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By:
Betsy Bird,
on 6/5/2016
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Happy Monday to you! You want the goods? I’ve got the goods. Or, at the very least, a smattering of interesting ephemera. Let’s do this thing.
First and foremost, you may have noticed the Boston Globe-Horn Book Awards were announced. The BGHB Awards are some of the strangest in the biz since they encompass the nonexistent publishing year that extends from May to June. How are we to use such an award? No cash benefit is included. And traditionally it has been seen as either a litmus test for future book awards or as a way of rectifying past sins / confirming past awards. This year it’s a bit of a mix of both. Both 2015 and 2016 titles appear on the list. You can see the full smattering in full here or watch a video of the announcement here. And, for what it’s worth, I served on the committee this year, so if you’ve a beef to beef, lay it on me.
Since this news item appeared on Huffington Post I’m not sure if it is in any way true. If not, it’s still a lovely thought. According to HP, the cover artist of Sweet Valley High takes commissions. Just let that one sink in a little. I’m not interested, though. Call me when the cover artist of Baby-Sitters Club starts doing the same.
It’s odd that I haven’t linked to this before, but a search of my archives yields nothing. Very well. Whether or not you were aware of it, The Toast has The Giving Tree in their Children’s Stories Made Horrific series. Shooting fish in a barrel, you say? Not by half. It’s not a new piece. Came out three years ago, as far as I can tell. And yet . . . it’s perfect. The latest in the series, by the way, was a Frog and Toad tale. Sublime.
This Week in Broadway: Tuck Everlasting is out. Wimpy Kid is in.
In other news vaguely related to theater, Lin Manuel-Miranda is slated to star in a 2018 Mary Poppins musical sequel. And no, not on stage. On the silver screen. This, naturally, led to the child_lit listserv postulating over how this could be possible since P.L. Travers had a pretty strong posthumous grip on the rest of the Mary Poppins rights.
So I worked for New York Public Library for eleven years. Eleven years can be a lot of time. During my tenure I observed the very great highs and very low lows of the system. I like to think I knew it pretty well. Now here’s a secret about NYPL: They’re bloody awful at telling you about all the cool stuff they have going on. Always have been. For example, I’m tooling about the NYPL site the other day when I see this picture.
I stare at it. I squint at it. And finally I cannot help but come to a single solitary conclusion . . . that’s my old boss! There. On the left. Isn’t that Frank Collerius, branch manager of the Jefferson Market Branch in Greenwich Village? Yup. The Librarian Is In Podcast seeks to simply talk “about books, culture, and what to read next.” Frank co-hosts with RA librarian Gwen Glazer and they’re top notch. I haven’t made my way through all of them yet. I’m particularly interested in the BookOps episode since that’s where I used to work. And look! I had no idea that Shola at the Schomburg was on Sesame Street.
Howdy, libraries. How’s that STEM programming coming along? Care for some inspiration? Then take a gander at the blog STEM in Libraries where “a team of librarians with a passion for creating fun and engaging STEM programs for library patrons of all ages,” have so far created fifty-seven different STEM program ideas.
A helpful reader passed this on to me, so I pass it on to you: “The latest New Yorker magazine, dated June 6 and 13, may be of interest to you, if you haven’t yet seen it. It’s the Fiction issue, and in it are some essays by 5 authors, each subtitled “Childhood Reading”…with memories of the books, articles, package labels, events from their childhoods that shaped their idea of what reading is and can be. Having read a couple of these so far, I thought of you, and decided to mention them to you, in case you don’t regularly look at the New Yorker, and might not see them.” Thanks to Fran Landt for the link.
In other NYPL news, I miss desperately being a part of the 100 Titles for Reading and Sharing committee. Fortunately, the folks on the committee recently confessed to the books they’re finding particularly good. So many I haven’t see yet. To the library!
