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Viewing Blog: Reading Under the Covers, Most Recent at Top
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Commentary on writing, publishing & a bunch of other stuff
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51. The Hardest Farewell of All

Boy Wonder's well-loved stuffed animals, on a closet shelf for 4 years, to be boxed up for the next generation. [SNIFFLE...]

5 Comments on The Hardest Farewell of All, last added: 3/24/2010
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52. VaBook Festival: The Business of Book Reviewing

Here are the Greatest Hits of what Washington Post Book World deputy editor Ron Charles said during the program I hosted last Friday, "The Business of Book Reviewing: Changes and Challenges." You can see and hear moderator Bethanne Kelly Patrick (at left) and author/reviewer Katharine Weber (at right), and hear one comment by me (explaining "trade magazines").



I'm too busy getting ready for my move to NY this week to write my own post about the festival, so read author & consulting client Clifford Garstang's comments here.

1 Comments on VaBook Festival: The Business of Book Reviewing, last added: 3/23/2010
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53. Off to Virginina Festival of the Book!

It's March Madness for me: From Thurs-Sat I'm conducting a Book Promotion 101 workshop, moderating 2 panels and hosting a 3rd, plus holding a lunch for 33 and dinner for 18.

I get back to Denver Sunday night, then the movers pack up all our stuff Wednesday and load the van Thursday. Next Friday, Darling Husband and I, with Max the Cat in tow, fly to New York. (The Boy Wonder plans to remain in Denver and hone his couch-surfing skills.)

Here are my events at VaBook, in my former hometown of Charlottesville:

Candy & Booze: Good for the Jews? (moderator)
Thu. March 18th, 2010 - 7:00 PM
Katharine Weber (TRUE CONFECTIONS) and Max Watman (CHASING THE WHITE DOG: An Amateur Outlaw's Adventures in Moonshine) discuss the often-crossing paths of immigrant Jewish candymakers and bootleggers.

Book Promotion 101
Fri. March 19th, 2010 - 9:00 AM
Intensive publicity workshop for authors of commercially published books, led by Bella Stander. Guest speakers: Alison Larkin (THE ENGLISH AMERICAN) and Mary Sharratt (DAUGHTERS OF THE WITCHING HILL). Advance registration required, class limited to 10. Hosted by WriterHouse.

The Business of Book Reviewing: Changes and Challenges (host)
Fri. March 19th, 2010 - 4:00 PM
With Ron Charles (Washington Post), David Montgomery (Chicago Sun-Times, The Daily Beast), and freelancers Rebecca Skloot and Katharine Weber. Moderated by Bethanne Kelly Patrick.

Book Promotion for the 21st Century
Sat. March 20th, 2010 - 10:00 AM
Bella Stander (Book Promotion 101) talks with authors Carleen Brice (CHILDREN OF THE WATERS), Rebecca Skloot (THE IMMORTAL LIFE OF HENRIETTA LACKS), Jag Bhalla (I'M NOT HANGING NOODLES ON YOUR EARS), and publicist Kelly Powers (Obie Joe Media) about what it takes to get your book noticed in the fragmented media world.

1 Comments on Off to Virginina Festival of the Book!, last added: 3/21/2010
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54. Quote of the Day

From today's NYT Fashion Diary by the sharp-eyed/eared/witted Guy Trebay:

“People used to have fun,” said Stéphane Feugère, the indefatigable photographer who has spent the last eight years shooting fashion parties and people, on assignment for French Vogue.

“But then everyone got a camera,” Mr. Feugère added, “and now they all wait for someone else to have fun so they can shoot it.”

1 Comments on Quote of the Day, last added: 3/15/2010
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55. Better than Ipecac

I challenge you to read this and not retch at the last line. The highlowlights, from The Salt Lake Tribune:

House Majority Leader Kevin Garn resigns amid hot tub scandal

House Majority Leader Kevin Garn announced Saturday he was resigning from the Utah Legislature, two days after revelations of a nude hot-tubbing incident with a minor 25 years ago and a payment to keep it quiet....

Garn, of Layton, admitted the two had sat nude in a Salt Lake City hot tub. He insisted there was no sexual contact, but admitted that it was wrong. [Cheryl] Maher insists there was touching and physical contact, but declined to elaborate.

