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As writers, we often strive to do the impossible, to create the "perfect" book. To walk on water...Statistics for Katie Hines- Walking on Water
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But that wouldn't have been near as effective as, "Some woman are blessed with slender feet. Not me. Mine are as wide as the Mississippi, and have never sported an arch as lovely and delicate as the one in St. Louis." Immediately, you get a visual image with a spot of humor about my feet. But, by gosh and by golly, who even CARES about my feet? Yet, this article garnered more hits and comments than most of my other posts. Not only that, but it was taken off the blog and posted about on the different groups as a lively conversation ensued.
All about feet and little bratty kids!
The point is, humorous writing can be about anything. You may be thinking, I'm not Erma Bombeck. Exactly. You're who you are, and you write humor with your own bent.
Is there even a market for humor? The answer is a resounding "yes!" For about a year, I wrote a humor column for our local newspaper. If you're willing to write for free, most of the smaller newspapers are open to publishing humor written by local authors. You can post your humor on your blog, or personal website. Additionally, your humor column can grace almost any others website. Google "humor columns" and you'll see where others have marketed their humor.
Some people are under the impression that to be humorous, you have to be a Jay Leno or David Letterman. No, you don't have to tell jokes, you don't have to write cartoons. All you have to do is write about something that is humorous from your point of view. Perhaps about a trip where you lost one of your kids? How about the family cat that got caught in the tree? Or a baby who is just beginning to walk? Humor can be about anything! And once published, you'll find that a lot of people are interested in that spot of humor, too.
So dispel the myth that you cannot write humor. If you find something funny, chances are someone else will find it funny, too.
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Some writers will say they don't use a critique group; others wouldn't consider their manuscript polished without the input from one. There are both online critique groups and face-to-face groups. Whether you use a critique group or not is up to you, but there are ways to get the most out of your critique group.
First, a critique group should be comprised of fellow writers who share common goals, and it works best if they're writing in the same genre. For example, if you write children's picture books, and another person writes memoirs, it fits best if you join a group that writes picture books and let the other find a memoir group. Look at it this way: if you have a forest green couch, and your partner buys a bright orange floral couch, there won't be a good fit in the living room!
Second, a critique group should be comprised of a small group of people, usually no more than five or six, who are committed to each other and helping each other polish their manuscript. Most online groups work that one writer submits a piece to the rest of the group and expects a critique back by the end of the week. Face-to-face groups can work the same way as well, with the piece to be critiqued sent via email a week prior to the next group meeting. Obviously, in either of these situations, it wouldn't work well to have more than five or six people because of the long time between critiques.
Third, when you join a critique group, you have the right to expect honesty in the critique from your fellow group members. Honesty, however, does not equal brutality. Just as there is always writing in the submission that needs addressing, there are good points in that person's writing as well. The good critiquer will point out not only errors, but also the places where the writer did a great job. Brutal honesty has no place in a critique, as it can damage and discourage fellow writers.
Fourth, as a group grows and changes together, relationships develop between the writers, and these relationships can foster a sense of comradeship and security. I have been in groups where the writers have bared their souls to each other in their writing, and did so knowing they wouldn't be slammed. The development of these relationships can extend beyond the critique group, and are an important part of networking with others.
Critique groups can help polish a manuscript and further the career of any writer, often times resulting in relationships that will carry through the rest of the writers lives. Whether or not you join such a group is your decision, but membership in a good critique can be a writer's best friend.
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Here's a great article by Karina Fabian that will help those of us who are interested in getting our work published in an anthology.
I’ve been on both sides of the anthology fence—having had stories published in several anthologies from Firestorm of Dragons to The Zombie Cookbook—as well as having edited three anthologies, the latest of which is Infinite Space, Infinite God II. (www.isigsf.com). I enjoy anthologies for a number of reasons—I like having my stories in a book, I like reading anthologies myself, and they are a lot of fun. However, they are a competitive market, just like all writing markets these days. Here are some things I’ve learned from being on both sides of the fence that can help you get in.
#1 Network: Join some writers groups that are tied to your genre or interest. Most of the anthologies I’ve been in, I’ve heard about from Yahoo groups or The Writers Chat Room. It’s also been an aid, since the editors are usually members of the groups, too. Duotrope.com and ralan.com also list calls for submissions, so check them out regularly.
