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Results 26 - 50 of 1,702
26. Convergence to Bring in The INJUSTICE Universe

by Davey Nieves

convergence 1200x929 1000x774 Convergence to Bring in The INJUSTICE Universe

Today Entertainment Weekly revealed the solicits for the first four issues of the nine part Convergence event from DC Comics. The event will bring together the pre-52 universe with just about every part of the DC Comics multi-verse. Perhaps the most interesting part of the solicit was the inclusion of the popular INJUSTICE universe.  A universe that was created in part with the 2013 award winning fighting game Injustice: Gods Among US. It’s a world where Superman was driven mad by the Joker resulting in the death of his city and family, causing him to take over the world, only for Batman and a team of rebel heroes to rise up against him. The DC Digital series that came with the game is among the publisher’s boldest stories and month in and month out feels like just about anything can happen. It’s looking like every part of the DC Multi-verse could be part of the event. The possibilities could also include the Arkham game universe, Batman 66, maybe even make the daring choice to play with film and television characters.

The Injustice universe will be one of the worlds at stake, along with the likes of Crisis, Zero Hour, Elseworlds, and the pre-New 52 DCU. This nine part mini-series sees the villain Braniac bottle the cities of forgotten worlds and Vince McMahon them into battling each other in his own personal dimensional elimination chamber. Here’s the solicit for issue 1-4


Foldout cover by IVAN REIS and JOE PRADO
Variant cover by TONY S. DANIEL and MARK MORALES
1:25 Variant cover by BRIAN BOLLAND
1:100 BATMAN sketch variant cover by GREG CAPULLO
Blank variant cover
On sale APRIL 8 • 40 pg, FC, 1 of 8, $4.99 US • RATED T
This is it! The entire DC Universe, from the dawn of time through The New 52, must fight to survive against a threat that bends the Multiverse to its will. Your favorite characters from every era and every forgotten series are all here! But are you going to say hello again just to say goodbye forever? The stakes have never been higher as the heroes of Crisis, Zero Hour, Elseworlds, and more are brought together for Convergence!
In the first issue of this weekly series, Brainiac has collected cities of doomed and forgotten worlds, who must battle each other—and the losers will be destroyed! But why is he forcing this conflict? Join the refugees from Earth-2 as they unlock the truth behind this world that exists outside time and space and is very much alive! Is Brainiac really in control—or is this planet named Telos an unparalleled force of evil?
This extra-sized issue is packed with twists and turns and appearances you NEVER thought you’d see—including the heroes from the hit series INJUSTICE!

Written by JEFF KING
Variant cover by TONY S. DANIEL and MARK MORALES
1:25 Variant cover by JAE LEE
1:100 WONDER WOMAN sketch variant cover by DAVID FINCH
On sale APRIL 15 • 32 pg, FC, 2 of 8, $3.99 US • RATED T
As Telos, the Planet Incarnate, easily defeats the survivors of Earth-2, Thomas Wayne and Dick Grayson set off to find help in the pre-Flashpoint Gotham City. The emotional implication of these worlds colliding comes crashing down when Thomas Wayne confronts this world’s Batman, as father meets son!
Plus, Alan Scott’s attempts to connect with The Green yield unexpected results, setting our team on a quest to escape the planet. And the cyborgs of Futures End engage in a battle to the death against the reimagined heroes of the Just Imagine Universe, while the city of Superman Red and Blue takes on the opposing forces from GENERATIONS!

Written by JEFF KING
Variant cover by TONY S. DANIEL and MARK MORALES
1:25 Variant cover by DAVE McKEAN
1:100 AQUAMAN sketch variant cover by JIM LEE
On sale APRIL 22 • 32 pg, FC, 3 of 8, $3.99 US • RATED T
Death comes calling as an injured Telos takes out his rage on the people of Kandor, while the Earth-2 team endures another brutal casualty. And major plans are set in motion as Green Lantern and the others follow Deimos into the lost city of Skartaris to find Rip Hunter and the missing Time Masters, who could be their only hope of escape from this apocalypse for Infinite Earths!

Written by JEFF KING
Variant cover by TONY S. DANIEL and MARK MORALES
1:25 Variant cover by FRANCIS MANAPUL
1:100 GREEN LANTERN sketch variant cover by JIM LEE
On sale APRIL 29 • 32 pg, FC, 4 of 8, $3.99 US • RATED T
Inside Skartaris, the heroes of Earth-2 must face the only man who can stop them from finding the missing Time Travelers—but why would Travis Morgan, aka The Warlord, want to kill them?
Meanwhile, Telos takes the captive Dick Grayson to several of the battling cities to prove the futility of challenging him. And whatever you do, do not miss the final page, as the surprising return of an unexpected villain could crush all hope for salvation and seal the doom of everyone on the planet!

2 Comments on Convergence to Bring in The INJUSTICE Universe, last added: 1/15/2015
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27. CineFix and Guardians of the Galaxy Make A Retro Gaming Love Letter

By David Nieves

CineFix has given the 8-bit treatment to some of the most beloved things in pop culture ranging from A Christmas Story to Ninja Turtles. Today they posted a new Guardians of the Galaxy treatment with retro game music and all. Is it possible to demand something be made through crowd funding?  Take a look


0 Comments on CineFix and Guardians of the Galaxy Make A Retro Gaming Love Letter as of 1/14/2015 11:16:00 PM
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28. Review: It Looks Like Mortal Kombat, It Walks Like Mortal Kombat, But…

By Davey Nieves


STK661307 193x300 Review: It Looks Like Mortal Kombat, It Walks Like Mortal Kombat, But...


Story: Shawn Kittlesen

Art: Dexter Soy, Veronica Gandini

Letters: Saida Temofonte

Cover: Ivan Reis, Alex Sinclair

Publisher: DC Comics

There used to be a time where people gathered at laundry mats, donut shops, and yes arcades in order to pop quarters into a fighting game. At least that’s how long I’ve been playing them for. One thing that’s remained true about them all these years is you don’t really play them expecting a nuanced story. Especially when it comes to the heavy-handed Kung-Fu clichés that drive Mortal Kombat’s –to the death– fights. Don’t get the wrong idea, like many of you I enjoyed ripping out people’s spines with Sub-Zero or watching Liu Kang uppercut his opponent’s head clean off. MK has always delivered an enjoyable level of cheesy bombastic action that’s good for a laugh. With developer Netherrealm Studios set to release the highly anticipated next chapter of the game later this year, DC Comics is continuing to capitalize on Warner Bros acquisition of the property with a prequel comic book series. Releasing first digitally, Mortal Kombat X will bridge the gap between the game released in 2011 and its follow up (also titled MKX) this year.

Written by Shawn Kittelsen, the book opens with a blind swordsman named Kenshi on the run with his son from members of a mercenary clan known as the Red Dragon. These events set up for one of the franchise’s most popular characters to intervene and begin the road of training for Kenshi’s son. The story (at least the first arc) follows a similar blueprint to Kill Bill or the Van Damme classic Bloodsport; just with none of the emotional hooks either film had. It caters to die hard fans of the Mortal Kombat franchise but at the cost of alienating new readers. From the moment you take in the first few pages; the readers are dropped in a story that feels like it’s years along in unfolding. Which wouldn’t be such a bad thing if the execution had been on point. While the action is as brutal as a Mortal Kombat story should be, there’s hardly any tension on the pages. It should be easy to play on familiar rivalries in this universe and set up the stakes, but by the end of the first chapter it’s all just absent.

Mortal Kombat X 2015 001 010 300x230 Review: It Looks Like Mortal Kombat, It Walks Like Mortal Kombat, But...

One of the few things the book does land well is the art. Drawn by Dexter Soy, the action is as gory and barbaric as one would expect. The artist even draws x-ray panels of bones shattering just as in the video game. It helps to familiarize the material to its source but such connections are too rare within this first chapter. Another fix for the series going forward would be to play with the camera angles a bit more. The game is known for capturing extreme violence through lenses you wouldn’t have thought to use. Mortal Kombat X the comic could play with the same identity.

In order to understand, or even pick up, this comic you have to be already vested in the mythology behind it. Even doing so, there’s nothing going on here to rekindle your interest in it. Going forward the book can’t parallel the game’s mindless appetite for blood. Hopefully the creative team quickly realizes that the series can’t be gory because it has to be, but instead earn its moments like any of quality narrative. Wait for the series to become readable by letting it work out the kinks and jump on later.

Follow Davey on Twitter to talk comics, cats, and punk rock as he repost his instagram feed and makes the occasional complaint between naps. 


0 Comments on Review: It Looks Like Mortal Kombat, It Walks Like Mortal Kombat, But… as of 1/14/2015 11:16:00 PM
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29. Review: Red Sonja and Conan Together Again For The First Time

By Davey Nieves


25317 195x300 Review: Red Sonja and Conan Together Again For The First Time


Story: Gail Simone, Jim Zub

Art: Dan Panosian, Dave Stewart

Lettering: Comicraft

Publisher: Dark Horse Comics & Dynamite

There’s an entire generation of readers who weren’t even born the last time Conan The Barbarian and Red Sonja teamed up for battle in comics or film. Both characters have had a bit of a renaissance as of late with such great books as People of the Black Circle and Dynamite’s own Red Sonja ongoing series. Was it time for the barbarian and the warrior to meet again? Dark Horse Comics and Dynamite think so, and they’ve certainly assembled the best team to do it as they deliver a subtle yet prolific opening to their new 4-part mini series.

