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1. a very immature rant, mostly about things without wings

immature-whole


Filed under: journeys

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2. Why Memoir Matters

By G. Thomas Couser


Memoir gained sudden prominence in the mid 1990s, when a few memoirs by unheralded authors — Lucy Grealy’s Autobiography of a Face, Frank McCourt’s Angela’s Ashes, Mary Karr’s Liars’ Club, and Susanna Kaysen’s Girl, Interrupted — had spectacular sales and favorable reviews. The memoir boom was underway.

Even before it was recognized as a boom, however, some intellectual heavyweights inveighed against it. Chief among them was William Gass, the title of whose screed in the Harper’s in 1994 says it all: “The Art of Self: Autobiography in an Age of Narcissism.” To write a memoir, Gass proclaimed, is to disclose oneself as a monster of egotism.

Name another genre — or for that matter, art form — that has been subject to such a blanket denunciation in our permissive era. (Okay, aside from rap music.)

To be sure, memoir cannot be entirely absolved of the charge of narcissism. It seems fitting, somehow, that the term contains the words “I,” “me,” and “moi.” Of course memoir is liable to suggest self-importance. But there’s more to good memoir than that.

And if we look at the larger picture, we can see why memoir endures and, in the end, resists blanket denunciation.

One way of looking at memoir–the more familiar one–is to think of it a literary genre. This is how most creative writers and literary critics view it–as a form of “creative nonfiction,” the “fourth genre” taught in MFA programs alongside the traditional three: fiction, poetry, and drama. The very name of this category, however, hints at memoir’s vulnerability. If “creative nonfiction” is not an oxymoron (it’s not), then the term belies a kind of uncertainty about its status as literature. Memoir suffers from the sense that it doesn’t quite belong among genres whose creativity can be taken for granted. As a literary genre, memoir suffers from an inferiority complex. After all, you don’t have to be a writer to pen a memoir; you don’t even have to write it yourself!

But memoir can also be looked at as the most literary form of something most of us engage in, actively or passively, most of our lives and even after our deaths. I refer here to what academics call “life writing.” It’s not a very satisfactory term — I prefer “life narrative” or even “life representation” — but it’s a useful one. Here are some things that constitute it: autobiography, biography, and memoir; diaries and journals; letters; portraiture, whether painted or photographic; biopics and bio-dramas; documentary films about individuals or groups of people; birth announcements, marriage announcements, and death notices; college application essays and school transcripts; personal ads; résumés; any kind of personal dossier; scrapbooks; anecdotes and family stories; family albums and home movies; People and Us Weekly; This American Life; the StoryCorps© project; anything on the Biography channel; personal email; most tweets; Facebook; last, but not least, gossip — the original social medium.

Life writing, then, refers to all the forms in which human lives get inscribed or represented, whether public or private, written or graphic, print or electronic, static or interactive. And the forms are constantly evolving and proliferating.

We are awash in self-representation. (Membership in Facebook is approaching one billion worldwide. 0 Comments on Why Memoir Matters as of 1/1/1900

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3. The Story Machine

So I just had this really interesting meeting at the Australian Children's Television Foundation. And it got me thinking about stories, and narrative. And the way we consume those things.

There was an article in the New York Times that I meant to blog about a couple of months ago. It was one of those OH NOES kids don’t read anymore articles. The kind that seem to be written entirely with the purpose of pissing people like me off.

One of my favourite bits was this:

“Whatever the benefits of newer electronic media,” Dana Gioia, the chairman of the N.E.A., wrote in the report’s introduction, “they provide no measurable substitute for the intellectual and personal development initiated and sustained by frequent reading.”

This is the kind of ridiculous truism that really gets my hackles up. No, electronic media doesn’t provide the same kind of intellectual and personal development as reading does. But neither does watching TV/ getting plenty of fresh air and exercise/ eating leafy vegetables/ being good to your mother. BECAUSE THEY ARE DIFFERENT THINGS.

Nobody (outside the sensationalising of journalists) is saying that one should replace the other. And there are plenty of benefits sustained from engaging in electronic media that are not sustained from frequent reading.  

I spend a lot of time talking to teachers and librarians about technology, and why it’s important to use it in their classrooms (and why writing up an essay using Microsoft Word isn’t using technology any more than using a pencil is). I also spend a lot of time talking to teachers about how to foster a love of reading and books in the classroom.

The other day someone asked me if I thought there was an inherent contradiction there.

And I laughed.

Back to this New York Times article. It mentions a teenager called Nadia, who got really attached to a Holocaust memoir, and her enthusiastic parent tried giving her a fantasy novel (because that’s OBVIOUSLY the next step), and she didn’t like it.

Despite these efforts, Nadia never became a big reader. Instead, she became obsessed with Japanese anime cartoons on television and comics like “Sailor Moon.” Then, when she was in the sixth grade, the family bought its first computer. When a friend introduced Nadia to fanfiction.net, she turned off the television and started reading online. Now she regularly reads stories that run as long as 45 Web pages. 

Okay. So she didn’t like the fantasy novel, and that experience turned her off reading novels. That’s sad. But she reads manga, and online fanfic, often. Voraciously, even. So exactly what part of this demonstrates that she is not a big reader? None of it. Nadia is a big reader. She spends a significant amount of her leisure time reading comic books, and reading online.

As do I.

The article goes on to say that Nadia writes her own fanfic as well, but then spends several paragraphs pointing out that some fanfic has lots of spelling mistakes.

Way to bury the lede, New York Times.

Can we go back for a minute? Past all the doom-and-gloom-kids-today bullshit and just rethink this?

This girl, Nadia, loves story.

She loves it so much that consuming it isn’t enough. She wants to spend more time with her favourite characters. She wants to push them into situations beyond the ones they experience in canon.

And every time Nadia reads or writes or watches or hears a story, it feeds her own story machine. It deepens her understanding of the way narrative works. And this understanding of story, of the mechanics of story, makes her love story even more.

Every time you read a book, an article, a piece of fanfic, watch TV, go to the cinema, you are feeding your story machine. It’s like breathing in.