#2 Read the Guidelines. You’d think this would be obvious, but it isn’t. I see editors complain about it, and as an editor, I’ve tossed out stories after the first paragraph because the writer sent me a fantasy for an SF anthology. Sorry, guidelines are there for a reason.
#3 Understand the SPIRIT of the anthology. Anthologies are not like magazines, that can take a wide range of stories. They usually have a specific theme or purpose. If you do not address that theme or style, it does not matter how good your story is. A bad fit is a bad fit. Here’s a good example for ISIG II: We stated that our intention in the anthology is to show the positive portrayal of the Catholic faith and science, and of them interacting in concert. Naturally, non-Catholic Christian stories didn’t fit. But even worse was the story that started out painting priests as evil and the Church as uncaring. Now, I’m not going to argue anyone’s personal beliefs here, but how in the world is that the POSITIVE?
#4 Be ready to accept some editorial direction. Editors are interested in making the stories the best they can be. Editors of anthologies need to think not only of the story but how the story fits the whole. That may mean some changes—in length, in prose, in style. 6 Comments on How to Get Your Work Into an Anthology, last added: 4/19/2011
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There’s No Holmes like Holmes
I read my first Sherlock Holmes story in my junior year of high school. I hated high school, was longing to be rid of it, and I was going through all the books in the house simply looking for something interesting to read that would take me away for a little while. I’d read all of my mother’s Agatha Christies, so she suggested reading The Hound of the Baskervilles. And….in a fashion uncharacteristic of most teenagers, I did.
In the opening pages, Holmes asks his friend Dr. Watson to analyze a walking stick left behind in their rooms by someone who had visited while they were out. Watson makes some observations about the stick, guessing about the owner. Holmes then takes the stick and shows Watson how he was completely wrong in all of his deductions.
I loved this character already!
But it only got more interesting when that visitor returned and told the Holmes and Watson about the legend of the hound of Hell who haunted the Baskerville family, and how the late Sir Charles Baskerville was found dead with footprints of a giant hound beside the body. I couldn’t put the book down and was utterly frustrated when Holmes “vanished” partway through the book, leaving Watson to investigate the situation in Dartmoore, only to appear suddenly later having been spying on the whole situation from afar.
Now – I relate a bit of the play-by-play on my first reading of Sherlock Holmes to make a point. Teenagers and sometimes pre-teens (if they have a decent vocabulary or the tenacity to look up words in the dictionary) can read the original tales written by Sir Arthur Conan Doyle. Teenage boys were, after all, his intended audience, and most of his readers at the turn of the last century were young people.
And yet there are new young-adult series starring the Sherlock Holmes character. I’ll mention specifically the Enola Holmes series by Nancy Springer as well as the Young Sherlock Holmes books by Andrew Lane. While both of these series have received critical acclaim, and I don’t fault the authors for writing Holmes books (I mean…I just have to look in the mirror), I just have to wonder, why not simply offer kids the original Holmes stories first? I have freshmen in my high school classes who have read and en
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I'm pleased that Jacqueline Seewald has come to share some of her expertise with us today. Jacqueline is a multi-award winning author who writes for adults as well as teens and children. She has taught creative, expository and technical writing at the university level as well as high school English. Ten of her books of fiction have been published. Her short stories as well as poems, essays, reviews and articles have appeared in hundreds of diverse publications and numerous anthologies. Her adult mystery novel, THE INFERNO COLLECTION, was published by Five Star/Gale in hardcover in 2007 and Wheeler large print in 2008. Another novel, THE DROWNING POOL, was published in 2009. The third mystery in the Kim Reynolds series, THE TRUTH SLEUTH, will be published in May 2011. A young adult novel, STACY’S SONG, was published by L&L Dreamspell in November 2010.
Even before J. K. Rowling's tremendous success with her Harry Potter series, publishers were searching for fantasy and horror fiction for children and teenagers that they hoped would top the bestseller list. Imitation may be the sincerest form of flattery, but it does not insure success as a writer. Not every juvenile book needs to feature werewolves, vampires, witches or goblins.
