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Viewing: Blog Posts Tagged with: Art & Architecture, Most Recent at Top [Help]
Results 26 - 50 of 97
26. Arabia: ancient history for troubled times

In antiquity, ‘Arabia’ covered a vast area, running from Yemen and Oman to the deserts of Syria and Iraq. Today, much of this region is gripped in political and religious turmoil that shows no signs of abating.

The post Arabia: ancient history for troubled times appeared first on OUPblog.

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27. Gershwin and color: how blue is the Rhapsody?

Everyone knows George Gershwin as a composer, songwriter, pianist and icon of American music. But few know of his connections to the world of paintings and fine art. As a practicing artist himself, Gershwin produced over 100 paintings, drawings, and photographs.

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28. A crisis of commitment

A reasonable line of thought can give rise to a crisis of commitment: Many a commitment requires persistence or willpower, especially in the face of temptation. A straightforward example is the decision to quit smoking; another is the promise to be faithful to someone for the rest of one’s life.

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29. The garden palaces of Europe and Asia [interactive map]

In 1682, the French court moved from Paris to the former royal hunting lodge of Versailles, which had been transformed under the supervision of Louis XIV into Europe’s most splendid palace, one which moreover was set in a stunning park that stretched all the way to the horizon. Versailles established a fashion for palaces surrounded by ample gardens that most major European courts would soon imitate. These parks provided appropriate backdrops for elaborately spectacles staged to impress visiting diplomats hunts as well as secluded settings for flirting.

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30. Where is architecture truly ‘modern’?

Too often, we in Europe and the English-speaking world presume that we have a monopoly on both modernity and its cultural expression as modernism. But this has never been the case. Take, for instance, the case of sixteenth and seventeenth century urbanism in Europe and Asia. One can focus on the different ways in which […]

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31. Art across the early Abrahamic religions

Judaism, Christianity, and Islam are considered kindred religions--holding ancestral heritages and monotheistic belief in common--but there are definitive distinctions between these "Abrahamic" peoples. The early exchanges of Jews, Christians, and Muslims were dominated by debates over the meanings of certain stories sacred to all three groups.

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32. Creativity and mental health

I am constantly perplexed by the recurring tendency in western history to connect creativity with mental disability and illness. It cannot be denied that a number of well-known creative people, primarily in the arts, have been mentally ill—for example, Vincent Van Gogh, Virginia Woolf, Robert Schumann, Robert Lowell, and Sylvia Plath.

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33. Why we like to blame buildings

On October 27, 2005, two French youths of Tunisian and Malian descent died of electrocution in a local power station in the Parisian suburb of Clichy-sous-Bois. Police had been patrolling their neighborhood, responding to a reported break-in, and scared that they might be subject to an arbitrary interrogation, the youngsters decided to hide in the nearest available building. Riots immediately broke out in the high-rise suburbs of Paris and in hundreds of neighborhoods across the country.

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34. Down the doughnut hole: fried dough in art

Fried dough has been enjoyed for centuries in various forms, from the celebratory zeppole of St. Joseph’s Day to the doughnuts the Salvation Army distributed to soldiers during World War I. So important were doughnuts for boosting troop morale that when World War II came around, the Red Cross followed closely behind the US Army as it advanced across Europe, offering doughnuts from trucks specially outfitted with vats for deep-frying.

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35. The criminal enterprise of stealing history

After illegal drugs, illicit arms and human trafficking, art theft is one of the largest criminal enterprises in the world. According to the FBI Art Crime Team (ACT), stolen art is a lucrative billion dollar industry. The team has already made 11,800 recoveries totaling $160 million in losses.

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36. Six people who helped make ancient Naples great

The city that we now call Naples began life in the seventh century BC, when Euboean colonists from the town of Cumae founded a small settlement on the rocky headland of Pizzofalcone. This settlement was christened 'Parthenope' after the mythical siren whose corpse had supposedly been discovered there, but it soon became known as Palaepolis ('Old City'), after a Neapolis ('New City') was founded close by.

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37. Redefining beauty in the suburbs of Victorian London

The British Museum’s current blockbuster show, Defining Beauty: the Body in Ancient Greek Art, amasses a remarkable collection of classical sculpture focusing on the human body. The most intriguing part of the show for me was the second room, “Body colour,” which displays plaster casts of several Greek sculptures brightly painted in green, blue, yellow, red and pink. The press has not known what to make of “Body colour.” It has been met with surprise, sneers, or been entirely ignored in otherwise glowing reviews.