Daily Image:
You know who won the Best Bookmark Left in a Library Book Award the other day? That’s right. This guy. Check it out:
Sure beats finding bacon. I was forbidden to own these guys as a kid, so I’ve placed this little fellow in a prominent place on my desk. Who wants to bet money that some executive somewhere is trying to figure out how to bring these back? Let’s see . . . the last time they were made they were illustrated by Art Spiegelman. So if Pulitzer Prize winners are the only people who can draw them, my vote for the 21st artist goes to . . . ah . . . wait a minute. Maus is the only graphic novel to ever win a Pulitzer?!?
By:
Betsy Bird,
on 8/11/2015
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- Here’s your SAT question for the day: “Making fun of The Giving Tree in a parody is to shooting fish in a barrel as . . .” You may put your response in the comments below. I’ve lived long enough to feel that I’ve seen every possible Giving Tree parody man or woman could imagine. The Taking Tree, the video with Sassy Gay Friend, that other video where it shows the boy growing up. Been there, done that. That’s why I really kind of respected The Toast’s take. At first it sounds like it’s going to be more of the same old, same old: If the Boy From the Giving Tree Was Your Boyfriend. But like most pieces on The Toast, it’s much smarter and cleverer than its initial concept. Well played, Meghann Gordon. Well played indeed. Thanks to Cheryl Klein for the link.
- Me stuff. If you find that you haven’t heard enough talkety talk from me, Mr. Tim Podell was recently kind enough to speak to interview me for his remarkable, and longstanding, Good Conversations Radio Podcast. Seven years ago he walked into my library and we talked about where to take his show. Now he has a successful podcast and I my same blog. Seems like only yesterday, eh, Tim?
- This one just sort of sells itself. The headline read, “British Library releases children’s book illustrations into public domain.”
- I don’t know as many literary apps for kids as I might. Pretty much everything on my phone is of the Endless series. Endless Reader. Endless Alphabet. Now I hear they’ve a Spanish one as well: Endless Spanish/Infinito Español. This is a great day for kinderappkind.
- Who doesn’t like a good bookface (as the kids are calling it these days)? Lots of children’s literature was on display in this recent Guardian article about NYPL’s call for pictures ala #bookfacefriday.
I think the Libba Bray one is particularly inspired too.
- With the sheer number of picture books out there, sometimes you want to see a recommendation list that isn’t the same old, same old. So if you want something fun and entirely up-t0-date, step this way and take in the Pink Me post Super Summer Picture Books 2015. Good for what ails ya.
- I missed a lot of Publisher’s Weekly Children’s Bookshelf issues while I was moving to Evanston, so perhaps this piece has already been discussed ad nauseum without me. Just in case it hasn’t, though, The Guardian post Picture Books That Draw the Line Against Pink Stereotypes of Girls is very interesting to me. I should do an American version as a post soon. In any case, many of these I recognize but I don’t think we’ve seen I’m a Girl by Yasmeen Ismail yet. Eh, Bloomsbury? Eh? Eh eh? *bats eyelashes* Eh? Thanks to Kate for the link.
- With his customary verve and panache, Travis Jonker accurately (insofar as I am concerned) pinpoints the books that will probably get some New York Times Best Illustrated love this year. The sole book he neglects to mention, insofar as I am concerned, is my beloved Moletown by Torben Kuhlmann and possibly Mr. Squirrel and the Moon by Sebastian Meschenmoser. Let’s show our German compatriots a little affection!
- One might argue that launching a literary periodical with a concentration on children’s literature in this day and age is as fraught with peril as launching a children’s bookstore (if not more so). Yet I find much to celebrate in this recent announcement about The Read Quarterly and what it hopes to accomplish. You know what? What the heck. I’ll subscribe. Could be good for the little gray cells.
This . . . this looks like a lot of work. Whooboy. A lot of work. But super cool, you bet. Super cool. It’s kids made out of books:
By:
Betsy Bird,
on 3/1/2015
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Morning, folks. We’ve a good store of goodies this morning, and I’m pleased as punch to give them to you. First up, a short film. A very short film, actually. I’ve spoken in the past on how Hollywood views children’s writers and the creation of children’s books. This film seems to believe that children’s books in general are being urged to be “darker”. Even picture books. An odd sentiment, but there you go.