And when you write a story, or blog, or draw a picture, or tell someone a lurid anecdote about what your crazy aunt got you for your birthday, or make a video, or write a song… you are also feeding your story machine. You breathe out.

And everyone who loves stories does this. Even if it’s just telling someone about a great book you read. 

It’s all breathing in, breathing out. 

Feeding the story machine.

(for a good way to feed your own story machine, check out the Inkys Creative Reading Prize)

8 Comments on The Story Machine, last added: 9/29/2008
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4. A little clarification on “genre”…


(it is a fair bet that most of these stories have a bad guy and a good guy, and a crime and a gun)

Not to belabor the point… as I’m ready to move on.  But a few people commented, and a few people emailed, and complained that they don’t feel “genre” is formulaic.

And while I essentially agree with them that my definition came across as simplified and  overly negative, (because, basically, I’m a snob) I’m going to fight for my assertion of genre as formulaic.  Of formula as the defining characteristic of what might be called “genre” writing.

As opposed to readership.

I think formula=genre works pretty well as a definition. But I want to explain a little what I mean by “formula”.  I don’t really mean that no good writing is formulaic.  I don’t mean that all genre writing is bad. Or that a formula means the writing can’t also be creative and new.   I just mean that books from a like “genre” will share elements of plot, craft, set-up, resolution, etc.  That’s what I mean by formula.

That books in a particular genre share some kind of lowest common denominator in their actual storyline.  The Once and Future King and Pat the Bunny do not share an LCD I can think of.

There are romances that will be categorized as such, but also be shelved with “literary” books.  Same for fantasy, detective fiction, etc.  But some of the conventions are still there.

All romance novels are not the same, but you can pretty much bet that genre/romance will have someone who starts out alone and ends up with a lover.  Or someone who starts out with the wrong lover, and finds true love. Most will also have some kissing, and the love will, at turns, appear to be thwarted.  Do you know of a “genre” romance novel with NO romance?

All detective fiction is not the same, but most detective novels begin with a crime of some sort, an unsolved situation. And by book’s end, a clever (though complicated or flawed) character will have figured out the answer.  Whether it’s an old pulp magazine, or The Yiddish Policemen’s Union, on some level, it makes use of a series of plot conventions.  Readers have some idea of what they’re getting.

That’s all I really meant.

And think about this– the less a book is plot-driven, the less the formula will make the book identical to other books.  I think when a book jumps from “genre” classifications into “literary” classifications, what is happening is that the author is leaving some of the plot/genre conventions intact, but focusing less on plot and more on other elements of craft.

I find myself thinking about fantasy, and that fantasy is perhaps, by definition, less of a genre. I recently read Merlin’s Dragon, and while I didn’t like it much, it’s NOT a book I’d call genre at all.  It has, like, no human characters.  It’s just about a little dragon creature looking for animals like himself.  Weird.

If that’s fantasy, than I have no clue what the fantasy conventions are.  Dragons?  That’s dumb.

But I’ve read my share of mysteries, and my share of romances, and I’m sorry, y’all… they do, by and large, follow a recipe.

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5. This Week in Publishing

This week. Publishing. For real this time.

Don't worry, I won't be changing my business cards any time soon. You may have read the news that ICM and Curtis Brown UK are contemplating some sort of mating ritual, but FYI, Curtis Brown and Curtis Brown UK are separate companies and have been for some time, and thus I would not be affected by any possible joining of the two. As you were.

Editorial Anonymous got in touch with a sales rep for a publisher, who very helpfully answered some reader questions about author brands and in-office signings. Since I am a farmboy I can't help but read "author brands" and think about the horrifying experience of watching my uncle brand cattle with one of those hot iron things, so in case you are feeling down about being an author and all of the new publicity demands that come with it, just remember: the cows have it worse. The cows always have it worse.

The Oscars came and went on Sunday, and needless to say: Cormac McCarthy won. I mean, was there ever any doubt? Anyone who lost their Oscar pool because they didn't pick "No Country For Old Men" need to know just one thing: YOU DON'T BET AGAINST CORMAC MCCARTHY. The man is a juggernaut. Me? I tied for winning the Curtis Brown office pool, and if only "Salim Baba" would have won for best documentary short I would have taken the whole shebang and you really would have heard the bragging.

Meanwhile, you know how they were trying to turn the Quills into the Oscars of Books? Yeah. Let's just say the Quills will not be celebrating their 80th anniversary in 76 years. In the wake of announcing that Reed Elsevier is putting their division Reed Business Information on the block, which includes trade magazines Variety and Publishers Weekly, they have also "suspended" the Quills. Sigh.

And finally, a book ATM? Oh hell yes. (thanks to Publishers Lunch for the tip). Contra Costa County in California is starting a program called "Library a-Go-Go." Stay with me -- I know that with "Book ATM" and the ridiculously great name "Library a-Go-Go" you are being besieged with awesomeness, but STAY FOCUSED. The Library a-Go-Go project will install several book ATMs at BART stations (BART = subway/commuter train basically) so you can pick up and drop off books at a Swedish-built machine containing 270-400 books, all without leaving the train platform. If this is the future sign me up. Now.

Have a great weekend!

25 Comments on This Week in Publishing, last added: 3/12/2008
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6. Literary Agent Blog Roundup

I have to hand it to my compatriots, this has been a really stellar week in the literary agent blogosphere. I was saving all sorts of posts for tomorrow's This Week in Publishing, but there are so many good agent blog posts this week I thought I'd do one roundup.

First up, there's a new agent in the blogosphere, so let's all give her a warm welcome and crash her Inbox with query letters!! (just kidding -- give her some time to catch her breath). Colleen Lindsay is a new agent with FinePrint, and she has a blog called The Swivet, which is rapidly becoming, nay, is already a must read.

Fellow rhetorical question warrior Jonathan Lyons has a list of his pet peeves, in which he joins the noble fight against queries beginning with rhetorical questions, and he also has a great post on the fact that vampires are not, in fact, dead, and what agents and editors usually mean by pleas of "no more vampires" is that they don't want unoriginal takes on the genre.

Over at BookEnds, they're well into their next first-100-words contest, and this one is erotica so... well, I know I'm blushing. They also have a post discussing the types of projects that would be appealing to a book packager, and whether you should first seek an agent.