What you’ll notice from the outset of the issue is a risk the writing team of superstars Gail Simone (Batgirl, Secret Six) and Jim Zub (Samurai Jack) take by not just immediately dropping Red Sonja and Conan into mega-fight scenes. The opening of this series is really a heist story as the two are unknowingly both hired by an insidious figure known as Manus –Drath to steal a valuable treasure from the royals of Koth. Our conquerors get a bit more than they bargained for as they’re set up to be the only standing between us and Bloodroot covered dead Earth. By the time you reach the first issue’s end the twist feels a little predictable but doesn’t diminish the enjoyment.

conanrs1p2 200x300 Review: Red Sonja and Conan Together Again For The First Time

Fans who expect a certain level of savagery from characters whose battle skills are almost mythological won’t be disappointed. As with any team-up, readers will get all the slashing and hard-hitting melee you’d expect. Including a fight between the characters that can best be described as sensual. It’s just that the violence feels like a character reward for the story more than just being shoehorned in. More books could do well in following Simone and Zub’s lead in this manner.

A pair of high caliber writers need an artist who can bring the primal nature of these characters out in a way makes them feel anything but simple. Joining Simone and Zub is the urban barbarian himself Dan Panosian (X-Men, Thor). Upon first glance there’s such a unique neanderthal surface to his work in these pages. As you keep reading you’ll notice all the emotion underneath the savagery. Eyes, expression, and body gesture all click together as accents in his panel work. Colorist, Dave Stewart’s work is just as vital in the book. The warm pallet he uses makes the pop stand out in the battle scenes it needs to and unifies the flow of art with story making it one of the smoothest reads of the week if not the year.

This book is awesome! Simone, Zub, and Panosaian put peanut butter and jelly together then served it alongside a big juicy porterhouse steak. Fans of both characters will find plenty to enjoy in this limited series. A big plus for both publishers and retailers is just how inviting the book is for new readers. You need not know anything about the lore of either character or Arnold Schwarzenegger to understand what’s going on here. Conan/ Red Sonja #1 kicks the series off with the right balance of intrigue and good ol’ beat ‘em up action.

Follow Davey on Twitter to talk comics, cats, and punk rock as he repost his instagram feed and makes the occasional complaint between naps. 

1 Comments on Review: Red Sonja and Conan Together Again For The First Time, last added: 1/16/2015
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30. Advance Review: Star Wars Done Right

Star Wars Vol 2 1 197x300 Advance Review: Star Wars Done Right

Cover by John Cassaday & Laura Martin



 Written by: Jason Aaron

Art by: John Cassaday

Colors by: Laura Martin

Lettered by: Chris Eliopoulos

Cover Art by: John Cassaday & Laura Martin

Published by: Marvel Comics




By Matthew Jent

“I have a very good feeling about this.”

Star Wars returns to Marvel, and nearly every other ancillary, non-movie-adventure of Luke Skywalker & Co. has been wiped out of continuity. Back in December we knew that Star Wars #1 would be, almost certainly, the biggest-selling issue of the year with 1 million copies ordered by comics retailers and other outlets. The first issue hits stores this week, with launch parties, dozens of variant covers, and a major media push. But what about what’s actually on the page?

To put it simply: this feels like Star Wars.

The issue opens with a sequential art version of the familiar logo and opening crawl, picking up after the events of A New Hope. The art from John Cassaday and Laura Martin captures the gritty look and feel of the original trilogy, and perfectly replicates that Solo smirk, Luke’s boyishly optimistic determination, and Leia’s exasperation with a certain smuggler. From the setting to the faces to the clothing, this book looks like Star Wars. It also looks like a really good comic book — there’s a certain Wookiee sniper scene that uses panel layout and zoom-in transitions for a nice effect. This is a visual tale, well told by sequential artists.

The narrative is satisfying, too. This first issue is oversized, with 36 pages of story. Jason Aaron’s dialogue hits the exposition a little too hard in a few scenes, mostly in explaining (and then, a few pages later, explaining again) the rebel plan, but Han talks like Han and Leia talks like Leia. Luke doesn’t talk very much at all, but that feels right too — Cassaday & Martin’s artwork evokes those Mark-Hamill-eyes in a way that tells you this is a Luke Skywalker who’s blown up the Death Star, but has yet to get lost on Hoth. He’s still young, hopeful, and has taken his first steps into a larger world — but he’s largely untested. He’s struggling to live up to the few lessons imparted by Ben Kenobi, still trying to figure out what it means to hear the voice of his old mentor on the wind, and that yearning plays out in his actions more than in his words — just like it should.

The plot moves forward at an assured clip, and it feels fulfilling without being rushed. This story also feels — well, essential. Like this really is the next adventure of Luke Skywalker, Han Solo, and Princess Leia, and not just a filled-in series of events between movies.

Criticisms can be made, but they’re small. While most of the characters sound like themselves, C-3P0 sounds … off. His dialogue sounds almost more like Data than Threepio, like he’s using too many words to communicate. And while it’s wonderful to see Leia on a mission with the Han and Luke, it’s unclear why she is on this particular mission for the rebel alliance, as the only role she plays in-story is to criticize and banter with Han.

But with lots of things Star Wars, I’ll happily take a few inconsistencies if it means having fun in this particular far-away galaxy. “Skywalker Strikes” by Aaron, Cassaday and Martin isn’t just a fun Star Wars story, it’s a well-done comic, and one of the most fulfilling first issue/reboots I’ve read from Marvel in a long time. It’s a promising start to a new era of space fantasy.

3 Comments on Advance Review: Star Wars Done Right, last added: 1/14/2015
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31. Preview: Dark Horse Brings More Hollywood Talent to Comics With Shaper

By Davey Nieves

Screenwriter Eric Heisserer, a writer and director known for The Thing (2011), Final Destination 5 (2011), A Nightmare on Elm Street (2010), and Hours (2013),brings his new cinematic vision to comics in a thrilling new Dark Horse Comics miniseries titled Shaper.

Eric Heisserer aims to tell a tale in the tradition of Arthurian legends and Star Wars. With artwork by Felipe Massafera (Green Lantern: Emerald Warriors, Captain Midnight), Shaper looks to carve a niche for itself in the rich tapestry of sci-fi adventure.

The premise of the story launches readers into the stars as a galactic empire hunts a race of shape shifters prophesied to overthrow its rule. When orphaned teenager Spry discovers that he is one of the hunted—a Shaper—he must learn to use his newfound abilities to escape the empire’s prime enforcer, Tor Ajax, and save his entire race!

Shaper #1 (of 5) is on sale March 18 in comic shops everywhere

26331 97x150 Preview: Dark Horse Brings More Hollywood Talent to Comics With Shaper unnamed1 104x150 Preview: Dark Horse Brings More Hollywood Talent to Comics With Shaper 3 104x150 Preview: Dark Horse Brings More Hollywood Talent to Comics With Shaper 41 96x150 Preview: Dark Horse Brings More Hollywood Talent to Comics With Shaper

Follow Davey on twitter and send him pictures of your cats and comic shops

0 Comments on Preview: Dark Horse Brings More Hollywood Talent to Comics With Shaper as of 1/13/2015 7:00:00 PM
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32. Preview: Valiant Continues Next With Bloodshot Reborn

By Davey Nieves

2015 is shaping up to be a great year in comics. With mega events, character deaths, and relaunches there’s something for everyone. Valiant has their own plans to build on their popular Valiant Next initiative that’s already launched original books like Divinity and will bring a new ongoing Ninjak title in March. In April the publisher launches a new series for their nano fueled killing machine in Bloodshot Reborn #1.

Featuring the creative team of New York Times best-selling writer Jeff Lemire (THE VALIANT, Green Arrow) and Mico Suayan (HARBINGER, Moon Knight) Bloodshot Reborn aims to plunge the ultra commando into his darkest depths ever as a rash of shootings by copycat killers forces him out of his self imposed exile to face the violence of his past.

The debut issue will also feature an armory of covers by top talent like Dave Johnson, Butch Guice, and many more. Take a look at the preview below.

Written by JEFF LEMIRE
Cover A by JUAN DOE
Valiant Next Variant by MICO SUAYAN & TOM MULLER
Variant Cover by JEFF LEMIRE
Variant Cover by BUTCH GUICE
B&W Sketch Variant by LEWIS LAROSA
Blank Cover also available
$3.99 |40 pgs.| T+ | On sale APRIL 15 (FOC – 3/23/15)

BSRB 001 COVER A DOE 97x150 Preview: Valiant Continues Next With Bloodshot Reborn BSRB 001 COVER C JOHNSON 100x150 Preview: Valiant Continues Next With Bloodshot Reborn BSRB 001 COVER D LAROSA 98x150 Preview: Valiant Continues Next With Bloodshot Reborn BSRB 001 COVER B SUAYAN 91x150 Preview: Valiant Continues Next With Bloodshot Reborn BSRB 001 001 93x150 Preview: Valiant Continues Next With Bloodshot Reborn BSRB 001 007 96x150 Preview: Valiant Continues Next With Bloodshot Reborn BSRB 001 006 96x150 Preview: Valiant Continues Next With Bloodshot Reborn BSRB 001 005 150x113 Preview: Valiant Continues Next With Bloodshot Reborn BSRB 001 004 96x150 Preview: Valiant Continues Next With Bloodshot Reborn BSRB 001 003 96x150 Preview: Valiant Continues Next With Bloodshot Reborn BSRB 001 002 97x150 Preview: Valiant Continues Next With Bloodshot Reborn


Follow Davey on twitter to find out just how underrated the X-O Manowar/Iron Man game was and where the best donuts in L.A are.

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33. Call for Submissions: Fairy Tale Review

Submissions are now being accepted for the twelfth annual issue, The Ochre Issue, of Fairy Tale Review. The Ochre Issue has no particular theme—simply send your best fairy-tale work along the spectrum of mainstream to experimental, fabulist to realist. 

