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By: Ingrid Sundberg,
on 3/21/2013
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by Rachel Lieberman
I write YA, and I often ask myself, “Does my writing promote good messages to teen girls?”
Now, don’t get me wrong. Stories that preach = BIG FAT NO. Making your story a mouthpiece for your beliefs is never a good idea.
This is not your job.
BUT that doesn’t mean that you’re never allowed to wonder who’s going to read your stories, and what those readers will get out of their experiences.
For my graduate lecture, I took a look at how feminist and post-feminist literary theory can help us look at YA literature and decide for ourselves what messages we want to send. Feminism is, at its core, the belief in equal rights for all genders, but of course there are many definitions and variations among those definitions. The question of choice (who gets to choose, and what they should choose) is sometimes a point of contention among critics.
I think that one of the reasons so many critics find fault with Twilight and novels like it is because Bella’s choices may be her own, but they are consistently at odds with the choices we want our girls to make. When we show characters who consistently choose dangerous, controlling partners, our fear is that young adult readers will also choose dangerous, controlling partners.
I don’t think this is an invalid concern, but my intention isn’t to debate or argue it. That’s for another time, another post. My intention is to say, that if you’re a YA writer and this is something you are thinking about, there are ways to develop a good feminist story without making it preachy or propaganda. I’ll share some methods that I found useful and talked about in my lecture.
1. What does your main character want? If it’s just a relationship, consider that in real life, a desire for a relationship is usually a symptom of a deeper desire for something else, like security or acknowledgment. Consider what other forces might be at work, and you’ll avoid creating shallow characters whose problems can be solved by a significant other.
2. Make sure your character stays active. Find places in the story that force her to act, that take away her safety net and test her. This is true of practically any story, but in YA romances, it’s especially important. She doesn’t need to be a hero, but she shouldn’t rely on her love interest too much.
3. Pay attention to your character’s love interest. Speaking of the love interest, don’t forget to pay attention to him! Or her. What does he want? Does he act in a way that harms the main character, and if so, are there negative consequences? If your character has to choose between two love interests (very common these days), is the choice made too easy (by having one character turn out to be a jerk)?
4. Romance novel vs. novel with romantic elements. A romance novel is a little different than a novel with romantic elements. A romance novel’s plot is dependent on the relationship between two characters, so if you want to write a story with feminist undertones, you might choose the other path.
5. Why do your characters get together? Think about the reasons your characters are together. Is it because they find each other so attractive? Or do they share a deep, mutual connection? The more you develop the relationship, and the reasons for it, the more likely you are to connect with readers.
6. The moral of the story. All of these factors combined puts you in a better position to control the final factor: the moral of the story. Once you’ve finished a draft, it might be a good idea to take a look around. What’s happened to the characters? Who’s alive? What have they had to sacrifice? Your character’s rewards and punishments reveal a lot about your story’s message. Is it the message you want?
There are, of course, many more factors than these six that you will need to pay attention to in order to write a great novel. But this is a place to start if your aim is to write a story with romantic elements that will both appeal to teen readers and give them characters and situations they can look up to.
Rachel Lieberman works in higher education and writes YA. Her short fiction has appeared in Opium, Awkward, Emprise Review, and others. She holds an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts. She lives in Tampa.
Visit Rachel’s blog: A Reputation in Digital Form: The Writerly Musings of Rachel Lieberman
Follow Rachel on Twitter: @LiebermanRachel
This blog post was brought to you as part of the March Dystropian Madness Blog Series.

By: Ingrid Sundberg,
on 3/21/2013
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by Rachel Lieberman
I write YA, and I often ask myself, “Does my writing promote good messages to teen girls?”
Now, don’t get me wrong. Stories that preach = BIG FAT NO. Making your story a mouthpiece for your beliefs is never a good idea.
This is not your job.
BUT that doesn’t mean that you’re never allowed to wonder who’s going to read your stories, and what those readers will get out of their experiences.
For my graduate lecture, I took a look at how feminist and post-feminist literary theory can help us look at YA literature and decide for ourselves what messages we want to send. Feminism is, at its core, the belief in equal rights for all genders, but of course there are many definitions and variations among those definitions. The question of choice (who gets to choose, and what they should choose) is sometimes a point of contention among critics.
I think that one of the reasons so many critics find fault with Twilight and novels like it is because Bella’s choices may be her own, but they are consistently at odds with the choices we want our girls to make. When we show characters who consistently choose dangerous, controlling partners, our fear is that young adult readers will also choose dangerous, controlling partners.
I don’t think this is an invalid concern, but my intention isn’t to debate or argue it. That’s for another time, another post. My intention is to say, that if you’re a YA writer and this is something you are thinking about, there are ways to develop a good feminist story without making it preachy or propaganda. I’ll share some methods that I found useful and talked about in my lecture.
1. What does your main character want? If it’s just a relationship, consider that in real life, a desire for a relationship is usually a symptom of a deeper desire for something else, like security or acknowledgment. Consider what other forces might be at work, and you’ll avoid creating shallow characters whose problems can be solved by a significant other.