Books set in the "real" world still have appeal for teens and children. Young readers are not necessarily trying to read books that provide a total escape from reality. Even fantasy books need to be believable, provide an element of reality through character development to which readers can relate.
One of the most important things in writing a successful young adult novel or children’s book is to develop a unique voice. That does not mean that you must write from a first person point of view. However, teen readers often respond well to a first person narrative.
It is important to create a central character that young readers can both sympathize and identify with. Whether writing realistic or fantasy fiction, if the reader can't care about or relate to the main character, than he or she won't believe or accept what follows.
Teens as well as younger children enjoy an element of mystery. Every good work of fiction should have a plot that keeps the reader turning the pages, wanting to discover what is going to happen next. It's important to set up some sort of a question that can't be easily or immediately answered, a secret of the human heart that must be delved into.
A word of warning: If you are going to write about teens, you must know about them. Do some research. Besides raising two teenagers, I taught English and later Library Science. I taught at all le
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I'm pleased to have Debra Shiveley Welch guest blogging today about her road to publication with Cedar Woman. Debra...
Cedar Woman is finally out after two years of intensive research, and a lot of fun in the writing. Launching a book is like raising a child in many ways: you have great hopes, are very proud, and worry about how it will survive out there in the big, wide world.
Paramount in my creating Cedar Woman was the wish to, not only write a book that my readers will enjoy reading again and again, but the desire to represent The People, the Lakota Sioux, with all respect, and with absolute truth to the best of my ability. I also wanted to show that their customs, beliefs and desires are universal in many ways, and deserve the respect any people deserve. To be able to write about these things intelligently, and with honor, I had to immerse myself into their culture as much as possible.
My sister, Julie Spotted Eagle Horse Martineau, was invaluable in the process of researching and understanding The People as far as their culture, beliefs and ceremonies were concerned. She spent endless hours on the phone with me and wrote many emails explaining everything from, what it is like to be struck by lightning, to how to build a sweat lodge.
With Julie’s help, I also learned a lot of the Lakota language. I’ve always loved listening to and learning new languages, and speak some Spanish and read a little French. Now I was learning yet another, word-by-word, and enjoying the flavor of the words of the Lakota Plains Native American, or NdN as The People prefer.
I had personally been through an Hunkapi, or Making of Relatives Ceremony, a Naming Ceremony, Sweat Lodge and Wopila or Thank You ceremony, and could draw from those experiences, but living in Central Ohio as I do, I needed to get to know my heroine, Lena Cedar Woman as well as I knew myself.
To get started, I set up character sheets. To make them come alive to my readers, my characters had to be living, breathing people to me.
On each sheet I wrote the character's name, appearance (hair, eye color, height, build), when and where they were born and when key things happened to them. Also included were likes, dislikes, any hobbies, quirks, basic personality, etc. They were ongoing reference sheets. That is, when something key happened to them, I added what it was, and when, and any other information
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Sometimes, Change is Good by Cheryl Malandrinos
I didn’t start out my career planning to write for children. Not that I didn’t think I would enter that market at some point; God knows the children He has blessed me with give me plenty of inspiration. I just wasn’t interested in writing for young people when I left Corporate America in 2004 to pursue my dream.
Reading mostly non-fiction for years, I decided to enter the Breaking into Print program offered by Long Ridge Writers Group and focus on article writing. I graduated in December 2005 and began writing time management and organization articles for monthly online magazines. Time management and organization always came easy to me, so it was a natural fit.
I also picked up a women’s fiction manuscript that I had been working on for the last decade with my sister and committed to finishing it. It felt great to type, “The End”. Then the project stalled during the editing process, my sister moved out of state, and we couldn’t seem to hook up and get the edits finished.
So, I moved on.
November 2006 arrived and I was ready to try my hand at National Novel Writing Month (NaNoWriMo) for the first time. I had an idea that stewed in my brain for a few years and I was going to make it a reality. Preliminary research done, I steamed ahead on November 1st. Made it through seven chapters, but couldn’t quite move forward without additional research. This wasn’t the kind of book a pantser could pull off easily.
NaNoWriMo came and went, but I still thought my idea was good: a shepherd who leaves home to seek out the apostles after the Resurrection of Jesus to find out if He was the Savior he had met on the night of the Messiah’s birth.