We accept fiction, nonfiction, drama, and poetry, in English or in translation to English, along with scholarly, hybrid, and illustrated works (comics, black-line drawings, etc.).

The reading period will remain open until the issue is full—we predict closing it sometime in late spring or early summer. 

For full guidelines, visit our website.

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34. Valiant Debuts an Imperium Prelude: Get an Early Harada Fix!

1 harby 289x300 Valiant Debuts an Imperium Prelude: Get an Early Harada Fix!

By: Alexander Jones

Modern mythmakers Valiant Comics are implementing something new with a prologue for their upcoming Imperium comic with Imperium: Prelude. February 4th see’s select Valiant comic books equipped with the special prelude story. The tale is written by Joshua Dysart, the regular author of the hijinks of Imperium main character Toyo Harada. The comic is drawn by Doug Braithwaite.

The story can be detached from these upcoming Valiant titles:

  • X-O MANOWAR #33: February 4th
  • RAI #7: February 11th
  • Q2: THE RETURN OF QUANTUM AND WOODY #5 (of 5): February 11th
  • UNITY #15: February 18th
  • IVAR, TIMEWALKER #2: February 18th
  • QUANTUM AND WOODY MUST DIE #2: February 25th

The prelude bridges the gap between Harbinger and Imperium, showing Harada’s upcoming rise to power after the descent chronicled in Harbinger and Harbinger: Omegas.

Valiant CEO & Chief Creative Officer Dinesh Shamdasani chimed in with the following:

“IMPERIUM is unlike every other book Valiant has ever published before, and this exclusive prelude story is a great chance to find out why,” Dinesh Shamdasani said. “Joshua and Doug are doing phenomenal work, and, together, they are about to unleash a politically charged series with global stakes and what are sure to be some of the most compelling characters anywhere in comics today.”

2 harby 195x300 Valiant Debuts an Imperium Prelude: Get an Early Harada Fix! 3 harby 195x300 Valiant Debuts an Imperium Prelude: Get an Early Harada Fix! 4 195x300 Valiant Debuts an Imperium Prelude: Get an Early Harada Fix! 5 195x300 Valiant Debuts an Imperium Prelude: Get an Early Harada Fix!














Cover A (Harada) by RAUL ALLEN (DEC141700)

Cover B (Lord Vine-99) by RAUL ALLEN (DEC141701)

Cover C (Mech Major) by RAUL ALLEN (DEC141702)

Valiant Next Variant by TREVOR HAIRSINE & TOM MULLER (DEC141704)

Character Design Variant by DOUG BRAITHWAITE (DEC141705)

Artist Variant by DOUG BRAITHWAITE (DEC141706)

Blank Cover also available (DEC141703)

$3.99 US | T+ | 32 pgs. | On sale FEBRUARY 4 (FOC – 1/12/15)

0 Comments on Valiant Debuts an Imperium Prelude: Get an Early Harada Fix! as of 1/12/2015 6:14:00 PM
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35. Graphic Novel Videos from the National Book Festival!

poster enlarge Graphic Novel Videos from the National Book Festival!Back during Labor Day weekend, the Library of Congress hosted the 14th annual National Book Festival at the Washington Convention Center.  We posted the notice here, showcasing all of the amazing graphic novel programming, but now the Library of Congress has posted videos from most of the sessions!

Click on the red titles to go to the event page, where one can read a synopsis, transcript, and watch the video if the embedded images do not work.


Full list of all author videos


Author’s Gala: Book Fest 14

Gene Luen Yang’s speech is at 19:30, but I recommend watching the entire video!

Liza Donnelly: Book Fest 14

Bryan Lee O’Malley: Book Fest 14

Bob Staake: Book Fest 14

Jeffrey Brown : Book Fest 14

Gene Luen Yang: Book Fest 14 (Graphic Novels)

Gene Luen Yang: Book Fest 14 (Teens)

Vivek Tiwary: Book Fest 14

Raina Telgemeier: Book Fest 14

Jeff Smith: Book Fest 14

Brian Biggs: Book Fest 14

Lewis & Aydin: Book Fest 14

“Rep. John Lewis and Andrew Aydin appear at the 2014 Library of Congress National Book Festival in Washington, D.C.”

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36. Marvel Kills Again in 2015

The Merc With A Mouth To Meet His End

By David Nieves

In Marvel Comics ongoing — who can we kill that isn’t in our movies — quest; it appears as though the publisher has set their sights on fan favorite loony bin Deadpool. News broke today over on Nerdist that says April’s Deadpool 250 will culminate in Wade Wilson’s death.

Issue 250 will see series co-writers Gerry Duggan and Brian Posehn pen the final clash between Deadpool and terrorist organization Ultimatum. Several short stories from various comedy writers like Ben Blacker, Ben Acker, and Mike Drucker. Here’s the full solicit for Deadpool’s last stand.

Deadpool 45 cover 197x300 Marvel Kills Again in 2015
DEADPOOL #250 (A.K.A. issue #45)





That’s right—if you add together all the Deadpool series (creatively) issue 45 is the big 250th issue of Deadpool! What better way to celebrate than to end the series? In our over-sized main story, ULTIMATUM comes at Deadpool for revenge, so he has no choice but to take them on—ALL OF THEM. Then, in an Infinity Gauntlet crossover, what would Deadpool do if he got the six gems from Thanos? Plus: a slew of stories showcasing Deadpool’s closest friends and allies by special guest writers! Also, SPOILER: Deadpool dies at the end of the issue.


Are you excited by the news or do you feel like Marvel is simply throwing darts on the board blindfolded?

4 Comments on Marvel Kills Again in 2015, last added: 1/12/2015
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37. Image Expo: Watch Brian Buccellato’s Short For SONS OF THE DEVIL

Before You Buy The Book See The Movie

By David Nieves

Tons of exciting announcements came out of the Image Expo keynote today. It’s become the CES, E3, and WWDC of comics (But way way more fun). In his first Image Expo appearance Brian Buccellato (Injustice, Flash) announced his new horror drama project Sons of the Devil. A project so special for him that he crowdfunded a short film to go along with the series.

You can view the  film here:

Image Comics is constantly pushing the boundaries of storytelling which makes this marriage of creator and company a definite standout amongst a slew of big news. Sons of the Devil is set to hit comic shops and digital this Summer.

0 Comments on Image Expo: Watch Brian Buccellato’s Short For SONS OF THE DEVIL as of 1/9/2015 3:00:00 PM
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38. Review: The 100 Spider War Continues

Too Many Spiders

By David Nieves

ASM2014012 DC11 00001 197x300 Review: The 100 Spider War Continues

Amazing Spider-Man #12

Written by Dan Slott   Art by Giuseppe Camuncoli, Cam Smith, and Justin Ponsor 


We all know the cliché about too much of a good thing. Amazing Spider-Man writer Dan Slott probably hasn’t heard it, which is far from a bad thing. The latest chapter of the ongoing spider-vent Spider-Verse continues the break neck pace and suprising intrigue using a smorgasbord of Spider-People


For the benefit of those without google, Spider-Verse is a war for the survival of the spiders of all realties because a terrifying vampirey family called the Inheritors is hunting around the multiverse devouring the life essence of Spider-People. Amazing Spider-Man #12 picks up right after the father of the Inheritors killed the cosmic Spider-Man in the dimension which had up to that point been a safe zone for the spiders of all realities. So far every Spider-Verse issue has pushed the story in a manner that does make ASM the only series you need to read to enjoy Spider-Verse. However issue twelve doesn’t do as much for readers who have been following all the tie-in books. The audience drops in on Jessica Drew with the Inheritors along with Spider-Man 2099’s autopsy of one of their enemies. In fact the only thread of the web not seen in this issue are the Scarlett Spiders in the clone factory. Once you get to the end of the issue, if you’ve managed to avoid the Internet spoilers, you will be in for a big moment at the end of the ASM 12.


Each ASM issue of Spider-Verse has introduced an alternate reality Spidey that’s stood out among others. Though his time was deliberately short, Spider-Banner from ASM #9 remains my favorite thus far. Chapter four has a spectacular run in by Takyua Yamashiro, the Spider-Man of Earth-51778. I hope we can call him Spider-Voltron without being sued.


Artist Giuseppe Camuncoli’s work can best be described as busy. For a story where the sheer number of characters on a page borders on gluttonous; very little space feels wasted. Slott works very well with Camuncoli’s art by keeping the dialogue necessary and letting the visual unfold the story. If there is one criticism that could be offered to the overall arc, it’s in the color work. While colorist Justin Ponsor does a solid job; the shifts to different dimensions feel too similar in tone. For a reader on the stand just flipping through the book it would be difficult to understand that these Spiders are in vastly different places.


As a stand-alone issue Amazing Spider-Man 12 has to be looked at in two ways. Readers who have been strictly sticking to Amazing Spider-Man have to pick up this issue to keep going on Spider-Verse. You’ve come this far and if this is the lull of the event then it did a horrible job of being boring. However should you be one of the die hard readers who’s kept up with every tie-in; you almost don’t need ASM 12 because much of the meat of the issue is simply keeping readers apprised on what’s going on in the other series. Overall, Spider-Verse as an event is doing the same magic for Spider-Man as a character that Sinestro Corps did for Green Lantern. It continues to prove you don’t need a company wide crossover to make an extravaganza that resonates.


