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Hmm…. $8.6 Billion worldwide market.
Total book market is $155 Billion? (U.S. = $29.4B)
5.5%

Manga on cellphones has been commonplace in Japan since at least 2007 (and available since 2003).

http://www.businessweek.com/stories/2007-04-09/mobile-phone-manga-storms-japanbusinessweek-business-news-stock-market-and-financial-advice

2006: $20 Million spent on handset manga in Japan, via 3G.
Yes, mostly flip phones back then…

The forecast for the US comic market in that infographic shows a shrinking print market from 2012 onwards. Since 2013 actually saw an fairly big increase from 2012, and 2014 so far is almost completely neck and neck with 2013 (marginally lower unit sales, higher dollar sale). I think the projections in that chart is a bit on the wrong side, especially since it projects fairly big declines from 2012 onwards. Yay print!

I don’t have access to the ICV2 white paper numbers, which covers the entire print market, not just comics shops.

The Direct Market is a sliver of the Book Market, either internationally or domestically.

My feeling is that the market is growing. Librarians are eager for new titles. Every Big Six publisher now has at least one comics imprint (Penguin finally is ramping up production). And I believe BookScan is showing a large increase in GN sales. (They survey normal retail channels, covering about 70% of bookstores.)

I think a $900 price tag will limit whatever effect this thing might have on the print media biz (comics included). Not that I claim any special knowledge.

Okay… the price point may inhibit the general public.

However, remember the lines for the original Apple iphone? This will probably be the same, to a lesser degree. It will sell. It’s sexy, it does things the iphone does, but better, and it will be an accessory.

Once the islate hits and proves the concept, everyone else will race to play catch up. Tablets will become ubiquitous, just as touch screen keyless cell phones are common now. Meanwhile, everyone will be racing to provide content for tablets, and just as videotape companies pilfered catalogs for ANY movie during the early VHS boom, so too will lots of web content be repackaged for tablets.

And for those outside NYC who think it’s crazy to take a laptop on a subway… I see it all the time, even in the Bronx. A tablet? No big deal.

Here’s a prototype from Apple:
http://www.wired.com/gadgetlab/2010/01/apple-tablet-1983

“It is coming. And nothing will be the same.”

Isn’t this the same thing Marvel and DC have been promising us for years?

The price of the device will eventually come down.

For the comic industry, I think the key will be the price point for a new comic. If I could pay $0.99 for a new (or even a month old) comic at iTunes, I might never buy a floppy pamphlet again, and I would certainly buy a lot more titles than I currently am. Surely comic book companies would make money at a $1 per issue if they did not have to incur printing costs, wouldn’t they? It would be the death knell of the direct market though, I would have to think.

As Torsten notes the actual device itself is unimportant as it’s market-share will be neither here nor there because of price. What is important is the swift move by competitors to replicate the experience on cheaper equipment.

I’m torn because I’d like to live tweet my opinions during the event for people who follow my blog and such, but on the flipside, y’know, live tweeting still seems sort of - I don’t know - MySpace 2010…

Any media you can buy via iTunes is playable on any PC or Mac with the software itself being free, and as long as we’re talking about comics that aren’t designed with accelerometer or multi-touch mandatory interaction, there’s no reason to think Apple selling (non-motion) comics would be any different. I certainly hope there isn’t a swift move by anyone to compete on device-specific content.

That said, a file format that supports independently developed players, encourages retail competition and empowers direct publisher and creator sales would be nice.

btw - one point no one made in my interviews…

Because of Pixar, Steve Jobs is buddy buddy with Disney
Disney now owns Marvel

Connect the dots…

For all those saying the price will prohibit the iTablet from taking off, remember that this is what everybody everywhere said about the iPod at the time. Pretty safe to say in hindsight that those predictions turned out to be entirely wrong.

Admittedly, this is an entirely different economic environment than the one that launched the iPod, but the economy wasn’t all rosy and happy and peaches and cream for everyone in the days after 9/11 when the iPod was first launched.

I look forward to the device and all that it will bring.
At this point we just want to see the thing and all the bells and whistles.

I just want it to stop making my life hellish and interminably busy.

I don’t want to be a wet blanket, but it’s very unlikely you’ll ever see new comics from any major company for $1.00 on any regular, non-promotional basis. Creative is by far the largest expense in DC/Marvel comics, not printing or distribution.

I’m also skeptical about the tablet, just because I don’t really see what ELSE it will do, besides display comics, better than other devices already on the market. I have a feeling the distribution of books & comics through iTunes, or however it works, might end up being the more important component of this announcement. But Apple has definitely surprised me before, and if this thing looks, feels, and works well enough, who knows?

