduces a new emoji-driven campaign that offers kids a modern way to confront bullying.

Premiering September 18 in West L.A., 'Taking Flight' is a whimsical tribute to the life of Radio Flyer wagon inventor, Antonio Pasin.

Their new show intends to inspire budding filmmakers.

Moonbot has released a trailer for its new short "The Raven."

In a sign of changing times, animated programming produced for both Netflix and YouTube has begun to earn a significant number of Emmy Award nominations, competing alongside traditional broadcast and cable series.

The Oscar-winning Louisiana animation studio Moonbot recently announced that it is developing multiple feature-length film projects. It has acquired the film rights to two YA book series: the "Olivia Kidney" trilogy by Ellen Potter, which it plans to do as a live-action/animation hybrid; and "The Extincts" by Veronica Cossanteli.

American food chain Chipotle eschews TV advertising and stopped using external ad agencies a few years ago, but when they create ad campaigns, they go all out. Their latest project is “The Scarecrow,” a game-and-film collaboration with Bill Joyce’s Moonbot Studios based in Shreveport, Lousiana.

“The Scarecrow”, conceived in collaboaration with CAA Marketing (a division of Creative Artists Agency), is a free arcade-style adventure game for iPad/iPhone/iPod Touch that encourages players to think about industrial food production and the processed foods that they consume. Players can win coupons for free Chipotle food if they achieve certain goals within the game. There’s also an accompanying short film directed by Brandon Oldenburg and Limbert Fabian, and music by Fiona Apple:

Like their earlier “Back to the Start” campaign, Chipotle’s “Scarecrow” campaign is being praised for putting across its message in an entertaining, classy package. Adweek says, “Branded entertainment goes doesn’t get much more well rounded or better executed than this.”

Moonbot, which won the animated short Oscar in 2012 for The Fantastic Flying Books of Mr. Morris Lessmore, has created a lush and well-conceived feature film-quality universe for The Scarecrow. The golden-hued nostalgia that defines the studio’s visual aesthetic is a perfect complement to the environmental themes of Chipotle’s campaign.

This making-of video reveals some of the effort that went into creating The Scarecrow:

What is the most funded animation campaign currently running on Kickstarter? Is it:

• A short film by animation legend Ralph Bakshi

• An animated game by Oscar-winning Moonbot Studios

• A proof-of-concept film by Celebrity Deathmatch creator Eric Fogel

The answer is none of the above.

The most successful live animation campaign at the moment is Cyanide and Happiness, a long-running webcomic that aims to branch out into a series of long-form animated episodes. In the eleven days since the campaign was launched, over 7,300 backers have contributed $362,000, easily surpassing the project’s original goal of $250,000. It is already the third-highest funded animation campaign in Kickstarter’s history, and could break more records before it’s all over.

The four twenty-something creators of Cyanide and Happiness—Kris Wilson, Rob DenBleyker, Matt Melvin, Dave McElfatrick—are no strangers to animation. Before coming together to make the comic in 2004, they met each other as teenagers doing animation on Newgrounds. In 2009, they began creating brief animated segments based on their comic. Their YouTube channel has amassed neary 200 million pageviews with short-form bits and pieces of animation.

Now, they aim to do something more ambitious: a series of 10-12 minute episodes. Initially, they attempted to negotiate a TV series deal with cable networks. They wrote about the fruitless effort on their blog:

We walked away from the first two [networks] due to rights and creative control issues. We thought that we could settle those issues in the third deal, but things didn’t quite work out as we hoped. We’re starting to realize that TV as an industry just isn’t compatible with what we want to do with our animation: deliver it conveniently to a global audience, something we’ve been doing all along with our comics these past eight years. That’s just the nature of television versus the Internet, I suppose.

Now they’ve turned to Kickstarter to appeal directly to their fanbase:

We firmly believe the entertainment industry is changing, and the Internet will eventually become the only way people watch shows. Especially the people that make up our awesome fanbase. The Internet is already the largest network, available when you think about it. Why go anywhere else? By reading our comics over the years, you folks have given us the careers we dreamed of having as kids, and turned our silly cartoons into something much, much bigger than ourselves. The prospect of doing an uncensored, unaltered Cyanide & Happiness Show and giving it directly to the fans is an incredible opportunity. We’re really excited to see how far we can take things.

Besides the amount of money raised so far, there’s another noteworthy aspect, and that’s that the C&H artists developed their careers entirely online. This is different from many other high-profile animation projects on Kickstarter launched by mainstream artists whose reputations were established in entertainment mediums outside of the Internet.

It still means something to be Ralph Bakshi, John Kricfalusi or Bill Plympton—that is, being the director of numerous theatrical features, the creator of a groundbreaking TV series, or the king of American indie animation has an incalculable advantage over being an upstart. But as the Cyanide & Happiness campaign has shown, lofty reputations from other mediums can’t match the support of a well-established online following.

The C&H Kickstarter already has more backers than the combined totals of the three aforementioned animation legends, and will also achieve a higher pledge dollar amount before the campaign ends. With this success, as well as the success of webcomic campaigns like MS Paint Adventures and Penny Arcade, the once-maligned webcomic is re-emerging as the unlikley foundation of entertainment empires.