In 2002, when Garn, a Republican, was running for Congress, she began contacting reporters and Garn arranged to pay her $150,000, provided she sign an agreement not to go public with the incident. She signed a nondisclosure agreement and Garn paid her the money in 2003, well after he had lost the Republican congressional primary....

With the news about to break, Garn made an emotional statement from the House floor Thursday night, with his wife by his side, apologizing to his colleagues and constituents....

His statement drew a standing ovation from his House colleagues, many of whom lined up to console Garn and his wife.

Full article in Salt Lake Tribune

1 Comments on Better than Ipecac, last added: 3/14/2010
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56. Point of View

I'm just back from a week in New York, where Darling Husband and I signed a lease on a 1950s ranch house in Rhinebeck.

In square footage (1300 vs 1900) and architecture it doesn't compare well to the Victorian house in Denver we're selling:











But lot size (1/2 acre vs 40x100 ft) and the view looking out make all the difference.




From the front:




















And best of all, from the back:

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57. Quote of the Day

“I ache for the return of dysfunction. Dysfunction had its problems, but at least dysfunction has function in its title. We are not functioning at all.”

--NY Assemblyman Daniel J. O'Donnell, quoted in NYT

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58. Virginia Culture Lovers, Please Help!

This just in from the Virginia Foundation for the Humanities, which sponsors the highlight of my year, the Virginia Festival of the Book. (Coming next month!)

THE SITUATION
Over the weekend, the Virginia House Appropriations Committee voted to cut state funding for VFH by $290,000, effective July 1, 2010, and to eliminate all state funding for VFH, effective July 1, 2011. The Senate Finance Committee recommended cutting the VFH budget by $290,000 effective July 1, 2010, but recommended no further cuts. Each House will vote on its own budget on February 25, and the difference in the two budgets will be resolved in conference committee.

VFH has already experienced deep cuts, in the last two budget years, adversely affecting every VFH program. Additional cuts will undermine such well-known educational programs as the Virginia Festival of the Book, Encyclopedia Virginia, VFH Grants and Fellowships, With Good Reason Radio programs; African American, Virginia Indian, and Virginia Folklife Programs.

PLEASE ACT IMMEDIATELY
Call, fax, or email your State Delegates and Senators to protest additional cuts to advocate for continued funding. Find your legislators’ contact information here.

  • Be personal. Talk about your involvement and commitment to the VFH.
  • Forward this request to your boards, membership, and address book.
  • Post a comment on your Facebook or other social networking site, asking that other Virginians contact their legislators as well.
  • Write a post on your personal blog stating how you feel about these budget cuts.
  • Email or call your local news outlets to express your dismay and describe the effect of such cuts.
Talking Points for These Contacts with Legislators and Media Outlets
  • VFH funding and programs increase the attractiveness of the state as a tourism destination by assisting museums and cultural sites to provide excellent visitor experiences.
  • VFH Grants support organizations and communities important to you and your representatives.
  • VFH increases the attractiveness of communities to new businesses.
  • VFH builds the educational capacity of Virginia's teachers by providing resources and professional development opportunities.
  • VFH provides financial and professional development support to Virginia's museums, building community social capital and pride.
  • VFH Leverages state funds with cash and in-kind matches.
  • VFH promotes a vigorous exchange of ideas, and is a leader in modeling civil public dialogue. Radio shows like With Good Reason improve our understanding of the issues we face as a Commonwealth and a nation. The Virginia Festival of the Book is a nationally recognized model of public discussion. Now more than ever, our situation requires that we approach public policy with an understanding of the past, a willingness to confront issues of the present, and a commitment to shaping a more promising future.
Click here for additional information on how VFH programs contribute to the economic and educational vitality of the Commonwealth.

Additional Sources of Information on VFH Programs and Advocacy Tips
Effects of Cuts (doc)
Program Accomplishments (doc)
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59. Grandma was right: The value of "Thank You"

From a consulting client:

I was contacted by a book club that told me their library has “book kits” for book clubs, in which they have a bag that contains 10 books, reading guide questions and anything else pertinent to the book, and that their library is using my book for one of the book kits.

I promptly sent a hand-written thank you card to the head librarian. Today, I got an email asking me if I’d like to do a reading/signing at the library. They would publicize it in their newsletter that goes out to 6000 homes, as well as on their website. Never would have happened if I hadn’t sent the thank-you.