2. Make sure your character stays active. Find places in the story that force her to act, that take away her safety net and test her. This is true of practically any story, but in YA romances, it’s especially important. She doesn’t need to be a hero, but she shouldn’t rely on her love interest too much.
3. Pay attention to your character’s love interest. Speaking of the love interest, don’t forget to pay attention to him! Or her. What does he want? Does he act in a way that harms the main character, and if so, are there negative consequences? If your character has to choose between two love interests (very common these days), is the choice made too easy (by having one character turn out to be a jerk)?
4. Romance novel vs. novel with romantic elements. A romance novel is a little different than a novel with romantic elements. A romance novel’s plot is dependent on the relationship between two characters, so if you want to write a story with feminist undertones, you might choose the other path.
5. Why do your characters get together? Think about the reasons your characters are together. Is it because they find each other so attractive? Or do they share a deep, mutual connection? The more you develop the relationship, and the reasons for it, the more likely you are to connect with readers.
6. The moral of the story. All of these factors combined puts you in a better position to control the final factor: the moral of the story. Once you’ve finished a draft, it might be a good idea to take a look around. What’s happened to the characters? Who’s alive? What have they had to sacrifice? Your character’s rewards and punishments reveal a lot about your story’s message. Is it the message you want?
There are, of course, many more factors than these six that you will need to pay attention to in order to write a great novel. But this is a place to start if your aim is to write a story with romantic elements that will both appeal to teen readers and give them characters and situations they can look up to.
Rachel Lieberman works in higher education and writes YA. Her short fiction has appeared in Opium, Awkward, Emprise Review, and others. She holds an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts. She lives in Tampa.
Visit Rachel’s blog: A Reputation in Digital Form: The Writerly Musings of Rachel Lieberman
Follow Rachel on Twitter: @LiebermanRachel
This blog post was brought to you as part of the March Dystropian Madness Blog Series.

I never thought I would be an author. I hear lavish tails from other authors about where they began their literary journey, like at age four writing plays and short stories. That was not me. I wasn’t a great student in high school, scraping by to get that diploma. I took a few years off after graduation, found myself, and gained perspective. I did return to college and actually worked my tail off to get the hardest degree I could find. I majored in biomedical engineering science at Washington University in St. Louis. After college graduation, I took a nice position with a local pharmaceutical company and continue to work there full time. I was the ”slacker” turned ”nerd” and loved it.
One day I took my son to see Twilight—he loved vampires and I was an avid Buffy fan. Wait, don’t stop reading! We all have strong feelings about the Twilight saga, and I am not debating them in this post. Seeing that movie changed my life, I know what you are thinking…really? But yes, it did.
I bought the book that night. That was the first time in my life I actually read for pleasure. I had read thousands of books, mainly text books and medical journals, but Twilight was different. I devoured the entire series in a week. Stayed up all night to read, was a zombie at work, ignored my husband. Like a junkie, I was hooked.
I finished the series, and I can’t believe I am going to admit this, but I actually hugged the books. I was so moved by words on a page. I thought, I want to do that. Not marry a vampire and have a half vamp/half human child, but write a book that moves people.
The big question was what would I write about? Did I have a story in me to tell? Two weeks went by. One day driving home, I was given the story. I knew the characters, the story arcs, and all the funny drama that would ensue. Maybe I was given THE KINDLING by accident? Maybe God meant to give it to the car in front of me and miscalculated his idea trajectory. But I got it, and I am forever grateful.
I believe we all have great ideas, and it’s the action or non-action that can change our destiny. I took action that day. I went home and wrote the first three chapters of THE KINDLING. By the way – they were terrible, like I said I wasn’t a writer.
Fast forward four years—yes, four years! I studied, learned, went to conferences, followed agent blogs, met other aspiring authors, got my own blog, and it was hard. I queried way too soon (that’s another funny story!). I made many mistakes along the way, but I learned from them and never gave up. And now my first novel, a paranormal romance titled THE KINDLING is releasing in March 2013 published by MuseItUp Publishing. I hope you find the time to read my accident; it’s a good one.
* * *
Brandi Schmidt lives outside St. Louis with her husband, three beautiful children, and one loveable Golden Retriever. She is in love with love and admittedly cries at anything sappy. You can follow her at www.BrandiSchmidt.com or Facebook at www.facebook/authorbrandischmidt. Her twitter handle is @BrandiSchmidt . You can purchase THE KINDLING at www.museituppublishing.com or any other ebook suppliers.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
By:
Betsy Bird,
on 12/16/2012
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I think the nicest thing about the internet, for me anyway, is that if you wait around long enough things that you’ve seen live will appear online and then you can let lots of people know about them. For example, this video of Daniel Handler/Lemony Snicket and Maira Kalman is not new. It does, however, contain the only known record (known to me) of them both talking about the photograph game they would play. The photo involving the catapult and the giant ice cream is a bit dangerous as it makes me giggle for long periods of time.
Next up, the only thing better than bad lip reading of Twilight? Bad lip reading of New Moon. True fact.
Read a really good independently published children’s book this week. Self-published and remarkably fun. It even has one top-notch book trailer to accompany it. Check it out, peoples.