Jenny Rappaport and I said hi this week, and also she has a post on current industry trends.

Following up on her post about how advances work, Jennifer Jackson of the Donald Maass Literary Agency has still more great information on how royalties work. If you want a great nuts and bolts breakdown, check it out.

Janet Reid has a seriously awesome list of words that automatically raise the bar on whether an agent will request your work, as in, it had better be really incredibly good because we see these things so much.

I have to say, this is such a great time to be an aspiring author. Never before in the history of the written word has so much information about the publishing industry and agenting been so readily available to authors. Make sure you're absorbing the wealth of information that is now available, because with greater ease of access to information comes higher expectations that authors will take advantage of it.

25 Comments on Literary Agent Blog Roundup, last added: 3/12/2008
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7. So Begins Today's Blog Post

At the San Francisco Writer's Conference I participated on a fiction agents' panel with many wonderful agents, and it was a pretty great hour. One of the audience members asked to hear our personal pet peeves when it comes to queries, and you could almost feel the excitement among the agents on the panel, as this is without a doubt one of our favorite topics. Who doesn't like complain about their pet peeves?

Anyway, after I had expressed my irrational and yet passionate disdain for queries beginning with rhetorical questions, the incomparable and awesome Donald Maass had, I thought, a pretty superb query peeve as well, and now that he mentioned it I can't help but trip up on it every time. And that is: a query that begins with a quote from the first lines of the novel, followed by the words "So begins my xxx novel..."

The man is a genius! I definitely understand why people would want to put their best foot forward and just cut to the chase with their writing. But there's something about the whole setup of quote followed by "So begins my..." that can't help but feel a little canned. Not to mention the fact that while it's possible to have a really awesome first line, the excerpt itself isn't enough to really give a sense of the novel, which is why the whole query thing exists in the first place.

Now, if you have employed this setup, do not feel bad! You couldn't have known that it was such a common trope, and no agent is going to reject you solely on the basis of using this opening. But just be aware that this is a very common setup, and when you're trying to stand out from the query pack, it doesn't usually pay to be common.

So ends today's post.

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8. Saturday morning rant (story v language)

I've been thinking a lot about the war that is being fought between story and language.


It shouldn't be a war. Language and story should work together. But people don't seem to want to let them, and so they fight.

I heard someone say recently that they didn't like books they couldn't put down. This person felt manipulated by a gripping plot. I found this astonishing.

It goes hand-in-hand with the snobbery towards mass-market fiction, chicklit (see Maureen Johnson's awesome post for more on that) and, of course, YA.

Nick Hornby has this to say:

“In a way, I think all books should be teen books. I can read them quickly without getting bogged down, and feel I’ve read something that was meant in the way literature’s supposed to be. They’re very digestible, designed not to bore people.”

But if you have a look at the kind of books that win the Miles Franklin and the Booker, it seems pretty clear that the literati don't agree. Literature needs to be dense, beautiful and obfuscating.

I love beautiful language. Writers like Margaret Atwood (pre-Oryx & Crake), Jorge Louis-Borges and Gabriel Garcia Marquez. And of course the beautiful-language YA writers Ursula Dubosarsky, Margo Lanagan and David Almond. But as well as having a truly magical control over language, all these writers also know how to tell a cracking good story.

Making stories is an art. It's difficult and complex and there are rules and structures, and if you don't want to stick to those rules and structures, then fine, but you'd better have a damn good reason. In my four years of studying creative writing at Uni, not one class mentioned the importance of structure, except of course, for my screenwriting class.

The story vs language brawl spills over into visual media as well. Film can be loved by our intellectual elite because of its 'language' - the cinematography, metaphor and mood. Television, however, is much more reliant on story. Smaller screens, heavily prescribed time limits, and a need for continuity mean that TV shows have more rules and structures.
But that doesn't mean they can't be art, too. There is often more thought, care, craft, put into an episode of The West Wing, Six Feet Under or Veronica Mars, than into a feature film of the kind that our intellectual elite favour.

I'm not really sure where this rant is heading. I suppose it's a plea. Don't be ashamed to read The Da Vinci Code just because it's mass market fiction. There are plenty of other reasons to be ashamed (ie: it's crap). Embrace your love of chicklit (and its cinematic equivalent, the romcom). Read a fantasy novel. Watch Battlestar Galactica.

Yes. There is bad chicklit. And bad fantasy novels. And books like The Da Vinci Code.

But here's a revalation: there's a lot of bad books, full stop. Some of them have won prestigious literary awards.

You will judge a book by its cover - everyone does. I certainly do. But I try not to judge books by what section of the bookshop they are shelved in*.

Send in the peacekeepers! End the war! Give story a chance.

_______________
*This isn't entirely true. I tend to avoid self-help and true-crime. But in terms of fiction, I'm showing the love for all shelves.

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9. Conference Protocol

The San Francisco Writer's Conference starts tomorrow, and I'm looking forward to meeting some of you there!

I'm sometimes asked about protocols for talking with agents at conferences, and so I thought I'd take my own personal stab at some dos and don'ts.

First up: don't be nervous. Seriously. I don't bite, attack, make fun, disparage, or karate chop. (Unless you're a Lakers fan, in which case you should probably wear a helmet.) I know it's weird going up and talking to random publishing people, but don't feel like your chances of being published are hinging on what you say. They're not. So don't be nervous.

Please remember that I know I need a haircut but have been putting it off.

If you want to say hello but don't get a chance to -- don't sweat it. I hear the folks from Nowhersville, Indiana are looking forward to slapping me around for disparaging their fair town, but if we don't get a chance to speak, just e-mail me.

I'm sitting in on a pitch session on Sunday, but other than that it's not the best idea to pitch stuff to me verbally in the halls. Not because I'm not interested in what you're working on (I am), but I need to see the writing. What it sounds like verbally doesn't really matter, I'm always going to say the same thing: "e-mail it to me." If it comes up in conversation, great. But if you're looking for me to say whether it's a good idea or not -- I won't really be able to tell for sure without seeing the writing. Also, the pitch session is a good opportunity to ask any questions you have about the industry or about your writing -- I'm happy to help!