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38. A picture of violence and degradation

It is absolutely essential to take a critical view of source material when it comes to violent images and war photographs. Photos taken by perpetrators are always an expression of a relationship that is characterized by an imbalance of power between photographers and their subjects.

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39. The destruction of an Assyrian palace

Ashurnasirpal’s palace at Nimrud (Assyrian Kalḫu) was constructed around 865 BCE during a period in which Assyria was slowly becoming the empire that would come to rule most of the Middle East two centuries later. Ashurnasirpal’s palace is among the few Assyrian palaces to have been excavated (more or less) in its entirety. Measuring at least 2 hectares, it must have been one of the largest and most monumental buildings of its time.

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40. The final years of Fanny Cornforth

Family historians know the sensation of discovery when some longstanding ‘brick wall’ in their search for an elusive ancestor is breached. Crowds at the recent ‘Who Do You Think You Are?’ exhibition at Birmingham explored the new resources available to assist their researches, and millions worldwide subscribe to online genealogical sites, hosting ever-growing volumes of digitized historical records, in the hope of tracking down their family roots.

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41. Who was Leonardo da Vinci? [quiz]

On 15 April, nations around the globe will be celebrating World Art Day, which is also Leonardo da Vinci’s birthday. A creative mastermind and one of the top pioneers of the Italian Renaissance period, his artistic visions fused science and nature producing most notably the Mona Lisa and The Last Supper.

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42. Animal Mother, Mother of Animals, Guardian of the Road to the Land of the Dead

We were working in Baga Oigor II when I heard my husband yelling from above, “Esther, get up here, fast!” Thinking he had seen some wild animal on a high ridge, I scrambled up the slope. There, at the back of a protected terrace marked by old stone mounds was a huge boulder covered with hundreds of images. Within that maze of elements I could distinguish a hunting scene and several square patterns suggesting the outlines of dwellings.

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43. Women in Philosophy: A reading list

To celebrate Women in Philosophy as part of Women’s History Month, we have created a reading list of books, journals, and online resources that explore significant female philosophers and feminist philosophy in general. Recommendations range from general interest books to biographies to advanced reader books and more.

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44. Leaving New York

In the 1940s and early ’50s, the avant-garde art world of New York was a small, clubby place, similar in many ways to the tight (and equally contentious) circle of the New York intelligentsia. Many artists rented cheap downtown Manhattan industrial loft spaces with rudimentary plumbing and heat.

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45. How I stopped worrying and learned to love concrete

Every campus has one, and sometimes more than more: the often unlovely and usually unloved concrete building put up at some point in the 1960s. Generally neglected and occasionally even unfinished, with steel reinforcing rods still poking out of it, the sixties building might be a hall of residence or a laboratory, a library or lecture room. It rarely features in prospectuses and is never – never ever – used to house the vice chancellor’s office.

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46. Visualizing same-sex desire

History is surfeited with examples of the interactions between society and individual sexuality. Same-sex desire in particular has been, up until the present moment, a topic largely shrouded in shame, secrecy, and silence. As a result, it is often visualized through the image of 'the closet,' conveying notions of entrapment, protection, and liberation. Dominic Janes, author of Picturing the Closet: Male Secrecy and Homosexual Visibility in Britain, recently sat down with us to talk about visualization of same-sex desire in eighteenth-century Britain to the present.

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47. The two faces of Leo Tolstoy

Imagine that your local pub had a weekly, book themed quiz, consisting of questions like this: ‘Which writer concerned himself with religious toleration, explored vegetarianism, was fascinated (and sometimes repelled by) sexuality, and fretted over widening social inequalities, experienced urban poverty first hand while at the same time understanding the causes of man made famine?’

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48. Does the MOOC spell the end for universities?

The seemingly unassailable rise of the MOOC – the Massive Open On-Line Course – has many universities worried. Offering access to millions of potential students, it seems like the solution to so many of the problems that beset higher education. Fees are low, or even non-existent; anyone can sign up; staff time is strictly limited as even grading is done by peers or automated multiple-choice questionnaires. In an era of ever-rising tuition fees and of concerns about the barriers that stop the less well-off from applying to good universities, the MOOC can seem like a panacea.