If the author’s name sounds familiar, that would be Ms. Lynn Messina of Little Vampire Women fame. On an unrelated note, she also owns awesome boots.
Big time thanks to David Maybury for directing me to his link to this video of Laureate na nÓg Niamh Sharkey working with students from Griffeen Valley Educate Together on a Christmas Window for Hodges Figgis Bookstore in Dublin.

I’m now harboring fantasies of some store in New York doing something similar. Books of Wonder maybe, though Bank Street Bookstore would probably get more foot traffic watching. I mean, if Dublin can do it, we can too, can’t we?
And finally, for the off-topic video sometimes you just gotta give cred to the science/digital geeks. Serious cred.

Thanks to BoingBoing for the link!

Hello, friends! Today I am very excited to show you the
Essence Breaking Dawn Part 2 nail polish swatches. I love nail polish and makeup and am a total sucker when movie and book theme collections come out. Essence came out with a whole line for Breaking Dawn Pt 2. I picked up all of the nail polishes and, because I love you guys, a few extra items for a blog giveaway. If you want more information on the collection, check out the Essence website
here. Beware that this post is pretty pic heavy. And apologies if I go into too much nail polish speak, but I am sure you understand. :)
Alice Had A Vision
First up is Alice Had A Vision, a really pretty glass fleck glitter. It has a purple base with lots of pretty blue and purple glitter. This is two coats. It was a bit sheer and not pretty on the first coat but the second coat evened it out.
Jacob's Protection
Next up we have Jacob's Protection. Let me just say that these names really crack me up. Anyway, this one is similar to Alice Had A Vision except that it's a blue/black base with blue glitter. Again, it was bit murky and sheer on the first coat but the second made it all better.
Edward's Love
Edward's Love is another glass fleck glitter with a black base and grey/silver glitter. It also seems to have a little bit of a gold cast. Again, this is two coats.
A Piece Of Forever
The last polish in the collection is A Piece of Forever. I guess a piece of forever looks like a frosty gold. This was probably my least favorite out of all of them. It's a bit too warm for my liking and too frosty. On the right skin tone it might look good but it wasn't my cup of tea. This is two coats.
Overall I thought the polishes were worth the $2 each I spent on them. The glitters were a little thick but they were workable. A little thinner might make them easier to apply. I enjoyed the glitters. None of them are super unique though Alice Had A Vision is quite pretty and probably my favorite out of this collection. And I got a kick out of the Breaking Dawn factor. I think this collection was only available Ulta and I really doubt you'll be able to find it anymore. But we're going to hook you up with a giveaway very soon.
Thanks for meandering with me down nail polish lane. For more pics of these polishes, go to our
Facebook album. Does anyone else love themed collections as much as me?
Yep. I read it.
I have a series of reactions to
Fifty Shades of Grey:
1) This book is popular. I mean, really, really popular. It is bigger than
Harry Potter popular
in the UK, it was responsible for
20% of all book sales in the spring, it sold 25 million copies in 4 months; by contrast, it took the Stieg Larsson
Millennium trilogy
four years to sell 20 million copies.
Pop. U. Lar.
2) I called it. (Well, sort of.)I've long maintained that although the e-book era favors people with existing audiences,
freakish unexpected hits would come out of nowhere, including from authors without a major platform at all. Much like viral videos.
And make no mistake: This book came out of nowhere. It started as
Twilight fanfiction, then was
released as an e-book and POD paperback by Writers' Coffee Shop in Australia. From there it managed to attract so much word-of-mouth attention and sales it was acquired for a rumored near-million dollars by Vintage Books, part of Random House, and has gone on to aforementioned further massive success.
The publishing industry did not see this one coming. I think it's safe to say that virtually no one did. Even five years ago it's hard to see how this book would have rocketed to such success so quickly, if would have found its way to publication at all (I'm guessing it wouldn't have).
But note that
Fifty Shades of Grey needed a publisher to get truly big. Publishers may not have seen it coming, but they caught up to it very quickly. I wouldn't use this as an opportunity to sneer at publishers. The industry's role as gatekeeper is changing quickly, it's likely evidence that they were missing books like this in the past and
cared too much about writing quality, but they're still making money on this hand over fist.
3) It's not as bad people say it isGiven the howls have accompanied this book's success and the snarky takedowns, I was really expecting drivel.
It's not drivel. It's not Shakespeare, but from a prose perspective I would call it competently written.
Yes, there are writerly tics, yes there are elements that are implausible, yes yes OMG a helicopter called Charlie Tango, more on all that in a minute. But the end of the world for books this is not.
I've read worse.
4) That said...I'm not exactly an expert, but I can see why some people have wondered aloud if this is
one step back for feminism. Much of the book hinges on very confused 21-year-old virginal Anastasia, seemingly plucked straight out of the 1950s, wondering whether this 27-year-old experienced, troubled-but-heart-of-gold self-made billionaire industrialist likes her no I mean really likes her no I mean really really
really likes her.