I will be at Jim Hanley’s Universe for a Peter David signing

Um, I know this whole tablet thing is supposed to be big news but is it troubling to think that the great Apple is so willing to throw the small ebook developers under the bus. Aren’t they the ones who worked hard to put the ebooks out there to make the iTunes App store what it is today? If I was a app developer, I would really think twice about developing for the iPhone now especially since Apple is just going to steal your business right from under your nose. GREAT! I guess Microsoft doesn’t seem like such a bad guy now.

Long live GOOGLE!!

I’m going to wait awhile to get one cuz it’s a high

What Mr. Moore says. Everyone in tech & gadgets blogs seems to be twisting their hands in greed nowadays, planning the tons and tons of things they will be able to do with this thing.

Now, if it is indeed a tablet as the ones already in the market -ie a netbook without physical keyboard- I don’t see its killer function. eBook/eComic reader? Have these people tried to read on a screen for long periods of time? It gets extremely tiring. I’ll wait for a color Kindle or something like that.As a netbook substitute, I can see it working, but not being a real game changer: the MacOsX/iPhone bag of tricks would make it a very pleasant computer experience, sure, but nothing new; nothing to spend 2-3 times what you would spend in a netbook. As a movie player… what’s so special about tablets? I’ve been playing movies/games in my laptop in long bus rides forever and it’s great entertainment, but frankly, I wouldn’t pay that cash for a portable player, since when I’m at home I still prefer to watch my old, 18-inch tv at two step distance.

Now, Apple might surpries us with something completely new which makes tons of sense, either vastly improving an existing machine or merging several ones into one does-it-all-does-it-better, or really producing an ultracheap, sexy and light tablet-to-end-all-tablets. In any of those cases I will gladly eat my words and start saving money. But for every tremendous success Apple has had in the past… well, they are still trying to make a significative dent in Wintel dominance in the PC market they basically created. So, I hope they do have something worthwhile prepared, but I’m expecting something just for the tech-savy, design-oriented, rich people.

Y’all need to read today’s Doonesbury:
http://www.doonesbury.com/strip/dailydose/index.html?uc_full_date=20100125

Creative is by far the largest expense in DC/Marvel comics, not printing or distribution.

That might have to change, if the comics companies want the readership to expand significantly. Back on January 7, Julie commented:

But that’s not really how “prose publishers” work, especially for new authors. The advance is not intended to be a “living wage”; it’s an advance payment on the estimated royalties, based on the book’s expected sales. For a genre novel, such as science fiction or fantasy, the advance will almost certainly not be enough to live on while writing the next book (the average advance for a newer SF/F author is about $5-10K, even less for a first novel). Unless you are already famous for some other reason, or are Stephenie Meyer, making a living off of prose fiction generally requires building up a backlist of books that have steady sales, and thus bring in a steady stream of royalties. While you are building up that backlist, you need a day job, or a fat saving account.

Page rates and up-front payment are a legacy of comic’s history as work for hire. As more traditional book publishers get into graphic novels, it’s not likely that they will embrace the idea.

What is the price point at which too many people will find the 23 pages of story paper comic book too expensive to buy? A price of $3.99 isn’t far from it. I wouldn’t pay $4.99 for any 23-POS comic book.

What would be a fair price for a new digital 23-POS comic book? The marginal cost of the unit is practically zero, of course. The creators deserve to be compensated for their efforts, but producing artwork isn’t intrinsically superior to producing prose, music, or other forms of entertainment. Comic book publishers will want to keep producing monthly serials for the sake of their cash flow, but individual customers won’t want to pay “n” for the sake of the publisher’s business model.

The date at which the 23-POS paper comic book or minor variations on it becomes economically obsolete is in the foreseeable future.

SRS

Can’t wait to test out the drawing apps on this. Maybe it can replace the Cintiq as well. Although what kind of case cover will this tablet require?

hey, State of the Union, anyone?

Longboxes will be much lighter. Bye, bye comic book store. Bye, bye old book bins.

Print resolution is much sharper on paper than it will be on screen, but I doubt most people will care.

I think some people are being extremely short-sighted here—this isn’t a platform for just books and comics. Apple is in talk w/ TV networks and filmmakers, too. Games can be played on this thing. Newspapers and magazines will now have a new way to reach readers. The potentials are endless.

And if someone develops a drawing/sketching app for it, all the better!