2 Comments on Review: The 100 Spider War Continues, last added: 1/8/2015
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39. Review: Operation SIN returns Agent Carter to the comics

OpSin01cover Review: Operation SIN returns Agent Carter to the comicsBy Matthew Jent

Operation S.I.N. #1


Writer: Kathryn Immonen

Artist: Rich Ellis

Colorist: Jordan Byrd

Letterer: VC’s Joe Sabino

Cover Artist: Michael Komarck

Variant Cover Artists: Gabriel Hardman & Jordan Boyd; Skottie Young

Publisher: Marvel Comics

Genre: Superhero/Spy


“Oh God, you meant actual aliens.”


Operation: S.I.N. hits shelves today, starring Agent Peggy Carter, just a few hours after the television debut of, oh! Coincidentally, Marvel’s Agent Carter!

I know, it’s easy to be cynical. I don’t know how we wound up with female-led, period-set Marvel Comics television show almost 4 years after the character was introduced in Captain America: The First Avenger, but by most accounts it’s a very good show. So let’s just enjoy the corporate synergy that also gives us a female-led, period-set Marvel comic book as well.

Operation: S.I.N. opens with an action piece showcasing Carter’s badassery, fighting off a home invasion in her underwear. Badassery is great! But in contrast, television’s Agent Carter gets her cool moments after we’ve seen her as a human being, talking to her roommate, and, yes, remembering her old friend Steve Rogers. By moving too quickly past what makes a character a character, Operation: S.I.N. paints Agent Carter as a personified series of events. She could be any female agent, and other than the style of the clothing and the use of the Soviet Union, it could be set in any time period.

A lot of reboots and launches are struggling with their first issues these days. The first issue of the Thor relaunch, hyped as the introduction of the new, female Thor, relegated its new hero to the very last page, while the old, male Thor got an extended fight sequence and a turning point to his old plotlines. Basically — the stories in these reboots don’t start until issue two. Operation: S.I.N. doesn’t quite have that problem, as it really gets going halfway through as Agent Carter arrives in the Soviet Union for a mission of mystery. Carter’s contentious relationship with Howard Stark is at the core of both Operation: S.I.N. and Marvel’s Agent Carter, but in the show there’s a charm and a delightful tension between the two. On the comics page, it’s more difficult to get a read on the dynamic between the two. But once every gets to the Soviet Union, the story starts to move. Agent Carter has a Soviet handler/guide who is more than she lets on — hazy, sort-of-flashback panels reveal secrets to the reader that are unknown to Carter, without resorting to exposition-y captions — and the appearance of Woodrow McCord, who was introduced in a pivotal cameo in Original Sin, ties this series, at least tangentially, to that particular Marvel event series.

The art from Rich Ellis and the colors by Jordan Boyd are fun and bright. Ellis’s art (and facial expressions) give the book a kind ofVenture Brothers look, and if there’s ever a Venture comic book, this would be a good go-to art team. The aforementioned Soviet-agent-flashback page is a standout visual sequence, and even the Carter-fights-in-her-underwear scene that kicks off the series comes across as more cheesecake than exploitive. Ellis & Boyd give the book a fun look, and while it would have be easier and more obvious to go with dark colors and a noir look, the palette and style of this first issue make the series look poppy and fun. It’s a good look, and reminiscent of Chris Samnee’s exciting work on Daredevil, at least in appearance if not-quite-yet in style.

(Side note: there’s an honest to goodness Charles Atlas ad in this issue, and when I first saw it I thought, Oh wow, they’re doing period-specific fake ads, how fun! Alas, this is a real ad that continues Atlas’s promise to “make you a new man.” Look out bullies, in a world of preptual reboots — Charles Atlas is back!)

It’s not entirely fair to compare Operation: S.I.N to the televised Marvel’s Agent Carter, but it’s also hard not to. What Agent Carter does well is establish interesting relationships with emotional stakes, and balances them with fun, retro-but-fresh action sequences. Operation S.I.N. has some exciting action, but the relationships are still painted very broadly. This issue shows a lot of potential in its second half, and would have been better served if it had started later and extended past its Soviet Union-set cliffhanger. As it is, Operation S.I.N. #1 is half-realized.

1 Comments on Review: Operation SIN returns Agent Carter to the comics, last added: 1/8/2015
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40. Advance Review: Wolverines #1

Who’s Been Polishing Wolverine

By David Nieves

WOLVS2015001 DC11 197x300 Advance Review: Wolverines #1

Written by Charles Soule
Art by Nick Bradshaw, Allison Borges

Being fans you probably know by now that no one stays dead in comics. Countless characters have come and gone through the revolving door of comic book death. The real payoff for these stories rarely ever happens in the actual demise but instead happens in what comes after. Wolverines is the latest title born out of Charles Soule’s monumental Death of Wolverine series. This book brings a shift in gear to all the post DOW stories so far. Where most of those dealt with the emotional ramifications on various character’s relationships with the ol Canuck, Wolverines starts to deal with the fallout from the event.

WOLVS2015001 int 197x300 Advance Review: Wolverines #1

The book stars Shogun, Skel, Neuro, and Endo; the refugees from a Weapon X program Abraham Cornelius attempted to reopen before Wolverine wrecked the place. Along for the ride are a cabal of Logan’s long time enemies: the reformed Sabretooth, Mystique, Daken, and Lady Death Strike. Rounding out the group is Logan’s clone X-23. It’s action exploration Marvel style as this group of Wolverine-like people are vying for the hero’s corpse left covered in that sweet adamantium metal. It could be an extreme case of taxidermy. It could be they’re looking to take him to a metal recycling plant for the extra cash. It could also be the group looking for the key to their own survival.

One of the few things not clicking in the opening was minor and can easily be remedied in upcoming issues. For a book titled Wolverines, with a full cast of characters boasting claws or knives, there’s in fact very little stabbing going on. Charles Soule is no stranger to great action sequences so one can fully expect the violence level to ramp up later on.

WOLVS2015001 int 2 197x300 Advance Review: Wolverines #1

Soule sets his distinct tone early on in the issue. Which could potentially be terrible for Daken. As with most of the superstar writer’s other runs on various titles; he lets readers know where they’re going almost from the outset and peels back the information selectively. It’s a sure way to leave your reader wanting more. When you see who ends up with the big Wolverine paper weight, you’ll definitely  be intrigued. We all know Logan’s return to the land of the living is inevitable. The challenge for Marvel and Soule is to create stories that make the wait worth it and Wolverines has the ingredients to be the first book in a post DOW era to do that.

Ultimately can I say you should definitely put this on your pull list? Not quite yet, but the opening is worth looking at. It doesn’t have so much to do with the quality of the first issue as much as it does the nature of weekly series themselves. Often times they start out unbalanced and a bit too much of a slow burn through their first act. Soule tries to avoid this troupe by opening with event over exposition and while it helps alieviate the boredom effect some weeklies bring; I still need a couple of issues to decide if being on board for the entire series is worth $3.99 an issue.

Wolverines #1 still has something to prove but it’s earned picking up issue #2.

1 Comments on Advance Review: Wolverines #1, last added: 1/7/2015
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41. One Day Early: An Ant-Man #1 Review — (Hint, If You Like Hawkeye, You Might Like This)

ANTMAN 197x300 One Day Early: An Ant Man #1 Review    (Hint, If You Like Hawkeye, You Might Like This)Ant-Man has the advance buzz as Nick Spencer’s follow-up to his sublime run on Superior Foes of Spider-Man.  That buzz is probably comparing Ant-Man to the wrong book, but this is still something in that general corner of the Marvel universe and worth your time.

Superior Foes was a grand farce.  Pure comedy.  Ant-Man has its humor, but it’s not an outright farce.  It’s the bittersweet tale of a man who’s trying to get his life together and be there for his family, but not having the easiest go of it.

Scott Lang’s life is a little… complicated.  His social skills are lacking.   He has a criminal record.  His ex-wife is pretty frustrated with him and the environment might bring around their daughter.  He’s broke.  He was dead for a while.  Things could be going better.

The motivating force for Lang is an attempt to get his life together so he can be a bigger part of his daughter’s life.  The comedy comes from the chaos that erupts as tries to do this.

The first issue concerns Lang’s quest to get a job as head of security for Tony Stark, suffering through the indignities of a job interview and the lengths he must go to as he attempts to land that position.  To be sure, the quips are there.  So is plenty of the “awkward interactions” school of humor.  But there’s a strong undercurrent of heart to this book.  It’s earnest in a way I wasn’t necessarily expecting and there’s not much absurdism here.

Spencer’s dialogue is as sharp as ever.  Ramon Rosanas does a good job drawing the deadpan aspects of the humor.  (A rarer talent than you might think.)

This book falls a bit closer to Fraction/Aja Hawkeye than it does to Superior Foes, but is still very much in that old Wackerverse vibe with Hawkeye, Superior Foes and perhaps Daredevil.

Without giving away anything, the ending of the book suggests that Ant-Man might be off in his own little corner of the Marvel universe, which would be a very good thing.  This is a book that needs to be a half-step away from the “story of the universe” to be able to look at it through its own lens.

Recommended in general, but very highly recommended if you like things in that Hawkeye <-> Superior Foes continuum.  Marvel seems committed to keeping a corner reserved for this type of title and that’s a good thing.

2 Comments on One Day Early: An Ant-Man #1 Review — (Hint, If You Like Hawkeye, You Might Like This), last added: 1/7/2015
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42. McFarlane Teases his “single BIGGEST issue” of Spawn at Image Expo

63755 901404726570277 853836048101078152 n McFarlane Teases his single BIGGEST issue of Spawn at Image ExpoBy: Alexander Jones

Author Todd McFarlane has just announced a teaser for a brand new project he’s taking over to Image Expo, as well as more information on Spawn #250, and a new comic the creator is working on. The picture McFarlane shared on Facebook contains a classic version of the Spawn character drawn in a different style, some are speculating that it could be for a new animated series.