Thanks to Stephanie Whelan for the link!
So, First Book is doing something called the Speed Read Challenge. It’s being done to draw attention to First Book’s Be Inspired campaign, which is attempting to get 1 million books into the hands of kids. You can see a whole slew of celebrities told to speed read book in ten seconds. First, recent Newbery winner Kwame Alexander:
Next, Mo Willems:
I wanna do it.
As you may have heard from folks like Travis Jonker, Jimmy Kimmel started a regular feature where he has a bookclub with kids. So far they’ve covered Goodnight Moon and There Was an Old Lady Who Swallowed a Fly. Naturally when it came time to embed one, I went with The Giving Tree. To know me is to know why.
Barb Langridge has made it her goal to get the ALA Youth Media Award titles back in the public eye and conversation. Here she talks with the people of Baltimore about the recent winners. Good stuff.
And for our off-topic video, I had two really good choices. Still, in light of last Sunday’s Oscars, this seemed like the link that made a bit more sense:
Have you ever been in the midst of your writing and you have to stop in order to find the perfect word?
I remember one of my nieces having a huge Shel Silverstein phase a few years back. They were the first books that she was excited to share with us, and I appreciated them for that. My grandmother also developed a strong enjoyment of Silverstein's poems late in her life. I still have her copy of Where the Sidewalk Ends. That is the beauty of Silverstein's work - his poems are timeless and appeal to people of all ages.
This year, Harper Collins has released 40th and 50th anniversary editions of a number of Silverstein's books, including a special edition of Where the Sidewalk Ends that contains 12 extra poems. You might consider any of these for your National Poetry Month commemoration. Though I don't think there are very significant differences from earlier editions, these new editions are very crisp and shiny. I'm happy to have them for my daughter (with thanks to HarperCollins).
1. Don't Bump the Glump! and Other Fantasies: 50th anniversary edition. These are particularly quirky, featuring short, illustrated pieces like this:
Long-Necked Preposterous
This is Arnold,
A Long-Necked Preposterous,
Looking around for a female
Long-Necked Preposterous.
But there aren't any
2. Where the Sidewalk Ends: 40th anniversary edition with 12 extra poems. This book contains lots of classic, kid-friendly Silverstein, including the Boa Constrictor song. I remember listening to Peter, Paul, and Mary's version of this when I was young (on a record player). The 12 extra poems were not in the original edition, but were apparently added as part of the 30th anniversary edition, and included here. And of course this:
"... Yes, we''ll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends."
3. Lafcadio: The Lion Who Shot Back: 50th anniversary edition. This one is an illustrated story (told in chapters), and not a collection of poems. Though Silverstein does certainly play with language. Here's the start:
"And now, children, your Uncle Shelby is going to tell you a story about a very strange lion--in fact, the strangest lion I have ever met. Now, where shall I start this lion tail? I mean this lion tale. I suppose I should begin at the moment when I first met this lion."
4. A Giraffe and a Half: 50th anniversary edition. This is an illustrated, cumulative nonsense-filled story, suited to younger listeners. Here's a snippet from mid-way through:
"If he put on a shoe
and then stepped in some glue...
you would have a giraffe and a half
with a rat in his hat
looking cute in a suit
with a rose on his nose
and a bee on his knee
and some glue on his shoe."
5. The Giving Tree: 50th anniversary edition. While this story of continuing self-sacrifice is not my personal favorite, there are certainly people who like it.
This site is an Amazon affiliate, and purchases made through Amazon links (including linked book covers) may result in my receiving a small commission (at no additional cost to you). These books were received from HarperCollins.
© 2014 by Jennifer Robinson of Jen Robinson's Book Page. All rights reserved. You can also follow me @JensBookPage or at my Growing Bookworms page on Facebook.