I started talking to my pastor about the story and he said, “This is a kid’s book?” I told him it wasn’t, but my mind just wouldn’t let my pastor’s words go. Why couldn’t this book be about the night that Obed meets Jesus? That doesn’t mean I couldn’t write my original idea later.
And so, Little Shepherd was born. It tells the story of five-year old Obed, who is in the hills outside Bethlehem when the angel appears. He wants to see the newborn King, but is afraid to leave his flock unattended. Some wise words from his father, meeting the Holy Family, and what he sees upon his return to the fields, leads Obed to know it is a night of miracles.
I’m currently at work on a middle grade historical and came up with 30 new picture book ideas during Picture Book Idea Month in November. I am also putting the finishing touches on a first chapter reade
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Hi Katie, Thank you so much for the invitation to your blog.
Well, it’s a New Year folks. I wish all of you a good one.
I imagine everyone is recuperating from the holidays, thinking about the resolutions made.
I didn’t make any. Did you?
Where do you live?
Here, in Pittsburgh, PA, the weather is at its worst in January, February and well into March. I dislike cold weather and all the white stuff that falls from the sky. I’d love to fly south for the winter. Does anyone want to donate to my “Get thee to a warm place fund?”
I don’t like to drive on our hilly roads, breathe in the icy air, shovel and salt the walks and driveway. So, how do I try to get through each freezing day?
I get the “have to do’s” over with first. Then I put on my warm sweat pants and shirt, curl up in my favorite tilt-back chair, have a hot pot of tea on my little table, wrap myself in an afghan, and either work on my story with my computer on my lap, or read a good book. Now, that is enjoyment on these cold winter days. I’m all snuggly and warm.
Yes, yes, yes, I know some people like winter, I’m just one of those that don’t, so don’t smack me, please.
When I sink into a good book, I am lost within the pages, escaping the blustering wind outside and yes, looking at that white stuff. An adventure, a mystery, a paranormal, a romance or maybe a space trip into the realms of a far off universe sweeps me out of my misery. I’m with the characters, and I live their adventures and forget about the frost on my windows.
Or, I write new adventures, getting lost in my characters, and wondering how the heck I’m going to get them out of the trouble I have put them into. I make the setting a warm climate-- it helps.
I like to take odd characters, mix them together and see how they will react to each other. What fun. When I’m lost in my writing, I lose track of time, and can ignore the salt trucks rumbling up my street. And when I write “up” I do mean “up.”
So, are you a winter lover or hater?
And, of course I mean people that live in snowy, cold season places.
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Popular legend says Martin Luther began the Christmas tree tradition. The story tells us that around 1500, on Christmas Eve, he was walking through snow-covered woods and saw a beautiful group of small evergreens. The snow-dusted branches shone in the moonlight. Impressed by its beauty and light, he hurried home where he set up a small fir and decorated it with candles, lit in honor of Christ's birth.
Although some Christians claim the symbols of the Christmas tree originated with their faith, history tells us these symbols may actually have the origins in the belief of ancient peoples. Norse, Romans, Egyptians--all believed the sun was a god and that winter came every year because their god sickened and weakened. Thus, they celebrated the winter solstice because from that day forward, the sun god would begin to get well. The use of evergreens in their celebrations reminded them of the new life to be found in the coming days.
Martin Luther aside, the earliest written record of an evergreen Christmas tree was in the 1500s in Germany. It was then that during November's feast of Yule celebration, Yule trees were first planted in pots and brought into German homes.
It wasn't until the 11th century European religious plays (called "mystery plays") came came into being that trees became more popularly accepted. Performed outdoors and in churches, the most popular mystery play was the "Paradise Play" which told the story of Adam and Eve. The only prop was the "Paradise tree" which was typically a fir, adorned with apples. During the play, Eve would take the apple, eat of it and pass it to Adam.
In the 15th century, "immoral" behavior crept into these plays and they were forbidden by the Church. However, by that time, people had already begun the tradition of putting their own Paradise trees in their homes on December 24, the beast day of Adam and Eve. The tree was decorated with apples as the fruit of sin, and with homemade wafers, representing the fruit of life. In later years, these direct symbolic connections to the Christian faith became diluted as decorations expanded to include candy and sweets.