3 Comments on Grandma was right: The value of "Thank You", last added: 2/22/2010
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60. The Scourge of Anti-Semantics

From a Secret Correspondent:

One of the guests at a recent dinner used to coordinate the University of Virginia's Semester at Sea--a cruise with a teeny bit of schoolwork thrown in. The standard for admission was ability to pay, so the level of intellect wasn't what this prof was used to.

One of the assignments was to write about 20th century German history. It turns out that prior to World War II there was a huge wave of anti-semantics in that country! Several students wrote this; evidently they couldn't manage to copy the Wikipedia page correctly.

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61. "The writer has led us back to ourselves."

My friend and Charlottesville VA Literary Lady Janis Jaquith gave a terrific keynote speech in January at the Roanoke Regional Writers Conference. Read it at her website, or listen (if you have QuickTime) here.

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62. Quote of the Week

"I would go as far as I could and hit a wall, my own imagined limitations. And then I met a fellow who gave me his secret, and it was pretty simple. When you hit a wall, just kick it in."

--Patti Smith, JUST KIDS

1 Comments on Quote of the Week, last added: 2/18/2010
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63. Le plus ça change: News from 1862

While doing research for the forthcoming Bella Terra Southeast Lighthouses Map, I came across this interesting item in a New York Times article from January 13, 1862:

JEWISH CHAPLAINS
Rev. Dr. Fischel, of New-York, had yesterday an interview with the President, to urge the appoinitment of Jewish Chaplains for every military Department, they being excluded by an act of Congress from the volunteer regiments, among whom there are thousands of Israelites. In the meantime the Doctor will take charge of the spiritual welfare of the Jewish soldiers on the Potomac. The President assured him that the subject will receive his earnest attention, and expressed the opinion that this exclusion was altogether unintentional on the part of Congress.

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64. Catch Me If You Can

After spending most of Oct-Dec in bed recovering from surgery for a herniated lumbar disc, I'm going to be zooming around again. Here's my events schedule (so far) thru May.

3:00-4:30pm ET (12:00-1:30 PT)
Includes Q&A, Marketing Plan Worksheet & private 15-minute follow-up consultation.


January 29 & 30 - Space Coast Writers Guild Conference
Cocoa Beach, FL
  • "Book Promotion 101"
  • "Polish Your Pitch"
  • individual 10-minute pitch coaching sessions


WriterHouse, Charlottesville, VA
9:00am-12:00pm
Guest speaker: Alison Larkin, author of The English American


March 18, 7:00pm - "Candy & Booze: Good for the Jews?"
Moderator; with Katharine Weber (True Confections) and Max Watman (Chasing the White Dog: An Amateur Outlaw’s Adventures in Moonshine).
March 19, 4:00pm - "The Business of Book Reviewing: Changes & Challenges"
Host; with Ron Charles (Washington Post) and freelancers David Montgomery, Rebecca Skloot and

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65. My Wildest Interview Ever:Philip Smith on WALKING THROUGH WALLS














In the 1950s, dashing Lew Smith and his chic blonde wife Esther would go out on the town to drink cocktails and “listen to Dean Martin or laugh at Shecky Greene.” As Miami’s “only heterosexual decorator,” Lew catered to clients ranging from jet-setting socialites to the dictator of Haiti.

It was unusual enough that a Jew who fled pogroms in Poland should become the go-to guy for Miami home décor. But Lew’s life took an even stranger turn in the 1960s. By the end of the decade, he had become a psychic healer under the tutelage of spirit guides.

All this makes for a good story. And more than 20 years after his father’s death, artist Philip Smith wrote it.
More at Wild River Review

Photo: Philip Smith & one of his paintings.

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66. Chappy Chanukah!


I read in the New York Times that Utah Senator Orrin Hatch, who has a "soft spot for Jews" (I don't want to know where), has written a Chanukah song. My feelings echo Margo Howard's:

With all that’s going on in government, it’s nice to know that Orrin Hatch, the Mormon songwriter and senator, has taken time to pen a little ditty for the Jewish festival of lights. "Anything I can do for the Jewish people," he said, "I will do." I cannot figure out what these benefits may be, but I’m sure the Jewish people feel gratitude for … whatever it is. Truthfully, this song, like all of his songs, is mediocre, but isn’t it the thought that counts?