Apple’s product may not end up being the be all/end all, but I’m willing to bet something close to it will be, and it will revolutionize print and motion media the way the iPod revolutionized the music industry.

Wait, are you saying that the Apple Tablet debut has to include a comics app because — Microsoft’s last-minute last-ditch attempt at creating a crappy tablet included a comics app demo?

Do you really think Apple is busy chasing Microsoft’s tail here?

I suppose there’s a chance that you’ll see a comic reader up on stage tomorrow. But it’s not a given. Comics are a small industry with smaller profit margins. We, as comics fans, would LOVE to see comics get a better distribution platform. Apple, as publishing fans, need to concentrate on magazines and newspapers and items with higher circulations that Marvel/DC books that have two or three books that can barely hit 100,000 on the best of months. Most are probably closer to 20,000, and that’s the Top Sellers.

Comics will adopt the Tablet. But I’m not so sure that the Tablet gives a damn about comics just yet.

I think some people are being extremely short-sighted here—this isn’t a platform for just books and comics. Apple is in talks w/ TV networks and filmmakers, too. Games can be played on this thing. Newspapers and magazines will now have a new way to reach readers. The potential is endless.

And if someone develops a drawing/sketching app for it, all the better!

Apple’s product may not end up being the be all/end all, but I’m willing to bet something close to it will be, and it will revolutionize print and motion media the way the iPod revolutionized the music industry.

Think using the app store to sell subscriptions to periodicals and you’ll see one of the many reasons this is a game changer. To understand the iSlate’s potential you have to see it as the premiere delivery device for app store and iTunes content.

Stuart Moore said: “it’s very unlikely you’ll ever see new comics from any major company for $1.00 on any regular, non-promotional basis. Creative is by far the largest expense in DC/Marvel comics, not printing or distribution.”

If e-comics wind up with circulations comparable to the current pitiful sales at Marvel and DC, you’re probably right. But if there are, say 500,000 customers for the electronic editions of the latest Spider-man or Batman, then the cost analysis changes. If the Majors are smart, they will do their best to offer new comics at FAR less than the current sticker-shocking price of $2.95. Because Joe Average ain’t gonna go for that.

“Creative is by far the largest expense in DC/Marvel comics, not printing or distribution.”

Adding up average penciler, writer, inker and letterer comes to about 18k for the average mainstream superhero book, $20k at the outside.

Your standard retailer/distribution/creator split is 40/20/40, Marvel most likely has a better deal then that, but let’s just go with that for now.

Thor sells about 75k a month at $4 a pop. That’s $300k.

300k
-40% for the retailer. ($120k)
————
$180k
-20% for the Distributor($60k)
————
Marvel’s take for a single issue of Thor = approx. $120,000

I’d venture a guess that Marvel has a higher expense in the creation of that product then the 1/6 that goes to the creative team.

I’d picture the tablet releases as supplementary to the printed versions, at least for the immediate future at a cost of zilch. The only reason they would charge more then a buck for a digital version is because they’re Marvel and they can command it, not because it’s so expensive to create.

Cheese, a sound analysis, but most mainstream comics sell WAY less than 75,000. WE’d need JJM to tell us the median sales (I don’t have the maths) but it’s half that.

AH-HAH! I got the 75k from your very own website!

http://pwbeat.publishersweekly.com/blog/2009/12/21/marvel-month-to-month-sales-november-2009/

25. THOR
11/07 Thor #4 - 106,541
=====
11/08 —
12/08 Thor #12 - 73,784 ( -6.2%)
01/09 —
02/09 Thor #600 - 96,718 (+31.1%)
03/09 —
04/09 Thor #601 - 82,742 (-14.5%)
05/09 —
06/09 Thor #602 - 69,568 (-15.3%)
07/09 —
08/09 —
09/09 Thor #603 - 65,265 ( -6.2%)
10/09 —
11/09 Finale - 53,566 (-17.9%)
6 mnth ( — )
1 year ( — )
2 year (-49.7%)

Which come to an average of 73.5k a month, I rounded up for conversation’s sake.

oops, that’s bi-monthly, but that shouldn’t effect the production cost numbers.

Yes but Thor is #25 out of 300 titles. It is far from the median which I think is more meaningful here.

Another thing to consider, Cheese, is that Marvel also gets ADVERTISING DOLLARS.
If half of the book is filled with ads. Say only 10 ads per comic…at around $1,000/full page ad….that’s an extra $10k/book.

