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Most of the entries in this series of things that have impacted on the Johnny Mackintosh books have been either science fiction or science based. I have though saved the biggest influence until last and it comes from another world, but one which many readers will know well: Jo Rowling’s spectacular creation, Harry Potter.

Some people might have heard the story of how I came to begin reading about the boy wizard from Godric’s Hollow, but for those who haven’t here goes. Of course as a publisher I’d heard about Harry and his creator JK Rowling, but I figured he was for kids and I had no interest whatsoever in books about witches and wizards and magic and broomsticks, even though the buzz about this remarkable creation wouldn’t go away.

I was working for a company called Addison-Wesley who were based in Boston, Massachusetts, so had been spending time over there. At the end of the week everyone from the office was out a party in a club (I think the House of Blues) and I would be heading back to the UK the next day. I was approached be someone looking a little sheepish who said she had something to tell me – that everyone in the office thought I was Harry Potter.

In hindsight it’s obvious. At the time, as you can see, I wore ridiculous round battered glasses, had black messed up hair, spoke with an English accent and (though I normally cover it under mounds of foundation) I do actually have a lightning-shaped scar on my forehead. Then there are all the mad things that seem to happen when I get angry, but that’s another story…

The next day I found and bought Harry Potter and the Sorcerer’s Stone at Logan International Airport and read it on the flight home. Curiously, although I may have read all the Harry Potter books 20-40 times, I’ve still never read the Philosopher’s Stone version of book one where it all began. At that time Harry Potter and the Chamber of Secrets was also published so I bought that at Heathrow Airport on the way home, and Prisoner of Azkaban soon followed. I loved this world that the woman who was to become my writing idol had created. It’s a tribute to her that she could even make things like magic and dragons and Quidditch sound interesting. But most of all it was what we call the voice of the books, and the cleverness of telling everything from Harry’s point of view, even when he got the wrong end of the stick.

It had never occurred to me to write the sort of books that children might want to read (as well as adults). I’d been trying to pen the ultimate cutting edge modern novel, a kind of cross between Iain Banks, Paul Auster, Tibor Fisher and Irvine Welsh (there’s a thought!) when one day, walking back from the

Last night, I plucked up the courage to ring Dotun Adebayo’s Virtual Bookshelf. Readers of this blog will know I’m a fan. Normally nowadays I can’t listen live, as the phone-in takes place between 2am and 3.30 (not great when you have to out the house for 6.30 to get to work). However, I’ve taken time off to write Johnny Mackintosh’s third adventure (provisionally Battle for Earth) so I, like Dotun, can afford to be up all night.

I telephoned to nominate Harry Potter – the entire series – for a place in the list. Dotun, lovely man that he is, allowed this, which did rather set the cat amongst the pigeons. Do the rules of the Virtual Bookshelf allow a boxed set? Everyone hates listening to their own voice but, for the next few days only, that shouldn’t stop you hearing my praise of the boy who lived and his magnificent creator on the bbc i-player: http://www.bbc.co.uk/iplayer/console/b00vc2dl/Up_All_Night_18_10_2010

I’m between 1:21:25 and 1:29:30 (a whole 8 minutes).

The nomination caused much heated debate, with many voices against (and every vote against cancels one for), but at the end of the phone-in Harry won the day and made it on as Book 60. However, Harry Potter still needs your help. Next week, Dotun and his literary reviewer (last night it was Hephzibah Anderson) invite listeners to remove one from the most recent ten titles on the list. Harry creates strong feelings in people and Dotun suggested he was in danger of being removed after only one week.

Don’t let that happen. I propose the AA Road Atlas of Britain (currently in place 51) should go as it doesn’t really compare with Rowling’s great work – I would be more lost without Harry than I would without a map. So next Sunday night/Monday morning, I say the atlas has to go.

Note this blog entry contains spoilers about the final two Harry Potter books

It’s a truism that cinematic adaptations often pale besides their literary counterparts. An obvious counterexample is Ridley Scott’s Blade Runner but, off the top of my head, I can’t think of more. For those who’ve only seen the film, it’s well worth reading the Philip K. Dick’s Do Androids Dream of Electric Sheep? to see just how different it is, but to explain some elements of the screen version you’d have to gloss over otherwise.

Read the book to discover why the Blade Runner owl is artificial

A wonderful thing about a book is that everyone’s idea of it is unique. The reader converts the printed word from the page into a world of their own imagination. How I see the Imperial Palace on Melania in my head, is different from any readers of the Johnny Mackintosh books. Perhaps that’s why film adaptations so often disappoint, as the Director is competing with thousands of movies that have already run within a reader’s head.