By: Thao,
on 8/8/2012
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Happy birthday to a very special boy! Keep reading… First published in 1964 The Giving Tree has been translated into more than 30 different languages. Written and illustrated by Shel Silverstein, this story is about a relationship between a boy and a tree. The tree loved the little boy very much and the little boy [...]
#85 The Giving Tree by Shel Silverstein (1964)
23 points
Somebody’s moving up in the world. At last count Silverstein’s most divisive book was low at #93. Now it has climbed the ranks to a respectable #85. And there we have it. One of the most divisive books in children’s literature. To my mind, you are either a Giving Tree fan or you loathe and abhor it. My husband is a fan. In fact, if you get him at a party he will explain at length how subversive the title is, and how Silverstein is playing with the reader and isn’t serious about the tree’s “giving”. Others prefer to take the book at face value, finding it to be a tale of self-sacrifice and parenthood. The story, just in case you are unfamiliar with it, is about a tree and the boy it loves. The boy takes apples, wood, and eventually everything from the tree itself, and it is happy with the process.
It is also notable for this infamous author photo of Mr. Silverstein on the back. Those of you who read the third Diary of a Wimpy Kid book will remember the passage where Greg’s dad kept him from getting out of bed at night by threatening him with the back of The Giving Tree, telling him Shel Silverstein would get him if he left his room. You can see it here in this image of Tracy Morgan.
And you’re in luck folks. There’s now a video out there of the book as read by the author himself:
To say nothing of the perhaps-not-workplace-friendly Sassy Gay Friend edition.
By:
Aaron Starmer,
on 4/1/2011
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A lot of people stop by this site because they’re curious to learn what it takes to not only write a children’s book, but to write a successful one. Some authors appear at workshops where they charge hundreds of dollars to dispense such insider tips. Not me. Today, I’m giving the good stuff out for free. I only ask that you thank me in your acknowledgements and cut me in on any foreign rights. It’s a fair trade for this invaluable wisdom. Let’s get down to it.
First off, the old advice is often the best advice. Write what you know. Do you know a puppy that’s a bit poky? How about some teenagers who hunt each other for sport? Connecting with children is about connecting with the world around you. A few monkeys don’t hurt either. That’s right. Forget wizards, vampires and zombies. Monkeys are what distinguish great children’s books. Try to imagine The Secret Garden without Jose Fuzzbuttons, the wisecracking capuchin whose indelible catchphrase “Aye-yaye-yaye, Mami, hands off the yucca!” is still bandied about schoolyards today? I don’t think you can.
Of course, the magic that is artistic inspiration must find its way in there. So how do you grab hold of it? Christopher Paolini swears by peyote-fueled pilgrimages to the Atacama Desert. I’m more of a traditionalist. A pint of gin and a round of Russian Roulette with Maurice Sendak always gets my creative juices flowing. Have fun. Experiment. Handguns and hallucinogens need not be involved. Though I see no reason to rule them out. Find what works for you.
Now, you’ll inevitably face a little writer’s block. There are two words that cure this problem and cure it quick. Public Domain. Dust off some literary dud and add spice to it. Kids dig this stuff. For instance, you could take some Edith Wharton and inject it with flatulence. The Age of Innocence and Farts. Done. Easy. Bestseller.
I give this last bit of advice with a caveat. Resist the temptation to write unauthorized sequels to beloved classics. I speak from experience. My manuscripts for You Heard What I Said Dog, Get Your Arse Outta Here! and God? Margaret Again…I’m Late have seen the bottom of more editors’ trash cans than I care to mention. Newbery bait? Sure. Immune to the unwritten rules of the biz? Hardly.
Okay, let’s jump forward. So now you’ve got your masterpiece, but how the heck are you going to sell the thing? Truth be told, you’re going to need an advanced degree first. As anyone will inform you, kid lit authors without PhDs or MFAs are rarely taken seriously. If you can’t work Derrida or Foucault into a pitch letter, then you certainly can’t survive a 30-minute writing workshop with Mrs. Sumner’s 5th period reading class. So invest 60-100K and 3-6 years of your life. Then let the bidding war begin.