Their times apart consist mainly of Anastasia confusedly spurning the advances of other men who are interested in her, talking herself out of the notion that Christian Grey no I mean really likes her, and finding new reasons to feel jealous about his past, aided and impeded by both her subconscious and inner goddess (separate voices!), who alternately scold her and high five her for her adventurousness. Anastasia has few thoughts, feelings, emotions, or ambitions regarding anything other than how much Christian Grey actually truly no I mean really likes her and whether she can abide by the terms of the written contract and tortured legalese (in more ways than one) that governs their relationship.
Christian Grey is the type of person who will scare Anastasia to death then introduce her to his mom, leave her bruised and then soulfully play the piano, all the while being so stricken by his attraction for Anastasia (including, it can't be said enough times, the way she bites her lower lip) that he is willing to break all sorts of previously unbendable rules, such as being affectionate and sleeping in the same bed as her until, spoiler, whiting this part out, select it with your cursor if you want to read this:
she concludes after a savage spanking that much as the great Meat Loaf sang, she would do anything for love but she won't do that. Well. At least pending the sequels.
This, ladies and gentlemen, is one of the very most popular books of all time.
5) So, um, why is it so popular?Needless to say, I am not exactly the target audience for this book.
But even I can see how
Fifty Shades of Grey fits neatly into a very old archetype that continues to resonate in our culture. The aloof, successful, mysterious, wildly attractive rogue who shows interest in a woman despite her initial resistance and even after that man warns the woman about himself: It's not a new story. You can trace that archetype from
Jane Eyre to
Pride and Prejudice to
Twilight to
Fifty Shades of Grey and countless other iterations. It's a new spin on a very old trope: romantic entanglement with a
Byronic hero.
I also don't think it's only women who are prone to stories of an ardent and attractive suitor arriving to shake up their life, as the
manic pixie dream girl movie genre can attest. Many heterosexual guys seemingly want a hot girl to come along and take care of everything as well, preferably when she's played by Natalie Portman or Zooey Deschanel.
Fifty Shades of Grey may not break new ground, but surely it benefited from being released in the
Kindle/
iPad era (where onlookers can't easily see/judge what you're reading), it gave an urbane veneer to a romance genre that very often skews rural/suburban, and if you'll excuse the metaphor,
Twilight may well have primed the pump for a book that maintains the same archetypal romantic dynamic while allowing its protagonists to consummate their relationship.
Why now? Maybe as we sprint toward chartering new gender and relationship dynamics with more sensitive guys and greater equality there's some appetite to escape into a story with a less complicated and familiar throwback to a dominant man and submissive woman. Maybe we've become such a sexually open society people were ready for the needle of mainstream edginess to be moved a little farther over. Maybe Christian Grey and his dorkily named helicopter are just that hot.
Maybe, at the end of the day,
bestsellers are largely random.
What do you think? What has made
Fifty Shades of Grey such a phenomenon?
By:
Betsy Bird,
on 10/7/2012
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Who says you need to be Ed Emerley to make fingerprints dance? A canny bit of book promotion, this title is out this year but I certainly hadn’t heard of it until now (Laurence King Publishers, anyone?). Now I’ll need to see it for myself. It’s Let’s Make Some Great Fingerprint Art by Marion Deuchars. Thanks to Julian Hector for the link!
Altogether now . . . awwwwwwwwww.
Okay, book trailer time. Full discloser, Mr. Eliot Schrefer is in my writing group and I read this book, Endangered, in manuscript form. The man can write. I mean, really write. I don’t see much YA in a given year, but I saw this and it was glorious. But, in the words of the immortal LeVar Burton, you don’t have to take my word for it.
https://www.youtube.com/watch?v=p75AP5ABuE8&feature=embed
Or, if you’d just rather watch Eliot get covered in apes:
https://www.youtube.com/watch?v=nILY_hhsKvE&feature=embed
Then there’s Mr. Jarrett Krosoczka. Or, as I like to think of him, the hardest working man in show business. Now I only assume this, but surely he teaches other authors how to use social networking and technology to connect with fans, yes? I only wonder since he’s sort of really good at it. Example A: a recap of a webcast his did with kids recently. Theme song and all:
Example B: The comics that were made during the workshop. I rest my case.
Finally, my off-topic video that isn’t very off-topic. If I’m going to be honest, I almost opened the post today with this bad lip-reading of Twilight. What can I say? It made me laugh very very hard (on the second segment anyway). Forgive me if there’s a political ad before it.
Relatively quiet weeks in books as the dog days of summer are here, but I spotted a few good ones for you. As always, please share the best ones you saw in the comments section!
Colson Whitehead, who is spectacular on Twitter, is equally spectacular in the pages of the NY Times as he has 11 rules for writing, some of which are hilariously dubious. My favorite is #8.
The Fifty Shades of Grey trilogy has now outsold the Harry Potter series on Amazon UK. Yes, really.
Probably not a coincidence that another self-published book that started as Twilight fan fiction just sold for seven figures.
Who says agents aren't embracing the future? Agent Ted Weinstein built a widget that allows you to sell books from multiple vendors on your blog or website. Check it out.
Adding to the chorus that social media alone can't sell books, industry sage Mike Shatzkin gets at the broader question that is getting more and more crucial to answer: does the publisher add value commensurate with their share of the revenue?
And, of course, since it's summer, book covers matched with bikinis!
