Aylwin
Book Description
an excerpt from the PREFACE TO THIS EDITION:
The heart-thought of this hook being the peculiar doctrine in Philip Aylwin's Veiled Queen, and the effect of it upon the fortunes of the hero and the other characters, the name 'The Renascence of Wonder' was the first that came to my mind when confronting the difficult question of finding a name for a book that is at once a love-stor... More
an excerpt from the PREFACE TO THIS EDITION:
The heart-thought of this hook being the peculiar doctrine in Philip Aylwin's Veiled Queen, and the effect of it upon the fortunes of the hero and the other characters, the name 'The Renascence of Wonder' was the first that came to my mind when confronting the difficult question of finding a name for a book that is at once a love-story and an expression of a creed. But eventually I decided, and I think from the worldly point of view wisely, to give it simply the name of the hero.
The important place in the story, however, taken by this creed did not escape the most acute and painstaking of the critics. Madame Galimberti, for instance, in the elaborate study of the book which she made in the Rivista d' Italia, gave great attention to its central idea: so did M. Maurice Muret, in the Journal des Debats; so did M. Henri Jacottet in La Semaine Litteraire. Mr. Baker, again, in his recently published work on fiction, described Aylwin as 'an imaginative romance of modern days, the moral idea of which is man's attitude in face of the unknown,' or, as the writer puts it, 'the renascence of wonder.' With regard to the phrase itself, in the introduction to the latest edition of Aylwin-the twenty-second edition-I made the following brief reply to certain questions that have been raised by critics both in England and on the Continent concerning it. The phrase, I said, 'The Renascence of Wonder,'
Is used to express that great revived movement of the soul of man
which is generally said to have begun with the poetry of
Wordsworth, Scott, Coleridge, and others, and after many varieties
of expression reached its culmination in the poems and pictures of
Rossetti. The phrase 'The Renascence of Wonder' merely indicates
that there are two great impulses governing man, and probably not
man only but the entire world of conscious life-the impulse of
acceptance-the impulse to take unchallenged and for granted all
the phenomena of the outer world as they are, and the impulse to
confront these phenomena with eyes of inquiry and wonder.
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