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Viewing: Blog Posts Tagged with: esther, Most Recent at Top [Help]
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1. A Mother’s Day reading list from Oxford World’s Classics

By Kirsty Doole


As Mother’s Day approaches in the United States, we decided to reflect on some of the mothers to be found between the pages of some of our classic books.

Pride and Prejudice by Jane Austen

Mrs Bennet is surely one of the best-known mothers in English literature. She has five girls to raise, and is determined to make sure they marry well.  So, in one memorable scene when Elizabeth turns down a proposal from the perfectly respectable Mr Collins, she is beside herself and goes straight to her husband to make sure he demands that their daughter change her mind. However, it doesn’t go quite to plan:

‘Come here, child,’ cried her father as she appeared. ‘I have sent for you on an affair of importance. I understand that Mr Collins has made you an offer of marriage. Is it true?’ Elizabeth replied that it was. ‘Very well–and this offer of marriage you have refused?’

‘I have, sir.’

‘Very well. We now come to the point. Your mother insists upon your accepting it. Is it not so, Mrs Bennet?’

‘Yes, or I will never see her again.’

‘An unhappy alternative is before you, Elizabeth. From this day you must be a stranger to one of your parents. Your mother will never see you again if you do not marry Mr Collins, and I will never see you again if you do.’

Elizabeth could not but smile at such a conclusion of such a beginning, but Mrs Bennet, who had persuaded herself that her husband regarded the affair as she wished, was excessively disappointed.

Little Women by Louisa M. Alcott

Mrs March – or Marmee, as she is affectionately known by her daughters – is basically the perfect mother. She works, she helps charity, she contributes to the war effort, all at the same time as being a loving mother to her girls, not to mention keeping the house looking beautiful. She is strongly principled, supported by her rock-steady faith, and despite at one point admitting that she used to have a bit of a temper, never appears to be angry. Most strikingly for the time at which it was written, though, she ensures that her daughters get an education, and encourages them to make decisions for herself, rather than marrying at the earliest opportunity.

Hamlet by William Shakespeare

Hamlet and his Mother by Eugene Delacroix

Hamlet and his Mother by Eugene Delacroix

Hamlet’s mother, Gertrude, causes deep resentment in her son when she swiftly married his uncle Claudius after the death of Hamlet’s father. However, despite the fact that Hamlet sees her as a living example of the weakness of women, she continues to watch over him with affection and concern. The relationship between Hamlet and Gertrude has been the subject of much academic debate. One famous reading of the relationship was by the psychoanalyst Ernest Jones, who in the 1940s published a collection of essays on what he saw as Hamlet’s Oedipal impulses.

The Yellow Wall-Paper by Charlotte Perkins Gilman

In The Yellow Wall-Paper our narrator is a young mother suffering from depression. In a controversial course of treatment she is separated from her son and denied the opportunity to even read or write. She is forced to spend her time locked in a bedroom covered in yellow wallpaper, in which she starts to see a figure moving as her madness tragically develops.

Bleak House by Charles Dickens

Mrs Jellyby might be a relatively minor character in Dickens’ mammoth novel, but she is definitely memorable.  She has a husband and several children – most notably her daughter Caddy – but devotes her time to Africa’s needy. She spends all day writing letters and arguing for their cause, but all the time forgetting the saying “charity begins at home” and is blind to the fact that her own family is suffering badly from neglect.

Esther Waters by George Moore

Esther Waters is a young, working-class woman with strong religious beliefs who takes up a job as a kitchen-maid. She is seduced and abandoned, and forced to support herself and her illegitimate child in any way that she can. The novel depicts with extraordinary candour Esther’s struggles against prejudice and injustice, and the growth of her character as she determines to protect her son. James Joyce even called Esther Waters ‘the best novel of modern English life’.

Kirsty Doole is Publicity Manager for Oxford World’s Classics.

For over 100 years Oxford World’s Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford’s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. You can follow Oxford World’s Classics on Twitter, Facebook, or here on the OUPblog. Subscribe to only Oxford World’s Classics articles on the OUPblog via email or RSS.