Today's tour will be all about links. So sit back, click, and follow some fun. In honor of the upcoming Caldecott Award announcement on Monday, I'm putting in my vote for favorite picture of 2012. It is The Fantastic Flying Books of Mr. Morris Lessmore, by William Joyce.

There’s something to be said for running a cartoon studio in a place where animation production isn’t commonplace. To celebrate the Animated Short Oscar for The Fantastic Flying Books of Mr. Morris Lessmore, the city of Shreveport, Louisiana threw an extravagant parade for Moonbot Studios and the film’s directors Bill Joyce and Brandon Oldenburg. Here’s a few perks you get if you win an Oscar in Louisiana that you probably won’t get in other places:

A free ride in a banana-colored convertible

A marching band

A customized battle tank plus confetti

A decorated street-cleaning machine

Acknowledgment from celebrities like Randal Reeder

Custom-designed moon pies

Balloons with flying books

The adulation of children

And, of course, women

If you require more evidence for why it’s better to run an animation studio in a city few people have ever heard of, see the city of Shreveport’s Flickr page or this article in the Shreveport Times.

(via Big Screen Animation)

Cartoon Brew | Permalink | No comment | Post tags: Bill Joyce, Brandon Oldenburg, Fantastic Flying Books of Mr. Morris Lessmore, Moonbot Studios, Shreveport

BREWMASTERS NOTE: This week Cartoon Brew takes a closer look at each of the five Academy Award nominated animated shorts. Each day at 10am EST/7am PST we will post an exclusive interview with the director(s) of one of the films. Today, we begin with The Fantastic Flying Books of Mr. Morris Lessmore:

The Fantastic Flying Books of Mr. Morris Lessmore is the first film from William Joyce’s Moonbot Studios in Shreveport, Louisiana. Co-directors William Joyce and Brandon Oldenburg spoke with Cartoon Brew on January 25th.

Jerry: First things first. Your studio is in Shreveport, Louisana. Why there?

Bill Joyce: That’s where I grew up, it’s a great little Southern Shangri-la. Not that far from Dallas, about 2-3 hrs away. Brandon was working at Reel EFX and started contacting me about working together, and then Lampton (Enochs, co-partner in Moonbot) moved out here after Hurricane Katrina. The movie industry is actually pretty big in Louisiana. In this weird way, Shreveport has become this film making mecca. (laughter) That sounds too kind of ludicrous to say, but it’s sort of true.

Jerry: It IS true, you can make movies anywhere, everywhere today. Now, I’m a little fuzzy on the whole origin of this project. I’m under the impression that it started as an app, or designed to be something else other than a film?

Bill: It started out as a book that I wrote a few years ago in response to my mentor at Harper Collins. His name was Bill Morris and he had been there since they were called Harper Brothers, since 1949. He was just a great old publishing titan, and a real gentleman… but he was dying and I was really bummed out about it. One of the ways I deal with the good things and the crummy things in my life is I write a story. I was flying up to see him and on the way this title just kind of tumbled into my head, called “The Fantastic Flying Books of Morris Lessmore.” It was a play on both Bill’s name and his actual physical stature… he was a diminutive guy, though a giant in the industry. And he loved books and everything about publishing. So I got to read him the story which was really sweet. He was a kind of crusty old guy but he would respond to outreaches of emotion in his crusty old way. I was going to make it into a book but then Brandon and I started working together in animation, and we wanted to create a short film around same time I was working on the book. It was then Lamptin suggested we form a company.

Jerry: I love how the film combines CG with hand drawn and miniatures…

Bill: Well, we kind of decided early on we wanted to play with all different kinds of animation, and it seemed that just to think of it in terms of computer animation seemed too limiting. Brandon and I were just so stoked about building miniatures and having CG characters, and doing 2D for some of it, and just doing everything we loved. It just seemed to apply to the story.

Brandon Oldenburg: And we love those old Popeyes, man. You know, we just wanted to just see if it would work. We had gotten a taste of building sets back in 1998 on a test film that we did called The Man In The Moon, where we built miniatures and took them down to New Orleans to an old vaudevillian theater that had been converted into a sound stage. And you know, that short test piece actually evolved into the upcoming Dreamworks project, The Rise of the Guardians.

Jerry: It seems you really put what you wanted into this film and you weren’t aiming for it being a 6 minute short, a 12 minute film, or a 22 minute TV special.

Bill: Going in, we were all “OK. We can’t afford anything over 7 minutes. We have to make this work for 7 minutes.” (laughter) And then we made an animatic completely disregarding time frame. “OK, how long does it time out? Oh! Oh crap! It’s 16 minutes!�

This animated short turned out even better than I imagined when I first saw the trailer that John posted just over a year ago (and I had high hopes!) It is a lovingly crafted celebration of the power of books to enhance our lives, heal our wounds, and simply delight us over and over. Bravo!

The Fantastic Flying Books of Mr. Morris Lessmore (by Moonbot Studios)

The Fantastic Flying Books of Mr Morris Lessmore (by Moonbot Studios)

An intriguing trailer for a 13-minute short by Moonbot Studios. They describe it as being inspired “in equal measures, by Hurricane Katrina, Buster Keaton, The Wizard of Oz, and a love for books.”

Sold.

It looks like it strikes a nice balance between 3D animation and a more handcrafted look, which is something I can always get behind. I’m told we can expect to see the full thing in a few months.