From talking to writers at Marvel…I know they average about $150/page.
I can’t speak for other artists…but in 2001 I made $700/page for my run on Spider-Man.

I figure with colorists and letterers and such (plus factor in overhead for editors and whatnot) you could round up the per page rate to $1,000?

So each book would cost $22k to produce.

Hope that helps.
:)

I will agree to $22k.

And yeah, for any book selling less then 50k, that $22k becomes substantial.

I don’t think Marvel will charge 2 bucks because it’s what they need to charge to make a profit, but rather they will charge 2 bucks because they can. Which hey, more power to them.

Oh, and scuttlebutt says the iPad is going to be substantially less then $1k. More like $500-$600.

The idea is good, but the pricing is all wrong. They’ve already sunk the costs of producing the comics (obviously) and digitizing them, so why not go for a mass market at 25 cents a pop - a price most people would feel comfortable with, given that you don’t have an actual issue in their hands? That’s about what those DVD-ROM collections averaged out to - maybe a bit less. 99 cents is at the top end of reasonable, but $1.99 for a reprint in digital form, at no cost to Marvel, seems like they are placing a higher premium on the novelty of the format than it is worth to customers, especially in these times.

Do we know there’s no cost to Marvel? Someone’s gotta get paid to format the work or broker the deal or whatever. And if they are making profit off of the digital copies, does this mean some of it has to go back to the creators? I know DC has royalty payments to some level - does Marvel? Isn’t this similar to why writers in Hollywood went on strike years ago?

I don’t have any answers, just asking some questions here in hopes someone in the know answers them.

Mikael raises good questions, however their financial plan doesn’t need to be public, so we may only get a glimpse (if that) of how it runs internally.

That said… it would seem at least starting out with a loss leader campaign would have more impact. Of course, the version they’re using does give a certain value to digital media, so that’s also good.

What I like best is that this could mark a high tide to lift a few other boats or at least get them in the water. How well the others float is up to the market. In fact, it will be interesting to see how Panelfly does offering similar content for a buck cheaper. Will that prove to be the edge?

Though it brings up the question… how does one even count success or failure in this medium? Who is the ICV2.com equivalent that we can turn to?

At this time at least for other content providers Comixology and iVerse for all the digital formatting on their own. I don’t know if Marvel has the same deal, but given the proprietary nature of each companies software, my guess is they also format Marvel’s books. That said I can only really speak from our experiences.

Not sure what happened there, it should have said.

“At this time, and I can’t speak to otherfor other content providers, Comixology and iVerse perform all the digital formatting on their own.”

Jimmie brings up an awesome point, it will interesting to see a metric whereby we can gauge relative success. That said for us (Th3rd World Studios) we have already found the start of what we are looking for. Any copy sold on there is found money, because there is little to no additional production cost on our end to supply the files to the content providers. On top of that we have seen a decent number of people who have come to us at conventions and online and said, “hey we saw the free issue you have on the Comixology app and wanted to pick up the book.”

It seems reasonable to assume that there’s at least some cost to Marvel in producing files in the correct format for each service provider. For example, somebody presumably has to add the data about which order the panels go in when you’re zooming around a page.

The choices of material are curious. AMAZING #519-524 is the arc where Spider-Man moves into the Avengers Tower. It’s several years old and deeply connected to other stories from the period. And AGE OF APOCALYPSE #1-6 isn’t the original crossover, but the 2005 sequel. It’s a largely forgotten series which received generally bad reviews when it came out. Neither is an obvious candidate for this programme - certainly not for the first wave.

Well, what’s interesting is that Marvel went with $1.99 per issue, even for first issues, establishing a higher price point for iPhone comics. Previously, I believe only Robert Kirkman had opted for $1.99 per issue instead of $.99, but the first issues were free. This could either raise the value of comics in this format or turn people off.

My understanding is that the 1.99 comics have been selling very well on the Comixology app. My guess is that anything higher than that would be prohibitive however.

Ah… so how soon before we see Marvel Comics titles produced ONLY for the iphone, just like when Marvel began publishing comics ONLY for the Direct Market?

That’s great. So does this mean that our comic shop can now return these issues that didn’t sell?

A writer at Wired doesn’t like reading comics on the iPhone:

Is the iPhone a good platform for reading comic books? Probably not, but that isn’t stopping developers from having a crack at bringing the funnies to your pocket. The problem is that the iPhone’s screen, while great for reading plain-text e-books, is just a little too small for comic book pages. Part of comics’ impact is the full, two-page spread which allows for spacing and pacing of the story. But a full two pages is obviously too much for the iPhone’s screen. You can zoom in to read the individual frames, but that’s kind of a pain. [.. .]

