I want to tell you a story about Keondra.
In a few days, Keondra will start second grade at Harrowgate Elementary School in Chester, Virginia. She cannot wait to be back in the classroom.
When she began elementary school, Keondra was a reluctant reader. She struggled academically. And then she had to repeat first grade.
But Keondra’s teacher recognized her potential and turned to First Book. Thanks to the support of our generous donors, she was able to give Keondra a new book to take home and read every month.
That’s why I’m invite everyone to join First Book’s Monthly Book Club. Your monthly gift is easy to make and provides an ongoing supply of new, high-quality books to kids like Keondra.
With each month and each new book, Keondra became a stronger reader. Her grades improved – from D’s to B’s. She fell in love with books.
A new school year is about to begin, and there are millions of kids like Keondra who urgently need to be transformed by a love of books before it is too late. Please consider joining today.
The post Meet Keondra appeared first on First Book Blog.
For most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia’s remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration. Scholars have more recently begun to focus attention on the fascinating cultures of ancient Nubia, prompted by the construction of large dams that have flooded vast tracts of the ancient land. These photos by Chester Higgins Jr., photographer of Ancient Nubia: African Kingdoms on the Nile, reveal the remarkable history, architecture, culture, and altogether rich legacy of the ancient Nubians.
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The Great Temple of Abu Simbel at Sunrise
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The façade of the Great Temple built by Ramesses II at Abu Simbel and dedicated to his deified self as well as the god Amun and the sun god Re-Harakhte. The four colossal figures that dominate the facade depict the king, with smaller figures of female family members beside him. Above the doorway, between the pairs of figures stands a statue of a hawk headed deity crowned with a sun disk and holding a plant; this is a rebus writing of Ramesses II’s name and is one of the first parts of the temple to be illuminated by the rising sun.
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The Interior of the Great Temple Of Abu Simbel
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The interior of the Great Temple of Abu Simbel with figures of the king wearing his royal kilt and holding the crook and the flail, symbols of his royal office, in his crossed hands. On the right side the figures wear the double crown symbolic of the king’s dominion over Upper and Lower Egypt, and perhaps also over both Egypt and Nubia, while on the left side he wears the white crown, indicative of his rule over Upper Egypt. The ceiling of the chamber is decorated with vultures with outspread wings, protecting the sacred space, and in the distant holy-of-holies the statues of the king and the gods can be seen.
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Pyramids of Meroe
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The pyramids at Meroe were constructed to house the bodies of the kings and queens of the Kingdom of Meroe. The pyramids combine a temple-like pylon entrance with a chapel set within the pyramids. These chapels are carved in sunk relief with images of the deceased royalty together with divinities. The famous gold treasure discovered by Ferlini and belonging to a Meroitic Queen was found buried with their owner in the burial chambers of one of these pyramids.
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Relief from the Tomb of Pennout
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The tomb of Pennout, deputy of Wawat and chief of the quarries, dating to the reign of Ramesses VI (1141-113 BC) was originally located at Aniba, but moved to save it from the rising waters of Lake Nasser after the building of the Aswan High Dam. Images of the deceased’s family wearing white robes and holding lotus and papyri, symbols of resurrection, and praising the deceased, as well as images of deities are found in this charming rock cut tomb.
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Soleb Temple
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The papyrus-bundle pillars of Soleb temple still dominate the sacred landscape at the site. The temple was built by Amenhotep III and dedicated to the god Amun-Re as well as the deified king himself.
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Interior of the Temple of Beit al-Wali
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The temple of Beit al-Wali, originally situated 40 miles south of Aswan, was constructed during the reign of Seti I and decorated and completed during the early part of the reign of Ramesses II. The entire temple is unique in form when compared to other Egyptian temples in Nubia, and entirely cut into the rock face. The entrance hall leads into the vestibule, which shows scenes of the king and the gods worshiping. On either side, fluted columns are visible situated in the center of the room, through which is a view of the sanctuary with a recess cut into the back of the chamber for statues that would sit upon the bench-like structure in the back. This is the most sacred area of the temple, where the divine world of the gods existed. This temple was later moved during the 1960s to its current location south of the Aswan Dam.
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Relief of Satet, Horus, and Isis from the Lion Temple at Musawwarat al-Sufra
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The Lion Temple at Musawwarat al-Sufra is located 180 kilometers northeast of Khartoum. This site was important during the Meroitic Period as a major religious cult center. Shown on the side of this temple is a relief of the goddess Satet wearing a crown with horns, behind whom stands the hawk-headed god Horus and his mother, Isis.
Ancient Nubia: African Kingdoms on the Nile attempts to document some of what has recently been discovered about ancient Nubia, with its remarkable history, architecture, and culture, and thereby to give us a picture of this rich, but unfamiliar, African legacy. It is edited by Marjorie Fisher, Peter Lacovara, Sue D’Auria and Salima Ikram, photographs are by Chester New York City, and the foreword by Zahi Cairo. It is published by American University in Cairo Press.
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Image credit: All images used with permission of American University in Cairo Press. All rights reserved.
The post Images of Ancient Nubia appeared first on OUPblog.
Binky goes to work every day. Very punctual, you can be find Binky curled up under the office desk sound a sleep by 9 am morning. He has great work ethic and puts in long hours when needed (Binky will remain sleeping until quitting time). He is a caring coworker; if he thinks you are [...]
A while back we predicted Chester Brown’s I-was-a-john memoir, PAYING FOR IT, would be one of the most talked about graphic novels of the years. Surprise! We called it!
The Star looks at the book in light of Brown’s run for Parliament on the Libertarian ticket:
Initially, I was a bit annoyed by the timing of the election but it might turn out to be a good thing that I’m getting publicity at this time. I’m pretty sure I’m the only ‘out’ John who’s running as a candidate,” says Brown, who also represented the party in the riding in the previous federal election, finishing with 490 votes (23,932 shy of winner Olivia Chow).
The local party leader was a bit surprised by Brown’s news of the book:
“I phoned him up and asked, ‘Have you heard what my new book is about?’ He had no idea, so I had to explain it to him. I said, ‘I’ll understand if you guys don’t want me to run as a candidate.’ He said, ‘No, no. Libertarians believe in decriminalizing prostitution, so we have no problem with you running.’
“That’s the kind of party it is, I guess,” he concludes. “Or maybe that’s how desperate they are for candidates.”
Via House of Substance, we see that Brown’s non-campaign campaign didn’t exactly jell with voters (the election was held Monday):
AND ELSEWHERE:
The Globe and Mail notes that the book’s initial print run was 20,000 copies and talks about a shelved concept:
Brown initially conceived Paying for It – a title he’s not entirely keen on since it implies moral and physical “burdens” he claims not to have suffered – as a much larger opus “about my whole sexual history, starting with my childhood. … But when I ran the idea by the ex-girlfriends I’m still friends with, neither was very keen on it, so that kind of put the kibosh on it. I had to narrow down.”
Also at the Globe and Mail James Brown analyzes the storytelling:
Brown adopts a slightly bird’s-eye perspective here, almost as if he is being watched from a two-way mirror positioned across the room. It’s a perspective – combining discretion and distance with notions of surveillance and voyeurism – Brown adopts throughout the entirety of Paying for It.
An interview at Maclean’s:
I read an interview with Spalding Gray several years ago where he was questioning—why do people even have secrets? M