McFarlane also spoke on behalf of the upcoming Spawn #250:

“my single BIGGEST issue we’ve done since the existence of the Spawn title so I’ll be giving more details about that at the Image Expo.”

Then he teased something else on his Facebook account that may not be Spawn:

“I will also be introducing another NEW COMIC title that will be arriving on book shelves in a few short months! I will give all the details later this week.”

Fans worried about the pencilling schedule of McFarlane’s work can put their fears to rest, as it seems as though McFarlane is already done drawing the new series.

“Plus all the issues of this initial 8 -issue mini-series are COMPLETELY done. That’s right…over 180 pages of the story are finished.”

Image Expo takes place Thursday, January 8th at the Yerba Buena Center for the Arts in San Francisco.

1 Comments on McFarlane Teases his “single BIGGEST issue” of Spawn at Image Expo, last added: 1/3/2015
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43. The Beat Podcasts! More To Come: 2014 in Comics

image 300x300 The Beat Podcasts! More To Come: 2014 in Comics Brought to you by Publishers Weekly, it’s More To Come, the weekly podcast of comics news, interviews and discussion with Calvin Reid, Kate Fitzsimons and The Beat’s own Heidi MacDonald!

In this week’s podcast the More to Come Crew discuss the big stories of 2014 month by month, including gains and growing pains in the booming convention economy, rising industry awareness of reader diversity, wage stagnation at Marvel and DC and the talent flight to Image and much more.

Download this episode direct here, listen to it in streaming here and catch up with our previous podcasts on the Publishers Weekly website, or subscribe to More To Come on iTunes

0 Comments on The Beat Podcasts! More To Come: 2014 in Comics as of 1/6/2015 11:35:00 AM
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44. The Free Comic Book Day Silver Titles are Pretty Awesome

20 f5381 685x1028 The Free Comic Book Day Silver Titles are Pretty Awesome

By: Alexander Jones

After revealing the first wave of Free Comic Book Day titles, it was only a matter of time before the rest of them started to pop up. This next batch is very exciting, and full of fun offerings from all your favorite publishers with the big guns like Marvel and DC, along with Valiant, Comix Tribe, IDW, Image, Oni and the mysterious new Legendary Comics imprint that kicked off with Grant Morrison’s Annihilator. DC still has their titles blocked out with the letters ‘TOP SECRET’ sitting on the front page, it’s likely whatever these comics are will be revealed closer towards Convergence. Of course, Marvel is launching Avengers material close to their upcoming Avengers: Age of Ultron film. Included in this silver collection of titles is a lot of material from other media, meant to turn you non-comics reading friends completely addicted to this medium. See if Attack on Titan, Avatar, or Sonic can hook your non-reading friends. Free Comic Book Day is on the first Saturday of May. CBR broke the news this morning with covers, and quick description information. All these titles are considered silver comics, with the gold titles being the first wave of books.

1 2000 ad e4861 228x300 The Free Comic Book Day Silver Titles are Pretty Awesome 2 42461 196x300 The Free Comic Book Day Silver Titles are Pretty Awesome 3 18eba 197x300 The Free Comic Book Day Silver Titles are Pretty Awesome 4 ff82f 197x300 The Free Comic Book Day Silver Titles are Pretty Awesome

  • 2000 AD Special–FCBD 2015 EDITION
  • And Then Emily Was Gone–FCBD 2015 EDITION
  • Avengers #1–FCBD 2015 EDITION
  • Bodie Troll & Friends–FCBD 2015 EDITION

5 b64fb 199x300 The Free Comic Book Day Silver Titles are Pretty Awesome 6 23c7e 225x300 The Free Comic Book Day Silver Titles are Pretty Awesome 7 0889a 200x300 The Free Comic Book Day Silver Titles are Pretty Awesome 8 5f8ef 195x300 The Free Comic Book Day Silver Titles are Pretty Awesome

  • Captain Canuck–FCBD 2015 EDITION
  • CBLDF Defend Comics–FCBD 2015 EDITION
  • Comics Festival–FCBD 2015 EDITION
  • Dark Horse All Ages Avatar PVZ Bandette–FCBD 2015 EDITION

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  • DC Comics Silver Book–FCBD 2015 EDITION
  • GFT Wonderland Special Edition One Shot (MR)–FCBD 2015 EDITION
  • Graphix Spotlight Cleopatra In Space–FCBD 2015 EDITION
  • Gronk and Friends–FCBD 2015 EDITION

13 ed093 196x300 The Free Comic Book Day Silver Titles are Pretty Awesome 14 b3232 300x231 The Free Comic Book Day Silver Titles are Pretty Awesome 15 dbd08 195x300 The Free Comic Book Day Silver Titles are Pretty Awesome 16 3e9d3 194x300 The Free Comic Book Day Silver Titles are Pretty Awesome

  • Hatter M Love of Wonder–FCBD 2015 EDITION
  • Hip Hop Family Tree 3-in-1 Featuring Cosplayers (MR)–FCBD 2015 EDITION
  • Ice Bayou Blackout–FCBD 2015 EDITION
  • Jojos Bizarre Adventure and Yu Gi Oh–FCBD 2015 EDITION

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  • Jurassic Strike Force 5 One Shot–FCBD 2015 EDITION
  • Kodansha Comics Sampler–FCBD 2015 EDITION
  • Lady Justice–FCBD 2015 EDITION
  • Legendary Comics Sampler–FCBD 2015 EDITION

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  • March Grand Prix–FCBD 2015 EDITION
  • Mercury Heat Debut (MR)–FCBD 2015 EDITION
  • Motorcycle Samurai–FCBD 2015 EDITION
  • Overstreet Comic Book Marketplace–FCBD 2015 EDITION

25 46717 194x300 The Free Comic Book Day Silver Titles are Pretty Awesome 26 0d924 195x300 The Free Comic Book Day Silver Titles are Pretty Awesome 27 b5798 195x300 The Free Comic Book Day Silver Titles are Pretty Awesome 28 e4be4 205x300 The Free Comic Book Day Silver Titles are Pretty Awesome

  • Phantom Special–FCBD 2015 EDITION
  • Rabbids–FCBD 2015 EDITION
  • Sonic the Hedgehog Mega Man Worlds Unite Prelude–FCBD 2015 EDITION
  • Stan Lee Chakra The Invincible–FCBD 2015 EDITION

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  • Steampunk Goldilocks–FCBD 2015 EDITION
  • Street Fighter Super Combo Special–FCBD 2015 EDITION
  • Stuff of Legend Call to Arms–FCBD 2015 EDITION
  • Supermutant Magic Academy Step Aside Pops Combo–FCBD 2015 EDITION

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  • Tales of Honor–FCBD 2015 EDITION
  • Terrible Lizard #1–FCBD 2015 EDITION
  • The Tick–FCBD 2015 EDITION
  • TMNT Prelude to Vengeance–FCBD 2015 EDITION

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  • Valiant 25TH Anniversary Special–FCBD 2015 EDITION
  • Worlds of Aspen–FCBD 2015 EDITION

3 Comments on The Free Comic Book Day Silver Titles are Pretty Awesome, last added: 12/18/2014
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45. Mike Colter is…Luke Cage: Sweet Christmas!

By: Alexander Jones

He’s out of the tiara and in our television subscription services, he’s LUKE CAGE!

Mike C54987d65cb86f 240x300 Mike Colter is...Luke Cage: Sweet Christmas!olter has just been announced to co-star in A.K.A. Jessica Jones as the one-and-only Luke Cage! The actor will be making his debut on-screen as the hero in Marvel and Netflix’s aforementioned show alongside Krysten Ritter. Then Colter will move onto his own Luke Cage spin-off series. Jessica Jones is set to be thirteen episodes long, and it is scheduled for release sometime in 2015. The show is coming after Daredevil, which also recently announced Charlie Cox as the lead actor. Colter has played various roles in television with projects like The Good Wife, and The Following, and has been in various films such as Zero Dark Thirty.

Luke Cage has come a long ways from his original character design developed by Archie Goodwin and John Romita Sr. in 1972. The character is no longer sporting that tiara, afro, and yellow outfit from the original design. Luke Cage is one piece of the four Netflix shows which combined equal The Defenders. The Hollywood Reporter announced the news this morning.


2 Comments on Mike Colter is…Luke Cage: Sweet Christmas!, last added: 12/22/2014
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46. You Will Believe a Divinity can Bend Matter, Space, and Time (Divinity #1 Preview)

By: Alexander Jones

DIVINITY 001 COVER B MULLER 199x300 You Will Believe a Divinity can Bend Matter, Space, and Time (Divinity #1 Preview)Valiant comics are continuing to mix up their line with a couple of brave new experimental decisions, but this one might be the most dangerous of them all, introducing a character with incredible power in the Valiant world. The publisher’s latest wave, Valiant Next, started with the release of the first issue of The Valiant, and will continue to launch throughout the first couple of months of 2015. In February of Valiant Next Matt Kindt and Trevor Hairsine’s Divinity is launching alongside Imperium. This is a new concept for Valiant that’s shipping in the prestige format in four issues. The concept for this story is especially bonkers for a new property launching in a shared superhero universe. In the middle of the Cold War, the Soviet Union sent one man into the far reaches of space, he went further than anyone has ever gone before. Then he found something strange. That same man came back to Earth and landed in Australia, with the power of to bend matter, space, and time. His new name is…Divinity.