You should know that Senator Hatch wears a golden mezuzah on a neck chain every day. This is interesting because the senator is not a house, or even a doorway, which is where mezuzahs are meant to be placed. He also keeps a fake Torah in his Senate office. (It can’t be a real one because he’s not a Temple, either.) I think the guy secretly wants to be Jewish.

Hatch’s hope, he says, down the line, is that Barbra Streisand will record one of his songs. "It would be good for her and good for me." My guess is that will happen when the Jews re-cross the desert and once again pray to idols.
As a traditionalist, I'm sticking with the Adam Sandler song. And here's a little something to light up your night, along with your ginandtonica:

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67. Cold Comfort

It is now 1°F in Denver. (Celsius=Too F*cking Cold!) It's colder and snowier here than in Minneapolis, Toronto and Portland, Maine. The snow squeaks underfoot and it hurts my lungs to breathe outside. Feh!

Consequently, I'm very happy to be working on our next Bella Terra Maps product: Florida Lighthouses. We plan to have it printed in time for me to bring copies when I go to the Space Coast Writers' Guild Conference in Cocoa Beach at the end of January. One of my half-sisters lives nearby, so I'll visit her for a few days--along with as many lighthouses and maritime museums as possible.

I also plan to visit Gilbert's Bar House of Refuge, below.
Click here for entrancing 360° view. I've been looking at it A LOT.

Oh, and HMS Bounty and the 1812 privateer schooner Lynx (below) will be docked in Palm Beach. Both offer dockside tours and the Lynx has daily Adventure Sails. I am so there! (Along with a bottle of scleranthus, the Bach Flower Remedy for motion-sickness.)

Photo by Chris Woods - courtesy of The Lynx Educational Foundation

Boy Wonder reminded me that I'd told him that if I ever moved to Florida, he should have me committed--or shot. I pointed out that a short midwinter trip requires no such action on his part.

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68. In Cheery Siberia (aka Denver, CO)

An arctic blast hit Denver over the weekend. It snowed yet again last night--snowfall #9 since October 8, for those keeping score. When I got up this morning it was 3°F outside. The thermometer outside my dining room window registered a sultry 20° a little after noon. When last I looked it was 10°.

Sunday night I watched Silk Stockings, with songs by Cole Porter, starring Fred Astaire and Cyd Charisse. (Fun fact: costar Janis Paige was married to my father's double-cousin Arthur, whose parents were Dad's paternal aunt and a Stander cousin.)

And what song could be more appropriate to the frigid weather than "Siberia," sung by Joseph Buloff, Jules Munshin & Peter Lorre:

When we’re sent to dear Siberia,
To Siberi-eri-a,
When it’s cocktail time ’twill be so nice
Just to know you’ll not have to phone for ice.

When we meet in sweet Siberia,
Far from Bolshevik hysteria,
We’ll go on a tear,
For our buddies all are there
In cheery Siberi-a.

When we’re sent to dear Siberia,
To Siberi-eri-a,
There’s a most delicious bill of fare,
You must try our filet of polar bear.

When we meet in sweet Siberia
To protect us from diphtheria,
We can toast our toes
On the lady Eskimos
In cheery Siberi-a.

When we’re sent to dear Siberia,
To Siberi-eri-a,
Where the fresh salt air makes us feel so fine,
It is fresh salt air from our own salt mine.

When we meet in sweet Siberia,
Where the snow is so superia
You can bet, all right
That your Christmas will be white
In cheery Siberi-a.

Here's the number (stop at 2:31):

1 Comments on In Cheery Siberia (aka Denver, CO), last added: 12/8/2009
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69. Yahrzeit #15...and A Day In Court

Lionel Stander (l) in a 1961 production of The Policemen, directed by Leonidas Dudarew-Ossetynski.

My father died of cancer 15 years ago today. We were a continent apart then--he in L.A. and me on the East Coast--and he would go years without seeing, or even speaking, to me. But now he's a constant presence in my life, due to the dozens of photographs on the walls of "the Dad gallery" in the upstairs hallway. I see him when I first wake up in the morning and just before I go to bed at night, which rarely happened during my childhood.

The newest additions to my ever-growing collection of Lionel Stander images came via email a few weeks ago. Early this year a woman in California named Valerie Hunken found me via Google. She was going through the possessions of her late father, the actor and stage director Leonidas Dudarew-Ossetynski. Among them were some stills from a 1961 Off-Broadway production of The Policeman, with my father. Would I be interested in those photographs?