There’s no film I can remember that’s disappointed me more that Harry Potter and the Half-Blood Prince, directed by David Yates with a screenplay by Steve Kloves. As someone who loves the stories so deeply, it horrifies me that this pairing were also asked to make the double film of the final book. While I think the quality of film-making in Harry Potter and the Half-Blood Prince isn’t terrible (though it is weak), what I can’t fathom were the drastic, totally unnecessary changes to the plot that were introduced, diverting from Rowling’s marvellous story architecture and characterization.

[spoiler alert]

Yates and Kloves think they know better than JK Rowling

With a long book, why introduce a mad scene where Bellatrix Lestrange destroys The Burrow? Where will they hold the wedding in the next film, or has that been scrapped too?

A more important example was the death of Dumbledore. In the book, Harry is powerless to act, hidden under the invisibility cloak with Dumbledore’s body-bind curse on him. He would do anything to fight to save his pseudo-grandfather figure, and knows all too well the Hogwarts Headmaster is dead when the curse lifts. If the film, Harry is hiding in the background, and chooses simply to watch and not act, perhaps due to some bizarre element of cowardice that Yates and Kloves wanted to introduce into Harry’s character. There are numerous other examples and a lot concerning Dumbledore’s relationship with Harry: in the books, our hero is kept in the dark and has o puzzle things out for himself; according to this film, Harry is Dumbledore’s confidant.

When I write the Johnny Mackintosh books, I confess I sometimes have a secret nod to possible future film adaptations. I know a fair amount about film theory and structure, and sometimes I’ll be particularly proud of a passage because I know how well it would translate onto the big screen. I see the same in Jo Rowling’s writing at times, where she’s gone a little out of her way to write a beautiful, cinematic scene for her directors, knowing how much it would enhance the film. Yates completely ignored this. There ar

When you’re a writer you have a clear idea of your story in your own mind, but inevitably you wonder how much of that your readers will actually “get”. I’ve been so lucky with the Johnny Mackintosh: Star Blaze reviews so far, because everyone who’s looked at it seems to have picked out different elements that delighted me.

The latest is Danielle Mulholland, whose written a detailed and thoughtful piece for the Australian website Media-Culture Reviews. The way she summarizes the story at the beginning of her article shows how perfectly she’s grasped it, before going on to say:

“This is a well written book with wonderful descriptions, exciting new concepts for the young adult mind and set in a futuristic world where space travel and various gadgets are common place for Johnny Mackintosh, the protagonist and albeit unrecognised and unknown saviour of the world.”

Danielle stresses that anyone reading a book series should start with the first one, and of course that’s absolutely right. I worked very hard to make Star Blaze work as a standalone book and some reviewers have picked up on that, but it’s absolutely the case that someone’s enjoyment will be deeper if they follow the story from the beginning. A paragraph follows that:

“Having been compared to J K Rowling, Mansfield has certainly used her tried and true double life technique to justify his main character’s peculiarities. In his ‘normal’ life, Johnny has Mr Wilkins to give him grief like Harry Potter had the Dursleys making his life miserable. In his alternative life, Johnny confronts other enemies, similar to the Potter versus Voldemort saga.”

There are plenty who’d claim to be Jo Rowling’s biggest fan, but I’d put myself forward as a contender for the label, and may at least be her number one author fan. It was a great honour to be able to write the Sunday Telegraph’s Harry Potter quiz a couple of years back. Until I read the Potter books I’d only written for adults, but I fell in love with her story and knew I could be passionate about writing for a similar audience, in a way that wasn’t reflected so well in my more grown up scribblings.

I think to really love a book you’ve got to be able to empathize with its characters. That’s why I didn’t write Johnny Mackintosh as “A long time ago in a galaxy far away”. I’m delighted Danielle’s review has picked up on Johnny’s double life, and the problems he has at his children’s home, of course compounded by goings on at school. That’s because I want my younger readers to be able to put themselves in his shoes (or maybe trainers) so they can relate to half his life, while wishing the other half is something that may just happen to them. Personally, I never found myself longing to be a wizard, but as a child I always dreamt of being whisked off into space by aliens.

It goes without saying that any review of Johnny that also mentions the Harry Potter books is going number among my favourites. As a writer, the most impressive thing about Rowling is the architecture of her story, over all seven volumes. If you re-read her books (and I’m a great re-reader) you’ll be amazed at the clues planted in the first couple that point the reader all the way through to the end of the story, without giving too muc