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49. College Arts Association 2015 Annual Meeting Conference Guide

The Oxford University Press staff is happy that the College Arts Association 2015 Annual Conference (11-14 February 2015) will be held in our backyard: New York City! So we gathered together to discuss what we’re interested in seeing at this year’s conference, as well as some suggestions for those visiting our city.

Alodie Larson, Editorial:
I look forward to CAA. I love having the opportunity to meet authors, see old friends, and get together with the outstanding group of scholars who make up the Editorial Board for Grove Art. The years that New York hosts CAA are low-key for me, as I don’t need to travel. 

I recommend heading to MoMA to hold meetings over coffee and snacks in their cafes. If you need a break from the din of the conference and/or architectural inspiration, slip over to Cram and Goodhue’s beautiful St. Thomas Church 5th Avenue for a moment of quiet reflection.

Joy Mizan, Marketing:
This will be my first time attending CAA with OUP. I’m excited to help set up our booth and display our latest books and online products in Art, but I’m really excited to meet our authors, board members, and academics to learn more about their interest in Art. (It’s always great to meet in person after only interacting over email or the phone.)

Need a place to eat? There’s a great food cart called Platters right outside the hotel, so I definitely suggest attendees try it out while in NYC. It opens at 7:00 p.m. though!

Sarah Pirovitz, Editorial:
I’m thrilled to be attending CAA this year as an acquiring editor for monographs and trade titles. I look forward to hearing about interesting new projects and connecting with scholars and friends in the field.

Mohamed Sesay, Marketing:
I’m delighted to attend my first CAA conference with Oxford University Press. This conference will be a great opportunity to meet authors in person, and to get to know some of our Art consumers.

If you’re looking for a great place to eat in New York City I suggest Landmarc in Columbus Circle. The restaurant has great food and it’s right next to Central Park.

Here are just a few of the sessions that caught our eyes:

  • The Trends in Art Book Publishing, on 10 February at 6:00 p.m. in the New York Public Library, Stephen A. Schwarzman Building, South Court Auditorium (Yes, we work in publishing!)
  • Original Copies: Art and the Practice of Copying, on 11 February at 9:30 a.m. in the Hilton New York, 2nd Floor, Sutton Parlor South
  • Building a Multiracial American Past (Association for Critical Race Art History), on 11 February at 12:30 p.m. in the Hilton New York, 2nd Floor, Sutton Parlor Center
  • Making Sense of Digital Images Workshop, on 11 February at 2:30 p.m.
  • CAA Convocation and Awards Presentation, including Dave Hickey’s Keynote Address, on 11 February at 5:30 p.m. in the Hilton New York, 3rd Floor, East Ballroom
  • Chelsea Gallery District Walking Tour, on 12 February at 12:00 p.m.
  • Presenting a Code of Best Practices in Fair Use for the Visual Arts (CAA Committee on Intellectual Property), on 13 February at 12:30 p.m.
  • New York 1880: Art, Architecture, and the Establishment of a Cultural Capital on 13 February at 2:30 p.m. in the Hilton New York, 2nd Floor, Beekman Parlor
  • Art Lovers and Literaturewallahs: Communities of Image and Text in South and Southeast Asia (American Council for Southern Asian Art), on 14 February at 9:30 am in the Hilton New York, 3rd Floor, Rendezvous Trianon
  • The Encyclopedia of Aesthetics, 2nd Edition (Oxford University Press – that’s us!) on 14 February at 12:30 p.m. in the Hilton New York, 2nd Floor, Sutton Parlor Center

Of course, we hope to see you at Oxford University Press booth 1215. We’ll be offering the chance to:

  • Check out which books we’re featuring.
  • Browse and buy our new and bestselling titles on display at a 20% conference discount.
  • Get free trial access to our suite of online products.
  • Pick up sample copies of our latest art journals.
  • Enter our raffle for free OUP books.
  • Meet all of us!

And don’t forget to learn more about the conference on the official website, or follow along on social media with the #CAA2015 hashtag.

Featured Image: Reflection / Kolonihavehus by Tom Fruin and CoreAct @ DUMBO Arts Festival, Brooklyn Bridge Park, NYC by Axel Taferner. CC-BY-NC-SA 2.0 via Flickr.