UPDATE: Please don't give me any papers, cards, or anything else. Save a tree -- emailing me is the way to go.

San Francisco recommendations for out of towners:
- pizza: Little Star
- coffee: Blue Bottle Cafe
- bar: Bourbon & Branch
- hamburger: In N Out or Taylor's Automatic Refresher
- outdoor lunch: Java House
- can't miss tourist attraction: Powell-Hyde cable car
- second can't miss tourist attraction: The Ferry Building
- only-in-San Francisco: the Tonga Room
- Chinatown restaurant (even though we all know the best Chinese food is outside of Chinatown): Hunan Homes
- North Beach restaurant: Mario's Bohemian Cigar Store Cafe (best meatball sandwich ever)
- best expensive restaurant: Aqua
- burrito: Papalote

It's going to be a fun time!

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10. Overheard in Melbourne Central

Skanky Teen Girl #1: Ohmigawd, have youse read that book Twilight?

Skanky Teen Girl #2: Huh?

STG #1: Twilight? It's Stephanie Meyer? It's the BOMB.

STG #2: Books? Yuck?

STG #1: No, I know that, you know, teachers say you fall in love with a character in a book? And I'm all like gross? That's so dumb? But I swear, chapter one of Twilight and I just... you just... he's so...

STG #2: Shut up. Let's go to Supré .

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11. Harry Potter is Not Walking Through That Door

Digression. A few years back, the Boston Celtics were really bad. Their star trio Larry Bird, Kevin McHale and Robert Parish had retired, former Kentucky coach Rick Pitino had taken over as coach/GM, and... they were really really bad. But people in Boston still had all these high expectations for the team, and Pitino was fed up with people thinking the Celtics were going to be as good as the old glory days. So at a press conference he blew up on the media and gave a famous rant about how "Larry Bird is not walking through that door, fans. Kevin McHale is not walking through that door and Robert Parish is not walking through that door. And if you expect them to walk through the door they're going to be gray and old." (clip below in all its awesomeness)

Well, I have something to say to aspiring authors out there: Harry Potter is not walking through that door.

I've been getting SO many queries lately talking about the "void" left by the end of the HARRY POTTER series. Inevitably these are queries from children's fantasy writers with varying degrees of similarity to Harry Potter, who feel that people who are no longer buying HARRY POTTER books are pooling their money to spend on the next children's fantasy book featuring wizards.

Yes, to be sure, in the publishing industry we're all wondering and placing bets on what the next "next big thing" is going to be. But when has the "next big thing" ever been like the last big thing?

Aspiring authors do themselves such a disservice by trying to follow the publishing trends or trying to model their book on the ones that have been successful in the past. Trust me -- Harry Potter is not walking through that door, THE DA VINCI CODE is not walking through that door and THE LOVELY BONES is not walking through that door. The next huge hit is not going to resemble the hits of the past.

The best thing to do is what J.K. Rowling did: she wrote a great book that was fresh and original and not at all trying to mimic what was popular at the time.

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12. Oh, My!

Check out the final count for Nathan Bransford's Surprisingly Essential First Page Challenge. All I can say, is he is one brave man. Good luck to Nathan, Holly (his co-judge) and all the contestants.

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13. Nathan Bransford is a Brave Man

Look at Nathan Bransford's new contest. The Surprisingly Essential First Page Challenge. Deadline is Wednesday at 5:00pm Pacific Time. This Challenge has been up for only a few hours and there are already 52 comments...of which most are first page entries. At this rate, odds are there'll be over 600 entries by Wednesday. Maybe even close to 1,000. Good luck to Nathan, Holly (his co-judge) and all the contestants.

In any case, this will be an excellent study of what works and doesn't work for first pages. What say you?

1 Comments on Nathan Bransford is a Brave Man, last added: 1/28/2008
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14. This Week in Publishing

This first week of 2008 in Publishing:

Esteemed fellow agent and intellectual property lawyer Jonathan Lyons is going to be giving a Mediabistro course on negotiating book contracts, so if you are going to be in the New York area on March 27th, definitely, definitely check that out. Your future book contract will thank you.

Central Connecticut State University released its rankings of the most literate cities in the US, and coming in first place is San Franc.... uh.. Minneapolis, Minnesota. San Francisco came in 7th. Behind St. Louis. The study's methodology? QUESTIONABLE.

Via GalleyCat, Business Week has an article about the self-publishing boom (Lulu in particular) and benefits and shortcomings thereof. Pros cited in article: Low cost, easy to get published (and then some!), ability to market on Internet. Cons: Lack of professional editing, distribution. Carry on.

Who says publishing closes down over the holidays? Um. Besides me? While we were all sipping egg nog, Santa brought Karl Rove a book deal! Yes, Rove inked a book deal with Threshold, a conservative imprint at Simon & Schuster, for a reported $1.5 million. I would make a joke... but I'm too scared of Karl Rove.

Via Shelf Awareness, not only are the kids not reading, they are BREAKING INTO DEAD WRITERS' HOMES. According to the AP, a wild pack of teenagers broke into former summer home of Robert Frost, destroying furniture, puking in the living room, and discharging fire extinguishers. Then again, maybe the teens had just read AN ARSONIST'S GUIDE TO WRITERS' HOMES IN NEW ENGLAND. Who says literacy is dead??

And finally, the first episode of Season 5 of the Wire airs on Sunday! I'm extremely excited (because IT'S THE WIRE), but terribly sad, because it's the last the Wire season ever. My prediction for the final season? David Simon gets Shakespearean and EVERYBODY DIES.

Have a great weekend!

14 Comments on This Week in Publishing, last added: 1/10/2008
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15. This Year in Publishing

Well, I slapped my head on my way to work this morning because I belatedly realized I should have done an extensive "This YEAR in Publishing" retrospective and put time into a thoughtful look back on the year in publishing and the first year of this blog. Whoops.

