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As with years past, we’re going to spend the next three weeks highlighting the rest of the 25 titles on the BTBA fiction longlist. We’ll have a variety of guests writing these posts, all of which are centered around the question of “Why This Book Should Win.” Hopefully these are funny, accidental, entertaining, and informative posts that prompt you to read at least a few of these excellent works.

Click here for all past and future posts in this series.

Seven Years by Peter Stamm, translated by Michael Hofmann

Language: German
Country: Switzerland
Publisher: Other Press

Why this book should win: Dismantled relationships FTW!

Today’s post is by Tom Flynn, bookseller and events coordinator at Seminary Co-Op in Chicago.

Let’s get this bit out of the way first: Peter Stamm’s Seven Years is not a terribly pleasant novel. The characters—particularly the narrator, Alexander—are deeply flawed people who probably would have done better in their fictional lives had they never encountered one or another or, after meeting, run in opposite directions. But it is also an engrossing read with direct, clear prose that engages and eggs the reader on.

Alexander is a German architecture student who, at the end of his final year of school, becomes involved with a Polish woman, Ivona, whom he does not much like. She does not engage him intellectually, he finds her unattractive, and he feels her to be beneath him socially. Yet he finds himself unable to stop seeing her. While this is going on, he begins a relationship with a fellow student, Sonia, who possesses an ambition and drive completely absent from Alex. Sonia and Alex marry and open a firm but after several years (the seven year itch that the title can, perhaps, be understood to reference) of marriage Ivona reappears in his life and he takes up with her once again. The effect of this affair eventually lays bare the weakness of his and Sonia’s relationship, which, despite its solid presentation at the beginning of the novel, is doomed to crumble around them.

Architecture and its various metaphors prove an apt vehicle for exploring Sonia, Alex, and Ivona’s movement through life. Sonia wishes to build socially conscious structures that work toward the creation and fulfillment of an ideal human. She has very firm ideas on the type of life she and Alex ought to lead: their work, home, and family life are all clearly laid out. Alex, for his part, finds himself happiest designing buildings he can never build, nor wants to construct; he would rather explore space on the page than express it in the world what with all the compromises that accompany such efforts. He allows others to determine the shape and course of his life, effectively drifting from one event to the next. And Ivona is simply a dweller, moving from one small, unpleasant residence to the next with little regard for how much smaller the physical space she inhabits becomes along the way. Instead, she carves out a world within that houses her love—her mania, really—for Alex and Alex alone.

Much of the drama in the novel feels, well, anti-climatic. A sense of the inevitable pervades the novel. Alex is by no means a passionate character, nor is he anyone—in fiction or life—for whom one should feel much pity. The events of the novel plays out as they do because of his own inertia, his willingn

Earlier this month Jutta Bauer received the Hans Christian Andersen Illustrator Award at the at the international IBBY (International Board on Books for Young People) congress in Santiago de Compostela, Spain. Interested to find out more about this German illustrator I tracked down one of the books she has illustrated – When We Lived in Uncle’s Hat By Peter Stamm.

Just as the book arrived I found out that Tutti Frutti Productions, a UK theatre company whose work is aimed specifically at family audiences was about to start touring with a stage version of When We Lived in Uncle’s Hat. Such a lovely coincidence ensured we read the book straight away, and were then quick to buy tickets for the production which is touring to a theatre local to us in a few weeks’ time.

The auspicious signs didn’t end there – upon reading the book for the first time with M and J I experienced a rather strange sense of deja-vu – as if the book had been written for me, right here, right now.

Photo: erix!

When We Lived in Uncle’s Hat is a series of cameo descriptions of different homes a family has lived in, in their search for the right place for them, the home that would suit them all. They try living in the forest, on the church roof, in a hotel and even on the moon, amongst many other places, before finally ending up in a house that makes the perfect home for them. The book closes with the lines:

Now our house has four corners.
And our year has four seasons.
We moved here four years ago…
So … this is where we’ll live for a very, very long time.

This book spoke to me as I too have moved very many times in my life – on average staying in any one place for only three years. But it just so happens that this month we’ve been in this home, where we are now, for four years. A funny case of life mirroring art, but one which further endeared me to this book.

The structure of the book opens up lots of opportunity for flights of imagination and connective moments of empathy. What different places could you live in? What would it be like to live in given circumstances? For example, at one point the family find themselves living under a bridge, where “it smelt strange and the names of people we didn’t know were written on the pillars.”

The simple illustrations using a lot of coloured pencil (in addition to watercolour and collage) didn’t immediately grab me. Perhaps my expectations were too high given her recent accolade? They did, however, intrigue me. I imagine there were some interesting editorial discussions as a result of the content: several illustrations include German words, and these have been left in German in the English language translation, and there is also a (very small) drawing of a naked woman sunbathing – not something I imagine would be welcomed with open arms by most English publishers of picture b