Valiant released teaser images featuring Hairisine’s art, several covers, and this intriguing concept below:


Written by MATT KINDT



Cover B by TOM MULLER (DEC141708)

Valiant Next Variant by BUTCH GUICE & TOM MULLER (DEC141709)

Character Design Variant by LEWIS LAROSA (DEC141710)

Artist Variant by LEWIS LAROSA (DEC141711)

Blank Cover also available (NOV148093)

$3.99 | T+ | 32 pgs. | PRESTIGE FORMAT | ON SALE 2/11/15 (FOC – 1/19/15)

DIVINITY 001 VARIANT NEXT HAIRSINEMULLER 197x300 You Will Believe a Divinity can Bend Matter, Space, and Time (Divinity #1 Preview) DIVINITY 001 VARIANT LAROSA 197x300 You Will Believe a Divinity can Bend Matter, Space, and Time (Divinity #1 Preview) DIVINITY 001 COVER A DJURDJEVIC 195x300 You Will Believe a Divinity can Bend Matter, Space, and Time (Divinity #1 Preview)DIVINITY 001 COVER B MULLER 199x300 You Will Believe a Divinity can Bend Matter, Space, and Time (Divinity #1 Preview)

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2 Comments on You Will Believe a Divinity can Bend Matter, Space, and Time (Divinity #1 Preview), last added: 12/23/2014
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47. Guest commentary: Who Stole Superman’s Undies?

movies man of steel henry cavill Guest commentary: Who Stole Supermans Undies?

Guest post by T Campbell.

Can the soul of Western civilization be found in a pair of red briefs? Was our first great superhero at his strongest, his noblest, his superest, before modern interpretations stripped him of his underwear? Is there a connection?

A generation ago, when those red briefs were an inseparable part of Superman’s design, he was the most familiar superhero by a wide margin, leading the field in film adaptations,[1] headlining cartoon shows,[2] and even winning over famous media critics who were fiction writers in their own right. Even now, if you believe superheroes have anything to say to American culture or the human experience, you sort of have to start with him, because he’s the prototype.

Umberto Eco called him “the representative of all his similars” [3]  and Harlan Ellison described him as one of “only five fictional creations known to every man, woman, and child on the planet.”[4] Born in the early hours of a visual, easily reproduced medium, he was popular enough to codify most of what being a superhero meant. The Oxford English Dictionary even mentions him by name in its definition of “superhero”:

su·per·he·ro ˈso͞opərˌhirō noun: superhero; plural noun: superheroes; noun: super-hero; plural noun: super-heroes. a benevolent fictional character with superhuman powers, such as Superman.[5]

And yet, Batman emerged a year later with no superhuman powers at all, and he was far from the only superhero to flout that membership requirement.[6] What really seemed to make a superhero a superhero, in the minds of the public, was the benevolence, the codename and the costume.

Superman is a strong man created by weak boys. Jerry Siegel and Joe Shuster were nerdy teens when they came up with their first “Superman,” a madman with mental, not physical, powers.[7] Their second draft, far closer to the version we know, had what appeared to be a streak of white in his hair and a bare chest.[8] And those trunks, which persisted through other versions for eighty years.

01 originalsuperman Guest commentary: Who Stole Supermans Undies?

Lacking any personal experience being strong, S. & S. took Superman’s powers from their beloved science fiction, and his costume from the circus.[9]

01 ActionComic1 Guest commentary: Who Stole Supermans Undies?

Underpants on tights were signifiers of extra-masculine strength and endurance in 1938. The cape, showman-like boots, belt and skintight spandex were all derived from circus outfits and helped to emphasize the performative, even freak-show-esque, aspect of Superman’s adventures. Lifting bridges, stopping trains with his bare hands, wrestling elephants: these were superstrongman feats that benefited from the carnival flair implied by skintight spandex. Shuster had dressed the first superhero as his culture’s most prominent exemplar of the strongman ideal, unwittingly setting him up as the butt of ten thousand jokes.

Grant Morrison [10]


Actually, Siegel and Shuster thought of Superman’s other clothes as the mockable ones. To fully understand the significance of Superman’s costume, look at him when he’s out of it—when he’s Clark Kent.

01 clarkkent Guest commentary: Who Stole Supermans Undies?

In virtually every version of Superman, Clark is an exercise in patient self-restraint, the ultimate man pretending day by day to be the ultimate common man. In his early days, this restraint was a superstrongman feat all its own, because Clark was extra pathetic—the better for Siegel, Shuster and the readers to identify with him.

I had crushes on several attractive girls who either didn’t know I existed or didn’t care I existed. So it occurred to me: What if I was really terrific? What if I had something special going for me, like jumping over buildings or throwing cars around or something like that?

Jerry Siegel [11]

Kent looked like Shuster, who later lifted weights for five years but never developed the bodybuilder’s confidence.[12] If Kent’s daily humiliations echoed Siegel’s past, they also predicted part of Shuster’s future.[13] When Shuster’s worsening eyesight drove him out of cartooning, he went back to deliveries, showing up at his former publisher carrying a package and wearing a ratty, worn-out suit.[14]

It’s not hard to imagine nerdy Shuster stammering “Sign here, please” in the same voice that Kent used to ask Lois, on their first date, if it wouldn’t be “reasonable” to let a bullying gangster have just one dance with her.[15]

008 shusterman Guest commentary: Who Stole Supermans Undies?

Yet Shuster also drew Clark with a rock-hard physique that threatened to burst out of his jacket and pants at any moment. Every so often, after meekly tolerating an editor’s blustering or Lois’ icy contempt, “Clark” would crack a smile: if only they knew. For him, the angst Siegel and Shuster had felt in real life was just a pose, a suit he put on sometimes. And then he’d hear someone in trouble and strip off his shirt to reveal the S-shield underneath. The red trunks would soon follow. Underwear, for the underself.[16]

01 alex ross Guest commentary: Who Stole Supermans Undies?

It was all just a game. Everything was going to be all right. Superman cheerfully presided over a world of bright rainbow colors where hurts and humiliations were temporary. Indeed, after a couple of years he developed a code against killing—a code most superheroes also followed.[17]

They also imitated the briefs, especially his most immediate peers—the original versions of Batman, Robin, Hawkman, Hourman, Starman, Dr. Fate, the Spectre, the Atom, and the Star-Spangled Kid all rocked the look as seen below. [18] And yes, more than half of those heroes also followed his “Somethingman” naming convention.

01 Justice Society of America Guest commentary: Who Stole Supermans Undies?

The 1960s and 1970s still saw plenty of new trunks-wearers among Avengers like Giant-Man and the Vision, mutants like Magneto, and gods like Orion. The Thing wore only trunks, and the Hulk torn purple pants. Other gods and mutants (Thor, Darkseid, the early X-Men) wore onesies broken up with a belt.[19] Strangely, two X-Men who each disdained the other’s sense of style—Cyclops and Wolverine—went full trunks-over-pants from the 1970s into the 1990s.[20]

01 Jim Lee X Men 11 Guest commentary: Who Stole Supermans Undies?

This tendency to assign the look to gods and mutants, though, instead of more central figures like Captain America, Mister Fantastic, and Spider-Man, may have been an early sign that it was on its way out. These newer Marvel characters stood out from the first generation by being more fully realized people in their civilian identities, if not eliminating the dual identity altogether. Of the marquee Marvel heroes, only Thor, whose fashions and godly nature made him the exception that proved the rule, was introduced with a Clark Kentish self-denying secret identity.[21]

Superman’s influence continued to erode as the decades wore on. Newer heroes showed less interest in the code against killing or in names ending in “-man.”[22]  And costume redesigns left the trunks behind. The X-Men got into black leather for a while, and their later, more colorful costumes still left the briefs out.[23]

Tim Burton’s 1989 Batman film “de-briefed” comics’ second most famous underwear wearer. Batman never went back to the briefs in any succeeding movies: they began to fade from the comics as well, as shown in this sample of Ben Moore’s larger survey of Bat-suits seen in various media, covering the period from 2005-2012.[24]

01 batman infographik e1419850900988 Guest commentary: Who Stole Supermans Undies?

The look could still show up in the deliberately retro stylings of a film like The Incredibles; despite fashionista Edna Mode’s disdain for capes and insistence that “I never look back, darling, it distracts from the now,” her creations had an old-fashioned flair that matched the traditional values of their wearers, the kind of nuclear family that seemed to headline most sitcoms from the 1950s to the 1980s.[25]

 Guest commentary: Who Stole Supermans Undies?

Superman, for many years, seemed content to be a bit old-fashioned. His brand hadn’t been about “cool” for a long time: it was more about safety and stability. The comic-book Superman of 1962 or 1988 was more scientist than slugger, often approaching problems from a cool remove. His peers honored him as the one who came first, and therefore someone who didn’t need to follow the trends. He had, after all, defined them.[26]

002 comic superman Guest commentary: Who Stole Supermans Undies?

Nevertheless, as superheroes and popular entertainment in general grew increasingly impatient with the “no kill rule,” the temptation to challenge Superman for wearing last year’s morals was overwhelming. The movies of the 1970s and 1980s danced around the issue by making Superman’s foes inanimate[27] or leaving their fates uncertain.[28] But many of his best-loved adventures, the ones that could claim to influence his canon, saw him sorely tempted to end a life—or even saw him succumb.

However, this was always an ending for the character as we knew him, as proved by what came next. In one such story, Superman instantly punished himself by giving up his super-powers and retiring.[29] In another, he died along with his foe.[30] In a third, he had a mental breakdown and went on a long journey of soul-searching before returning to duty with an even firmer vow, “Never again.”[31] In multiple stories of a world not our own, a world gone wrong, Superman deciding to kill is his first step toward villainy.[32] And at least once, he used magicians’ stage tricks to fool the world into thinking he’d broken his rule—just to show how terrible a Superman unchecked by restraint would be.[33]

01 superman nobody has the right to kill Guest commentary: Who Stole Supermans Undies?