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50. Big state or small state?

As we head towards another General Election in 2015, once again politicians from the Right and Left will battle it out, hoping to persuade the electorate that either a big state or small state will best address the challenges facing our society. For 40 years, Germans living behind the Iron Curtain in the German Democratic Republic (GDR) had first-hand experience of a big state, with near-full employment and heavily subsidized rent and basic necessities. Then, when the Berlin Wall fell, and East Germany was effectively taken over by West Germany in the reunification process, they were plunged into a new capitalist reality. The whole fabric of daily life changed, from the way people voted, to the brand of butter they bought, to the newspapers that they read. Circumstances forced East Germans to swap Communism for Capitalism, and their feelings about this change remain quite diverse.

Initially, East Germans flooded across the border, bursting with excitement and curiosity to see what the West was like – a ‘West’ that most had only known through watching Western television. For some, sampling a McDonald’s hamburger – the ultimate symbol of Western capitalism – was high on the to-do list, for others it was access to Levi’s jeans or exotic fruit that was particularly novel.

Berlin Wall, November, 1989, by gavinandrewstewart. CC-BY-2.0 via Flickr.
Going over the Berlin Wall, November, 1989, by gavinandrewstewart. CC-BY-2.0 via Flickr.

At the same time as delighting in consumer improvements however, many East Germans felt ambivalent about the wider changes. Decades of state propaganda that painted Western societies as unjust places where homelessness, drugs and unemployment were rife, had left its mark, and many East Germans felt unsure and slightly fearful of what was to come.

From a position of full employment in 1989, 3 years after reunification 15% of East Germans were out of work. For those who struggled to put bread on the table after reunification, the advantages of having a wider range of goods to buy remained a largely theoretical gain. For others however, reunification led to greater freedom to pursue individual career choices that were not dictated by the state’s needs.

The end of East Germany’s ‘big state’ model led to the disbanding of its Secret Police, the Stasi, which had rooted out opposition to the State’s dictates. In the 1980s, 91, 000 people worked for the Stasi full time and a further 173, 000 acted as informers. To enforce socialism, they tapped people’s phones, wired their houses, trailed suspects and even collected smell samples in jars, so that sniffer dogs could track their movements.

For those who were made to feel vulnerable and afraid by a regime that watched, trailed and threatened to imprison them, such as political opponents, Christians, environmental activists or other non-conformists, the fall of the Wall and the end of the GDR most often brought relief: the Western set-up allowed for greater freedom of expression and greater freedom of movement.

berlin wall juggling
Juggling on the Berlin Wall, by Yann Forget. CC-BY-SA-3.0 via Wikimedia Commons.

For the majority of East Germany though, this was not how they felt: since many say they had no idea of the extent to which the Stasi was intertwined with daily life, the end of the GDR did not bring with it a sense of relief. In fact, many East Germans felt that there were many things the West could learn from the GDR, and were resentful at the lack of openness to incorporating any East German policies or practices in the reunification process.

Leaving a Communist society behind and joining an existing Capitalist one brought concrete advantages for East Germans, but it simultaneously threw up a whole new set of challenges. For East Germans, unfamiliar cultural norms in reunited Germany, and also the absence of their usual way of life was profoundly unsettling. As one East German woman put it in a diary entry from December 1989:

“Everywhere is becoming like a foreign land. I have long wished to travel to foreign parts, but I have always wanted to be able to come home … The landscapes remain the same, the towns and villages have the same names, but everything here is becoming increasingly unfamiliar.”

This view was echoed my many East Germans, who were conscious that they, for example, dressed differently from their Western compatriots, didn’t know how to pronounce items on the McDonalds menu when they were ordering and didn’t know how to work coin-operated supermarket trolleys in the West. With the fall of the Wall, a whole way of life evaporated. The certainties on which day to day routines had been built ceased to exist.

Swapping Communism for Capitalism has prompted diverse reactions from East Germans. Few would wish to return to the GDR, even if it were possible. However while many delight in having greater individual choice about what they eat, where they go, what they do and what they say, they often also have a wistful nostalgia for life before reunification, where the disparity between rich and poor was smaller and the solidarity between citizens seemed to be greater.

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