This week in the Forums, debating re-writing classics with an erotic slant (will that be the new X and Zombies?), new vs. experienced agents, writing from loneliness, and what to do when an idea takes over.
And finally, one of my favorite viral videos of all time, I give you Buttermilk the very excited goat!
Have a great weekend!
I’m pretty much standing alone among writers in saying that the Fifty Shades of Grey phenomenon is a good thing. The general stance is that it’s poorly written commercial drivel leading the reading (and non-reading) masses astray. Me? I think the issues and opportunities are—please excuse the pun—a little more grey.
First and foremost, there’s an element of ‘why her and not me?’ in some writers’ chagrin. Nobody likes a whinger. It’s admittedly got to bite a bit when E.L. James’ writing’s so guffaw-inducing bad (my friend and fellow editor Judi makes me giggle regularly by quoting the bit about Ana’s very own ‘Christian-flavoured popsicle’). It’s got to bite a bit more when you’ve been slaving away for years at your own writing with limited success.
But it ignores the fact that there’s a lot going for Fifty Shades, not least that its success has opened others’ doors. I’ve personally been offered a number of chances to review ‘the next’ Fifty Shades book and to interview its author. Ergo, opportunities for me and opportunities for erotic fiction authors who, it should be noted, were until recently low on the (little-discussed) writing hierarchy—they’re like romance writers but considered more snicker-worthy.
Surely those writers should be grateful that James’ trilogy has ratcheted up the chance of erotic fiction writers for obtaining publishing contracts and has driven eyes and sales to the genre? And beyond the genre, for that matter—James’ own husband has scored a book deal for his crime thriller (I’d be lying if I said I hadn’t considered trying to find and marry an up-and-coming writer who might be able to piggyback me across the bestselling line).
Mr James’ book is apparently in no way connected to Fifty Shades, but who are we kidding? Everyone’s going to be scouring the pages for hints of his and Mrs James’ sex life (and if I were him I wouldn’t care—a book sale’s a book sale and he might even gain some readers who otherwise didn’t know they enjoyed thrillers).
Because for all the ‘it’s so badly written’ grumbling, Fifty Shades has done for erotica what Dan Brown’s The Da Vinci Code and Stephenie Meyer’s Twilight and JK Rowling’s Harry Potter have done for their respective genres before—they’ve got people reading and they’ve got people talking about reading.
Whether readers and critics realise it or not (and it’s the ‘or not’ that’s arguably key in the same way that parents try to ensure that kids don’t realise they’re eating green vegies)
I picked up a copy of Fritz Leiber's Conjure Wife on Amazon. Yes, I went for the dead tree edition for six bucks rather than a $7.69 e-copy. I'm still that guy. If the price was $3.99 or less on Kindle, maybe... but that's beside the point.
I'm a good twenty pages in, and it's a fine book, but the cover troubles me:
This woman is
not Tansy. Not in my imagination. Not from a book published in 1943, no matter how dark the fantasy. The hair, her dress, the gothed-out eyes... Not to mention the words at the bottom of the cover: "The Classic of Urban Fantasy". What?
Urban Fantasy wasn't even a phrase one used in 1943. Was it?
This is
marketing, sure, disguising a classic horror novel in trappings of the now to sucker new readers. Not unlike slapping a
Twilighty cover on
Romeo and Juliet,
Wuthering Heights, and
Pride and Prejudice:
Oh yes they did.
Does the cover effect my reading of the book? The jury is still out, but if I'm thinking about the cover instead of the content, I'd have to say all signs are pointing to YES. What about you?
Summit Entertainment has released the first teaser trailer for The Twilight Saga: Breaking Dawn Part 2. We’ve embedded the trailer above–what do you think?
The 15-second clip has drawn more than 116,800 “likes” on Facebook. The film comes out in November, and the full trailer will be available on the movie’s Facebook page on March 26th.
Stephenie Meyer‘s novel Breaking Dawn features an elaborate plot inspired by two William Shakespeare plays: A Midsummer Night’s Dream and The Merchant of Venice.
continued…
New Career Opportunities Daily: The best jobs in media.

Archer (Image via EW)
Archer, the wildly successful animated show that surpasses even Mad Men in the number of drinks the characters consume in a single episode has been renewed for a 4th Season. The Emmy and Annie Award nominated FX cartoon has been averaging about 2 million viewers per episode this season, up 32% from last season. And keerist, I hope I make it home in time tonight to be one of them. (via HuffPo)
The trailer for Morgan Spurlock’s retardedly titled Comicon Episode IV: A Fan’s Hope has debuted on the interwebs and is available for your viewing pleasure at the link (via The Hollywood Reporter)
SPOILER ALERT!!!!!! There are more Walking Dead production leaks floating around, this time on an IMDB message board. This one says the next episode is Shane, Rick and new soon to be half-legged survivor, Randall, centric. Spinoff Online also has a pretty neat behind the scenes clip of just what it takes to make everything look all zombie awesome on the show.