By the mid-1600s, the use and decoration of Christmas trees had spread throughout Europe, with decorations to include paper roses, apples, communion wafers, gold, foil, sweets, and dolls. It is at this time that the use of candles is first mentioned.
The Christmas tree, in the form of the "Paradise Tree," came to America as Germans immigrated to western Pennsylvania in the 1700s. Puritans banned Christmas itself in New England and in 1851, a Cleveland minister almost lost his job for allowing a tree in his church.
In the mid-1800s, the Christmas tree arrived with style in England as the English queen, Victoria, visited relatives in Germany, where she fell in love with Prince Albert, whom she married. Returning to England, Prince Albert continued the Christmas tree tradition and decorated it with fine, German hand-blown glass ornaments. Impressed English citizens began putting them up in their homes as well.
In the early 20th century, ornaments included ore than apples as nuts, cookies, popcorn, and berries became popular. With electricity came lights, and Christmas trees began appearing in town squares.
It was in 1851 that a farmer named Mark Carr hauled two ox sleds piled with trees into New York City, selling them in two days. And so the Christmas tree market was born. By 1900, one in five Americans had a tree, and during the depression when nurseries were unable to sell evergreens for landscaping, they cut and sold them as Christmas trees.
Despite the various stories that abound regarding the origin of the Christmas tree, its evolution can be traced from ancient times and today it remains as one of the most popular and pervasive holiday traditions in the world.
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I’m pleased to welcome young adult fantasy author, R. L. Copple, to my blog today. R. L. Copple's interest in speculative fiction started at an early age, after reading "Runaway Robot" by Lester Del Ray. Many others followed by Asimov, Bradbury, Heinlein, Tolkien, C. S. Lewis, among others. He has written for religious purposes but started writing speculative fiction in 2005. “Infinite Realities” marks his first book, a fantasy novella. His second book, first full length novel, “Transforming Realities” hit the shelves March 2009. He has been published in several magazines.
R. L., I love fantasy and I love the young adult audience. Can you please give us a brief synopsis of “Transforming Realities?”
R. L.: Sure. When Sisko refuses the demon Beltrid's request to use his miracle-producing ring for selfish purposes, Sisko's world is turned upside down. Trapping Sisko's wife, Gabrielle, inside the "Crystal of Virtues," Beltrid sends Sisko and his two teenage children, Nathan and Kaylee, on a journey to find seven virtues that will free her. Simple? Not when a demon is involved. The trip takes several twists and turns leading to a showdown at the steam house where it all started. They discover that the reality of the ring transcends healing sicknesses—they discover a transforming reality.
Katie: I see you have read many of the same fantasy/science fiction authors I have. Why do you write fantasy, and more particularly, young adult fantasy?
R. L.: Fantasy makes the impossible, possible. The ultimate "what if" scenario can be laid out and find out how it would affect people. While a fantasy world will have its own internal rules, the author is free to construct that in any way he or she wants. That opens the doors of an unlimited and interesting source of story ideas. The interesting spark is how some reality not currently available will affect people, relationships, and lives, whether individuals or a society.
I tend toward young adult, maybe on the upper end of young adult, because I find my writing style is more in line with that age group. I like some action, a little romance, but always something interesting happening. I would say that much of my young adult writing is also enjoyed by adults. I think that is because I don't write it to sound like I'm focusing on, as one editor said it, "teen aghast," but on issues that affect all of us. Because as adults, we never really stop learning and growing. If we do, we're dead. To me, the young adult period of life is the perfect storm for fantasy. Someone seeking to discover their place in the world, and unusual events that push them to learn more about themselves and others.
Katie: Many fantasies deal with world creation. How much of that did you do in “Transforming Realities” and how easy/difficult did you find it?
R. L.: Honestly, it evolved over a period of time writing the stories and books. The first story in "Infinite Realities" was a short story, "Steamy Realities," that I wrote for a contest using the theme "h
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I’m pleased to welcome young adult author of “Head Over Hand-Bought Heels,” Lindsay Below. Lindsay lives in Iqualuit, Canada, whether she writes young adult and middle grade fiction. Under L. K. Below, she publishes adult romance and speculative fiction.
