French Dramatists of the 19Th Century
Book Description
Romanticists and the Classicists first met in battle-array; and it is but little more than fifty years since Hernani sounded his trumpet, and the hollow walls of Classicism fell with a final crash. This half-century is a period of no slight importance in the history of the drama: it is one of the two epochs when the plays of France have been conspicuously and incomparably superior to the plays of ...
MoreRomanticists and the Classicists first met in battle-array; and it is but little more than fifty years since Hernani sounded his trumpet, and the hollow walls of Classicism fell with a final crash. This half-century is a period of no slight importance in the history of the drama: it is one of the two epochs when the plays of France have been conspicuously and incomparably superior to the plays of any other country; the earlier epoch was when the French stage saw in rapid succession the newest works of Corneille, of Moliere, and of Racine. A lthough, with our ownership of Shakspere constantly in mind, we may not be willing to allow that the French have reached the highest pinnacle of the drama, we can see clearly enough that it is in the drama that they have mounted highest.
(Typographical errors above are due to OCR software and don't occur in the book.)
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