The conservatism is unmistakable but charming.  Nearly all fictional franchises create a moral universe that rewards readers for following them, and Superman is no exception. However much he struggled with it, refusing to kill would always be The Right Choice. Other heroes would always look to him for guidance, saluting his cape as if it were the flag. Underwear on the outside of your pants totally works.

The super-briefs stayed on for generations, in comics, movies, TV, Halloween costumes and branded, official kids’ underwear—an incentive to finish toilet training if ever there was one. [34]

005 super underoos Guest commentary: Who Stole Supermans Undies?

And then everyone seemed to reject them at once. In 2011, Jim Lee redesigned all DC Comics’ top-selling characters, giving them the scratchy, slightly self-conscious “edginess” that had made Lee famous.[35] But the artist who had kept Cyclops and Wolverine in trunks now broke precedent. The red of Superman’s trunks shifted to his belt, and its buckle took a shape echoing the chest symbol. The trunks vanished.

I think you have to go for the core elements that are critical to the costume and freely change what looks dated… For me, the red trunks on Superman, you didn’t notice. It gets colored in blue anyhow.[36]

003 comic superman postpants Guest commentary: Who Stole Supermans Undies?

In the same year’s Action Comics, Grant Morrison and Rags Morales emphasized the populist strain in Siegel’s early, Depression-era stories. Theirs was a Superman for the 99 percent, and his costume was the believable result of a reporter’s salary: a screen-printed T-shirt, short cape, and jeans. [37] Morrison explained:

We felt it was time for the big adventures of a 21st-century Paul Bunyan who fights for the weak and downtrodden against bullies of all kinds, from robot invaders and crime lords to corrupt city officials. The new look reflects his status as a street-level defender of the ordinary man and woman.[38]

004 action comics superman Guest commentary: Who Stole Supermans Undies?

The filmmakers of 2013’s Man of Steel found the trunks clashed with their concept of the costume as alien armor. Even director Zack Snyder, whose adaptation of Watchmen had featured two trunks-over-pants designs to the comic books’ one,[39] now found himself breaking precedent.

The costume was a big deal for me, and we played around for a long time. I tried like crazy to keep the red briefs on him. Everyone else said, “You can’t have the briefs on him.” I looked at probably 1,500 versions of the costumes with the briefs on.[40]

006 man of steel Guest commentary: Who Stole Supermans Undies?

Who stole Superman’s undies? Morrison takes responsibility for his part in it, Lee shrugs about careless colorists and readers, Snyder bows to the input of unnamed advisors. Their earlier output, though, suggests they had no dislike for the design, just a need to follow popular taste rather than acting as if Superman still shaped it. But fashion, as ever, sends a message about its wearer.

In Man of Steel, the blue is navy, the yellow rusty and gritty. Smallville’s Clark operates without a costume at all. Both versions of Superman are painfully unsure of themselves, closeted, desperate, and far less successful than earlier versions at preventing collateral damage.[41] Smallville averaged one death per episode in each season.[42] Superman’s first TV outing, The Adventures of Superman, averaged none—and lasted six seasons to Smallville’s ten.[43]

Analyst Charles Watson puts the Man of Steel death toll at 129,000, with the last of those deaths by Superman’s own hand.[44] Contrast this with Superman: the Movie, in which Superman saves everyone at risk from a devastating earthquake except Lois Lane, whom he then rescues via time travel. Man of Steel opened in eight times as many theaters as Superman: The Movie.[45] An influential new beginning, and by his old standards, an inauspicious one.

Man of Steel Superman may scream in anguish after killing General Zod, but unlike in the other stories where he crosses that line, he seems to get over it pretty fast. One scene later, he’s cheerfully knocking an Army drone out of the sky. He actually seems more relaxed and happy after the killing is done! No doubt Lois’ approval helps, but even so.

01 man of steel close e1419854857831 Guest commentary: Who Stole Supermans Undies?

Man of Steel screenwriter David Goyer appears to be weaving some acknowledgments of that issue into its sequel.[46] He would like to assure you that the Superman you remember from your childhoods isn’t gone—he’s just not fully reborn yet.

Our movie was, in a way, Superman Begins; he’s not really Superman until the end of the film. We wanted him to have had that experience of having taken a life and carry that through onto the next films. Because he’s Superman and because people idolize him, he will have to hold himself to a higher standard.[47]

It’s true that Smallville and Man of Steel focus on a young Superman who hasn’t had a chance to become the graceful legend of earlier works. But these have been the portrayals to reach the widest audience in the last decade. [48] Even in current comics, though they have a lighter color scheme and mood, he’s an impulsive younger man with a quick temper.[49] The latest Superman project to be announced, TV’s Krypton, will take place thirty years before his birth.[50]

Put it all together and you’re left with the impression that Superman’s 21st-century caretakers would rather invoke the smiling, life-preserving, cool-headed circus superstrongman than actually show him. Will the next film change that? Will it give him the power and certitude to preserve all intelligent life in his path with a calm soul and a wink at the viewer? Or is that Superman no longer filmable, a relic to be tossed out like a pair of outgrown briefs?

Tights may tell.

[1] 1978’s Superman: The Movie earned nearly six times its budget and spearheaded the only superhero film franchise of the following decade.

[2] Some variation of Super Friends, always with Superman as the headliner, appeared on TV from 1973-1986.

[3] Eco and Natalie Chilton. “The Myth of Superman. The Amazing Adventures of Superman. Review.” Diacritics, 2(1), pp. 14-22. Spring 1972.

[4] Ellison, Foreword to Dennis Dooley and Gary Engle, Superman at 50: The Persistence of a Legend, 1987.

[5] Oxford English Dictionary entry, 2014. Found via Google search, November 22, 2014.

[6] Batman later used gadgets as sort of substitute super-powers, but other figures—the first Atom, Wildcat, and the Spirit, among others—used nothing but ordinary fists.

[7] Jerry Siegel (illustration by Joe Shuster), “The Reign of the Superman,” Science Fiction: The Advance Guard of Future Civilization #3, 1933.

[8] Les Daniels, Superman: The Complete History, 2004, p. 17.

[9] Jerry Siegel and Joe Shuster, Action Comics #1, 1938.

[10] Grant Morrison, Super Gods: What Masked Vigilantes, Miraculous Mutants and a Sun God from Smallville Can Teach Us About Being Human, 2012.

[11] Gerard Jones, Men of Tomorrow: Geeks, Gangsters and the Birth of the American Comic Book, 2005, p. 63.

[12] Tom Andrae with Geoffrey Blum and Gary Coddington, “The Birth of Superman,” Nemo #2, 1983.

[13] Craig Yoe, Secret Identity: The Fetish Art of Superman’s Co-creator Joe Shuster, 2009; Brad Ricca, Super Boys: The Amazing Adventures of Jerry Siegel and Joe Shuster—The Creators of Superman, 2013.

[14] Joe Simon, My Life in Comics, p. 188, 2011.

[15] Jerry Siegel and Joe Shuster, Action Comics #1, 1938.

[16] Alex Ross for Alex Ross and Paul Dini, Superman: Peace on Earth, p. 7, 1938.

[17] Editor Whitney Ellsworth was the driving force behind this rule, as early as 1940, years before the Comics Code Authority.

[18] Art by Jerry Ordway, Who’s Who in the DC Universe #12, 1986.

[19] Tim Leong, “A Venn Diagram of Superhero Tropes,” Super Graphic: A Visual Guide to the Comic Book Universe, 2013.

[20] Art by Jim Lee for X-Men #11, 1992.

[21] Dr. Donald Blake is more complicated than we can cover here,

[22] Wikipedia’s “List of notable superhero debuts” shows a tapering off of such names after the 1960s.

[23] Grant Morrison and Frank Quitely, New X-Men #114, 2001; Joss Whedon and John Cassaday, Astonishing X-Men #1, 2004.

[24] Selected from Ben Moore’s 2012 “Batman Infographic: Every Significant Bat-Suit Ever,” found at Screen Rant, http://screenrant.com/batman-infographic-every-batsuit-benm-144238/.

[25] Brad Bird, The Incredibles, 2004.

[26] Image by Jim Lee for DC Comics.

[27] In Superman: The Movie and Superman Returns, natural disasters are the chief problem; in Superman III and IV, the main villains are destroyed but arguably not truly alive.

[28] Superman II.

[29] Alan Moore, Curt Swan and Kurt Schaffenberger, Action Comics #583, 1986. Source of the image below and the last “Silver Age” Superman story.

[30] Dan Jurgens, Superman #75, 1992. The famous, notorious “Death of Superman.”

[31] John Byrne, Superman #22, 1988; Jerry Ordway, Adventures of Superman #450, 1989; Roger Stern and Kerry Gammill, Superman #28, 1989; George Perez, Action Comics #649, 1989. John Byrne’s last Superman story, and a heavy influence on Man of Steel in terms of who Superman kills and why.

[32] Central premise of the video game Injustice: Gods Among Us, released in 2013, ongoing storyline in the Justice League/Justice League Unlimited animated series (2001-2006) and invoked in the climax of 1996’s Kingdom Come by Mark Waid and Alex Ross.

[33] Joe Kelly and Doug Mahnke, Action Comics #775, 2001. Adapted into a 2012 direct-to-DVD animated film, Superman vs. The Elite.

[34] Photo from http://savinginsalinas.blogspot.com/2011/09/yard-sale-finds.html. Superman has had many adaptations but this was true of virtually all of them until 2011.

[35] Geoff Johns and Jim Lee, Justice League #1, 2011 (image source), and George Perez, Superman #1, 2011. Lee’s career goes back to 1987.

