Yesterday I sang as featured soloist at a church to promote the show, stood around for six hours so the lighting designer could set the lights (something I do gladly, reminding me of Edward G. Robinson's quote "I act for free. It's the waiting they pay me for."), and then did a complete run-thru with my first full attempt at costume, props, and make up. It was disastrous, but it pointed out what needed to be worked on or fixed, and though I awoke at 5 this morning having a nightmare about the makeup (I do a complete character transformation on stage), I am feeling confident that it will come together.

Molly, my Lady Dulcinea, continues to sharpen her portrayal, and last night she started to really dig in during her "Aldonza" number. I had been thinking that I needed to respond to what she was doing with more reaction yet I didn't want to pull focus, and as if we were of the same mind, she and I went into a deeper, more painful place during the song that, I believe, will make it powerful.

Michael, my Sancho, is also the Costumer and the Vocal Director, and so he is being pulled in many directions at once. He and I have developed a wonderful non verbal communication style, and he seems to be able to read my mind. This is of great comfort to me as I frantically try to assess (while onstage and singing) where my sword is, why my belt is falling off, and what the hell I am supposed to do next. Right now it is all about what goes where when. Two more run thrus, then the orchestra comes in, then starting next Sunday we have dress rehearsals and previews, leading up to our May 17 opening.