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Viewing: Blog Posts Tagged with: youtubing, Most Recent at Top [Help]
Results 1 - 7 of 7
1. He Lived Through This, Now Hole Co-Founder Offers His ‘Letters to Kurt’

Eric Erlandson, the guitarist who founded Hole with Courtney Love and helped create hit albums like "Pretty on the Inside" and "Live Through This," will publish a book of his reflections on rock 'n' roll, drug abuse and the loss of Cobain called "Letters to Kurt."

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2. Bit Parts in My Life

Hoboken, the humble and fantastically corrupt city in which I live is trumpeted as the birthplace of Frank Sinatra and baseball. The first birth is indisputable, the second is contentiously debated. There’s little doubt that The Cake Boss is filmed here, as evidenced by the hordes of salivating families who stand in line outside of Carlos Bakery for hours on end, just to get their pictures taken with a cannoli. For the most cynical of hipsters, Hoboken represents the type of gentrification they despise: in other words, the type of gentrification that doesn’t incorporate whimsical facial hair, fixed-gear bikes and artisan pickles. So it really gets their goats when they have to schlepp across the Hudson and mingle with us rubes, because Hoboken also happens to be home to Maxwell’s, one of the most intimate and celebrated music venues in the New York City metropolitan era.

The story of Maxwell’s, named after the old Maxwell House coffee factory that once dotted our shores, is well known to fans of the rock and roll music. In the 80s, an impressive slate of indie bands and up-and-comers graced its tiny stage–Nirvana, REM, The Replacements, Sonic Youth, Husker Du, etc. Local pioneers the Feelies and Yo La Tengo made their names here. Bruce Springsteen filmed his Glory Days video at the bar. Rock star investors saved it when it ran into troubles in 90s. And so on.

These days, the hot tickets are the kids on the cusp of breaking big. For instance, Titus Andronicus, everyone’s favorite anthemic Civil War appropriating rockers, played a few nights ago. There’s something to be said for seeing a band with everything to prove playing a tiny room that holds a couple hundred folks at best. I tend to miss these shows because my ear isn’t to the wall anymore. However, I do pop into Maxwell’s for some of the nostalgia acts that swing through regularly. Last week I caught a Lemonheads show, as I’m wont to do.

Most people know the Lemonheads from their early 90s cover of Mrs. Robinson (which they’ve basically disowned) and their alt-rock hit Into Your Arms. The bouncy, neo-hippieish videos for both begot unfair comparisons to bands like the Gin Blossoms and lead singer Evan Dando’s good looks made most think the band was more marketing than substance, an accusation echoed by the kids from Boston who hated preferred the Lemonheads scuzzy (and, frankly, undistinguished) punk adolescence and hated the addition of Blake Baby of Juliana Hatfield. It’s a shame really, because Dando, essentially the only real member of the Lemonheads since the early 90s, is a warm-voiced singer and a born songwriter who crafts hooks and melody better than 99.99% of his peers.

And he’s also a bit of a prick. I’ve seen him walk

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3. Stopping by Blogs on a Virtually Snowy Evening: Giving Authors Another Excuse to Wear Pajamas 24/7

...or "Whose woods these are, I think I know."

While you wait (not that you are, of course) for a new post, sharing a link to an article in Sunday's New York Times in re: book tours on blogs as a promotional tool for authors. (I know. The New York Times is supposed to report something we don't already know about.

It is always good news, however, to see traditional media peeking in the windows of the online world and giving credence to something we've long known: the internet is flipping cool. We're just not bears in the woods anymore. We are the forests-- and the trees.

"The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.


-Robert Frost, STOPPING BY WOODS ON A SNOWY EVENING (and, I suspect, if he could, Frost would be stopping by a few blogs as well)

.. and because I am compelled to make lemonade out of a lemon Live Journal entry, here's Frost reciting his classic poem. Okay. Now admit it. YouTube is truly the 8th World Wonder. ;>





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4. First Person POV: Life Beyond the Midtown Tunnel

and yes, I'm in the passenger seat.



"These two lanes will take us anywhere..."
Where I'm Coming From, what it feels like to leave the city behind and "stumble" towards the outskirts of town. Driving out of New York, driving home and into the arms of Long Island, kicking off my shoes and letting go...

My very first YouTube upload.


Pinch me. I feel as if I discovered electricity.
I YouTubed myself and.. it worked.
"Mr. Watson! Come here!"


It's Newbery/Caldecott announcement morning. Life's about to change for a few of you out there. I suspect you're not sleeping either. ;>



p.s. January 14th. Happy Birthday to my cousin David... wherever you are




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5. Mitt Romney Gettin' Down, Gettin' Jiggy with the People

Seriously.