But the one-at-a-time viewing of pictures really kills the experience. There is no sense of design or pacing. If you can imagine a child in the school play robotically reciting their lines rat-a-tat, you’ll have a good idea of what it is like to continually flip from frame to frame.

Digital comics can be converted from one format to another:

Now thanks to iPhone and ComicZeal–you can take your comic book collection with you anywhere you go! With its touch and zoom capabilities and beautiful display–the iPhone is the perfect device for reading comics. This tutorial will show you how to take comic books that are in either .cbr or .cbz format and upload them to your iPhone to read.

If I had an iPhone, I’d sample comics to see how painful the reading experience was.

SRS

I still love having the real thing in my hands, but for $1 on the go? Fine by me. I’m enjoying panelfly the most so far…

This is great! I’ve been a huge fan of Panelfly as it offers a great experience & now some of the best titles around.

Let’s hope the other big guys follow suit

Good news, because nothing says quality enjoyment of comics like reading them on a little 4-inch screen.

You guys don’t seem to recognize a stepping stone when you see it.
http://www.suntimes.com/technology/ihnatko/1835595,ihnatko-longbox-comics-apple-tablet-102009.article

Ihnatko is enthusiastic about comics on an Apple Tablet, but he’s an Apple promoter and he’d be an early adopter in any case.

How well will digital comics present the artwork? After all, guys read superhero comics as much for the impact of the artwork as they do for the stories, in many cases.

It’s reassuring to see these opinions of motion comics:

Are these real comic books? Rantz described his opinion of “motion comics” (animation built from comic-book panels and cheap effects) thusly: “I think they’re [expletive reproductive gerund] horrible.” This disclosure had a profound positive impact upon your correspondent. Even when “motion comics” are done with great expense and care (such as Marvel’s recent “Spider-Woman” offering) the overall effect is sock-puppety at best.

I think the trick is to specifically design (or repurpose) content for the iPhone instead of trying to use old content. I’m excited about Marvel getting on board here, but I’m hoping to see more comics like David Gallaher’s Box 13.

Motion comics are digital, but all digital comics are not motion. They are two different categories. I can only imagine digital comics presenting art in the best way possible, so long as the technology is up to par. With print, we can produce beautiful comic files and get a terrible print job. AN Apple tablet would be revolutionary for not only comics, but also the struggling magazines and newspapers out there.

And Andy Ihnatko is a technology journalist, not an “Apple promoter”. He reviews many Apple products, but also covers a variety of topics like the recent Windows 7 launch.

I read Ihnatko’s column in MacUser, but that was a long time ago, I suppose. Perhaps he’s branched out.

SRS

I’m really excited to see Marvel’s digital comics in hardcopy format, and at a discount too!

http://bit.ly/2qCE4

It’s funny that we call them back issues. Most book stores call them non-returnable.

Not for me. I love my IPOD TOUCH, but I can barely read the website files on it. Hey, but I’m old (turning 60 this Tuesday).

I’m pretty sure I’d say that even if I didn’t own a comic book store.

However, I do understand how folks who have grown up reading stuff on a computer screen will be excited about this. And that’s ok with me.

It’ll never replace the “real” thing for me. I still firmly believe reading comics on a reader such as this is more a novelty than a trend. Now, when the Apple tablet comes out, that may be a different thing…

feeling older by the minute…..
Dan Veltre
Dewey’s Comic City, Madison, NJ

Thanks, Trish! I’m pretty psyched about these developments and look forward to seeing how things move from here. Hopefully DC can get on the ball and follow suit soon.

I noticed this as I traveled into NYC with the kids the other day…

Up here in the wilds of Connecticut, I have no problems connecting and seeing what The Beat is up to. As I moved about in The Big Apple I noticed a distinct slowdown in service!

How was I to find out about the goings-on with Disney and Marvel?

I’ll tell you better than that: in the UK O2, over EDGE will automagically downgrade the quality of JPGS, meaning if you use an app to download and read a comic you’ll get a crappy inferior version of it. This happens both in the browser and in apps.

-pj

Key line is

They don’t even realize how much data they’re using

Or that it’s mostly cyber-wanking. Just a thought.

