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Forever demanding new performers to interpret them for new audiences under new circumstances, and continuing to elicit a rich worldwide profusion of editions, translations, commentaries, adaptations and spin-offs, Shakespeare’s works have never behaved like unchanging monuments about which nothing new remains to be said.
The post Twenty-first-century Shakespeare appeared first on OUPblog.
How many children had Lady Macbeth? The great Shakespearean critic L. C. Knights asked this question in 1933, as part of an essay intended to put paid to scholarship that treated Shakespeare’s characters as real, living people, and not as fictional beings completely dependent upon, and bounded by, the creative works of which they were a part.
The post This blasted heath – Justin Kurzel’s new Macbeth appeared first on OUPblog.