By Bianca Schulze, The Children’s Book Review
Published: September 19, 2010
As the countdown begins for debut children’s novelist Lian Tanner’s Museum of Thieves, you must read this interview so that you can be in the know about the fantastical journey that awaits readers of The Keepers trilogy!
Q: Museum of Thieves is your debut novel in the thrilling trilogy The Keepers (release date: September 28, 2010). Can you tell us what we should expect?
A: It’s a fantasy adventure set in the city of Jewel, where impatience is a sin and boldness is a crime. It’s the story of a bold girl, a mysterious boy and a living museum, whose rooms shift and change places, so that only a thief can find a way through them. It’s a story about wildness and risk, freedom and safety, secrets, treachery and magical creatures.
Q: The genre of ‘fantasy’ books is one of your favorites—this shows in your work. Which type of reader or personality type do you think your books will most appeal to?
A: I think it’ll appeal to middle-grade readers who like high-stake adventures, interesting characters, cliff-hangers, and worlds that veer off from ours in unexpected directions. In my experience so far, the book also seems to work for older kids, who read it at a deeper level for the things it says about our own society and the way we treat risk.
Q: ‘An old rubbish dump, so big that it’s a city. And everything that has been thrown away is there—memories, forgotten people, extinct animals.’ These are the words that you scribbled in your ideas book—they are the seed from which your series bloomed. What were the next steps that followed this initial idea?
A: Probably one of the most important steps was realising that the setting of the book was not going to be a rubbish dump, but a museum. I was reading a newspaper article about the Hermitage Museum in Russia, and a line jumped out at me, something about how, in all the great old museums, time stretches and becomes something more oceanic. That was a real ‘aha’ moment for me.
At the same time I was following a discussion in the Australian media about ‘bubble-wrap children’—children who are so over-protected by their parents that they miss out on a lot of essential skills. As soon as I realised that these two ideas—the museum and the over-protected children—went together, other things started to fall into place fairly quickly. Not just an ordinary museum, but a living museum. That was such an exciting thought! It was then that I started a scrapbook, pasting in pictures of faces that interested me, and names, and anything else that set off that inner spark. For me, this is one of the most interesting parts of writing, picking things out intuitively, then sorting through them until you find the ones that resonate most strongly with each other.
Q: Are you still working on Book 2: City of Lies and Book 3: Path of Beasts?
A: I’ve just finished
If I wrote these things more often I wouldn't have to cram multiples into one post, but my blogging is falling so far behind my reading I need to diminish the stack a bit. And I realize I've had a number of great YA reading experiences lately -- it's a category I don't read super-often, but that I tend to enjoy (if perhaps with an occasional smirk of superiority/relief that I am no longer a teen.)
Folly
by Marthe Jocelyn
(Wendy Lamb Books, May 2010)
This book and the following one I read "on assignment" -- I was asked to take part in a YA brainstorming conference call by our inimitable Random House children's book rep Lillian Penchansky, and these two books were our homework for the call. It was kind of a delight to plunge into something that I could read in a day, and the two works, while both historical fiction, were very different. Marthe Jocelyn's Folly was the better of the two -- the story of a 19th century British servant girl who gets knocked up by a dashing soldier (when that was both common and enough to ruin your life), it's told in first person by various characters whose dialects are both defamiliarizing and believable. The backstory of the book is fascinating too: Jocelyn found out that one of her ancestors grew up in a "foundling hospital" like the one in the story, and imagined his life and his mother's from there. Reading this led to a bunch of conversations about how of course, in whatever era you're born, you're a teenager and you're filled with desire, but in this era there's no sex ed and no birth control and no safety net -- in the case of a servant far from home, not even family or friends to take you in. I loved Mary Finn, smart and kind and resourceful but still screwed over; and I loved James, the boy in the foundling hospital whose story intertwines with hers -- his internal monologue contained some meditations on the lived experience of history that I wish I could quote (I gave my galley to a certain bookseller who is said to resemble the girl on the cover -- have to remember to ask her whether she liked it too.) And even the "cad" soldier, Caden, is sympathetic -- he's just a teen as well, and totally clueless about what to do. Though it's got no creatures of the night (as way too many YA novels seems to these days), this book is dark in the way real human life is dark -- recommended for the brave reader of any age, Folly is moving and eye-opening.
The Madman of Venice
by Sophie Masson
(Delacorte Books for Young Readers, August 2010)
This book, while a charming adventure story with some resonant historical detail, reinforces my theory that YA is just where romance novels have migrated. Reading it had the slightly guilty pleasures of a historical romance: the dialogue is dramatic but not especially believable, the heroine is plucky, the hero is brave but tongue-tied about his passion for her, and it takes some life-threatening adventures to bring them together. Nevertheless, the context gives it some added weight: the British boy, girl, and chaperone are on a mission in Venice to thwart some pirates and find a missing girl, who