Of course I would, I wrote her. I hadn't known anything about The Policemen or Dudarew-Ossetynski. (I learned from Google that he was born an aristocrat in Wilno, Poland--now Vilnius, Lithuania.) The only shows I recalled Dad being in were The Conquering Hero (memorable because Tom Poston held a puppy that peed on his hand during a rehearsal in Philadelphia), Brecht's Arturo Ui and Luther. The latter two were directed by Tony Richardson, who went on to cast my father in a London production of Brecht's St. Joan of the Stockyards, then broke the Hollywood Blacklist by putting him in the The Loved One (still one of my all-time favorite movies).

Months went by and I forgot about Hunken. Then out of the blue the photographs arrived on November 12th, four days after my birthday. And who else should be in some of the photos than Jack Gilford, whom I first knew as the nice man in the Cracker Jack commericals. (I still remember the lyrics!) He was also blacklisted, though not as long as my dad if he was doing commercials in the early 1960s.

Rehearsal of The Policemen. Director Leonidas Dudarew-Ossetynski is atop table, Lionel Stander is seated at center, Jack Gilford is s

3 Comments on Yahrzeit #15...and A Day In Court, last added: 12/3/2009
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70. Julian Fellowes Talks About PAST IMPERFECT











Photo © Giles Keyte

PAST IMPERFECT opens with its anonymous narrator, a member of the minor aristocracy, being contacted by Damian Baxter, an ex-friend from Cambridge whom he hasn’t seen in decades. Thus begins a journey that contrasts the naïve debutantes and would-be debonair beaux of the London Season of 1968 with their surprisingly altered (or not) selves 40 years later.

Reached by phone in Chicago on Halloween morning, Julian Fellowes observed to freelance writer Bella Stander that “Lake Michigan is like an enchanted sea around a fairy castle.” Later that day, From Time to Time, which he produced, directed and wrote, was screened at the Chicago International Children’s Film Festival. Starring Maggie Smith, the picture went on to win the Best of Fest Award and two other prizes.... more at BookReporter.com

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71. My Birthday in Music

Today started off happier, thanks to all the birthday wishes I got via email and Facebook. I've had the Kinks on my mind the past few days, but couldn't find anything by them in our pared-down music collection (350 LPs & 500+ CDs). So I played T. Rex instead. Loud.



After a very late breakfast I stretched out on the couch to read the Sunday Times to a 2-CD set of Chopin nocturnes. Op. 9 No. 2 is one of my favorites:



At around 3:30, Darling Husband took me out for another drive to Washington Park. This time we went to the southern lake, and shared a bench with a woman who had her newly adopted miniature collie on a leash. On the way to and from the park, I relived my wild days in art school by listening to a tape of Jerry Jeff Walker's ¡Viva Terlingua!, which I'd found when vainly rummaging around for a Kinks tape that I suddenly remembered once owning. I still know all the words to "Up Against the Wall Redneck Mother":



I further relived my wanton youth by listening to a tape of Edgar Winter's White Trash ("Oh, the Scientologist," said DH). Here's "Keep Playing that Rock & Roll":



Which then led to Long John Baldry's "It Ain't Easy." It opens with the definitive version of "Don't Try to Lay No Boogie Woogie on the King of Rock & Roll," but the only track I could find on YouTube is "Flying":



After that came Leon Russell:

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72. My Day in Music

I started off the day in a blue mood. Prompted by a Twitter post, after breakfast I lay on the couch and listened to "Can't Find My Way Home" on the Blind Faith album, a touchstone of my teenage years. The lyrics took on a whole new meaning, now that we've delayed our move to our home state of New York due to my wasted body--which I really wish I could leave.

Can't Find My Way Home
by Steve Winwoood

Come down off your throne and leave your body alone
Somebody must change
You are the reason I've been waiting so long
Somebody holds the key

But I'm near the end and I just ain't got the time, oh no
And I'm wasted and I can't find my way home

Come down on your own and leave your body at home
Somebody must change
You are the reason I've been waiting all these years
Somebody holds the key

But I'm near the end and I just ain't got the time, oh no
And I'm wasted and I can't find my way home

But I'm near the end and I just ain't got the time, oh no
Oh no, and I'm wasted and I can't find my way home

But I can't find my way home
Still I can't find my way home

And I ain't done nothing wrong
But I can't find my way home



After a bit of emotional catharsis, I decided that the ideal music to listen to next was Kurt Weill. So I put on "Ute Lemper Sings Kurt Weill," followed by Weill's Die Dreigroschenoper (Threepenny Opera), also with Lemper.