In this week’s John Carter ramp up news, Andrew Stanton will have you know, among other things, that there’s been no budget overage, damnit! (via Spinoff Online) Also, two of the film’s stars Taylor Kitsch and Willem DaFoe say they’re contractually obligated to do sequels (via /Film)
Bleach is getting the live action treatment from Warner Brothers (via The Beat)
Lots of book news today as the BA, the biggest domestic book show of the year, has kicked off this week. Here’s the announcement for part 2 of TWILIGHT: THE GRAPHIC NOVEL. Illustrated by Young Kim, the first part (left) of the adaptation of Stephenie Meyer’s sensational vampire tale sold 66,000 copies in one week and had a 350,000 first printing.
PR Below.
Yen Press, the graphic novel imprint of Hachette Book Group, announced that it will publish the eagerly-awaited second volume in the graphic novel adaptation of Stephenie Meyer’s Twilight on October 11, 2011. Twilight: The Graphic Novel, Volume 2 will be released as an e-book and in hardcover for $19.99 ($22.99 CAN) with a first printing of 350,000 copies.
A visually arresting retelling of the story that has captured the hearts and minds of countless fans, Twilight: The Graphic Novel, Volume 2 contains selected text from Meyer’s original novel with illustrations by the talented Korean artist Young Kim. Kim’s unique artistic style which combines Asian and Western comic techniques are showcased in this black-and-white graphic novel with color interspersed throughout. Meyer consulted throughout the artistic process and had input on every panel.
“Knowing how beautifully Young Kim rendered the Twilight universe in the first volume, I couldn’t wait for this next one,” remarked Meyer. “Her illustrations of characters and settings gorgeously capture the world and are very close to what I saw in my mind’s eye while writing Twilight.”
Kurt Hassler, Yen Press Publishing Director, commented, “The first volume of the Twilight graphic novel was an utter phenomenon in the category, and the reception by Stephenie’s fans was absolutely overwhelming. It’s an incredible testament to the collaboration between Stephenie and Young Kim, and we cannot wait to be able to put the second volume into the readers’ hands!”
Stephenie Meyer has become a worldwide publishing phenomenon. The Twilight Saga’s translation rights have been sold in nearly 50 countries and 116 million copies have been sold worldwide.

Lots of book news today as the BA, the biggest domestic book show of the year, has kicked off this week. Here’s the announcement for part 2 of TWILIGHT: THE GRAPHIC NOVEL. Illustrated by Young Kim, the first part of the adaptation of Stephenie Meyer’s sensational vampire tale sold 66,000 copies in one week and had a 350,000 first printing.
Yen Press has provided us with a sneak peek at the cover to Volume 2, featuring dreamy Edward Cullen, as portrayed by Kim.
PR Below.
Yen Press, the graphic novel imprint of Hachette Book Group, announced that it will publish the eagerly-awaited second volume in the graphic novel adaptation of Stephenie Meyer’s Twilight on October 11, 2011. Twilight: The Graphic Novel, Volume 2 will be released as an e-book and in hardcover for $19.99 ($22.99 CAN) with a first printing of 350,000 copies.
A visually arresting retelling of the story that has captured the hearts and minds of countless fans, Twilight: The Graphic Novel, Volume 2 contains selected text from Meyer’s original novel with illustrations by the talented Korean artist Young Kim. Kim’s unique artistic style which combines Asian and Western comic techniques are showcased in this black-and-white graphic novel with color interspersed throughout. Meyer consulted throughout the artistic process and had input on every panel.
“Knowing how beautifully Young Kim rendered the Twilight universe in the first volume, I couldn’t wait for this next one,” remarked Meyer. “Her illustrations of characters and settings gorgeously capture the world and are very close to what I saw in my mind’s eye while writing Twilight.”
Kurt Hassler, Yen Press Publishing Director, commented, “The first volume of the Twilight graphic novel was an utter phenomenon in the category, and the reception by Stephenie’s fans was absolutely overwhelming. It’s an incredible testament to the collaboration between Stephenie and Young Kim, and we cannot wait to be able to put the second volume into the readers’ hands!”
Stephenie Meyer has become a worldwide publishing phenomenon. The Twilight Saga’s translation rights have been sold in nearly 50 countries and 116 million copies have been sold worldwide.
By: Anastasia Goodstein,
on 6/28/2011
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‘Spy Kids: All The Time In The World In 4D’ promises to be an interactive experience (since it’s in…aromascope! Viewers will get a card with eight numbers to scratch and sniff when those corresponding numbers appear on the... Read the rest of this post
By: Mark Miller,
on 7/23/2011
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Recently, I was invited to join the group Writers of the South (USA). It is a small, but enthusiastic group of authors in every type of genre. The group is aimed at supporting and promoting authors in Alabama, Georgia, Florida, Mississippi and Tennessee.
As we grow, we plan to take several opportunities to showcase the varied and talented people in the group. We will hit it hard over the next couple of days, hopefully gaining some new exposure and introducing you to writings you might not have found otherwise. Looking at the group, there is something for everyone, so be sure to check these posts every day. The plan is to do this again in a few months.
Corine says, "Welcome To My Legend! I am an apiring author who loves to write YA in the supernatural/romance/thriller/humor. I welcome negative and postive feedback. It will be taken seriously and without prejudice. Thank you so much for your support!!!"
