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Writers come in many different types, but they all form components of two categories; spinners and weavers. That’s my theory after being on this road to publication for the past three and a quarter years. Here’s how my theory goes.

Spinners

These writers are the ones who begin a project from thin air, no prep, no origin point beyond a basic premise, and a desire to create a story. These writers can be poets, children’s writers, essayists, memoirists, etc. The way they build the final product is the key to the definition.

They spin their final copy from tiny filaments of imagination, layer on layer, until the end. During rewrite, the spinner works to fill in those empty or shallow spots with more imaginative spinning to round out the overall picture created for the reader. A word change here for more concrete imagery, a comma placed there for more emphasis and dramatic effect, all of these tweaks come with deliberation and forethought to solidify the story, regardless of the format being used.

Some critics point out that this is an inefficient method of writing. I stand as both critic and user of the method. I defend this process of writing as being more organic and freer of cumbersome formulae.

It is also an inefficient and time consuming method of writing. It’s how my mind works when in creation mode, nevertheless. Flying by the seat of my pants might be cliché, but it’s an accurate description of the method.

If a spinner like me has a gut feeling about an impulse story, the best way to tackle it is the NaNoWriMo method. I dive in and write until I come to a wall. Sometimes a wall doesn’t appear until I’ve finished the entire first draft. Those are good times. Filling in the shallow spots, and tweaking during the rewrite, adds satisfaction and anticipation into the project.

There are also times that the wall arrives just after the title and byline, before the first line of the first paragraph. This latter example comes from my not having yet decided on a project’s slant, angle, or purpose before beginning a preplanned project. The spontaneity has been removed from it, leaving me adrift.

When I’m adrift on a preplanned project, I move into Weaver mode.

Weavers

A weaver uses components from various sources to weave a story tapestry, poem, etc. In some instances the type of source isn’t as critical as the information derived from it. Interviews delving into personal experiences glean much useful information without having to be documented from still other sources, for instance.

Personal memoir pieces and personal experience essays don’t always require documentation of any kind.

When the writer works with elements that require accuracy of information, real weaving takes place within the body of a written piece. Tiny details such as a plant’s medicinal properties must be accurate. Why? There are always people who will latch onto that tidbit of info and try it out in the real world, or research it, just to verify the writer’s use of the reference.

Travel articles hold much of the weaver’s abilities. The travel writer

Writers come in many different types, but they all form components of two categories; spinners and weavers. That’s my theory after being on this road to publication for the past three and a quarter years. Here’s how my theory goes.

Spinners

These writers are the ones who begin a project from thin air, no prep, no origin point beyond a basic premise, and a desire to create a story. These writers can be poets, children’s writers, essayists, memoirists, etc. The way they build the final product is the key to the definition.

They spin their final copy from tiny filaments of imagination, layer on layer, until the end. During rewrite, the spinner works to fill in those empty or shallow spots with more imaginative spinning to round out the overall picture created for the reader. A word change here for more concrete imagery, a comma placed there for more emphasis and dramatic effect, all of these tweaks come with deliberation and forethought to solidify the story, regardless of the format being used.

Some critics point out that this is an inefficient method of writing. I stand as both critic and user of the method. I defend this process of writing as being more organic and freer of cumbersome formulae.

It is also an inefficient and time consuming method of writing. It’s how my mind works when in creation mode, nevertheless. Flying by the seat of my pants might be cliché, but it’s an accurate description of the method.

If a spinner like me has a gut feeling about an impulse story, the best way to tackle it is the NaNoWriMo method. I dive in and write until I come to a wall. Sometimes a wall doesn’t appear until I’ve finished the entire first draft. Those are good times. Filling in the shallow spots, and tweaking during the rewrite, adds satisfaction and anticipation into the project.

There are also times that the wall arrives just after the title and byline, before the first line of the first paragraph. This latter example comes from my not having yet decided on a project’s slant, angle, or purpose before beginning a preplanned project. The spontaneity has been removed from it, leaving me adrift.

When I’m adrift on a preplanned project, I move into Weaver mode.

Weavers

A weaver uses components from various sources to weave a story tapestry, poem, etc. In some instances the type of source isn’t as critical as the information derived from it. Interviews delving into personal experiences glean much useful information without having to be documented from still other sources, for instance.

Personal memoir pieces and personal experience essays don’t always require documentation of any kind.

When the writer works with elements that require accuracy of information, real weaving takes place within the body of a written piece. Tiny details such as a plant’s medicinal properties must be accurate. Why? There are always people who will latch onto that tidbit of info and try it out in the real world, or research it, just to verify the writer’s use of the reference.

Travel articles hold much of the weaver’s abilities. The travel writer