So here's the year in publishing, 2007, in hastily-put-together-digest form:

- There were a lot of books published.
- Many of them won awards.
- Most of the awards were won by Cormac McCarthy.
- Vampires are dead as a genre.
- No wait they're huge.
- Ok, NOW they're dead.
- Still huge.
- If you published a dog memoir in 2007 you're probably on the bestseller list right now.
- If you published a dog memoir prior to 2007 you're probably shaking your fist at the sky and shouting, "Why, God, why was 2007 the year of the dog memoir?? Why could it not have been 1998??".
- 2007 will not be the year of the under-contract Lynne Spears parenting memoir.
- 2008 probably won't be either.
- There were lawsuits in publishing.
- (Redacted)
- Perseus absorbed Avalon, AMS went bankrupt and Perseus absorbed PGW, and the debate between US and UK publishers about the exclusivity of the European market dragged on into another year.
- How about that Spencer?
- E-books.
- Queries.
- Monkeys.
- Oh my.
- My heart is in San Francisco.
- But I still love New York.
- We lost Kurt Vonnegut, Madeleine L'Engle, Norman Mailer, Robert Jordan and many other wonderful writers.
- The fabulous Miss Snark retired.
- New agent blogs ramped up production.
- Jessica Faust began her quest for sainthood by doing a million pitch critiques.
- We had a few contests.
- I almost died.
- The blog went from getting about 5 hits a day at the beginning of the year to over 1,000.
- THANK YOU to everyone for reading and commenting and making this year so much fun -- I truly appreciate all the time you have taken to participate.
- I hope you find all of the success you've been working so hard for in 2008.

Have a great New Year!

40 Comments on This Year in Publishing, last added: 1/2/2008
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16. The First Agent You Query

So yesterday I dealt with a topic that no one likes, namely rejection letters, and I poured some further depresserade on the situation by saying that I gotta delete your follow-up questions as well. How's that for some Christmas spirit!! The Grinch has nothing on me. Also you're getting coal in your stocking.

Well, if it makes you feel any better, you too have the power to make an agent cringe like they've been rejected. You can make them curl up into the fetal position and have them screaming invectives against the universe and throwing staplers at their assistants. It's easy: let the agent know that they're not the first person you've queried.

People usually mean well, and often they don't seem to have any idea they're doing this. They'll say something like, "X agent was very encouraging in their rejection letter." My response: "You queried X agent before me??? (pass out onto the floor)"

This. Kills. Me. Every time. Never fail. Especially from blog readers.

As you can tell from my picture and my sunny outlook on life, I'm a young agent. Being a young agent isn't easy. I'm competing with all of the other experienced agents for the best projects, and honestly, one of the important reasons I blog every day is that so all you writers out there will think of me first when you send out your queries. I absolutely want to be the first person you query -- naturally, I want to be the first agent to see the best projects.

But hey -- I'm realistic. Maybe you think someone else would be a better fit, maybe you want to give another agent a gander first, maybe you don't want to query someone who fell for a Nigerian e-mail scam yesterday (ROSE, HOW COULD YOU???). I understand! Just don't tell me about it.

My blood pressure thanks you.

36 Comments on The First Agent You Query, last added: 1/13/2008
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17. Literary Agents and Writers Overseas

Hello to those of you who are visiting the site after Googling the words "Spencer Heidi unengaged"!! (I'm currently the second site that comes up, behind TMZ and ahead of Television Without Pity.)

Please stay awhile! We talk about books here. Sometimes.

Now, I know everyone is absolutely abuzz, aghast, atwitter and asomething about the The Hills season finale and.... oh, who am I kidding. Those of you that don't watch the show are skipping this section as we speak, and those who watched it were, like me, left muttering, "uh... that's it?"

In case you're wondering:

Recipe for a The Hills Season Finale:

1 oz. Paris (the French city variety)
3 oz. guy with questionable personal hygiene/career ambitions
5 oz. will she or won't she choose the guy like omg
1 oz. Lauren Conrad, sage (this week: "Everyone has had bad relationships, that's why they end.") Confucius: EAT YOUR HEART OUT
2 oz. "No. Way."

Garnish with drapey dresses and copious makeup
Serve lukewarm

And there you have it.

Now for the actual post: in the comment's section of yesterday's post, Steph and Melanie wondered if being overseas is an impediment to securing representation. In a word: no. I have clients from around the world and am definitely open to all.

But there are some things to think about. I'm often asked by people living in the UK and Australia if they could have a US agent as their primary agent -- yes, you can. But it's very important to think about your work and where its natural market lies. There are some books that are universal (HARRY POTTER, for one big one), but the US, UK and Australian markets are all very different, and the readers have different sensibilities. A book that is successful in the United States might not be successful in the UK, and vice versa. So take an honest look at your work, because even though the US market is the biggest, you may be best served finding a publisher for it in your home market. And for that you'd need a home agent.

But if you want to find a home in the American market -- query away! I can't wait to take a look.

18 Comments on Literary Agents and Writers Overseas, last added: 12/12/2007
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18. This Week in Publishing

I'm not the only one on an e-book kick. Forbes recently featured a slide show on the present and future of e-books, which includes some pretty snazzy devices. Including this one: the Readius, a device about the size of a cell phone that features a fold-out, flexible e-ink display, coming soon! Yowza. The Readius will also stop global warming, cure ebola and ALTER THE FABRIC OF TIME AND SPACE. Thanks to Shelf Awareness for the tip.

And GalleyCat has another rundown of reactions to the Kindle in the LA Times and Post, including this quote from Jonathan Franzen: "I can see travel guides and Michael Crichton novels translating into pixels easily enough. But the person who cares about Kafka wants Kafka unerasable. Am I fetishizing ink and paper? Sure, and I'm fetishizing truth and integrity too." Just so we're clear: ink and paper = truth and integrity. E-books = LIES!! ALL LIES!!!

Moonrat gives a great breakdown of the terms "sell in" and "sell through" and about how you gotta have the sell in if you're going to have the sell through. Trust me, she makes it make sense.

Via Publishers Lunch, a company called Paperspine is angling to be the Netflix of books, with book rental subscription plans starting at $9.99. No word yet from the company that offers book rental subscription plans starting at $0.00 -- Your Public Library, Inc.