Sandy has been writing from personal experiences since she was a teen. More recently, her work has taken a turn with inspiration from Stephanie Meyers' Twilight Saga
. Check out her YA supernatural writing at the link above!
By: Maryann Yin,
on 8/2/2011
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Writers Veronica Roth, Marie Lu and Erin Morgenstern all landed movie deals for their debut novels.
Roth released Divergent in May; Morgenstern’s book The Night Circus is due out in September and Lu’s title Legend will hit bookstores in late November. Lu sold her book’s movie rights to CBS Films. Summit Entertainment snatched up the rights to Roth and Morgenstern’s novels.
According to Variety, Harry Potter film producer David Heyman is interested in The Night Circus film. Deadline reported that Twilight film producers Marty Bowen and Wyck Godfrey are looking at Legend. All three authors made an appearance at this year’s San Diego Comic-Con.
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Disney debuted the TV movie ‘Phineas and Ferb: Across The 2nd Dimension’ on Friday (and the flick — based on the TV series of the same title — drew in an impressive 7.6 million viewers! It’s the top cable movie of the year so... Read the rest of this post
By: Brian Minter,
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This week is Banned Books Week, an annual event celebrating our freedom to read whatever we like. It’s not that we want to celebrate the banning of books, of course. What we celebrate is the power of books to convey ideas, even ideas that are shocking, controversial or unpopular.
Sponsored by the American Library Association and many others, Banned Books Week is an important way to shine a light on these books. Many of the books highlighted during Banned Books Week were only the target of attempted bans; a powerful reminder of the importance of staying vigilant about protecting our First Amendment right to read any books we like.
At First Book, we like to walk the walk, so we make a special effort to ensure that the schools and programs in our network have access to high-quality books – including many that have been banned, or the target of attempted bannings.
- The Adventures of Huckleberry Finn, by Mark Twain.
- The Diary of a Young Girl, by Anne Frank.
- Autobiography of Benjamin Franklin, by Benjamin Franklin
- The Chocolate War, by Robert Cormier
- Fighting Ground, by Avi
- The Golden Compass, by Philip Pullman
- I Know Why the Caged Bird Sings, by Maya Angelou
- Madame Bovary, by Gustave Flaubert
- Scarlet Letter, by Nathaniel Hawthorne
- To Kill A Mockingbird, by Harper Lee
- Twilight, by Stephenie Meyer
Check out these books (and more) on the First Book Marketplace, and make sure the kids you serve have the chance to read them all, and make up their own minds.
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We know Millennials have more relaxed views about online privacy (than do older generations, but even they might think Warner Bros. has crossed the line with its new online “social series” called “Aim High.” Starring Jackson... Read the rest of this post
By: Anastasia Goodstein,
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Every time ‘Hunger Games’ content hits the Web, the Internet goes into a frenzy (which happened overnight when promo posters of the film’s stars were released. Fans may have been critical of the movie’s casting originally, but we doubt they... Read the rest of this post
Happy Breaking Dawn release day! Love it or hate it, you probably have an opinion about Breaking Dawn. Personally, it was my least favorite book out of the four and I think it's ridiculous that they've broken it up into two films. However, it's a tradition among my friends to get a group together to see the movies when they're released. I don't think they're great movies but they're fun and I always have a good time seeing them with my friends. And no, I do not have midnight tickets. We are going Sunday afternoon and I am really looking forward to it.
So in the spirit of fun, we here at RNSL are hosting a Breaking Dawn Giveaway. One lucky winner will get the following goodies:
Breaking Dawn Hardcover
Twilight Deluxe CD soundtrack album
New Moon soundtrack album
Eclipse soundtrack album
Breaking Dawn soundtrack album
Another two winners will be picked to get Breaking Dawn CDs. That's 3 winners total. Following is not required though it's always appreciated. All you have to do is leave a comment with whether or not you love or hate Breaking Dawn and why. Sorry, only open to U.S. residents. Good luck!
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By: Maryann Yin,
on 11/18/2011
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Twihards around the world will watch The Twilight Saga: Breaking Dawn Part 1 this weekend. In the latest installment of the blockbuster series, fans can expect to see a dramatic vampire wedding and eventful honeymoon.
We caught up with screenwriter Melissa Rosenberg to talk about writing scripts and the adaptation process. The highlights follow below…
Q: Describe the writing process when you are charged with adapting a book for a script versus writing an original script.
A: Each comes with its own challenges, but nothing is more difficult than starting with a blank page, as a writer does with an original project. I had the good fortune to start with an already fully fleshed out universe and mythology. But an adaptation comes with its own challenges: Honing a 500 page novel into a 110 page script. Externalizing very internal character arcs. Not pissing off the millions of fans around the world who don’t understand, or frankly care, that a book and a movie are very different animals, and that one can’t simply transfer the entire text into screenplay format and shoot it.
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New Career Opportunities Daily: The best jobs in media.
Just read this post and wanted to pass it along in hopes that others would help:
Fellow Blogger loses everything...
January 21, 2012, Posted by Donna at 11:05 am
One of our fellow bloggers and dear friend Yara lost everything yesterday in a devastating house fire. She and her family are all safe, but they have lost everything.