Katie: Can you please share with us a short synopsis of “Head Over Hand-Bought Heels?”
Lindsay: When Katie meets Courtney, everything starts to change… When I marched into Vivian’s Boutique for my first shift, I didn’t expect to walk into a screaming match — or to make three new fiercely loyal friends just for comforting Courtney after her breakup. But I did, and now they’re set on coaxing me out of my temple of nerdery and onto their fashion-forward roller coaster of social interaction. And now, after all the time we’ve been spending together, I think I might be falling for Courtney...
Katie: This is a young adult book, which will be published in ebook format in December by Etopia Press. What inspired you to write this young adult novel?
Lindsay: I woke up one morning from a dream, in which Katie and the gang were vividly imprinted on my mind. This was a few days before my first National Novel Month. Since it was so close, I decided to give my characters free reign. I’m definitely glad I did because they led me on one crazy journey of friendship and self-discovery.
Katie: You write under a couple of different names. Why did you choose to do so?
Lindsay: Let me start by saying that I love to read. Pretty much anything. That love for stories eventually bled over into my writing. Because I write for both adults and young adults, I felt that I needed to keep those separate by writing under different names.
Katie: Do you find it difficult to write in different genres?
Lindsay: Not at all. I find it more liberating to do so. If something seems drawn-out or stiff, I can easily switch to something so completely different that it helps to unclog my writing mojo.
Katie: How many writing projects to you have going at a time, and how do you juggle them so you get to work on them all?
Lindsay: I have too many. My main problem is that I get so many ideas, all the time. If I’m not at least a quarter of the way through a novel,
Katie: You have said this is an ebook coming out in a few days. Why did you choose to write an ebook as opposed to trying for a traditional publisher in print form?
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I’m pleased to have author, Barbara Forte Abate, as the guest on my blog today. After graduating from high school, she married young and promptly launched into the joys of family life. While home and kids kept her busy, Barbara never considered abandoning her dreams of writing. Stealing moments throughout the days, she composed her stories on yellow legal pads while babies napped and supper simmered. Her debut novel, "The Secret of Lies," was released on June 30, 2010.
Katie: Can you please share a brief synopsis of your book?
Barbara: The crux of my story takes place in 1957, the last summer Stevie and her sister Eleanor will spend at their aunt and uncle’s ancient house overlooking the North Atlantic. A season that had unfolded with abundant promise, it spirals horribly out of control--torn apart by a shattering tragedy that remains splintered in fragments upon a family’s soul. It is only now, a decade later, when Stevie at last lifts her eyes to stare deep into the heart of her long sequestered memories, that the long held secrets of past and future are at last unveiled.
Katie: What motivated you to write this book?
Barbara: I started writing this story twenty years ago, but even now, all these years later, I clearly recall how it came about. I was in the midst of finishing up some mundane household task, when the proverbial “lightning bolt” arrived from nowhere to plant the seed of an idea in my mind. It was originally just the idea of someone walking away from everything familiar--the how and why coming later. That’s all I had when I started writing: that single concept of a person so tormented they believed that the only way of surviving the unhappiness of their life was to get up and leave it. I had no plan for where I was going with it and certainly no ending, but even so, the story felt very important and I just jumped into what would become the ride of my life.
Katie: What is your writing day like?
Barbara: I am a woman of self-imposed tight schedules, and am very possessive of my limited writing time. So I try and take care of all my routine drudge stuff in the morning so that I can plant myself at my desk in the afternoons. I find it difficult to sit for long uninterrupted hours of writing and sometimes it’s the brief distractions that clear the smoke of thinking too hard, and allows me to reboot and start the cogs turning once again. I know I’m more or less done for the day when I hear my teenage son come in from school and begin rifling through the kitchen cabinets.
Katie: This is an adult, mainstream literary fiction. Do you plan on writing any more books in this genre?
Barbara: Mainstream fiction truly does feel like my niche. I’ve written four other novels (all currently unpublished), and without consciously aiming, they’ve all landed in this genre. Mainstream literary is also what I generally read, so maybe it has something to do with what I put in my head comes out in my pen! (You know – you are what you eat!)
Katie: Do you belong to a critique group? Why or why not?
Enjoyed your article; still enjoy "Red Hot Scooter Mama".