Meanwhile I read the New York Times. Or at least the A section. Or rather, the stories that didn't get me too upset. So I skipped the one on the front page about the victims of the Fort Hood shooting, and the one inside about the Orlando shooting (I had to put my hand over the photos).

To cap it all off, there were two op-eds about veterans and PTSD (which I have). The Forever War of the Mind by Max Cleland is absolutely devastating and absolutely true; Stress Beyond Belief by Bob Herbert also hits hard. Both are must-reads.



Darling Husband hid upstairs until the music was over. When he came down, I said, "Y'know, I don't think it was such a good idea to listen to Weill when reading bad news in the paper."

He responded, "It's NEVER a good time to listen to Weill. In German. That's when I know you're really depressed."

After that I made myself a bowl of popcorn and mug of mocha (DIY antidepressants) and cheered myself further by playing "Ella Fitzgerald, The Songbook." At the same time, after wiping the butter off my hands, I redid the layout of the upcoming Bella Terra Southeast Lighthouses Map.

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73. IN MY FATHER'S SHADOW: Orson Welles's Daughter Speaks






"Ignore your children and they will be obsessed with you for life."�Alain de Botton

From the moment I saw In My Father’s Shadow: A Daughter Remembers Orson Welles in the Algonquin Books fall catalog, I knew that I must read the book and speak to author Chris Welles Feder. As the daughter of actor Lionel Stander (a contemporary of Welles), I wanted to learn how Feder managed to survive with—and more often, without—a famous, larger-than-life father.

A few days before she took off for California to start her book tour, I reached Feder by phone in her New York City home. The voice that greeted me was so youthful, I found it hard to believe it was coming from a 71-year-old. I started off by asking why she wrote In My Father’s Shadow....

Read the rest at "Wild Table"

Photo of Chris Welles Feder © Gregory Downer

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74. Siegfried Sassoon, More Relevant than Ever

The UK Guardian ran a piece on WWI poet-soldier
Siegfried Sassoon: The reluctant hero

"Cambridge University is on the verge of securing Siegfried Sassoon's personal papers for posterity – his unpublished poems and letters are more relevant than ever, says Michael Morpurgo"


The article includes this undated poem, "just a scrap torn from a notebook":

Can I forget the voice of one who cried
For me to save him, save him, as
he died?
I will remember you, and from
your wrongs
Shall rise the power and the
poignance of my songs
And this shall comfort me until
the end
That I have been your captain and
your friend.
Sassoon's July 1917 Soldier's Declaration, according to Morpurgo, "was published in newspapers and read out in the Commons; it very nearly got him executed." I imagine the same furor would erupt today. I wish it would.
A Soldier's Declaration

I am making this statement as an act of wilful defiance of military authority, because I believe the war is being deliberately prolonged by those who have the power to end it.

I am a soldier, convinced that I am acting on behalf of soldiers. I believe that this war, upon which I entered as a war of defence and liberation has now become a war of aggression and conquest. I believe that the purposes for which I and my fellow soldiers entered upon this war should have been so clearly stated as to have made it impossible to change them, and that, had this been done, the objects witch actuated us would now be attainable by negotiation.

I have seen and endured the suffering of the troops, and I can no longer be a party to prolong these sufferings for ends which I believe to be evil and unjust. I am not protesting against the conduct of the war, but against the political errors and insincerity's for which the fighting men are being sacrificed.

On behalf of those who are suffering now I make this protest against the deception which is being practised on them; also I believe that I may help to destroy the callous complacence with which the majority of those at home regard the continuance of agonies which they do not share, and which they have not sufficient imagination to realise.

S. Sassoon,

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75. The Real Rules

I've been sending my rules out in bits and pieces on Twitter. It's time to put them all in one place. Follow them faithfully and I promise you won't go wrong.

Bella's Rules of Life

1. The world is filled with wankers.

2. When the going gets tough, the tough go to bed.

3. Just say no.

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