In the off chance that your book isn’t going to sell for six figures, try blackmail. Sounds harsh, but the children’s book industry runs almost exclusively on hush money and broken kneecaps. I mean, Beverly Cleary doesn’t even own a car. So why is she always carrying a tire iron?
Money is now under the mattress and the editorial process begins. Don’t worry at all about this. Editors won’t even read your book. They’ll simply call in Quentin Blake for some illustrations and then run the whole thing through a binding machine they keep in the back of the o
By:
Betsy Bird,
on 9/14/2010
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Oh man. I need to get my third Newbery/Caldecott predictions up and pronto. Now that the Heavy Medal blog has entered the arena again you just know that the debating is about to begin. Already I can see that I’ll have to fight tooth and nail for my beloved One Crazy Summer and that Nina and Jonathan will have to convince me on why a person would want to read a children’s book on playing bridge (no one has given me an adequate explanation of its charms quite yet). Most importantly, can A Conspiracy of Kings stand on its own without a person having read the other books? Which is to say, am I gonna have to read it? Ooo! I love these debates! So much to talk about already. Now I need to finish Only One Year . . .
- Great news came to me yesterday all thanks to Cynopsis Kids. Check it out, Kevin Lewis fans:
“Disney Publishing Worldwide names Kevin Lewis as Executive Editor, Disney Hyperion Books, an imprint of Disney Book Group. In his new position Lewis is responsible for acquiring and editing picture books, as well as middle grade and young adult novels for Disney-Hyperion. Most recently, Lewis was Editorial Director, Simon & Schuster Books for Young Readers, and prior to that as an Associate Editor with Blue Sky Press, an imprint of Scholastic.”
This makes me happy. Some of us have been waiting on tenterhooks to hear where Kevin would settle down next. This is the guy who has, in the past, edited folks like Tony DiTerlizzi and Kadir Nelson. We have little doubt he’ll work his magic at Hyperion now. Couldn’t be happier.
- Sick and tired of not getting enough Monica Edinger? Well if Educating Alice doesn’t satisfy you then you might be pleased to learn that our Dalton School blogger has a good looking HuffPo blog up and running as well these days. A smart idea too. It’s always wise to expand your audience.
- RoadsideAmerica.com (“Your Online Guide to Offbeat Tourist Attractions”) stopped by the old children’s room to have a gander at our famous residents. It’s a rather smart little write-up with some facts in there that I myself was not entirely clear on. They get extra points as well for the snarky end to the write-up. Couldn’t agree with them more. Thanks to The Infomancer for the link.
- You can criticize a person’s personal beliefs, clothes, worldly possessions, and general attitude all you want but better keep your hands off their The Giving Tree. Yes, the triumvirate of mediocrity made the news yet again with the New York Times article Children’s Books You (Might) Hate and Silverstein’s weirdo tale is
By:
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on 8/15/2010
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We begin today with a mild pet peeve of mine. Here we go. You see this lovely new paperback edition cover of the book Neil Armstrong Is My Uncle and Other Lies Muscle Man McGinty Told Me? Well I had great affection for the original story, though I was relatively lukewarm on its first cover. The original jacket just sported an image of the moon with a little astronaut sticking in a flag. Clearly they wanted to spice things up a bit. I don’t blame them. Lots of great books see a second life in paperback when they go with a more contemporary photographed look. That said, this particular book’s new cover suffers from a current trend I’ve found in some children’s jackets. It is a whatever-you-do-don’t-make-the-kids-think-the-book-is-historical cover. Now look at it. Look long and hard. Is there anything about the hair or dress of these two kids that screams 1969 to you? You might argue “well, is there anything that looks absolutely contemporary?” and you’d be right. But they’re definitely fudging the time period. This will happen from time to time. A bit of historical fiction will end up faking its cover to look contemporary, for all sorts of reasons. Generally you can get around this if you shoot the photo close up (as with Frances O’Roark Dowell’s Shooting the Moon) or the characters backs (though I’m still pretty sure the hair on Doris Gwaltney’s WWII novel Homefront was a bit suspect). Still and all, though I peer at this new Neil Armstrong book with a suspicious eye (shouldn’t Muscle Man McGinty be wearing glasses anyway?) it’s still loads better than the original back of the jacket for A Friendship for Today by Patricia McKissack. There you saw two pairs of legs wearing jeans (on girls in the American South in the 1950s) and Airwalk sneakers. Airwalks were established in 1986, folks. My oh me oh my. Nice book, though.