[36] WonderCon 2013 panel, “WC13: Jim Lee Talks DC, Answers Fan Questions and More!,” Comic Book Resources, March 30, 2013, http://www.comicbookresources.com/?page=article&id=44604.

[37] Grant Morrison and Rags Morales, Action Comics #2, 2011.

[38] Dareh Gregorian, “Bird? Plane? Superdude!,” The New York Post, July 18, 2011.

[39] Nite Owl wore them in both versions, but Ozymandias picked them up in the movie. Comics 1986-1987, film 2009.

[40] Reed Tucker, “‘Steel’ this movie,” The New York Post, November 25, 2012. Image from Man of Steel, 2013.

[41] In addition to the film itself, see Emma Dibdin, “‘Man of Steel’: Zack Snyder defends Superman’s ‘collateral damage,’” Digital Spy, August 30, 2013.  

[42] According to smallville.wikia.com. In some seasons it was as high as three.

[43] 1952-1958; 2001-2011.

[44] Graphic by Chris Ritter, “The Insane Destruction That the Final ‘Man Of Steel’ Battle Would Do To NYC, By The Numbers,” Buzzfeed, http://www.buzzfeed.com/jordanzakarin/man-of-steel-destruction-death-analysis, June 17, 2013.

[45] Box Office Mojo. http://boxofficemojo.com.

[46] Devin Faraci. “Find Out Superman’s Situation In BATMAN V SUPERMAN,” Badass Digest, December 15, 2014.

[47] 2013 speech at the BAFTA and BFI Screenwriters’ Lecture series.

[48] 2006’s Superman Returns was far less profitable and problematic in a different way.

[49] Johns, Lee, and Morrison have confirmed this is deliberate.

[50] Lesley Golberg, “Syfy, David Goyer Developing Superman Origin Story ‘Krypton,’” The Hollywood Reporter, December 8, 2014.

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48. Hickman Relaunches The Manhattan Projects and Takes a Marvel Break

By: Alexander Jones

Jonathan Hickman is going through a pretty massive career change. First up, he’s relaunching The Manhattan Projects with a new number one and title change, with The Manhattan Projects: The Sun Beyond The Stars #1. Expect the new #1 on March 11, 2015, along with Nick Pitarra on art with Jordie Bellaire on colors.

The Manhattan Projects 1 2015 Hickman Relaunches The Manhattan Projects and Takes a Marvel BreakNext up, is some Marvel news. After spearheading a giant event in the Avengers side of Marvel with infinity, along with two additional Avengers books, it seems the author is seeking a “nap.” Hickman references the furious shipping schedule at Marvel for reasons behind this career move:

I do think that going to Marvel is a very good move for some creators to make. It’s certainly been good for me. And because they’re double-shipping, you really can’t simulate the volume and velocity of the work – it’s like getting live reps in sports. Going to press isn’t something you can practice.

The story came from a Newsarama interview, and it’s also worth noting that Hickman is only a taking a breather at Marvel AFTER the upcoming Secret Wars event that he is writing.

Saying that, I’m on my last couple of issues of Avengers and I’m into the eight issues of Secret Wars, and after that I’m taking a bit of a break. I need it. The Image work will, however, endure nap time.

Of course, Jonathan Hickman isn’t leaving comics entirely either. We have his upcoming title The Dying and the Dead to look forward too, as well as The Manhattan Projects and East of West. Really Hickman is not taking a nap, he might just be working more than ever now!

Oh, and Hickman also says this to Newsarama when asked about what’s next for him:

Feel Better Now – written and drawn by me –  will come out from Image in the back half of 2016, but other than that, sleeping. Oh, and catching up on comics I’ve missed.

Does he actually sleep?

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49. Brisson and Couceiro Go BOOM! with Cluster #1

BOOM Cluster 001 B Simon Roy e6e8f 677x1028 Brisson and Couceiro Go BOOM! with Cluster #1

Ed Brisson of Sheltered and Sons of Anarchy fame has just announced a brand new project over at BOOM! Studios entitled Cluster. The book follows Samara, the leader of a group of cons. Samara is sentenced to prison for her crimes, and then given an option to join to go kill aliens on a planet called Midlothian or stay in jail. Samara chooses to join the military cause leaving her stranded on a planet with a horde of baddies. Damian Couceiro, who has previously worked with Brisson on Sons of Anarchy and Murder Book, is joining the author with illustrations on the title.

Brisson elaborates further on the premise in this quote from CBR who also announced the title:

BOOM Cluster 001 D Declan Shalvey 1f7a2 197x300 Brisson and Couceiro Go BOOM! with Cluster #1I don’t want to give away too much, but will say that a lot of the people serving time have bogus sentences. In the story, you can trade your life sentence in for a tour of duty — get out in 15 years. But, what constitutes a life sentence? In a future where both the military and prison system are privatized, where they feed into one another, is anyone going to get a fair shake?

The author also teased that there may be something deeper going on than meets the eye in Cluster:

Our lead character in the book, Samara, is someone who could have avoided being there. Her father is in a position where he may have been able to prevent her from spending time in prison, let alone serving 15 years fighting aliens on a distant planet. However, she’s there because she has a desire to pay penance for what she’s done, something that we don’t quite learn until much later on.

Cluster #1 is available at finer comic shops on February 4th.

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50. The IDW Discovery Sale is a Hidden Gem Amongst a Slew of Discounts

da3de8e24b95079d5fdee88c06d126ae 1000x292 The IDW Discovery Sale is a Hidden Gem Amongst a Slew of Discounts

By: Alexander Jones

We just reported on a huge Boxing Day sale across Comixology, but there is one $9.99 collection to rule them all (aside from the Star Wars sale today–that thing is crazy!) The IDW Recent Hits/Discovery sale features a total of 20 great comics for half of the price. The best part, is that many will get a chance to try out some brand new titles that they have likely never read before. The sale is through Comixology only, and features a variety of great first issues that should leave fans frothing at the mouth to read more. Hurry and grab these books as they are only available till the 1st of January. Those wanting to venture out and try some titles that are outside of the mainstream without being too far removed from licensing can find some great selection here. Here is a breakdown of the issues in the collection:

  1. Angry Birds/Transformers Issue #1 Then $1.99 Now $0.99
  2. Cartoon Network: Super Secret Crisis War! Issue #1Then $1.99 Now $0.99
  3. Dungeons & Dragons: Legends of Baldur’s Gate Issue #1Then $1.99 Now $0.99
  4. Edward Scissorhands Issue #1Then $1.99 Now $0.99
  5. Judge Dredd: Anderson, Psi-Division Issue #1Then $1.99 Now $0.99
  6. Little Nemo: Return To Slumberland Issue #1Then $1.99 Now $0.99
  7. Littlest Pet Shop Issue #1Then $1.99 Now $0.99
  8. Ragnarok Issue #1 Then $1.99 Now $0.99
  9. Rot & Ruin Issue #1Then $1.99 Now $0.99
  10. Samurai Jack Issue #1Then $1.99 Now $0.99
  11. Skylanders Issue #1 Then $1.99 Now $0.99
  12. Star Slammers: Re-mastered! Issue #1 Then $1.99 Now $0.99
  13. Star Trek: Harlan Ellison’s City on the Edge of Forever Issue #1Then $1.99 Now $0.99
  14. Teenage Mutant Ninja Turtles/Ghostbusters Issue #1 Then $1.99 Now $0.99
  15. The Bigger Bang Issue #1Then $1.99 Now $0.999
  16. The October Faction Issue #1 Then $1.99 Now $0.99
  17. Transformers vs. G.I. Joe Issue #1Then $1.99 Now $0.99
  18. Transformers: Drift: Empire of Stone Issue #1 Then $1.99 Now $0.99
  19. V-Wars Issue #1 Then $1.99 Now $0.99
  20. Winterworld Issue #1 Then $1.99 Now $0.99
  21. Angry Birds/Transformers Issue #1 Then $1.99 Now $0.99
  22. Cartoon Network: Super Secret Crisis War! Issue #1 Then $1.99 Now $0.99
  23. Dungeons & Dragons: Legends of Baldur’s Gate Issue #1 Then $1.99 Now $0.99
  24. Edward Scissorhands Issue #1 Then $1.99 Now $0.99
  25. Judge Dredd: Anderson, Psi-Division Issue #1 Then $1.99 Now $0.99
  26. Little Nemo: Return To Slumberland Issue #1 Then $1.99 Now $0.99
  27. Littlest Pet Shop Issue #1 Then $1.99 Now $0.99
  28. Ragnarok Issue #1 Then $1.99 Now $0.99
  29. Rot & Ruin Issue #1Then $1.99 Now $0.99
  30. Samurai Jack Issue #1 Then $1.99 Now $0.99
  31. Skylanders Issue #1 Then $1.99 Now $0.99
  32. Star Slammers: Re-mastered! Issue #1Then $1.99 Now $0.99
  33. Star Trek: Harlan Ellison’s City on the Edge of Forever Issue #1 Then $1.99 Now$0.99
  34. Teenage Mutant Ninja Turtles/Ghostbusters Issue #1Then $1.99 Now $0.99
  35. The Bigger Bang Issue #1 Then $1.99 Now $0.99
  36. The October Faction Issue #1 Then $1.99 Now $0.99
  37. Transformers vs. G.I. Joe Issue #1 Then $1.99 Now $0.99
  38. Transformers: Drift: Empire of Stone Issue #1Then $1.99 Now $0.99
  39. V-Wars Issue #1 Then $1.99 Now $0.99
  40. Winterworld Issue #1 Then $1.99 Now $0.99

Not only are all these issues half the price, but there is also a $9.99 bundle for everything listed above!

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