This week's Publishers Weekly features a tremendous article by Oscar Villalon about why Northern California is an awesomer place for books than anywhere else. Among other insightful points about our impeccable literary pedigree, he notes that we Northern Californians spend more money per capita on book purchases and booze consumption than anywhere else in the United States. (Let's just say I'm doing my part on both counts.)

And finally, how could I NOT link to this one. As if we needed proof: monkeys are smarter than you. Also funnier.

Have a great weekend!

24 Comments on This Week in Publishing, last added: 12/11/2007
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19. Query Critique: Sampling a New World

The people voted yesterday and the people have spoken: since only 1% you voted for option C, I can only conclude that a full 99% of you want to be in Brody Jenner's cell phone. Wow. (Although judging from the extensive contacts in his cell, 97% of you are probably already in it.)

Also, people are split pretty evenly between those saying they'll die with paper books (hopefully not DUE to paper books) and those who are either somewhat or totally ready for e-books, assuming there are some technological breakthroughs. Very interesting.

Query critique time! As a reminder, if you receive a rejection from me, you may volunteer to have your query critiqued politely, anonymously, and haphazardly on my blog. I'm afraid I can't guarantee that I'll use your query on the blog, but if it sparks an idea or if I feel it would be useful I may take you up on it.

And as always, please be as polite and nice to the anonymous author as possible. Mean and/or unconstructive comments will be dealt with swiftly and harshly, particularly the anonymous sarcastic ones.

Mean anonymous comments, you are officially on notice. All military options are on the table.

Now then. First I'll show the query in full so you get a sense of the flow, then I'll provide my comments.

---

I read your blog daily because I enjoy both your sense of humor and the enthusiasm you show for your work there, and also because I greatly appreciate the advice you give aspiring writers. Thank you for donating your time in this manner, and Godspeed in your battle against query letters beginning with rhetorical questions. Please consider DARK HEIR, my 94,000 word fantasy novel, for representation.

Katirin is a princess of such embarrassing parentage her family forced her into a convent to get her out of the royal succession. When she discovers the convent's bland and blissful priestesses--women who share a communal mind and do little except sing--aren't really the god's mouthpieces at all, but empty husks puppeteered by a demon, Katirin realizes she must find a way out of the convent or the demon will devour her soul.

For Katirin, however, escaping telepathic priestesses and irate nobility isn't enough--not when she can see the demon's hunger will one day destroy the nation she should have ruled. Katirin vows to stop the creature, but she needs to answer one question first--how do you kill a demon that lives in a thousand bodies?

I am a physicist, visual artist and rock climber. DARK HEIR is my first novel and is complete and available upon request. I have pasted the first five pages of the novel below. Thank you for your time and consideration; I look forward to hearing from you.

---

This is a solid query. Good personalization (not just saying she reads my blog but making an in-joke -- always appreciated), and well-written. I was just a tad confused about the setting (the entire novel takes place in a convent? would priestesses who do little but sing be interesting?), but I liked the idea of having to battle a demon inhabiting multiple bodies. I feel that way every time I have to call my cable company. (rimshot!)

So this query critique isn't really about the query. It's about the sample pages the author provided. Here is the opening:

----

Shadows clung to the corners of the dormitory as predawn painted the sleeping initiates gray. The room whispered a chorus of soft breathing.

Katirin's trunk yawned open on her bed, pale robes forming the tongue of its mouth. Katirin tossed a pair of stockings in, then turned to face Esfirre again. "Help you. I can't even help myself. What am I supposed to do, hide you under my wimple?"

No, in your coach. The luggage compartment. Esfirre curled her signing hand to preserve its heat, then shifted her weight to dab one foot atop the other's toes.

Katirin made her tone cut. "And what would that accomplish? My guards would find you."

Anger creased Esfirre's face and her fingers flashed through more sign language. Not right away, and it might be enough. Haven't you a spine?

Katirin's outrage warred with her urge to laugh. "That, I still retain."

I don't have any way off this island.

"And contrary to appearances, neither do I."

If you don't help me escape the Taish, I'll kill myself instead!

Katirin snorted a laugh. "Oh. Well, that I could help you with. How do you intend to do it? A noose of torn sheet? A knife slipped from the kitchens?"

Frustration etched lines in Esfirre's young face. Don't mock me. I'm serious.

Katirin felt the smile slide off her face. "I know it. So am I. Come, and I'll prove it." She turned and walked to the narrow slot window at the end of the dormitory. Katirin swung the glass wide and stepped up onto the stone sill, then looked back.

Amid the shadows, Esfirre frowned her irritation.

Katirin flared her eyes at the younger woman, then slid sideways through the window. The sky fanned icy pink and blue around her and open air gulped at her feet. A thick vine, scabby and studded by puckered leaves, clung to the convent's outer wall. Katirin found her usual handholds and began to climb. The vine hissed and showered brown flakes down her sleeves.

---

Nathan again. I start reading hundreds and hundreds of novels every year. Several a day. And it's not an easy thing to do -- one thing I never realized until I became an agent and began reading so many books is that it takes a great deal of mental work just to start a novel, because it takes a lot of brain energy to get your bearings. Every detail you read in the beginning establishes where you are, who the characters are, what they're like, etc. and your mind has to piece things together, which isn't always easy.

So it's extremely, extremely important to get the reader on very sound footing as soon as possible and to ease them into a new world. Even if you're throwing the reader into a very unique setting and a chaotic situation (a gun battle on a foreign planet, for instance, or a apocalyptic future featuring unique slang, a la CLOCKWORK ORANGE), it's so important to put things in context for the reader and to begin teaching them the "rules" of the world. Basically showing the reader what aspects of the world are like ours, and which aren't.

As much as I like the premise of this query, I'm afraid I didn't feel that there was solid grounding here. Starting off with a conversation is tricky, and rather than learning as I went along I found myself more and more confused about what was happening and where and when it was happening.

I also had some concerns about the writing. There were times when the dialogue was stilted ("That, I still retain,") but perhaps more importantly, I honestly felt that although the author really tried to create some unique imagery, I felt like the description tried too hard. As a very rudimentary rule of thumb, description should be as clear as possible, except when something is indescribable in simple language, in which case it can be more expansive.