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Image credit: Hamlet and his Mother by Eugene Delacrois. Public domain via Wikimedia Commons

The post A Mother’s Day reading list from Oxford World’s Classics appeared first on OUPblog.

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2. Illustrating a graphic history: Mendoza the Jew

By Liz Clarke


The illustration of a graphic history begins with the author’s script. There are two aspects to turning that script into artwork. It’s both a story, calling for decisions to be made about the best way to present the narrative visually, and a history, rooted in fact and raising questions about what the places and people (and their furniture and transportation and utensils) would actually have looked like.

conceptsketch

A sketch of Esther Mendoza, wife of Daniel Mendoza. Courtesy of Liz Clarke. Used with permission.

It’s unlikely that we’ll find perfect answers to all of these questions, particularly in a pre-photography age like the late 18th century, when Daniel Mendoza was at the height of his boxing career. Some subjects offer a wealth of images. Some, like a number of the places Mendoza frequented in London, still exist today. I was able to work from current photographs of locations including Mendoza’s house in Paradise Row, the cemetery where he is buried, and the exterior of the White Hart Inn. We had several images of Mendoza himself to refer to, thanks to his celebrity status. We knew what he looked like at different points in his life, how tall he was and how much he weighed. We knew about his fighting style from newspaper reports, artwork, and from his own instructional writing.

However, other subjects may not have been recorded in an image or even in a written description at the time. If records were made, they may not have survived. This means we have to cast the net wider. There are many sources of general information available that allow a lateral approach — records of people and places with shared characteristics, surviving artefacts and garments, artwork and documents from the time. There was nothing definite to work from in the case of Mendoza’s wife Esther, but we could ask what a woman like Mendoza’s wife would have looked like. How would a woman similar in age, class, and religion to Esther have dressed and worn her hair? We could then blend fact and imagination to arrive at a concept sketch of Esther, which allowed us to agree on how we would depict her.

processsteps

A page from Mendoza the Jew, showing the process from the sketch stage to the final piece. Courtesy of Liz Clarke. Used with permission.

Once we have enough information, each page is planned in detail. I’ll decide on the composition of the whole page, and of the contents of each panel on the page. There are choices to make about viewpoint (for example, if the scene is going to be presented from a low angle, looking up at it, or a high angle, looking down on it, which creates two very different effects), how to draw attention to the pivotal point in the scene, the characters’ body language and expressions, if they aren’t already defined by the script, and how to convey the themes of the book. This layout sketch is the most important stage in the illustration of a page.

Once the author has approved the sketch, I draw it in ink as line art and prepare this to be coloured digitally. Colour and the nature and direction of the light can also contribute to the storytelling. For example, the desaturated colours at the beginning of an exchange between Mendoza and Humphries, when Mendoza is not at his best, gradually become brighter and warmer by the end of the scene, as their verbal sparring restores Mendoza’s fighting spirit. The text comprising the narrative and dialogue is added to the art, and text boxes and speech bubbles are fitted to it. For Mendoza the Jew, we decided to use three different fonts. Two fonts with some resemblance to typefaces from the time period represented quotes from Mendoza’s autobiography and from a newspaper report of Mendoza’s match against Humphries in Doncaster, distinguishing the author’s words from Mendoza’s, and those of the reporter.

As an artist, illustrating a graphic history, as opposed to a work of fiction, has some unique rewards as well as challenges. There’s an awareness that these were real individuals and events, and it always feels like a privilege to be telling their stories.

Liz Clarke is an illustrator based in Cape Town, South Africa. Her artwork has appeared in magazines, games and books, including Abina and the Important Men: A Graphic History by Trevor R. Getz and Mendoza the Jew, Boxing, Manliness, and Nationalism: A Graphic History by Ronald Schechter.

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3. Stand There for Esther



Thanks, John. We will remember.

rgz, our September Outreach will be for Esther's family. xox

My website

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