Plays: Pleasant and Unpleasant, Vol. 2
Book Description
Readers of the discoone with which the preceding volume 18 prefaced will remember that I turned my hand to playwriting when a great deal of talk about the New Drama, and the actual establishment of a New Theatre (the Independent threatened to end in the humiliating discovery that the New Drama, in England at least, was a figment of the revolutionary imagination. This was not to be endured. I had r...
MoreReaders of the discoone with which the preceding volume 18 prefaced will remember that I turned my hand to playwriting when a great deal of talk about the New Drama, and the actual establishment of a New Theatre (the Independent threatened to end in the humiliating discovery that the New Drama, in England at least, was a figment of the revolutionary imagination. This was not to be endured. I had rashly taken up the case; and rather than let it collapse, I manufactured the evidence. Man is a creature of habit. You cannot write three plays and then stop. Besides, the New movement did not stop. In 1894, some public spirited person, then as now unknown to me, declared that the London theatres were intolerable, and financed a season of plays of the new order at the A vefiue Theatre. There were, as available new dramatists, myself, dfscovere Ylhf the Independent Theatre (at my3wn suggestion); and Mr. John Todhunter, who had indeed br ndiidoverec bforf, but whose Bck Cat had been one of tlie I ndepieiidents successes. Mr. Todhunter supplied AC omedy of Sighs. I, having nothing but unpleasant plays in my desk, hastily completed a first attempt at a pleasant one, and called it Arms and the Man. It passed for a success: that is, the first night was as brilliant as could be desired; and it ran fi-om the 21st A pril to the 7th July.
(Typographical errors above are due to OCR software and don't occur in the book.)
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