Lastly, I've been noticing that many writers these days are relying on descriptions of facial expressions in order to convey emotion. For example, just in the last part of this passage, Esfirre's face was lined with frustration, Katirin felt her smile fall off her face, Esfirre frowned her irritation, and Katirin flared her eyes. I'm not going to name names, but some very, very successful published authors employ this technique, but I'd be very careful and very judicious in how you use it -- descriptions of facial expressions really only thinly veiled ways of telling the reader what emotion the character is feeling. Unique gestures, dialogue and actions tend to be much more interesting ways of describing the way someone is feeling and go further toward creating interesting characters. Emotions and facial expressions are universal -- how people deal with emotions and express those emotions are unique.

Thanks again to the author for participating!

35 Comments on Query Critique: Sampling a New World, last added: 1/3/2008
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20. Genre Hopping

I read books from nearly every single genre, and I know I'm not alone -- book lovers love books, all kinds of books. And so it naturally follows that when people sit down at the old typewriter they want to write books in every genre under the sun. Sometimes at the same time. I often receive queries from people who are shopping novels in multiple genres, even massively different genres, such as science fiction and historical romance.

But here's the thing -- for the most part (big caveat alert), genre hopping isn't usually the best move.

I know. You have a killer idea for a science fiction novel involving monkey space cannibals and you ALSO have an idea for a historical fiction novel about a group of courtesans in King Arthur's court who are actually monkey space cannibals. WHAT TO DO??

Well, pick one, for starters. And then go all out. Because, as most of you know, it's really, really hard to break out in one genre. It takes mountains of time, effort, luck, perseverance, luck, effort, perseverance... time... I could keep repeating myself indefinitely. I could keep repeating myself indefinitely. Breaking out is really hard to do, and the kings of genre fiction have worked for years to steadily build an audience (and a brand) within the same genre. Heck, even writing a novel within a genre that's saleable usually takes several attempts.

Did I mention it's hard? It's hard. So you make it even harder for yourself when you splinter your time, attention, learning curve, and, eventually, your audience by jumping around to different genres.

But. Genre hopping can be done, and done well. And here's the best method: first you become hugely successful.

Take John Grisham. He wrote legal thrillers that became some of the most successful and popular books of our time. However, his most recent book has nothing to do with the courtroom -- it's about a football team (the American kind) in Italy and it's called PLAYING FOR PIZZA, and oh yes, it's a massive bestseller. Why is he able to do this? BECAUSE HE IS JOHN GRISHAM.

Unless someone could type in one of those TM symbols after your name without anyone blinking or thinking it's strange, chances are you probably aren't there yet.

I know there are exceptions, people who are successfully able to juggle multiple genres, whether it's by using pen names or just following their own drummer. But genre hopping should really only be undertaken in close consultation with your agent and after a lot of soul searching -- are you hopping because it's fun or because it's the best career move? If it's the former, have all the fun you want, but don't forget that a writing career is a marathon, and it's hard to win when you sit down every mile to change your shoes.

38 Comments on Genre Hopping, last added: 12/4/2007
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21. You Tell Me: When Will E-books Take Over?

First of all, my apologies for being a day late with my rundown of a rare (these days) non-coma-inducing The Hills episode that not only featured a she-Spencer (!) but also included Justin Bobby.... uh... well, they said he kissed someone who wasn't Audrina. It mostly looked like someone stepped in front of the camera. And Audrina was SO MAD that she HUGGED HIM and WAS TOTALLY NICE TO HIM and GAVE HIM A RIDE HOME and THIS TIME IT'S KINDA SORTA POSSIBLY MAYBE OVER. (Clearly you don't mess with Audrina.)

Justin Bobby was forced to employ his ultimate secret weapon: saying nonsensical catch phrases with his head cocked to one side. I know I'm powerless in the face of phrases like "What do you think I did?" and "You're on hallucinogenics" and "Your friends don't fathom me."

The Hills is back, ladies and gentlemen.

Anyway, lots of people have opinions about the Kindle and with apologies to the people who like to smell their books and turn the pages, I am of the opinion that at some point in the near or distant future the e-books will take over and while sure, some people will always read books on paper (in the way that some people still use typewriters), and illustrated books and heavy-photography books will probably still exist, I feel like the convenience, affordability, readability, environmental friendliness, and eventual ease of e-books will outweigh the residual nostalgia for reading printed books. In my opinion, someday e-books will comprise the majority of book sales.

In this e-book world of the tomorrow:
- bookstores could be largely a thing of the past (much like video rental stores) -- people would browse online and download directly to their cell phone/reader/organizer/thingamajig and find out about books through word of mouth, TV, and the Internet.
- people would have instant access to just about every single book ever published, anywhere, anytime (Google Book Search is helping make this happen). This part is seriously incredible to me
- thousands of trees would thank you
- big publishers would lose one of their major advantages in the marketplace (namely distribution) and would have to adapt to stay relevant
- there will always be literary agents to help authors navigate this increasingly complex landscape and to make sure they are fairly compensated for their content
- authors will be better able to control their own sales destiny, and if they can ride the wave of word of mouth, unknowns could capitalize in a big way because they're not dependant upon traditional distribution

This doesn't scare me! Honestly I think it's amazing and incredible and a major leap forward in human history. Literally the biggest thing in publishing since the printing press. And I'm not the only one who thinks this: just read Thomas Nelson CEO Michael Hyatt's post entitled "Why Traditional Books Will Eventually Die."

My question to you is: When will this happen? When will e-books take over? Or will they? Is it coming 5 years from now? 10? 50? Never?

You tell me!

69 Comments on You Tell Me: When Will E-books Take Over?, last added: 12/6/2007
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22. I'm Back

OK, what did I miss?

Well, I received approximately 7 million queries over the holiday weekend and my inbox is so full I can hardly bear to look at it. People, look. I don't really believe in timing your queries and normally I'd say fire away, but I received MORE queries than usual in the past week. If you want your prospective agent to read your query while they're not in a turkey induced food coma or, alternately, if you want to avoid giving your prospective agent a post holiday heart attack when they come in on Monday and look at their inbox I'd suggest avoiding the major holidays.