If you want to help Yara and her family we suggest you do so through the Twilight Moms site. If you want to support Yara, please follow this link.
We totally trust that Lisa and the Twilight Moms will make sure every penny reaches Yara and her family. And every penny will help them rebuild the pieces of their world.
Sending positive thoughts your way, Yara!
~EFG Staff
To help and/or donate, please
click here.
By: Anastasia Goodstein,
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There were few surprises at the Grammy Awards this year, including Adele taking home (six awards, winning in every category in which she was nominated. The Grammys tried to reach out to a young audience with a showcase of electronica music, which... Read the rest of this post
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Characters like Bella and Anastasia really upset me. It’s like teens of today don’t understand how women in the 50-80s had to fight for respect and equal job opportunities. They think it’s now their right to choose to not work and want a man take care of them. I know teens will learn the ugly truth about men and love as they get older, but I find myself repulsed by many heroines (and writers) of today’s YA for propagating the fantasy that being dependent on someone else is a good thing.
Reblogged this on Wild About Words and commented:
Rachel’s take on post-feminism and writing strong female protagonists is a must read.
Wow. Excellent post (and I plan to purchase your lecture). I gave serious consideration to this issue as I wrote my WIP. I wanted to include romance, but didn’t want the book to be all about that. I wanted my heroine to yearn to be strong and capable, something I want for my nieces and the other teens in my life. And I want my nieces to read this post!
Rachel’s lecture on this topic was fabulous! I’ve been having a lot of discussions with writer friends about social responsibility and art. This post has aligned nicely with what’s been on my mind!
I was trying to write a novel that might turn out to be YA with a female protagonist and one of the issues that I was running into was that people seemed to take issue with the fact that there was no love interest or love story. In fact they kept pegging male characters as the emerging love interest. Do you think that in today’s world YA pretty much has to have a love interest?
Justin – I think you need to be true to your character. If your female protagonist isn’t interested in your side characters, she isn’t interested. You can’t force her to have a relationship! It will feel false and your reader will feel that. However, if she happens to take a liking to someone (and maybe she does, you’ve got to listen to her and what she wants), that’s different. Your readers might be picking up on signals that your character is dropping for you. It’s also possible your readers are projecting. Trust your writer instincts! You know your character better than anyone else.
Thanks so much for posting this! My thoughts exactly- especially #3!
Great topic & tips. Do you think it’s possible to write a feminist YA romance novel?
I think so. Why can’t contemporary girls have it all?
Hi Cynthia! It’s actually been suggested to me that a romance cannot, by its definition, be a feminist text. But I don’t know that I necessarily agree, because “feminism” itself is such a loaded term, so to say that there is no such thing as a feminist romance is saying that there is a strict definition of feminism that everyone has agreed upon.
I think it’s entirely possible that a YA romance can be feminist, but I also understand why some might disagree, and I think it comes down to the audience, especially for YA. It’s an audience that may be questioning its position in society a lot more, and therefore the values behind the romance might have a more profound impact. So, say Twilight had been written for an older audience with older characters, but other than that it was the same (and no, I’m not talking 50 Shades of Grey). Would it have the same reaction from the public or its readers? I’d argue no. It resonates with teens because it speaks to something they want, and it gets a reaction from us older people because we’re worried about what they want. I think readers tend to see more feminist value in adult romances because they are marketed as an escape for readers, rather than as a potential “promise” that things might turn out a certain way. But I’m not comfortable saying that there is no such thing as a YA feminist romance novel, because I feel like that would be saying I have examined the subject from every possible angle, and since a 45 minute lecture and 600 word blog post can only contain so much theory, I can’t say that I have.
There’s a great quote by Peggy Orenstein from Cinderella Ate My Daughter that I used in my lecture, but not this post, where she talks about the fact that one of the reasons Bella as a character (and characters like her) appeals to so many readers is because she isn’t perfect or gorgeous, but she gets the guy everyone wants. She shows that you don’t have to be a long-legged beauty with flawless complexion to be desirable. In that sense, I’d say that Twilight could actually be a feminist romance novel, but in my lecture I moved it more towards the post-feminist side of things.
I hope that all makes sense!
Hi Justin! I would say definitely not. Yes, you’re going to see the vast majority of YA novels today have some sort of romance, but if you’re true to your character, the audience will respond. I will say I’ve met young readers who say, “If it doesn’t have a romance, I don’t want to read it,” but I’m willing to bet that if they read a good, solid YA with a well-developed female protagonist, they would be so absorbed in the story they wouldn’t even care if there was a love interest. Don’t feel that you have to cave to pressure. Your readers will probably react more negatively to a forced love story than they would to no love story at all.
BUUUUUUT, that’s not to say you won’t encounter agents and editors who say the opposite of me, so I don’t want to steer you in this direction of thinking my advice is the only advice. I’ve attempted, in the past, to write YA without romance, and I often find myself adding one. Not because I’m caving to pressure but because the characters you’re writing about are at ages where the hormones are flying, so it’s not crazy to think that some guy or girl might catch their eye.
As you can see, I have come to a not-at-all firm conclusion about this topic.