- Ah! It’s that time of year again. Time for Lee & Low to hand out their New Voices Writers Award. As they say, “LEE & LOW BOOKS, award-winning publisher of children’s books, is pleased to announce the eleventh annual NEW VOICES AWARD. The Award will be given for a children’s picture book manuscript by a writer of color. The Award winner receives a cash grant of $1000 and our standard publication contract, including our basic advance and royalties for a first time author. An Honor Award winner will receive a cash grant of $500.” You can see more information here if you’re interested.
Now, for today’s lesson:
di-dac-tic –adjective
1. intended for instruction; instructive: didactic poetry.
2. inclined to teach or lecture others too much: a boring, didactic speaker.
3. teaching or intending to teach a moral lesson.
4. didactics, (used with a singular verb) the art or science of teaching.
If you were to read Scarlet Whisper’s origin story (Action Comics #666), you’d learn that as a child, I attended Sunday School every week.
In these moral fiber knitting sessions, sweet little old ladies shared a lot of “application stories.” Some sort of flip chart, poster board, flannel graph, or book story was presented in order to “teach a lesson.”
These stories were didactic by design.
They were also usually boring.
Take a gander at some of the lovely illustrations from actual examples.
Look closely: Are they children or frolicking Stepford robots?
In these stories, the pictures and words are all about telegraphing an explicit message. Ala After School Special mode, the reader is told how to think about a given situation.
- One of the more “edgy” stories…
Maybe that’s why I always hated those stories. When a book does all the heavy lifting, by answering all the important questions, what is left for the reader to do?
The best stories allow the reader to grapple with questions and issues for themselves. The message is oblique and awaits discovery.
Maybe that’s why my favorite application story was never Grandma Takes Rainbow Kitty to the Dentist or Too Much Candy for Tommy Tuttle.
Instead, I always prayed the little old ladies would read The Giving Tree again. The spare illustrations and simple words leave a lot the imagination, but it’s Shel Silverstein’s message which stayed with me all these years.
Once there was a tree...
I’d love to know what you think about the modes and messages of books.
Hungry for more?
Check out this wonderful discussion on didactism in children’s literature. And you might enjoy my Seven Layer Bars. These gooey sweet treats are a lot to chew on.
Seven Layer Bars
Ingredients:
1/2 cup real butter
1 1/2 cup graham cracker crumbs
1/2 cup milk choc. chips
1/2 cup semi-sweet choc. chips
We’ve been wondering about the Mary Poppins rights. I haven’t looked at any of the online discussion…just heard a lot of outraged ranting from my son!
What are those bookmarks ? I want to find some info on them as you really piqued my curiosity saying Art Spiegelman illustrated them !! Whoa !!
I had just talked my book club into reading The Lie Tree, so no beef on that pick.
Now if an aritst could put me on a Bailey School Kids cover, I’d be in. Or maybe a Choose Your Own Adventure…
Darn tootin’.
Ach. Twas a bonny, heartily disgusting fad of the mid 1980s. During the height of the Cabbage Patch Kids a series of cards was released called the Garbage Pail Kids. This is one of the tame ones. The bulk were gross in a variety of different ways. There was even a truly unfortunate movie. I was the right age at the right time. And yes, Mr. Spiegelman made them in the early days. The more you know, kids!
Oo! The possibilities are endless.
Children of the 1970s had Wacky Packages, also illustrated by Spiegelman. I know grown ups who will not part with them. Someone’s missing that book mark!