Meanwhile, in TV news, the Bachelor didn't choose ANYONE, which shattered my belief in the possibility of finding true love on a reality TV show that involves dating multiple people at the same time. Just a stunning turn of events.

In other reality TV love news, Spencer and Heidi from The Hills were unengaged for 24 hours AND THE WORLD STOPPED TURNING ON ITS AXIS. Oh wait. No it didn't. Whew.

And in big publishing news, Amazon unveiled the curiously named e-reader Kindle (because, uh, books and fire go together so well?), which I will blog about more tomorrow. And the next day. And possibly the day after that. Maybe forever. WHO KNOWS.

Hope everyone had a wonderful holiday, and in the spirit the season please feel free to share your hilarious Thanksgiving stories in the comments section.

35 Comments on I'm Back, last added: 11/27/2007
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23. This Week in Publishing

NEXT week in Publishing is Thanksgiving week, and in honor of the festivities I will be running a series of posts called "Thanksgiving Leftovers!"

Yes, these are just re-runs of old posts AND YOU'RE GOING TO LIKE IT.

Ahhh, nothing like a lot of yelling to make everyone know they're around family. Pass the sweet potatoes.

Anyway, this week in publishing there was some really big publishing news. One story in particular. And if you think I'm touching it with a one million foot pole in this blog you're crazy.

Ken Follett's PILLARS OF THE EARTH was chosen as Oprah's latest book club pick. MJ Rose, Jason Pinter and GalleyCat weigh in. My thoughts? Read it, loved it, bought the t-shirt.

Congratulations to Robert Hass, Sherman Alexie, Denis Johnson and Tim Weiner, YOU are this year's National Book Award winners. Denis Johnson had his wife read a letter in lieu of an acceptance speech because he's in Iraq on a writing assignment. Also Denis Johnson could totally take Chuck Norris.

Paperback Writer wrote a devastatingly awesome post on whether you are writing McNovel. You should get over there and McCheck it out before you send me a McQuery.

And finally, I don't often fill you in on my correspondence with aspiring authors (and I don't usually mess with aspiring authors), but I just couldn't help it this time and I feel it is in the public good for me to share this because people saying they're including a SASE in e-mailed queries has become shockingly common. (Author's reply is adapted/fictitious/possibly pulled out of thin air. As far as you know.)

Author: ...I have enclosed a SASE for your reply.
Nathan: Hey, I didn't get the SASE in your e-mailed query. Could you send that to me?
Author: I don't think it would work to include a SASE in an e-mail
Nathan: Exactly.

Have a great weekend!

26 Comments on This Week in Publishing, last added: 11/23/2007
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24. Literary Agent Book Club

In lieu of a coherent blog post (seriously, you've come to the wrong place), I thought I would tell you about a few books I've read recently that I really, really liked.


First up is newly minted National Book Award Winner Sherman Alexie! Mr. Alexie wrote a fantastic YA novel called THE ABSOLUTELY TRUE DIARY OF A PART-TIME INDIAN, which is about the travails and adventures of a Native American high schooler as he goes to school at a distant, whiter, richer school. It's seriously funny, touching, amazing, etc., but what I think is most impressive about the book is the voice. The voice just literally crackles and jumps off the page -- it's so unique and interesting, providing a great sense of character while sounding like the voice of a teenager.

I highly recommend it (and so do the people who decide who gets National Book Awards).


The second novel that I would like to rave about is Hugo award winner Robert Charles Wilson's Science Fiction novel SPIN. SPIN starts with the stars and moon disappearing from the sky (but not, oddly and importantly, the sun) and proceeds to spin (pun intended) an epic tale of Earth coming to terms and fighting against its mortality, centered around three riveting characters.

This book BLEW. MY. MIND.

This is one of those novels where you are reading it and don't even believe it's possible that there are people smart enough in the world to write books like this. I mean, Robert Charles Wilson has to be at least Einstein level to pull off this book off, and he can write the dickens out of a scene too.

So you know when you were a teenager and you're lying out under the stars and you say to your friend, "We don't even, like, know why we're HERE, man! You know? I mean, look at the stars man. The STARS. We're just like dust, man." (maybe I'm confessing a little too much). Anyway, this book invokes that somewhat creepy/wondrous amazement about life, the universe and everything. Seriously awesome.


And the last (but definitely not least) book in the spontaneous Nathan Bransford book club is one of my favorite books of all time, which I recently re-read, and which is the perfect capper to this e-mail because it's YA and Science Fiction and a National Book Award winner: Nancy Farmer's THE HOUSE OF THE SCORPION, which is about a young clone who may or may not be the heir to a somewhat evil feudal drug lord.

It just gets more awesome from there.

This is another book that challenges you to think about what it means to be human and what makes people good and bad, but all of those hard philosophical questions are submerged in a wholly unique world that is just so compelling and lush and which is populated by compelling characters. Truly one of the best books I've read.

Anyway, that concludes the Nathan Bransford book club. Now, in true book club fashion, let's all enjoy our cucumber sandwiches and gossip about the people who aren't here!!

25 Comments on Literary Agent Book Club, last added: 11/16/2007
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25. You Tell Me: Who's Reading the YA Novels?

Way back in the dark ages of March 2007, I had a post that linked to an article about the rise of Young Adult literature (YA for the acronymically gifted) and how the doom and gloom forecasts about how the kids aren't reading are a little gloomier than the situation warrants (Sure kids don't read. Except for HARRY POTTER. And Lemony Snicket. And TWILIGHT. And...)

So I was really feeling good about the land of Kidbookdom. But then in last week's You Tell Me I asked people what they were writing, and Holy Tyra there are a lot of people writing YA!!! Like, a lot a lot a lot of people. More than I could even count. (I didn't actually try to count).

Presumably if you're writing YA you read YA. Clearly there are a lot of adults reading young adult literature (including me).

This week's You Tell Me: is the YA boom driven by adults reading (and buying) kids books? Or are the kids really reading more?

70 Comments on You Tell Me: Who's Reading the YA Novels?, last added: 11/29/2007
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