Heh, it’s funny you should mention … just yesterday I wrote a whole thing about my frustration with our iPhone experience in the newspaper where I work - cross posted on my blog - the gadget itself is tops, but AT&T is so horrible that we’re just ending our contract and paying the stupid penalty and keeping the iPhone to function like an iPod Touch. If they open up to new carriers next summer like some people say, we might give it another shot, but in the meantime, it’s like having to pay extortion for something that’s just going to drive you insane anyhow. Sad truth is that the full circle of technology is not quite up to specific corners of it.

Here’s the address for the column for the detailed rant:
http://reversedirection.john-seven.com/?p=4831

“Not only do iPhone owners download applications”

What many reporters seem to miss is that this is only half of the picture, itouch users download more apps than iphones (but iphone users buy slight more paid apps).

…and what about the iPhone’s inability to read Flash files? That’s a pain too!

(Posted from my iPhone.)

“…donkey balls and swamp water.” Yep, that wins.

Adair’s Law of Computer Processing Power:

Computer software is designed to exceed the system standards of established computer hardware.

(Oh, that new version of Word? You’ll need to upgrade your operating system. Oh, that OS won’t work on your computer, you need a faster processor and more memory.)

No problem with my Sprint Treo… yup, it’s a hand-me-down, but YouTube works, I can download PDFs, videos, and read MS files, and, most important, read The Beat on the subway.

I like to imagine “They don’t even realize how much data they’re using” being shouted by a panicky businessman as he thrusts his hands up in the air and runs frantically at the press people reporting this.

Funny, I have never had an issue with mine at all, in Maine, Massachusetts or otherwise.

I’ve never had a problem with AT&T and my iPhone.

“…and what about the iPhone’s inability to read Flash files? That’s a pain too!”

Adobe has FlashLite, a scaled back version of the Flash Player for phones, but Apple decided not to use it for some reason.

However, Adobe has been working on a new mobile version of the Flash Player 10 that will have all the features found in the desktop version. The beta will be out this October for Android, Windows Mobile, Palm Pre and Symbian, but no iPhone. We will have to see Apple ends up caving to match the competition (or perhaps they already have but are being as usual being secretive and won’t make it public until it’s ready for a new iPhone).

Happy reading the beat at lunch on my blackberry.

I’ve never had a problem with (carrier brand name withheld) and my (mobile phone brand name withheld). It doesn’t download applications, stream music and videos, nor browse the Web; it makes and receives phone calls.

G4’s Attack of the Show had a little segment on something about this tonight. Soon, it may not even depend on the hardware you have, as the ‘cable’ companies are fighting over how much broadband to provide and how much slower internet speeds may be in the future.

And i’m sure if one looks into it, the slowdown will also be related to how fast wireless browsing will be limited.

*sniff* I love a happy ending! *eep*

(heh… A William Tell ending! Arrow and Apple come together!)

“vibrant colours”? Shades of mud is vibrant?
Ever since Arnie the art director left, Carla the colorist only worked with one palette, always the same; the one he made with his sensual hands, his cobalt blue eyes boring into the screen that bathed his finely chiseled face in its flickering glow, that fateful night when…never mind.

[…] Read this article: THE BEAT » Blog Archive » My Romance news: iPhone apps, marketing … […]

Is that Valencia Wood in the photo? What a striking woman!

As for the App, I am thrilled to see such movement. I am a closet romance hound and I would love to get my romantic stories / romantic-comedies to the people but I could never do it through the direct market because it would just die a thousand deaths.

Mr. Robinson, this 2006 description of Arrow is encouraging:

Arrow Publications accepts romance fiction in a graphic novel format and they publish about 50 titles each year. Arrow Publishing is a 21 year old publishing company based out of Washington, D.C. and is also the publisher of www.myromancestory.com. 25% of the yearly titles released are by first time authors, and over 90% is unagented work.

The Web site at http://www.arrowpub.com/ encourages submitting material.

SRS

I am addicted to the romance stories I see and read
Love it! I read all I can get!

I am addicted to the romance stories I see and read
Love it! I read all I can get!

[…] THE BEAT » Blog Archive » My Romance news: iPhone apps, marketing … […]

(Pssst… stay away from them NBM guys… they’re purveyors! And if you don’t watch out, they’ll start promulgating! IN PUBLIC! Have they no shame? Think of the children!)

Hey… way cool all this iphone stuff… anyone making stuff for Treos?

A full-page view of a graphic novel on an iPhone screen? Would any text be readable?

SRS

Synsidar,

You should check out the PanelFly app. I think it is the best I have seen so far. It starts with a full page, but when you tap the screen, the zooms around the page so you can read it.

I haven’t seen the NBM stuff, yet, but I have downloaded an SLG title.