He sets up a pose with a jovial group of African-American teens. Trying to be hip, he asks: "Who let the dogs out? Hoot Hoot."

I know. I KNOW. Someone open the window to get the stench of racism out of here.

At the 2:33 mark, he asks a BABY "What's HAPPENING?" and then talks about the baby's "BLING BLING." When he calls the little baby "Michael Jordan," I had to check my calendar to make sure it was 2008 and not circa 1863, somewhere on a southern plantation.

Yo, Mitt! You've got street cred in the hood now!

G-d help us. :{





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6. The Writer's Holy Grail - Lucy Coats



“Can I captivate and keep my reader till the last page?” This, surely, is the Holy Grail of the writer’s art—what we all want to achieve. Every reader reacts to a book differently, and experiences it in their own way. (That, among many other reasons, is why age-ranging is such a contentious subject. Every child reader is unique and cannot be conveniently boxed up in shelving segments. But that’s a whole other blog.) Going back to the question, you have only to look at any series of reviews on internet book sites such as Goodreads to see that where one reader will award five stars, another will award three, or even none.

So where do I, as a writer, start to create this state of Nirvana, this paradise where my readers are held in thrall to my every utterance? Why, with the very first paragraph, of course. There are, apparently (or so I have been told by no less a writer than a Costa Book Award winner), six criteria for a first paragraph, which are, in brief: snare, style, imagination, pace, narrative voice and theme. Personally I reckon that if you can get all these in, you are well on your way to perfection. I’ve never achieved it yet, but hey, whoever said reaching Nirvana was easy? I try to make a first paragraph the place where I set hooks (otherwise known as the aforementioned snares) to rouse interest and anticipation and expectation in my reader’s mind. ‘Why?’ they must ask, and ‘Who?’ and ‘What?’. It is the place where I endeavour to create a style signature which says ‘This is me. If you stay, I will take you on a journey of deep feeling and imagination during which your mind can be drop kicked into a different world. You will like it, I promise.’ (Here I imagine a hypnotic chant--'you willll, you willl!'. This may not be terribly realistic of me. I know this.) I always think of that first paragraph as a moving train, taking my reader to amazing places they really want to be, and travelling at a pace which makes them want to jump on and join in till the end of the journey, with interesting people for them to meet and get to know at the stops along the way. It’s the thing I work hardest on—my shop window, if you like—where I set out my wares in an effort to tempt and entice with hints of what is inside.

The problem is though, that I quite often change my mind as to where I want to start the book—or my Dear Editor changes it for me in a tactful and considering sort of way which, annoyingly, almost always makes sense. When I am working on a novel, I tend to see it as a huge and complicated jigsaw, spread out all over my mind. I try to get all those outside edges done first, to make a neat box within which I can place the pieces of my story. But sometimes a piece, or several pieces, won’t or don’t fit right, and I have to move them around, effing and blinding, till they slot in correctly. If a first paragraph I have worked very hard on does that, it is a nightmare akin to dropping the whole jigsaw on the floor and having to pick it all up and start again. That’s how important I think it is to get it right. The novel I am currently writing starts like this (or at least it does for now):

She heard the tree first. Its slow song seeped into her bones, telling a long tale of tiny white rootlets reaching into darkness, of branches stretching past uncountable stars. It was singing, and she was aware that that was odd, somehow, as she drifted in a place that both was and was not. Trees didn’t sing where she came from. That was one of the things she remembered, and that was odd too, because Magret Bickerspike knew she was dead; knew it with a certainty that was absolute. She’d been kneeling by the river, watching her ripple reflection in the light of a full moon. And then it had happened. A dragon had reared up behind her and speared her—yes, speared her right through the torso—on its curved talon. She felt her heart beat faster in remembered fear and shock and anger and pain at the knowledge that this was it. This was the end of her life. A fleeting thought floated, feather light, through her mind, brushing it gently. That’s all wrong. Dead hearts don’t beat. Dead bodies don’t feel. Dead brains don’t think. Then the tree song took her over again and a healing sort of humming filled her head murmuring to her of fairytales and endings, blocking out everything else. All she had time for was one last burst of inspiration before she faded back into nothingness. I’m alive. I’M ALIVE! she thought. And that surprised her very much indeed.

The question is; will my readers want to read on? Answers on a postcard (or comment form), please!

7 Comments on The Writer's Holy Grail - Lucy Coats, last added: 12/17/2008
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7. I Have Seen The Future and Oh G-d No, That's.. Me (Talking Head Mama in the Sky)

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